"Flip Flop And Fly" Performed by Ellis Hall Written by Charles Calhoun & Lou Willie Turner Produced by John Powell
Music Composed‚ Arranged & Produced by John Powell & Harry Gregson-Williams
Soundtrack Album Produced by John Powell & Harry Gregson-Williams Music Supervisor: Marylata E. Jacob Album Compiled by Gavin Greenaway Score Recorded & Mixed by Nick Wollage at Abbey Road Studios, London
Assistant Engineers: Chris Clark & Andy Dudman Supervising Music Editor: Richard Whitfield Music Editor: Vicki Hiatt & Bruno Roussel Music Assistance: Steve Jablonsky, James McKee Smith & Geoff Zanelli Orchestrations: Bruce L. Fowler, Elizabeth Finch, Harry Kim, Ladd McIntosh & Yvonne S. Moriarty Score Conducted by Harry Gregson-Williams, Gavin Greenaway & Nick Ingham Music Preparation: Tony Stanton Orchestral Contractor: Isobel Griffiths Score Readers: Rupert Gregson-Williams & Alastair King Music Production Services: Media Ventures Additional Recording by Alan Meyerson Mastered by Nick Webb at Abbey Road Studios
John & Harry would like to give a special thanks to their families, especially Melinda, Karen, Jessie, the new babies & all the nieces & nephews
Thank you to all the musicians & singers, Nick Park & Peter Lord, Jeffrey Katzenberg, Penney Finkelman Cox, Hans Zimmer, Marylata Jacob, Gretchen O'Neal & the staff at Media Ventures, Laura Engel, Michael Gorfaine, Sam Schwartz, Rochelle Winters, Julie Imboden, Carla Shelley, Michael Rose, Jake Eberts, David Sproxton, Mark Soloman, Adrian Rhodes & Colette Barber
Release date : 06/20/2000
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How come there are some guys like Jablonsky and Zanelli who are listed as additionals here, but don't have any cues credited to them?
1) The parts they wrote didn't make it to the album program, or
2) It is known that these guys did write some music for this film, but the exact cues are not known.
Not sure about #1, because I honestly don't think there's much more music in the film than there is on this album.
Perhaps they did source music not included here...I know that was what Zanelli did on Antz.
Actually Edmund there are a few tracks in the film that didn't make it to the album (5 minutes or so I think). This could be an explanation. Perhaps some additional composers just helped here and there but didn't earn credits because their contribution was meager too much ?
I don't remember if there was any source music in the film apart from "The Wanderer" (that was not composed by the score team, of course).
New Actualist!!!!! John Powell and Harry Gregson-Williams is the best DUO. Yes, and with Hans Zimmer too.!
Opening Escape - Main Title - The Evil Mrs.Tweedy - Chickens Are not Organized - Flight Training - A Really Big Truck Arrives - Cocktalis and Flighty Thoughts - Into the Pie Machine - Building the Crate - The Chickens Are Revolting - Lift Off - Escape to Paradise !!!! 12 of 20 Goods!!
This audible band is especially good, very varied and wonderful. The by that? The name of the two authors explains it all, loves me this duo. My favourite songs of here are: Opening Escapes, Main Titles, A Really Big Truck Arrives, Building the Crate, The Chickens Are Revolting, LIFT OFF & Escape to Paradise.
My excitement just couldn.t be contained when I heard that Chicken Run was being scored by Gregson-Williams/Powell after their amazing collaboration on Antz. I knew we were all in for a treat! I heard somewhere that main title music is a good way of telling how good the rest of the score is going to be and this is no exception. The "--Opening Escape"-- and "--Main Titles"-- tracks are seven minutes of sheer excitement. The music could be easily inserted into any old-fashioned war movie like 'The Great Escape' (which the film and music obviously parodies). The introduction of the Mrs Tweedy character, which is gloriously placed in track 3, is at first ominous and then sad to accompany the execution of a fellow chicken. There are many other sad, heartfelt cues in the score such as "--We Need A Miracle, "--Up On The Roof"-- and "--Rocky, A Fake All Along"--. There are also many other action filled tracks (tracks 14 and 16). I almost forgot to mention the kazoos - they are great. They provide a perfect comical feel to the score whilst preventing it from becoming too serious. There are two songs on the album, one existing and one original - which is very enjoyable.
A great collaboration between the two composers who will continue to produce, interesting and exciting scores for years to come.
Certainement l'oeuvre la plus aboutie écrite par John Powell et Harry Gregson-Williams. Les deux compositeurs ont réalisé un travail excellent pour ce film des studios Aardman, déjà créateurs des courts "--Wallace &-- Gromit"--. L'humour est omniprésent et les différents thèmes sont recherchés, et d'une énergie rare. Du "--Main Titles"-- au "--Building the Crate"-- survitaminé, pas une seule seconde de musique n'ennuie l'auditeur. Même les deux chansons ("--Flip Flop and Fly"-- &-- "--The Wanderer"--) s'inscrive parfaitement dans le contexte. L'utilisation des kazoos donne un son nasillard très drôle, en guise d'identité sonore de la bande originale.
Une petite perle que tous les fans de Powell et Gregson-Williams se doivent d'avoir dans leur collection. Magnifique.