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Just when we thought there would be no remixes on this soundtrack. The digital release will included a bonus track with this piece of shit track: https://youtu.be/wJDKqkbXIT0  by Dimitri Vegas en Like Mike (those guys who play music with there macbooks and usb sticks.) <br><br>Nobody asked for this track. This is going to the trash once the soundtrack is downloaded on my ipad.I have to admit, that new adventure theme it's stuck in my head all day. Don't know how suddenly popped up into my head.There are a lot of ways to describe the Pirates scores, but "original" or "never heard something like that before", certainly not.Well... Zanelli composed Tia Dalma and the percussive Island music from the past trilogy at the least... also the spaniards theme from OST which was my favorite new theme. <br><br>in a new interview Zanelli explains that he, both directors and Zimmer sat down to decide on the new music, so Zimmer is still present... search the interview in filmmusicmg.comno Eric sorry but there is nothing noticeable in the score for Barbossa. Nothing new i mean :/
Does Barbossa have a theme in Dead Men Tell No Tales?Ok guys, I just saw the movie too, in "avant-premi&#232;re" in France. I must begin by saying i'm a huge fan of PotC since 10 years now, and especially thanks to the music, such original for a "hollywood movie". I remember myself earing the Singapore theme in the theatre, and thinking "ooh my god, I've never heard something like that before ! It's sooo coool !". And, I have never heard anything like this since  in others blockbusters. The scores was very uniques.<br> Since 10 years now i'm a fan of Zimmer too and i know every single note of every Pirate film, and i'm not kidding. <br>So the movie was ok, great beginning, disappointing ending but LET'S TALK ABOUT THE SCORE !!!<br><br>First of all, Zanelli is not Zimmer. It's simple : after watching any pirate movie (even OnStTi) we had a new theme in mind (The Main Theme, the Kraken Theme, Davy Jones, Hoist the Colors, One Day, Up Is Down, Mermaids etc.). Here, we don't. The music "feels pirate" but that's all ; no remarquable new great theme... sorry guys.  Well, the only really remarquable is the Salazar's theme, between The Kraken, BlackBeard and Davy Jones, but we just remember the rock guitar, not the melody ;-(<br><br>It's hard to admit, especially from a fan who expected a lot from Zanelli, but the Soundtrack is just another hollywood soundtrack, barely remarkable, without originality. The greats themes are these from the others movies, the Zimmer's ones. And very often that's almost exactly the same : "Day One" in the beginning ; "Barbossa Is Hungry" or the Beckett's Death music in "I Don't Think Now Is the Best Time" is steel for the climax of potc5...<br><br>So, i'm nor waiting the soundtrack anymore, maybe IF there is some suites in it, but I don't think so... Too Bad. I miss Zimmer and Verbinski ;-(Somebody on Reddit posted that the soundtrack is already on sale at Disneyland.I loved Chappie . Why didn't he worked with the other composers from the film ?It seems to be a feature film I think but why not work with Zimmer again ?
My heart definitely goes out to Zack Snyder, I hope his family will pull through. Regardless of opinion, I think he is an enormously talented director who never got quite as much credit as he deserved.<br><br>Now that Joss Whedon is taking over the finishing touches on Justice League I wonder how this will affect the sound of JXL's music. <br>Where can we find out about deluxe soundtrack releases, for instance if Dunkirk was also released in a "special edition" or whichever, where could I learn or hear about it?Salazar is just another version of Davy Jones and his crew but with no motivation. <br><br>Jerry Bruckheimer -<br><br>Before OST:<br>"Blackbeard is probably the evilest character we've ever had"<br>"It harkens back more the first one."<br>"The beginning of a whole new adventure... a whole new fresh look to the pirates movies"<br>"We've got these two beautiful new characters"<br><br>Before DMTNT<br>"I think Salazar is the head of the family tree of the previous villains. He is the most frightening we’ve ever had because he’s merciless."<br>"What's fresh about this is the fact we're introducing these new characters"<br>"It's so fresh, so different, so scary"<br><br>Well for me sadly it is just a reminder of how great the original trilogy was. The best things in this movie are the returning characters, and the returning love theme from At World's End. Aside from that, it's just like the 4th movie: another forgettable round in the same old attraction. Except this time there are some naval battles, so at least it looks like a pirates movie, which makes it just a little better than the 4th one. But still far, far below the first 3 movies.Just saw the film. Was great by the way, much much beter than On Stranger Tides. Now on the score: I'm not blow away by it (Not all the new theme's are great) BUT... First the new theme for Carina and the stars is by far the best new thing in the pirates soundtrack universe. It's beautiful, something new and adventurous. The new adventure theme is actually a new variation on He's a Pirate or Jack's theme (can't really tell, need to here it again.) which has been used a lot in previous films during the action sequences. First time i heard it, it thought it was a little bit simple and unoriginal but hearing it for a multiple times in the film I really started to like it! It's good they made something new to use during the action sequences instead of the overused he's a pirate or jack's theme, It gives the movie it's own voice.<br><br>Salazar's theme was for me the most dissapointing, it sounded too much like Davy Jones and his crew, also I don't even remember it. Missed opportunity over here. But what really stood out for me are the old themes. Dear lord I got goosebumps at the end when One Day (Will & Elizabeth's theme from Pirates 3) is used, it's emotional and epic. Also the beginning of the movie has a some tragic variations of Will and Elizaberh theme from Pirates 3. Hopefully this will be on the soundtrack! Also somethimes the Marry Me suite is used shortly for Henry during action moments. <br><br>It's amazing to see that these themes, made 10 years ago, still have there effect as they are used in a new movie (it also helpes ofcourse that storylines from At World's End finally pay off in this film) and they are used in a proper way, they always fit the scene in this movie (not like in On Stranger Tides we're theme's are used in scenes that didn't have a connection to it at all). I really hope the score album will make a good represention of this films complete soundtrack, waiting another multiple years for a complete score? (the opening track in this film for exemple, or that short little string piece when Carina appolizes to Henry) I don't think I can do that. Looking forward to friday to hear what they will give us.
Amazon has it listed for this Friday, May 26th.well... yeah. that's the purpose of film music... complement the images, not just being there... I had read that review, but only that critic I've seen trash the music as well...<br><br>But don't go to far.. that's exactly the type of criticism is being thrown at Spielberg/Williams lately.. and if you don't believe me, just search for WarHorse reviews.<br><br>That folkes, are how 80s and 90s film music used to work.Genius, to be fair, the score for At World's End got some, not a lot, but some nasty reviews as well, and for similar "reasons" as well: too loud, too bombastic, saying more than what's happening on the screen, etc. I think we just need to listen to the score and watch the movie to see for ourselves... because if anyone is like me, I love all the scores and movies except for On Stanger Tides... regardless of the poor reviews. I've been wrong before though lol"Geoff Zanelli’s score is one of the most annoying of recent memory, but maybe it’s not the composer’s fault. For slow, dull action scenes he scores loud, propulsive music to make the audience think it’s seeing something that isn’t there. We get the horns of profundity and the strings of sincerity, not to mention the soaring choruses that tell us that grand things are really happening now, oh boy — and that these people are really feeling something — and aren’t we privileged to be swept away on this epic of joy and adventure? . . . And none of it is on the screen."<br><br>...<br><br>" In the midst of all the galloping, carousing and general crazy hysteria of the movie, the score by Geoff Zanelli acts as a metaphor for the movie itself, working so hard to inspire feeling, but sounding like clanging desperation instead."<br><br>Score getting hammered as well. =<br><br><br>Anyone know when the soundtrack will be released? I'd assume the day of the film's release, May 26, but usually the series' soundtracks have been released earlier. I haven't seen anything for the soundtrack on iTunes, which is a bit concerning.
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Harry Gregson-WilliamsJohn PowellJames McKee SmithSteve Jablonsky
ComposerComposerAdditional MusicAdditional Music
Chicken Run
Label: RCA Victor
Length: 62'28 (Score: 59'52)
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (5161 votes)
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  1. Opening Escape (3:39)
    John Powell
  2. Main Titles (3:24)
    John Powell
  3. The Evil Mrs. Tweedy (4:22)
    John Powell
  4. Rats! (1:09)
    Harry Gregson-Williams
  5. Chickens Are Not Organized (1:01)
    John Powell
  6. We Need A Miracle (2:03)
    John Powell
  7. Rocky And The Circus (3:51)
    John Powell
  8. Flight Training (3:39)
    John Powell
  9. A Really Big Truck Arrives (5:56)
    Harry Gregson-Williams
  10. Cocktails And Flighty Thoughts (1:58)
    Harry Gregson-Williams
  11. Babs' Big Break (1:40)
    John Powell
  12. Flip Flip And Fly - Ellis Hall (2:09)
  13. Up On The Roof (3:08)
    Harry Gregson-Williams
  14. Into The Pie Machine (3:10)
    John Powell
  15. Rocky‚ A Fake All Along (3:28)
    Harry Gregson-Williams
  16. Building The Crate (3:32)
    John Powell
  17. The Wanderer - Dion (2:47)
  18. The Chickens Are Revolting (2:45)
    John Powell, Gavin Greenaway
  19. Lift Off (3:41)
    Harry Gregson-Williams
  20. Escape To Paradise (4:59)
    John Powell, Gavin Greenaway, James McKee Smith
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Edmund Meinerts reply Replies: 4 || 2013-11-17 15:21:00
How come there are some guys like Jablonsky and Zanelli who are listed as additionals here, but don't have any cues credited to them?


Frisbee2013-11-17 16:34:20
Two possibilities:

1) The parts they wrote didn't make it to the album program, or

2) It is known that these guys did write some music for this film, but the exact cues are not known.


Edmund Meinerts2013-11-17 16:42:36
Not sure about #1, because I honestly don't think there's much more music in the film than there is on this album.


Mike2013-11-19 04:15:54
Perhaps they did source music not included here...I know that was what Zanelli did on Antz.


Mr Tweedy2013-11-19 22:24:11
Actually Edmund there are a few tracks in the film that didn't make it to the album (5 minutes or so I think).
This could be an explanation. Perhaps some additional composers just helped here and there but didn't earn credits because their contribution was meager too much ?

I don't remember if there was any source music in the film apart from "The Wanderer" (that was not composed by the score team, of course).

MacArthur reply Replies: 1 || 2013-08-11 19:30:05
I Kinda Sounds Like the Great Escape Theme by Elmer Bernstein


Edmund Meinerts2013-08-11 22:40:22
Well, considering the movie is essentially The Great Escape except with chickens, I think that was the general idea. ;)

Anonymous reply Replies: 0 || 2013-06-25 07:55:05
So then, I take it JP was the primary guy here?

Ele reply Replies: 1 || 2009-12-16 00:00:00
There's mistake. Geoff Zanelli did not write additional music here.


Mike2013-04-10 04:59:28
Apparently he did. The film is listed on his site.

Mike reply Replies: 0 || 2012-12-28 09:26:05
Steve Jablonsky worked on this score! Wow!

FunnyML reply Replies: 0 || 2011-04-12 00:00:00
According to the film's credits sequence, Geoff Zanelli actually did an additional cue.

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
New Actualist!!!!! John Powell and Harry Gregson-Williams is the best DUO. Yes, and with Hans Zimmer too.!

Opening Escape - Main Title - The Evil Mrs.Tweedy - Chickens Are not Organized - Flight Training -
A Really Big Truck Arrives - Cocktalis and Flighty Thoughts - Into the Pie Machine -
Building the Crate - The Chickens Are Revolting - Lift Off - Escape to Paradise !!!! 12 of 20 Goods!!

Mario Soundtrack reply Replies: 0 || 2009-02-28 00:00:00
Opening Escape - Main Titles - A really Big Truck Arrives - Into the Pie Machine - Building the Crate - Chickens Are Revolting - Lift Off & Escape to Paradise!
The best!!

Mario Soundtrack reply Replies: 0 || 2008-11-19 00:00:00
This audible band is especially good, very varied and wonderful. The by that? The name of the two authors explains it all, loves me this duo. My favourite songs of here are:
Opening Escapes, Main Titles, A Really Big Truck Arrives, Building the Crate, The Chickens Are Revolting, LIFT OFF & Escape to Paradise.

DemonStar reply Replies: 0 || 2008-07-24 00:00:00
Amazing score!

Anthony reply Replies: 0 || 2006-12-23 00:00:00
Go Hans Zimmer? Excuse me?

Anonymous reply Replies: 0 || 2006-10-24 00:00:00
Great score for an amazingly made movie. Go Aardman. Go Hans Zimmer. Go life!

Ant reply Replies: 0 || 2006-08-13 00:00:00
Heh, the kazoos are just the cherry on top!

Peter Mandelson reply Replies: 0 || 2005-01-09 00:00:00
Great score for a great film!

John Mason reply Replies: 0 || 2005-01-09 00:00:00
My excitement just couldn.t be contained when I heard that Chicken Run was being scored by Gregson-Williams/Powell after their amazing collaboration on Antz. I knew we were all in for a treat!
I heard somewhere that main title music is a good way of telling how good the rest of the score is going to be and this is no exception. The "--Opening Escape"-- and "--Main Titles"-- tracks are seven minutes of sheer excitement. The music could be easily inserted into any old-fashioned war movie like 'The Great Escape' (which the film and music obviously parodies).
The introduction of the Mrs Tweedy character, which is gloriously placed in track 3, is at first ominous and then sad to accompany the execution of a fellow chicken.
There are many other sad, heartfelt cues in the score such as "--We Need A Miracle, "--Up On The Roof"-- and "--Rocky, A Fake All Along"--.
There are also many other action filled tracks (tracks 14 and 16).
I almost forgot to mention the kazoos - they are great. They provide a perfect comical feel to the score whilst preventing it from becoming too serious.
There are two songs on the album, one existing and one original - which is very enjoyable.

A great collaboration between the two composers who will continue to produce, interesting and exciting scores for years to come.

***** out of *****

Mr.Tweedy reply Replies: 0 || 2004-12-07 00:00:00
Certainement l'oeuvre la plus aboutie écrite par John Powell et Harry Gregson-Williams.
Les deux compositeurs ont réalisé un travail excellent pour ce film des studios Aardman, déjà créateurs des courts "--Wallace &-- Gromit"--.
L'humour est omniprésent et les différents thèmes sont recherchés, et d'une énergie rare.
Du "--Main Titles"-- au "--Building the Crate"-- survitaminé, pas une seule seconde de musique n'ennuie l'auditeur. Même les deux chansons ("--Flip Flop and Fly"-- &-- "--The Wanderer"--) s'inscrive parfaitement dans le contexte.
L'utilisation des kazoos donne un son nasillard très drôle, en guise d'identité sonore de la bande originale.

Une petite perle que tous les fans de Powell et Gregson-Williams se doivent d'avoir dans leur collection. Magnifique.

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Chicken Run soundtrack - Harry Gregson-Williams - John Powell 2000