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Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.The Thin Red Line >> The New World....Good for you?I don't like Hans Zimmer, James Horner is my favorite.Uhh, I don't electronic music ain't gonna work on Alita Battle Angel.
Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>
Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Canít insult me! I am genuinely curious. Whatís this about The Last Samurai???I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.
he is working on the new Terminator movie?! :OCredits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.So he's scoring that and the new terminator? Damn dude's getting as busy as Henry JackmanUnless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?
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Additional Music - Executive Music Producer
Rupert Gregson-WilliamsHans ZimmerLorne BalfeHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
Bee Movie (Complete Score)
Label: Unofficial Release
Length: 71'58
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2516 votes)
  1. Main Title (3:26)
    Rupert Gregson-Williams
  2. Honex Industries (2:50)
    Rupert Gregson-Williams, Hans Zimmer, Halli Cauthery
  3. Pollen Jocks - The Balcony (1:33)
    Rupert Gregson-Williams
  4. J-Gate (0:34)
    Rupert Gregson-Williams
  5. The Job Board (0:43)
    Rupert Gregson-Williams
  6. Adam Can't Decide (0:16)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  7. Barry Joins The Jocks (5:51)
    Rupert Gregson-Williams
  8. There's A Bee In The Car (1:30)
    Rupert Gregson-Williams, Lorne Balfe
  9. Rain (0:32)
    Rupert Gregson-Williams, Lorne Balfe
  10. Enter The Guacamole (0:47)
    Rupert Gregson-Williams, Lorne Balfe
  11. Vanessa Intervenes (2:03)
    Rupert Gregson-Williams, Hans Zimmer, Halli Cauthery
  12. Coffee & Conversation (2:21)
    Rupert Gregson-Williams, Lorne Balfe
  13. Return To Honex (0:41)
    Rupert Gregson-Williams, Michael A. Levine
  14. Thinking Bee (0:36)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  15. Poolside Lecture (0:21)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  16. Stroll To Market (0:39)
    Rupert Gregson-Williams, Hans Zimmer
  17. Honey Reveal (0:51)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  18. Supermarket Strings (1:18)
    Rupert Gregson-Williams
  19. Warehouse - Chase The Truck (3:14)
    Rupert Gregson-Williams, Lorne Balfe
  20. Honey Farm Undercover (2:35)
    Rupert Gregson-Williams
  21. Where It Really Hurts (0:29)
    Rupert Gregson-Williams, Halli Cauthery
  22. Yogurt Night (0:49)
    Rupert Gregson-Williams, Halli Cauthery
  23. Sugar Cube (0:42)
    Rupert Gregson-Williams, Lorne Balfe
  24. Trial Begins (1:46)
    Rupert Gregson-Williams, Lorne Balfe
  25. Courtroom - Grandmother (1:14)
    Rupert Gregson-Williams, Halli Cauthery
  26. Barry's Speech (0:47)
    Rupert Gregson-Williams, Hans Zimmer, Lorne Balfe
  27. Courtroom - Hunron (2:32)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  28. Ken Comes To Dinner (1:35)
    Rupert Gregson-Williams, Halli Cauthery
  29. Bathroom Assault (1:34)
    Rupert Gregson-Williams, Halli Cauthery
  30. Ken's Bad Aftertaster (0:50)
    Rupert Gregson-Williams, Halli Cauthery
  31. Monty Slanders - Adam Stings (2:14)
    Rupert Gregson-Williams, Halli Cauthery
  32. Hearts & Flowers (1:36)
    Rupert Gregson-Williams, Hans Zimmer
  33. Adam Stalls - Smoking Gun (3:13)
    Rupert Gregson-Williams, Hans Zimmer, Lorne Balfe, Michael A. Levine
  34. Settlements Demands (1:40)
    Rupert Gregson-Williams
  35. Hive Shuts Down (1:05)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  36. Rooftop Consequences (1:52)
    Rupert Gregson-Williams
  37. Taxi (1:46)
    Rupert Gregson-Williams, Lorne Balfe
  38. Rose Parade Caper (1:22)
    Rupert Gregson-Williams, Ryeland Allison
  39. Bees To The Rescue (6:57)
    Rupert Gregson-Williams, Lorne Balfe
  40. Barry Rallies The Hive (1:07)
    Rupert Gregson-Williams, Lorne Balfe
  41. Here Comes The Sun (4:32)
    Sheryl Crowe, George Harrison, Rupert Gregson-Williams
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Michael Poleschuck reply Replies: 2 || 2017-02-16 07:15:11
Interesting thing: Mark Russell is one of the additional music composers here. Who is it? Maybe, it's Hans Zimmer's alias?


Jim2017-02-17 00:12:01
Of course not... good grief! Mark Russell is a fine composer who happened to work on this film in some capacity.


Crisp Rat2017-02-17 01:53:33
No "Oswin Macintosh" situation here...

tilibro reply Replies: 0 || 2017-02-16 06:55:59
Top 10 anime film scores

Scorefan reply Replies: 0 || 2015-11-07 03:18:41
Nice score

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Bee Movie (Complete Score) soundtrack - Rupert Gregson-Williams 2007