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Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.That´s why I asked myself, why dont they ever re-unite like before, so yea, they sometimes doInterestingly, Aljoscha is collaborating a lot with 2WEI these days. The Junkie Team reassembles ! lol
Oh I see, very interesting! Many thanks for the answer :)Fired ?!
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<br>Haha no.
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<br>You gotta realize being an additional composer is not exactly an easy thing. Some jump ship after a few years or have other aspirations, try to work solo and so on.
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<br>Vörlander worked for Junkie from 2010 to 2015, then started his own business of writing for commercials, trailers etc. (it's called 2WEI, in Germany) He even did keep working on some trailers for JXL's scores after that, or helped on FIFA 17. Junkie had Aljoscha Christenhuß who worked for him from 2015 to 2018. Then Antonio jointed in 2016, Sara Barone joined more recently last year.
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<br>Thomas is doing his own thing too, he founded Chromium Music and is doing some solo projects now.
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<br>Jasha, after working for Lorne & Hans, "transfered" to Bleeding Fingers but after a while left to focus on his own solo career too.
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<br>Ultimately, everyone leaves, sooner or later... :)@Hybrid, I was always wondering, what happened to composers like Thomas Farnon, Jasha Klebe or Christian Vorlander - why are they not working with Lorne/Junkie anymore? Did they get fired or did they just move on? I find it weird, that Lorne/Rupert/Junkie/Etc would fire their additional composers after all those years of collaboration.The theme he was supposed to write but didn't ? :D lol<br><br>Well don't take word for word what he says. He's being general, the interview was for Forbes afterall.<br><br>Just take the extract we got, it had a quote from BvS that had nothing to do with either Superman or Wonder Woman... lol*forgot to mentioned
"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,”<br><br>I hope Tom just forget to mention about Batman's theme and will reuse it too, because if he don't, then what's the point of it?Junkie's score for GvK is probably going to be better than his score for Justice League if he is that interested in doing a score for a godzilla movie.And this<br><br>“On Godzilla vs. Kong, I said, ‘I think we need the biggest bass drum on the planet for this score. I know the guy who can build it, what do you think?’ They just said, ‘Let’s do it.’ So I said I want a bass drum that is at least eight feet in diameter,” he laughed. “The guy called me back, and he asked, ‘Is it okay if it’s only six?’ I said, ‘Could we do eight? Why can’t we do ten?’ The answer was, ‘Well, there’s simply no cow alive that has a skin big enough to cover for a ten-foot bass drum.’ So, we have to scale it down to eight.Also, a bit of GvK:<br><br>'A perfect example is the Godzilla vs. Kong movie that is coming out next year,” he enthused. “I’m such a Godzilla freak. I have all the Japanese versions of the movies. At a certain point, just for s**ts and giggles, I wrote something for Godzilla. About two years ago, I met the director because he showed interest in me as a composer. I asked him, ‘Do you know I’m the biggest Godzilla fan on the planet, and, years ago, I wrote some stuff.’ He was like, ‘You’re kidding me?’ So we started communicating, I tweaked what I did, played it for him, and he was totally in love.”Tom's interview kinda exactly confirms what I said ! lol<br><br>"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,” he revealed. “Some of them I did the groundwork on four years ago, but as you grow as a composer, you look at what you did and maybe have a better way of doing it now or a better idea. It was inspiring. I would get an idea in my downtime and think, ‘Oh, let’s rework this thing. Let’s do that.’ Because I knew for a while that this was coming, I had the time and space to shape it into its best possible form."
@Hybrid besides Tom style, do you like the more orchestral style with Di Lorio or the more electronic style with Vorlander?Interesting! It sounds like he’s almost starting from the ground up, which actually might end up sounding better than what we would’ve gotten had the original film been released in 2017. <br><br>I’m also interested in the theme suites/sketchbooks he wrote back then, and if they will still be used as a basis for the score. Either way the end result is gonna be cool I feel, hopefully we get a great score release from WaterTower!Well since the thing is completely going to be re-edited (series format, probably 4h movie after), lots of scenes added & altered (something even if Snyder had stayed in 2017, he couldn't have done freely), a lot of work to be done for sure.
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<br>Writing new cues, maybe changing others completely. Rewriting with all the edits probably making scenes longer etc.
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<br>You probably have the core of the score, the themes, the big ideas & cues done, but you have to readapt it almost completely ! And, as I said, in 3 years, maybe Tom can listen to something he wrote 3 years ago and go "ok, I got that completely wrong, let's try something else."@HybridSoldier<br>That’s completely true. Do you think we will ultimately get a hybrid of Tom’s original score mixed with whatever else he is writing currently? <br><br>He says in the preview that there is much more to write, which is interesting considering the original cut was supposedly “mostly done”...Wanted, such underrated action score
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Harry Gregson-WilliamsJohn PowellJames McKee SmithSteve Jablonsky
ComposerComposerAdditional MusicAdditional Music
Chicken Run
Label: RCA Victor
Length: 62'28 (Score: 59'52)
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7162 votes)
  1. Opening Escape (3:39)
    John Powell
  2. Main Titles (3:24)
    John Powell
  3. The Evil Mrs. Tweedy (4:22)
    John Powell
  4. Rats! (1:09)
    Harry Gregson-Williams
  5. Chickens Are Not Organized (1:01)
    John Powell
  6. We Need A Miracle (2:03)
    John Powell
  7. Rocky And The Circus (3:51)
    John Powell
  8. Flight Training (3:39)
    John Powell
  9. A Really Big Truck Arrives (5:56)
    Harry Gregson-Williams
  10. Cocktails And Flighty Thoughts (1:58)
    Harry Gregson-Williams
  11. Babs' Big Break (1:40)
    John Powell
  12. Flip Flip And Fly - Ellis Hall (2:09)
  13. Up On The Roof (3:08)
    Harry Gregson-Williams
  14. Into The Pie Machine (3:10)
    John Powell
  15. Rocky‚ A Fake All Along (3:28)
    Harry Gregson-Williams
  16. Building The Crate (3:32)
    John Powell
  17. The Wanderer - Dion (2:47)
  18. The Chickens Are Revolting (2:45)
    John Powell, Gavin Greenaway
  19. Lift Off (3:41)
    Harry Gregson-Williams
  20. Escape To Paradise (4:59)
    John Powell, Gavin Greenaway, James McKee Smith
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Joey Good reply Replies: 0 || 2019-10-21 00:43:30
Is there anyway o get sheet music for Into the pie machine for orchestra?

  Your name :   

Please enter number: 135 

jjstarA113 reply Replies: 1 || 2019-10-03 03:30:45
Powell produced that "Flip Flip And Fly" song???


jjstarA1132019-10-03 03:31:06
*Flop

Scorefan reply Replies: 5 || 2018-06-25 19:37:39
Is this true?

Sessions:
01. 1m1 Opening Escape (3:39)
02. 1m2 Main Titles (3:23)
03. 1m3 The Evil Mrs. Tweedy (4:22)
04. 1m4a First Roll Call (2:06)
05. 1m4b Edwina’s Execution (1:28)
06. 1m5 Rats (1:08)
07. 1m7a Mrs. Tweedy’s Idea (Part 1) (0:40)
08. 1m7b Mrs. Tweedy’s Bad Idea (Part 2) (0:44)
09. 1m9 Ginger’s Dream (1:14)
10. 2m6 Cocktails Flighty Thoughts (1:58)
11. 2m7 Chickens Are Not Organized (1:00)
12. 2m8 We Need A Miracle (2:02)
13. 2m9 Rocky and The Circus (3:51)
14. 2m10 Rocky Arrives (0:58)
15. 2m11 Our Way Out (0:48)
16. 2m15 Circus Truck Arrives (2:35)
17. 2m16 Sleeping With Fowler (0:35)
18. 2m17-18 Flight Training (3:39)
19. 2m18 Futile Flying (1:58)
20. 2m19-21 Pie Mach Truck (5:57)
21. 3m12 Flip Flop Fly (2:09)
22. 3m22 Our Future (1:06)
23. 3m25 Thrust (1:02)
24. 3m26a 2nd Roll (1:10)
25. 3m26b Chicken Feed (0:31)
26. 3m26x Babs Big Break (1:39)
27. 3m32a Pie Machine Starts Up (1:34)
28. 3m32b Rocky Heroic On Hanger (0:34)
29. 4m33 Into The Pie Machines (3:11)
30. 4m34 Up On The Roof (3:08)
31. 4m35a Poster (2:01)
32. 4m35b Mud Fight (1:37)
33. 4m37 Rocky A Fake All Along (3:28)
34. 5m36 Building The Crate (3:32)
35. 5m38-39 Chickens Are Rev (2:46)
36. 5m40 Lift Off (3:41)
37. 5m41 Escape To Paradise (4:59)


Hybrid Soldier2018-06-25 19:52:51
... Partially ?


Anonymous2018-06-25 21:36:36
The cues that crossfade into one another on the official album have the same length on this "session" thing. Surely that is not how "sessions" are presented like...


Mr Tweedy2018-06-26 10:28:58
Looks like a combination of the official CD and a few unreleased tracks that ended up on the internet 6-7 years ago...


Edmund Meinerts2018-06-30 14:55:03
Yeah the amount of actual new music on that thing is pretty negligible, less than 5 minutes total of short cues. A lot of what looks like new stuff here are just shorter cues that were combined for the OST (e.g. "Poster" and "Mud Fight" are the two cues that make up "Rocky, a Fake All Along"). Unless you're desperate for clean beginnings/endings, these are the only tracks that actually contain new material:

Ginger's Dream (a nice soft take on the main theme by HGW I think)
Our Way Out
Our Future
2nd Roll (only the last 30 seconds)
Chicken Feed

It's definitely not a true sessions leak. But the album was already very comprehensive as it is and the movie's only 84 minutes long, so I doubt we're missing much (if anything).


Hybrid Soldier2018-06-30 18:03:24
Note in the soundtrack, "Into the Pie Machine" is the Powell alternate (used in the film) of the middle section of HGW's "A Really Big Truck Arrives".

So the release has both the film cue & the alternate.

Edmund Meinerts reply Replies: 4 || 2013-11-17 15:21:00
How come there are some guys like Jablonsky and Zanelli who are listed as additionals here, but don't have any cues credited to them?


Frisbee2013-11-17 16:34:20
Two possibilities:

1) The parts they wrote didn't make it to the album program, or

2) It is known that these guys did write some music for this film, but the exact cues are not known.


Edmund Meinerts2013-11-17 16:42:36
Not sure about #1, because I honestly don't think there's much more music in the film than there is on this album.


Mike2013-11-19 04:15:54
Perhaps they did source music not included here...I know that was what Zanelli did on Antz.


Mr Tweedy2013-11-19 22:24:11
Actually Edmund there are a few tracks in the film that didn't make it to the album (5 minutes or so I think).
This could be an explanation. Perhaps some additional composers just helped here and there but didn't earn credits because their contribution was meager too much ?

I don't remember if there was any source music in the film apart from "The Wanderer" (that was not composed by the score team, of course).

MacArthur reply Replies: 1 || 2013-08-11 19:30:05
I Kinda Sounds Like the Great Escape Theme by Elmer Bernstein


Edmund Meinerts2013-08-11 22:40:22
Well, considering the movie is essentially The Great Escape except with chickens, I think that was the general idea. ;)

Anonymous reply Replies: 0 || 2013-06-25 07:55:05
So then, I take it JP was the primary guy here?

Ele reply Replies: 1 || 2009-12-16 00:00:00
There's mistake. Geoff Zanelli did not write additional music here.


Mike2013-04-10 04:59:28
Apparently he did. The film is listed on his site.

Mike reply Replies: 0 || 2012-12-28 09:26:05
Steve Jablonsky worked on this score! Wow!

FunnyML reply Replies: 0 || 2011-04-12 00:00:00
According to the film's credits sequence, Geoff Zanelli actually did an additional cue.

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
New Actualist!!!!! John Powell and Harry Gregson-Williams is the best DUO. Yes, and with Hans Zimmer too.!

Opening Escape - Main Title - The Evil Mrs.Tweedy - Chickens Are not Organized - Flight Training -
A Really Big Truck Arrives - Cocktalis and Flighty Thoughts - Into the Pie Machine -
Building the Crate - The Chickens Are Revolting - Lift Off - Escape to Paradise !!!! 12 of 20 Goods!!

Mario Soundtrack reply Replies: 0 || 2009-02-28 00:00:00
Opening Escape - Main Titles - A really Big Truck Arrives - Into the Pie Machine - Building the Crate - Chickens Are Revolting - Lift Off & Escape to Paradise!
The best!!

Mario Soundtrack reply Replies: 0 || 2008-11-19 00:00:00
This audible band is especially good, very varied and wonderful. The by that? The name of the two authors explains it all, loves me this duo. My favourite songs of here are:
Opening Escapes, Main Titles, A Really Big Truck Arrives, Building the Crate, The Chickens Are Revolting, LIFT OFF & Escape to Paradise.

DemonStar reply Replies: 0 || 2008-07-24 00:00:00
Amazing score!

Anthony reply Replies: 0 || 2006-12-23 00:00:00
Go Hans Zimmer? Excuse me?

Anonymous reply Replies: 0 || 2006-10-24 00:00:00
Great score for an amazingly made movie. Go Aardman. Go Hans Zimmer. Go life!

Ant reply Replies: 0 || 2006-08-13 00:00:00
Heh, the kazoos are just the cherry on top!

Peter Mandelson reply Replies: 0 || 2005-01-09 00:00:00
Great score for a great film!

John Mason reply Replies: 0 || 2005-01-09 00:00:00
My excitement just couldn.t be contained when I heard that Chicken Run was being scored by Gregson-Williams/Powell after their amazing collaboration on Antz. I knew we were all in for a treat!
I heard somewhere that main title music is a good way of telling how good the rest of the score is going to be and this is no exception. The "--Opening Escape"-- and "--Main Titles"-- tracks are seven minutes of sheer excitement. The music could be easily inserted into any old-fashioned war movie like 'The Great Escape' (which the film and music obviously parodies).
The introduction of the Mrs Tweedy character, which is gloriously placed in track 3, is at first ominous and then sad to accompany the execution of a fellow chicken.
There are many other sad, heartfelt cues in the score such as "--We Need A Miracle, "--Up On The Roof"-- and "--Rocky, A Fake All Along"--.
There are also many other action filled tracks (tracks 14 and 16).
I almost forgot to mention the kazoos - they are great. They provide a perfect comical feel to the score whilst preventing it from becoming too serious.
There are two songs on the album, one existing and one original - which is very enjoyable.

A great collaboration between the two composers who will continue to produce, interesting and exciting scores for years to come.

***** out of *****

Mr.Tweedy reply Replies: 0 || 2004-12-07 00:00:00
Certainement l'oeuvre la plus aboutie écrite par John Powell et Harry Gregson-Williams.
Les deux compositeurs ont réalisé un travail excellent pour ce film des studios Aardman, déjà créateurs des courts "--Wallace &-- Gromit"--.
L'humour est omniprésent et les différents thèmes sont recherchés, et d'une énergie rare.
Du "--Main Titles"-- au "--Building the Crate"-- survitaminé, pas une seule seconde de musique n'ennuie l'auditeur. Même les deux chansons ("--Flip Flop and Fly"-- &-- "--The Wanderer"--) s'inscrive parfaitement dans le contexte.
L'utilisation des kazoos donne un son nasillard très drôle, en guise d'identité sonore de la bande originale.

Une petite perle que tous les fans de Powell et Gregson-Williams se doivent d'avoir dans leur collection. Magnifique.

 HANS-ZIMMER.com© 2001-2018 OST 
Chicken Run soundtrack - Harry Gregson-Williams - John Powell 2000