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Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.
Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.
Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112
You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze Rozman
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Composer - Conductor - Orchestrator
Hans ZimmerBlake NeelyGeoff ZanelliNoah Sorota
ComposerComposerComposerAdditional Arrangements
The Pacific (TV Series) (Complete Score)
Label: Unofficial Release
Length: 371'37
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3000 votes)
  1. Honor (Main Title) (2:58)
    Hans Zimmer, Blake Neely

    EPISODE 1

  2. Maybe I'll Write You (2:03)
    Hans Zimmer, Blake Neely
  3. The Pacific Will Be Our Theater Of War (1:55)
    Hans Zimmer, Geoff Zanelli
  4. Murmur's Still There (3:37)
    Hans Zimmer, Blake Neely
  5. Guadalcanal Map (0:46)
    Hans Zimmer, Blake Neely
  6. Let's Go Get 'Em! (0:55)
    Hans Zimmer, Geoff Zanelli
  7. First Patrol (4:50)
    Hans Zimmer, Blake Neely
  8. Where's The Navy? (1:06)
    Hans Zimmer, Geoff Zanelli
  9. Hold Your Fire (1:30)
    Hans Zimmer, Geoff Zanelli
  10. Alligator Creek (3:28)
    Hans Zimmer, Geoff Zanelli
  11. Terrible Solomons (1:34)
    Hans Zimmer, Geoff Zanelli
  12. You're A Better Man Than I Am (2:43)
    Hans Zimmer, Blake Neely

    EPISODE 2

  13. Sniper Attack (3:10)
    Hans Zimmer, Blake Neely
  14. Lady At A Weapons Plant (2:28)
    Hans Zimmer, Blake Neely
  15. Whole Japanese Army (1:42)
    Hans Zimmer, Blake Neely
  16. Basilone's Guadalcanal (2:53)
    Hans Zimmer, Blake Neely
  17. Manny Alright (1:15)
    Hans Zimmer, Blake Neely
  18. Finding Manny (2:37)
    Hans Zimmer, Blake Neely
  19. A Hero's Holocaust (1:51)
    Hans Zimmer, Blake Neely
  20. You're Heroes Back Home (2:54)
    Hans Zimmer, Blake Neely

    EPISODE 3

  21. Roosevelt Has Found You Worthy (1:14)
    Hans Zimmer, Blake Neely
  22. Medal Of Honor (2:09)
    Hans Zimmer, Geoff Zanelli
  23. Leckie & Stella Intro (0:52)
    Hans Zimmer, Blake Neely
  24. Leckie & Stella (2:15)
    Hans Zimmer, Geoff Zanelli
  25. Stella's Garden (1:19)
    Hans Zimmer, Geoff Zanelli
  26. War Bonds (0:58)
    Hans Zimmer, Blake Neely
  27. Greek Funeral (1:19)
    Hans Zimmer, Blake Neely
  28. Praying For You (1:23)
    Hans Zimmer, Geoff Zanelli
  29. Melbourne March (1:24)
    Hans Zimmer, Geoff Zanelli
  30. Break Up (2:45)
    Hans Zimmer, Geoff Zanelli
  31. Leckie Arrested (0:51)
    Hans Zimmer, Blake Neely
  32. Orders To Deploy (0:38)
    Hans Zimmer, Blake Neely
  33. Guitar Source (0:46)
    Hans Zimmer, Geoff Zanelli
  34. Sid & Gwen (1:35)
    Hans Zimmer, Blake Neely
  35. Leaving Melbourne (2:58)
    Hans Zimmer, Blake Neely

    EPISODE 4

  36. Tojo & Fuck Face (0:33)
    Hans Zimmer, Blake Neely
  37. Sailing To Gloucester (2:33)
    Hans Zimmer, Geoff Zanelli
  38. Japanese Patrol (2:43)
    Hans Zimmer, Blake Neely
  39. Night Assault (2:34)
    Hans Zimmer, Blake Neely
  40. Maybe They Just Hate Us (1:02)
    Hans Zimmer, Blake Neely
  41. Choking (3:29)
    Hans Zimmer, Blake Neely
  42. Mud (2:23)
    Hans Zimmer, Geoff Zanelli
  43. KP Duty (1:08)
    Hans Zimmer, Geoff Zanelli
  44. Suicide (1:28)
    Hans Zimmer, Geoff Zanelli
  45. Not Going Home (2:20)
    Hans Zimmer, Blake Neely
  46. Enuresis (0:55)
    Hans Zimmer, Geoff Zanelli
  47. They Murdered Sleep (1:26)
    Hans Zimmer, Geoff Zanelli
  48. Leaving The Hospital (4:54)
    Hans Zimmer, Geoff Zanelli

    EPISODE 5

  49. Sledge Arrives At Pavuvu (1:25)
    Hans Zimmer, Geoff Zanelli
  50. What's It Like? (1:40)
    Hans Zimmer, Geoff Zanelli
  51. Just Shipped Out (1:02)
    Hans Zimmer, Geoff Zanelli
  52. Landing At Peleliu (3:23)
    Hans Zimmer, Blake Neely
  53. Assault On Peleliu (6:00)
    Hans Zimmer, Geoff Zanelli
  54. Japanese Tank (2:32)
    Hans Zimmer, Blake Neely
  55. Gold Tooth & Grand Canyon (2:52)
    Hans Zimmer, Blake Neely

    EPISODE 6

  56. I Am Not Worried About Eugene (1:41)
    Hans Zimmer, Geoff Zanelli
  57. Poison Water (1:44)
    Hans Zimmer, Geoff Zanelli
  58. Airfield Assault On Peleliu (10:26)
    Hans Zimmer, Geoff Zanelli
  59. Final Push (1:33)
    Hans Zimmer, Geoff Zanelli
  60. Get The Wounded Aboard (1:39)
    Hans Zimmer, Geoff Zanelli
  61. Moving Into The Hills (1:08)
    Hans Zimmer, Geoff Zanelli
  62. Better Him Than Us (1:03)
    Hans Zimmer, Geoff Zanelli
  63. Let's Go Home (1:57)
    Hans Zimmer, Geoff Zanelli

    EPISODE 7

  64. Adagio For Peleliu (3:22)
    Hans Zimmer, Geoff Zanelli
  65. Marching Towards Peleliu Hills (3:27)
    Hans Zimmer, Geoff Zanelli
  66. Reluctant Golfer (1:26)
    Hans Zimmer, Blake Neely
  67. Keep Your Edge On (0:54)
    Hans Zimmer, Blake Neely
  68. First Kill (2:00)
    Hans Zimmer, Geoff Zanelli
  69. Collapse Of Haney (4:58)
    Hans Zimmer, Geoff Zanelli
  70. Death Of Ack-Ack (2:22)
    Hans Zimmer, Geoff Zanelli
  71. Bad Germs (3:53)
    Hans Zimmer, Geoff Zanelli
  72. Can't Dwell On It (1:31)
    Hans Zimmer, Geoff Zanelli

    EPISODE 8

  73. Men At War (0:47)
    Hans Zimmer, Blake Neely
  74. Basilone The Hero (2:24)
    Hans Zimmer, Blake Neely
  75. Lives Depend On It (1:48)
    Hans Zimmer, Blake Neely
  76. I've Been In Eight Years (1:02)
    Hans Zimmer, Blake Neely
  77. The Japanese Soldier (1:35)
    Hans Zimmer, Blake Neely
  78. John & Lena (1:55)
    Hans Zimmer, Blake Neely
  79. The Duration Plus Six Months (2:21)
    Hans Zimmer, Blake Neely
  80. We've Gone Respectable (3:19)
    Hans Zimmer, Blake Neely
  81. Iwo Jima (4:20)
    Hans Zimmer, Blake Neely

    EPISODE 9

  82. Okinawa (1:39)
    Hans Zimmer, Geoff Zanelli
  83. Outta The Way, Hirohito (1:01)
    Hans Zimmer, Geoff Zanelli
  84. Safe Passage (3:06)
    Hans Zimmer, Geoff Zanelli
  85. She's Booby Trapped (4:17)
    Hans Zimmer, Geoff Zanelli
  86. My Dog Died (1:03)
    Hans Zimmer, Geoff Zanelli
  87. Grow Up, Hamm (1:01)
    Hans Zimmer, Geoff Zanelli
  88. Kill 'Em With My Bare Hands (1:15)
    Hans Zimmer, Geoff Zanelli
  89. Hamm's Dead, Peck's Gone (1:53)
    Hans Zimmer, Geoff Zanelli
  90. Sledge The Marine (0:58)
    Hans Zimmer, Geoff Zanelli
  91. Sledge's Humanity (5:13)
    Hans Zimmer, Geoff Zanelli
  92. New Kinda Bomb (2:16)
    Hans Zimmer, Geoff Zanelli

    EPISODE 10

  93. V-J Day (1:15)
    Hans Zimmer, Geoff Zanelli
  94. First Act Of Peacetime (1:43)
    Hans Zimmer, Geoff Zanelli
  95. Lena Basilone (4:08)
    Hans Zimmer, Blake Neely
  96. Spying On Vera (0:57)
    Hans Zimmer, Geoff Zanelli
  97. New Orleans (1:56)
    Hans Zimmer, Geoff Zanelli
  98. It's A Good Start (1:38)
    Hans Zimmer, Geoff Zanelli
  99. Homecoming (4:54)
    Hans Zimmer, Blake Neely
  100. Never Put On The Uniform Again (0:34)
    Hans Zimmer, Blake Neely
  101. I Fought For Television (1:16)
    Hans Zimmer, Geoff Zanelli
  102. They Taught Me How To Kill (2:51)
    Hans Zimmer, Blake Neely
  103. Epilogue (7:24)
    Hans Zimmer, Geoff Zanelli
  104. Finale (End Title) (4:05)
    Hans Zimmer, Geoff Zanelli

  105. With The Old Breed (End Title) (4:05)
    Hans Zimmer, Geoff Zanelli

    THEMES

  106. The Pacific (TV Promo) (1:42)
    Hans Zimmer, Blake Neely
  107. Fallen Friend Theme (1:52)
    Hans Zimmer, Blake Neely
  108. Adagio Theme (2:13)
    Hans Zimmer, Geoff Zanelli
  109. Adagio Theme (No Percs) (2:13)
    Hans Zimmer, Geoff Zanelli
  110. Honor Theme (For Oboe & Strings) (2:59)
    Hans Zimmer, Blake Neely
  111. Honor Theme (For Piano) (2:11)
    Hans Zimmer, Blake Neely

    ALTERNATES & UNUSED

  112. Comrades (Main Title) (Unused) (2:22)
    Hans Zimmer, Geoff Zanelli
  113. The Pacific Will Be Our Theater Of War (Alternate) (1:55)
    Hans Zimmer, Geoff Zanelli
  114. Let's Go Get 'Em! (Alternate) (0:55)
    Hans Zimmer, Geoff Zanelli
  115. First Patrol (Alternate) (4:50)
    Hans Zimmer, Blake Neely
  116. Alligator Creek (Alternate) (3:29)
    Hans Zimmer, Geoff Zanelli
  117. Terrible Solomons (Alternate) (1:44)
    Hans Zimmer, Geoff Zanelli
  118. Arriving In Melbourne (Unused) (1:47)
    Hans Zimmer, Blake Neely
  119. Roosevelt Has Found You Worthy (Alternate) (0:52)
    Hans Zimmer, Geoff Zanelli, Blake Neely
  120. Medal Of Honor (Alternate I) (0:48)
    Hans Zimmer, Geoff Zanelli
  121. Medal of Honor (Alternate II) (2:02)
    Hans Zimmer, Blake Neely
  122. Medal Of Honor (Alternate III) (2:09)
    Hans Zimmer, Geoff Zanelli
  123. Leckie & Stella (Alternate I) (1:19)
    Hans Zimmer, Geoff Zanelli
  124. Leckie & Stella (Alternate II) (2:17)
    Hans Zimmer, Geoff Zanelli
  125. War Bonds (Alternate) (0:44)
    Hans Zimmer, Blake Neely
  126. Greek Funeral (Alternate) (1:19)
    Hans Zimmer, Blake Neely
  127. Melbourne March (Alternate) (1:13)
    Hans Zimmer, Geoff Zanelli
  128. Praying For You (Alternate) (1:24)
    Hans Zimmer, Geoff Zanelli
  129. Break Up (Alternate) (2:43)
    Hans Zimmer, Geoff Zanelli
  130. Leckie Arrested (Alternate I) (2:02)
    Hans Zimmer, Blake Neely
  131. Leckie Arrested (Alternate II) (0:45)
    Hans Zimmer, Blake Neely
  132. Sid & Gwen (Alternate) (1:35)
    Hans Zimmer, Blake Neely
  133. Leaving Melbourne (Alternate) (2:06)
    Hans Zimmer, Blake Neely
  134. Sailing To Gloucester (Alternate I) (2:04)
    Hans Zimmer, Blake Neely
  135. Sailing To Gloucester (Alternate II) (2:32)
    Hans Zimmer, Geoff Zanelli
  136. Japanese Patrol (Alternate I) (2:43)
    Hans Zimmer, Blake Neely
  137. Japanese Patrol (Alternate II) (2:42)
    Hans Zimmer, Blake Neely
  138. Night Assault (Alternate) (2:41)
    Hans Zimmer, Blake Neely
  139. Maybe They Just Hate Us (Alternate) (1:05)
    Hans Zimmer, Geoff Zanelli
  140. Choking (Alternate) (2:16)
    Hans Zimmer, Blake Neely
  141. Searching Japanese Camp (Unused) (2:14)
    Hans Zimmer, Geoff Zanelli
  142. Mud (Alternate) (2:24)
    Hans Zimmer, Geoff Zanelli
  143. Suicide (Alternate) (1:28)
    Hans Zimmer, Geoff Zanelli
  144. Enuresis (Alternate) (1:44)
    Hans Zimmer, Blake Neely
  145. Gibbs (Unused) (1:17)
    Hans Zimmer, Geoff Zanelli
  146. Gibbs (Alternate) (1:11)
    Hans Zimmer, Blake Neely
  147. Leaving Hospital (Alternate) (4:49)
    Hans Zimmer, Geoff Zanelli
  148. Sledge Arrives At Pavuvu (Alternate I) (1:12)
    Hans Zimmer, Blake Neely
  149. Sledge Arrives At Pavuvu (Alternate II) (1:07)
    Hans Zimmer, Geoff Zanelli
  150. Just Shipped Out (Alternate I) (1:03)
    Hans Zimmer, Geoff Zanelli
  151. Just Shipped Out (Alternate II) (1:03)
    Hans Zimmer, Geoff Zanelli
  152. Landing At Peleliu (Alternate) (5:01)
    Hans Zimmer, Blake Neely
  153. Hoosier Wounded (Unused) (1:26)
    Hans Zimmer, Blake Neely
  154. Let's Go Home (Alternate I) (1:58)
    Hans Zimmer, Geoff Zanelli
  155. Let's Go Home (Alternate II) (1:59)
    Hans Zimmer, Geoff Zanelli
  156. Adagio For Peleliu (Alternate) (2:55)
    Hans Zimmer, Geoff Zanelli
  157. Marching Towards Peleliu (Alternate) (2:08)
    Hans Zimmer, Geoff Zanelli
  158. Death Of Ack-Ack (Alternate) (2:36)
    Hans Zimmer, Blake Neely
  159. Walk Up The Hill (Unused) (1:35)
    Hans Zimmer, Geoff Zanelli
  160. Bad Germs (Alternate) (2:41)
    Hans Zimmer, Blake Neely
  161. Can't Dwell On It (Alternate) (1:37)
    Hans Zimmer, Blake Neely
  162. The Duration Plus Six Months (Alternate) (1:55)
    Hans Zimmer, Blake Neely
  163. We've Gone Respectable (Alternate) (3:18)
    Hans Zimmer, Blake Neely
  164. Okinawa (Alternate) (1:35)
    Hans Zimmer, Geoff Zanelli
  165. Outta The Way, Hirohito (Alternate I) (1:01)
    Hans Zimmer, Geoff Zanelli
  166. Outta The Way, Hirohito (Alternate II) (1:00)
    Hans Zimmer, Geoff Zanelli
  167. Outta The Way, Hirohito (Alternate III) (1:00)
    Hans Zimmer, Geoff Zanelli
  168. My Dog Died (Alternate) (0:54)
    Hans Zimmer, Geoff Zanelli
  169. Grow Up, Hamm (Alternate) (1:00)
    Hans Zimmer, Geoff Zanelli
  170. Kill 'Em With My Bare Hands (Alternate) (1:15)
    Hans Zimmer, Geoff Zanelli
  171. Hamm's Dead, Peck's Gone (Alternate) (4:29)
    Hans Zimmer, Geoff Zanelli
  172. New Kinda Bomb (Alternate) (2:19)
    Hans Zimmer, Geoff Zanelli
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Scorefan reply Replies: 0 || 2018-01-25 01:02:55
@Hybrid, why there's no more score from Blake Neely here?

Hybrid Soldier reply Replies: 6 || 2015-08-25 23:03:19
So you wanted The Pacific... Here we are !


rockhound2015-08-26 08:36:39
Thank you for the credits Hybrid. It is a very good score by Hans, Blake and Geoff. The Main Theme is lovely and in the same tradition as Kamens Band Of Brothers Theme. Very beautiful melody and it fits perfectly to the visuals of the credits. The best moments in this score are the emotional, melodic ones. The action and suspense parts are ok. Nothing special but good. The show itself was not as good as Band Of Brothers, but the score was a positive aspect.


Zimson2015-08-26 18:11:53
Was Hans really involved that much or are there some unreleased theme suites that would explain his credit on each track.
Or, do we don't know anything about his part.


Hybrid Soldier2015-08-26 18:16:41
Hans initially wrote a 12 min demo which served as basis for the score...

Episode 8 is the one that reflects Hans's work better. Iwo Jima is by him...


Felix2015-08-26 23:45:52
Great Thanks :)

Do you know where we can listen to the 7 min Epilogue Cue from Hans & Blake in the finale episode?

Regards, Felix


Daniel Morales2015-11-22 00:27:02
hello, how do I download this????


Bioscope2017-03-01 05:20:28
@Felix, yeas, and what about the final end title, which is Honor with happy choir sample?

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The Pacific (TV Series) (Complete Score) soundtrack - Hans Zimmer - Blake Neely - Geoff Zanelli 2010