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seeming score snippets at 6:29, 29:13 and 34:55.in the first episode is nothing about the score :/ mehhThis is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".Who did Zimmer do this with? Shea and Fleming?
May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?<br>You can reach me at:<br>jcp77452 at um.es<br>ThanksNot only is the album fun as a concept album, it's a surprisingly good score to picture. The themes are really clear for each of the characters and the music really fits the action. Even though the action is kind of corny. Real underrated gem. <br><br>I finally watched the film and even though it's a sort of 5 or 6 out of 10 average/okay movie, it reminded me just how much personality gets injected when Hans Zimmer does the score. He really has a strong voice.Yeah this is a pretty fair assessment.<br><br>While I’ve found myself liking it less and less now that we’re hearing things like ME or Alita from Tom there are still some excellent tracks throughout. <br>(The Dark Tower, Collateral Damage, Guardian, It Will Fall, Roland of Eld)<br><br>My biggest gripe is with the purely sound design cues. They honestly go nowhere and end up padding the album out. What this score needed was a solid villain motif and some more orchestral underscore. It’s like one-half of the score is the more traditional side of Holkenborg whereas the rest falls into his early habit of just making noise.I give it a listen after three years, and i still like it.<br><br>If isn't as good as Mortal Engines or Alita, have a interesting aspects to enjoy: his main theme for Roland, some of the action cues are strong, even the dramatic ones (The Creed or Collateral Damage), some of the sound design are interesting.<br><br>Maybe the weakest aspect of the album, is the middle, some tracks are not that interesting to listen.woooooow <3
From the "No Time to Die" podcast description...<br><br>"You can also be the first to hear exclusive score from Hans Zimmer and brand new recordings from the Royal Philharmonic Orchestra from Bond 25 brought to you from Decca Records."<br><br>First of six episodes is released on Wednesday 30th September!!that would be great@GR7 that sounds really cool care to share?Hi! What's the story with track "Into Space"? They really copy track "Planet Descent" and name it that "Into Space"?I agree guys. Yhis album and parts of the experiments are vey enjoyable. I tend to listen to OST prriodically, and each year there is one or severall scores that replace what I listen the most, and so on... but Dark phoenix is one I can listen every time. <br>I made personal suites assembling music from the OST and mixing it with expremients, and it results in a 50 min suites album, I really like it.
Same for me. I'm so happy ! :DA Celebration? It's actually on youtube now.Got it. I assumed as much for the first 3. Thanks.hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.<br>I'm not sure how to get news on this, I really would like to get it hahaha.Isabel Suite = Isabel the Strong<br>Thadeous Suite = Thadeous<br>The Quest Suite = Let Us Quest!<br><br>End credits is probably ripped from the film.
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Composer - Conductor - Musician : Piano & TrumpetAdditional MusicMusic Production Services
Atli ÖrvarssonClay DuncanHans ZimmerSteven Kofsky
ComposerAdditional MusicExecutive Score ProducerMusic Production Services
Babylon A.D. (Expanded Score)
Label: Unofficial Release
Length: 89'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3354 votes)
  1. Agnus Dei (4:09)
  2. Intro Shot From Space (1:06)
  3. Someone Asked For You (1:32)
  4. Gunmen Escort Toorop Out (2:48)
  5. Passport (1:52)
  6. Bit Schlap (1:12)
  7. Monastery (2:44)
  8. Aurora (2:12)
  9. Leaving The Monastery (2:20)
  10. Marketplace Source #1 - Marketplace Madness (2:59)
  11. Marketplace Source #2 - Mumbai Massacre (3:10)
  12. Living Creatures Made By God (0:41)
  13. Aurora Takes In Marketplace (2:39)
  14. Explosion Chaos (1:25)
  15. Refugee Camp - Industrial Snow Park (1:57)
  16. Cage Fighter Dies (1:41)
  17. Refugees On Ice (2:47)
  18. Ride On A Grey Submarine (2:53)
  19. Aurora's Story (3:24)
  20. Snow Bike Travel (1:12)
  21. Snow Bike - Drone Encounter (2:14)
  22. Aurora Operates (1:07)
  23. We're All Going To Die In New York (1:03)
  24. Aurora Borealis (2:33)
  25. Showered & Almost Kiss (1:35)
  26. New York City (2:33)
  27. Monastery Is Destroyed (3:18)
  28. Bolero - Brooklyn Square (8:32)
  29. Priestess In Skyscraper (1:56)
  30. High Priestess On A Rampage (2:24)
  31. Toorop Is Home (2:30)
  32. Range Rover Chase (2:41)
  33. Aurora Is Dead (2:44)
  34. Aurora's Theme (4:08)
  35. Someone Asked For You (Alternate) (1:34)
  36. Leaving The Monastery (Alternate) (1:57)
  37. New York City (Alternate) (2:21)
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Felix reply Replies: 1 || 2015-11-17 21:21:50
Leavin the Monastery reminds me of Angels & Demons..haha :D

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Edmund Meinerts2015-11-17 22:44:28
This whole score sounds like a dry run for Angels & Demons. You've got the rhythmic chanting that alternates between female and male choirs...hell, you've even got the five-note ascending ostinato!

No surprise I guess that Atli worked on A&D too... :p

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Babylon A.D. (Expanded Score) soundtrack - Atli Örvarsson 2008