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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Composer - Conductor - Orchestrator
Hans ZimmerBlake NeelyGeoff ZanelliNoah Sorota
ComposerComposerComposerAdditional Arrangements
The Pacific (TV Series) (Complete Score)
Label: Unofficial Release
Length: 371'37
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1913 votes)
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  1. Honor (Main Title) (2:58)
    Hans Zimmer, Blake Neely

    EPISODE 1

  2. Maybe I'll Write You (2:03)
    Hans Zimmer, Blake Neely
  3. The Pacific Will Be Our Theater Of War (1:55)
    Hans Zimmer, Geoff Zanelli
  4. Murmur's Still There (3:37)
    Hans Zimmer, Blake Neely
  5. Guadalcanal Map (0:46)
    Hans Zimmer, Blake Neely
  6. Let's Go Get 'Em! (0:55)
    Hans Zimmer, Geoff Zanelli
  7. First Patrol (4:50)
    Hans Zimmer, Blake Neely
  8. Where's The Navy? (1:06)
    Hans Zimmer, Geoff Zanelli
  9. Hold Your Fire (1:30)
    Hans Zimmer, Geoff Zanelli
  10. Alligator Creek (3:28)
    Hans Zimmer, Geoff Zanelli
  11. Terrible Solomons (1:34)
    Hans Zimmer, Geoff Zanelli
  12. You're A Better Man Than I Am (2:43)
    Hans Zimmer, Blake Neely

    EPISODE 2

  13. Sniper Attack (3:10)
    Hans Zimmer, Blake Neely
  14. Lady At A Weapons Plant (2:28)
    Hans Zimmer, Blake Neely
  15. Whole Japanese Army (1:42)
    Hans Zimmer, Blake Neely
  16. Basilone's Guadalcanal (2:53)
    Hans Zimmer, Blake Neely
  17. Manny Alright (1:15)
    Hans Zimmer, Blake Neely
  18. Finding Manny (2:37)
    Hans Zimmer, Blake Neely
  19. A Hero's Holocaust (1:51)
    Hans Zimmer, Blake Neely
  20. You're Heroes Back Home (2:54)
    Hans Zimmer, Blake Neely

    EPISODE 3

  21. Roosevelt Has Found You Worthy (1:14)
    Hans Zimmer, Blake Neely
  22. Medal Of Honor (2:09)
    Hans Zimmer, Geoff Zanelli
  23. Leckie & Stella Intro (0:52)
    Hans Zimmer, Blake Neely
  24. Leckie & Stella (2:15)
    Hans Zimmer, Geoff Zanelli
  25. Stella's Garden (1:19)
    Hans Zimmer, Geoff Zanelli
  26. War Bonds (0:58)
    Hans Zimmer, Blake Neely
  27. Greek Funeral (1:19)
    Hans Zimmer, Blake Neely
  28. Praying For You (1:23)
    Hans Zimmer, Geoff Zanelli
  29. Melbourne March (1:24)
    Hans Zimmer, Geoff Zanelli
  30. Break Up (2:45)
    Hans Zimmer, Geoff Zanelli
  31. Leckie Arrested (0:51)
    Hans Zimmer, Blake Neely
  32. Orders To Deploy (0:38)
    Hans Zimmer, Blake Neely
  33. Guitar Source (0:46)
    Hans Zimmer, Geoff Zanelli
  34. Sid & Gwen (1:35)
    Hans Zimmer, Blake Neely
  35. Leaving Melbourne (2:58)
    Hans Zimmer, Blake Neely

    EPISODE 4

  36. Tojo & Fuck Face (0:33)
    Hans Zimmer, Blake Neely
  37. Sailing To Gloucester (2:33)
    Hans Zimmer, Geoff Zanelli
  38. Japanese Patrol (2:43)
    Hans Zimmer, Blake Neely
  39. Night Assault (2:34)
    Hans Zimmer, Blake Neely
  40. Maybe They Just Hate Us (1:02)
    Hans Zimmer, Blake Neely
  41. Choking (3:29)
    Hans Zimmer, Blake Neely
  42. Mud (2:23)
    Hans Zimmer, Geoff Zanelli
  43. KP Duty (1:08)
    Hans Zimmer, Geoff Zanelli
  44. Suicide (1:28)
    Hans Zimmer, Geoff Zanelli
  45. Not Going Home (2:20)
    Hans Zimmer, Blake Neely
  46. Enuresis (0:55)
    Hans Zimmer, Geoff Zanelli
  47. They Murdered Sleep (1:26)
    Hans Zimmer, Geoff Zanelli
  48. Leaving The Hospital (4:54)
    Hans Zimmer, Geoff Zanelli

    EPISODE 5

  49. Sledge Arrives At Pavuvu (1:25)
    Hans Zimmer, Geoff Zanelli
  50. What's It Like? (1:40)
    Hans Zimmer, Geoff Zanelli
  51. Just Shipped Out (1:02)
    Hans Zimmer, Geoff Zanelli
  52. Landing At Peleliu (3:23)
    Hans Zimmer, Blake Neely
  53. Assault On Peleliu (6:00)
    Hans Zimmer, Geoff Zanelli
  54. Japanese Tank (2:32)
    Hans Zimmer, Blake Neely
  55. Gold Tooth & Grand Canyon (2:52)
    Hans Zimmer, Blake Neely

    EPISODE 6

  56. I Am Not Worried About Eugene (1:41)
    Hans Zimmer, Geoff Zanelli
  57. Poison Water (1:44)
    Hans Zimmer, Geoff Zanelli
  58. Airfield Assault On Peleliu (10:26)
    Hans Zimmer, Geoff Zanelli
  59. Final Push (1:33)
    Hans Zimmer, Geoff Zanelli
  60. Get The Wounded Aboard (1:39)
    Hans Zimmer, Geoff Zanelli
  61. Moving Into The Hills (1:08)
    Hans Zimmer, Geoff Zanelli
  62. Better Him Than Us (1:03)
    Hans Zimmer, Geoff Zanelli
  63. Let's Go Home (1:57)
    Hans Zimmer, Geoff Zanelli

    EPISODE 7

  64. Adagio For Peleliu (3:22)
    Hans Zimmer, Geoff Zanelli
  65. Marching Towards Peleliu Hills (3:27)
    Hans Zimmer, Geoff Zanelli
  66. Reluctant Golfer (1:26)
    Hans Zimmer, Blake Neely
  67. Keep Your Edge On (0:54)
    Hans Zimmer, Blake Neely
  68. First Kill (2:00)
    Hans Zimmer, Geoff Zanelli
  69. Collapse Of Haney (4:58)
    Hans Zimmer, Geoff Zanelli
  70. Death Of Ack-Ack (2:22)
    Hans Zimmer, Geoff Zanelli
  71. Bad Germs (3:53)
    Hans Zimmer, Geoff Zanelli
  72. Can't Dwell On It (1:31)
    Hans Zimmer, Geoff Zanelli

    EPISODE 8

  73. Men At War (0:47)
    Hans Zimmer, Blake Neely
  74. Basilone The Hero (2:24)
    Hans Zimmer, Blake Neely
  75. Lives Depend On It (1:48)
    Hans Zimmer, Blake Neely
  76. I've Been In Eight Years (1:02)
    Hans Zimmer, Blake Neely
  77. The Japanese Soldier (1:35)
    Hans Zimmer, Blake Neely
  78. John & Lena (1:55)
    Hans Zimmer, Blake Neely
  79. The Duration Plus Six Months (2:21)
    Hans Zimmer, Blake Neely
  80. We've Gone Respectable (3:19)
    Hans Zimmer, Blake Neely
  81. Iwo Jima (4:20)
    Hans Zimmer, Blake Neely

    EPISODE 9

  82. Okinawa (1:39)
    Hans Zimmer, Geoff Zanelli
  83. Outta The Way, Hirohito (1:01)
    Hans Zimmer, Geoff Zanelli
  84. Safe Passage (3:06)
    Hans Zimmer, Geoff Zanelli
  85. She's Booby Trapped (4:17)
    Hans Zimmer, Geoff Zanelli
  86. My Dog Died (1:03)
    Hans Zimmer, Geoff Zanelli
  87. Grow Up, Hamm (1:01)
    Hans Zimmer, Geoff Zanelli
  88. Kill 'Em With My Bare Hands (1:15)
    Hans Zimmer, Geoff Zanelli
  89. Hamm's Dead, Peck's Gone (1:53)
    Hans Zimmer, Geoff Zanelli
  90. Sledge The Marine (0:58)
    Hans Zimmer, Geoff Zanelli
  91. Sledge's Humanity (5:13)
    Hans Zimmer, Geoff Zanelli
  92. New Kinda Bomb (2:16)
    Hans Zimmer, Geoff Zanelli

    EPISODE 10

  93. V-J Day (1:15)
    Hans Zimmer, Geoff Zanelli
  94. First Act Of Peacetime (1:43)
    Hans Zimmer, Geoff Zanelli
  95. Lena Basilone (4:08)
    Hans Zimmer, Blake Neely
  96. Spying On Vera (0:57)
    Hans Zimmer, Geoff Zanelli
  97. New Orleans (1:56)
    Hans Zimmer, Geoff Zanelli
  98. It's A Good Start (1:38)
    Hans Zimmer, Geoff Zanelli
  99. Homecoming (4:54)
    Hans Zimmer, Blake Neely
  100. Never Put On The Uniform Again (0:34)
    Hans Zimmer, Blake Neely
  101. I Fought For Television (1:16)
    Hans Zimmer, Geoff Zanelli
  102. They Taught Me How To Kill (2:51)
    Hans Zimmer, Blake Neely
  103. Epilogue (7:24)
    Hans Zimmer, Geoff Zanelli
  104. Finale (End Title) (4:05)
    Hans Zimmer, Geoff Zanelli

  105. With The Old Breed (End Title) (4:05)
    Hans Zimmer, Geoff Zanelli

    THEMES

  106. The Pacific (TV Promo) (1:42)
    Hans Zimmer, Blake Neely
  107. Fallen Friend Theme (1:52)
    Hans Zimmer, Blake Neely
  108. Adagio Theme (2:13)
    Hans Zimmer, Geoff Zanelli
  109. Adagio Theme (No Percs) (2:13)
    Hans Zimmer, Geoff Zanelli
  110. Honor Theme (For Oboe & Strings) (2:59)
    Hans Zimmer, Blake Neely
  111. Honor Theme (For Piano) (2:11)
    Hans Zimmer, Blake Neely

    ALTERNATES & UNUSED

  112. Comrades (Main Title) (Unused) (2:22)
    Hans Zimmer, Geoff Zanelli
  113. The Pacific Will Be Our Theater Of War (Alternate) (1:55)
    Hans Zimmer, Geoff Zanelli
  114. Let's Go Get 'Em! (Alternate) (0:55)
    Hans Zimmer, Geoff Zanelli
  115. First Patrol (Alternate) (4:50)
    Hans Zimmer, Blake Neely
  116. Alligator Creek (Alternate) (3:29)
    Hans Zimmer, Geoff Zanelli
  117. Terrible Solomons (Alternate) (1:44)
    Hans Zimmer, Geoff Zanelli
  118. Arriving In Melbourne (Unused) (1:47)
    Hans Zimmer, Blake Neely
  119. Roosevelt Has Found You Worthy (Alternate) (0:52)
    Hans Zimmer, Geoff Zanelli, Blake Neely
  120. Medal Of Honor (Alternate I) (0:48)
    Hans Zimmer, Geoff Zanelli
  121. Medal of Honor (Alternate II) (2:02)
    Hans Zimmer, Blake Neely
  122. Medal Of Honor (Alternate III) (2:09)
    Hans Zimmer, Geoff Zanelli
  123. Leckie & Stella (Alternate I) (1:19)
    Hans Zimmer, Geoff Zanelli
  124. Leckie & Stella (Alternate II) (2:17)
    Hans Zimmer, Geoff Zanelli
  125. War Bonds (Alternate) (0:44)
    Hans Zimmer, Blake Neely
  126. Greek Funeral (Alternate) (1:19)
    Hans Zimmer, Blake Neely
  127. Melbourne March (Alternate) (1:13)
    Hans Zimmer, Geoff Zanelli
  128. Praying For You (Alternate) (1:24)
    Hans Zimmer, Geoff Zanelli
  129. Break Up (Alternate) (2:43)
    Hans Zimmer, Geoff Zanelli
  130. Leckie Arrested (Alternate I) (2:02)
    Hans Zimmer, Blake Neely
  131. Leckie Arrested (Alternate II) (0:45)
    Hans Zimmer, Blake Neely
  132. Sid & Gwen (Alternate) (1:35)
    Hans Zimmer, Blake Neely
  133. Leaving Melbourne (Alternate) (2:06)
    Hans Zimmer, Blake Neely
  134. Sailing To Gloucester (Alternate I) (2:04)
    Hans Zimmer, Blake Neely
  135. Sailing To Gloucester (Alternate II) (2:32)
    Hans Zimmer, Geoff Zanelli
  136. Japanese Patrol (Alternate I) (2:43)
    Hans Zimmer, Blake Neely
  137. Japanese Patrol (Alternate II) (2:42)
    Hans Zimmer, Blake Neely
  138. Night Assault (Alternate) (2:41)
    Hans Zimmer, Blake Neely
  139. Maybe They Just Hate Us (Alternate) (1:05)
    Hans Zimmer, Geoff Zanelli
  140. Choking (Alternate) (2:16)
    Hans Zimmer, Blake Neely
  141. Searching Japanese Camp (Unused) (2:14)
    Hans Zimmer, Geoff Zanelli
  142. Mud (Alternate) (2:24)
    Hans Zimmer, Geoff Zanelli
  143. Suicide (Alternate) (1:28)
    Hans Zimmer, Geoff Zanelli
  144. Enuresis (Alternate) (1:44)
    Hans Zimmer, Blake Neely
  145. Gibbs (Unused) (1:17)
    Hans Zimmer, Geoff Zanelli
  146. Gibbs (Alternate) (1:11)
    Hans Zimmer, Blake Neely
  147. Leaving Hospital (Alternate) (4:49)
    Hans Zimmer, Geoff Zanelli
  148. Sledge Arrives At Pavuvu (Alternate I) (1:12)
    Hans Zimmer, Blake Neely
  149. Sledge Arrives At Pavuvu (Alternate II) (1:07)
    Hans Zimmer, Geoff Zanelli
  150. Just Shipped Out (Alternate I) (1:03)
    Hans Zimmer, Geoff Zanelli
  151. Just Shipped Out (Alternate II) (1:03)
    Hans Zimmer, Geoff Zanelli
  152. Landing At Peleliu (Alternate) (5:01)
    Hans Zimmer, Blake Neely
  153. Hoosier Wounded (Unused) (1:26)
    Hans Zimmer, Blake Neely
  154. Let's Go Home (Alternate I) (1:58)
    Hans Zimmer, Geoff Zanelli
  155. Let's Go Home (Alternate II) (1:59)
    Hans Zimmer, Geoff Zanelli
  156. Adagio For Peleliu (Alternate) (2:55)
    Hans Zimmer, Geoff Zanelli
  157. Marching Towards Peleliu (Alternate) (2:08)
    Hans Zimmer, Geoff Zanelli
  158. Death Of Ack-Ack (Alternate) (2:36)
    Hans Zimmer, Blake Neely
  159. Walk Up The Hill (Unused) (1:35)
    Hans Zimmer, Geoff Zanelli
  160. Bad Germs (Alternate) (2:41)
    Hans Zimmer, Blake Neely
  161. Can't Dwell On It (Alternate) (1:37)
    Hans Zimmer, Blake Neely
  162. The Duration Plus Six Months (Alternate) (1:55)
    Hans Zimmer, Blake Neely
  163. We've Gone Respectable (Alternate) (3:18)
    Hans Zimmer, Blake Neely
  164. Okinawa (Alternate) (1:35)
    Hans Zimmer, Geoff Zanelli
  165. Outta The Way, Hirohito (Alternate I) (1:01)
    Hans Zimmer, Geoff Zanelli
  166. Outta The Way, Hirohito (Alternate II) (1:00)
    Hans Zimmer, Geoff Zanelli
  167. Outta The Way, Hirohito (Alternate III) (1:00)
    Hans Zimmer, Geoff Zanelli
  168. My Dog Died (Alternate) (0:54)
    Hans Zimmer, Geoff Zanelli
  169. Grow Up, Hamm (Alternate) (1:00)
    Hans Zimmer, Geoff Zanelli
  170. Kill 'Em With My Bare Hands (Alternate) (1:15)
    Hans Zimmer, Geoff Zanelli
  171. Hamm's Dead, Peck's Gone (Alternate) (4:29)
    Hans Zimmer, Geoff Zanelli
  172. New Kinda Bomb (Alternate) (2:19)
    Hans Zimmer, Geoff Zanelli
Create Topic

Hybrid Soldier reply Replies: 6 || 2015-08-25 23:03:19
So you wanted The Pacific... Here we are !


rockhound2015-08-26 08:36:39
Thank you for the credits Hybrid. It is a very good score by Hans, Blake and Geoff. The Main Theme is lovely and in the same tradition as Kamens Band Of Brothers Theme. Very beautiful melody and it fits perfectly to the visuals of the credits. The best moments in this score are the emotional, melodic ones. The action and suspense parts are ok. Nothing special but good. The show itself was not as good as Band Of Brothers, but the score was a positive aspect.


Zimson2015-08-26 18:11:53
Was Hans really involved that much or are there some unreleased theme suites that would explain his credit on each track.
Or, do we don't know anything about his part.


Hybrid Soldier2015-08-26 18:16:41
Hans initially wrote a 12 min demo which served as basis for the score...

Episode 8 is the one that reflects Hans's work better. Iwo Jima is by him...


Felix2015-08-26 23:45:52
Great Thanks :)

Do you know where we can listen to the 7 min Epilogue Cue from Hans & Blake in the finale episode?

Regards, Felix


Daniel Morales2015-11-22 00:27:02
hello, how do I download this????


Bioscope2017-03-01 05:20:28
@Felix, yeas, and what about the final end title, which is Honor with happy choir sample?

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