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Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.
Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally I’ve moved on from collecting cd’s (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.
These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?Was pleasantly surprised by this one when I first heard it. Outside of the ‘modern scoring’ portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90s
I give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.
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Atli ÖrvarssonDavid FlemingMartin TillmanClaudio Olachea
ComposerAdditional MusicMusicianScore Technical Assistant
Evidence (Complete Score)
Label: Unofficial Release
Length: 38'21
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3462 votes)
  1. Evidence Opening Titles (4:21)
    Atli Örvarsson, David Fleming, Martin Tillman
  2. The Calvary's Arrived (1:21)
    Atli Örvarsson, David Fleming, Martin Tillman
  3. Everything On This Tape Matters (0:41)
    Atli Örvarsson, David Fleming, Martin Tillman
  4. Who's That? (1:32)
    Atli Örvarsson, David Fleming, Martin Tillman
  5. Finding Fleischman (0:52)
    Atli Örvarsson, David Fleming, Martin Tillman
  6. That's Not Our Driver (0:31)
    Atli Örvarsson, David Fleming, Martin Tillman
  7. Blowtorch (2:41)
    Atli Örvarsson, David Fleming, Martin Tillman
  8. You're Gonna & Wanna See It (2:42)
    Atli Örvarsson, David Fleming, Martin Tillman
  9. I've Been Waiting For You (1:21)
    Atli Örvarsson, David Fleming, Martin Tillman
  10. Positive (0:55)
    Atli Örvarsson, David Fleming, Martin Tillman
  11. What Was That About? (1:47)
    Atli Örvarsson, David Fleming, Martin Tillman
  12. No More Video (0:44)
    Atli Örvarsson, David Fleming, Martin Tillman
  13. A Big Fucking Game (3:48)
    Atli Örvarsson, David Fleming, Martin Tillman
  14. Luck Of The Irish (5:05)
    Atli Örvarsson, David Fleming, Martin Tillman
  15. We're Gonna Get Him (4:09)
    Atli Örvarsson, David Fleming, Martin Tillman
  16. Deleted Scenes (5:59)
    Atli Örvarsson, David Fleming, Martin Tillman
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Felix reply Replies: 1 || 2015-09-20 15:23:44
Great Thanks Hybrid!!

You know I love his music :)


Edmund Meinerts2015-09-20 16:37:31
Fleming and Tillman on EVERY cue? That's weird...Tillman's not even credited as a composer, just a musician! What happened to the old composer listings on the score's regular page?

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Evidence (Complete Score) soundtrack - Atli Örvarsson 2013