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Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
Hybrid, yes!wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.I was a bit over the line, I admit. I should have made it clearer that all of that "hottest shit in town" bit was meant purely as a part of my personal opinion regarding his output. I never saw or read any interviews with him. <br><br>I also know about his wife, of course... but I guess I'm just too cynical to accept it as an all-encompasing excuse while seeing such massive fanbase clamoring for his new music. I don't know, I admittedly feel a bit bad about what I'm saying myself. I AM an asshole, sure, but only to an extent. <br><br>I think that saying "he is writing scores that he feels comfortable with" and "living his life however he wants", albeit understandable, is still ignoring the fact that he is an artist with a fanbase. We are living in a time when film composers are slowly getting a mainstream recognition as a type of musicians comparable to bands or singers. And that creates a certain responsibility towards that fanbase. An artist doesn't have to fulfill it, sure, but he should at the very least acknowledge and address it.<br><br>Which brings to mind an image of Hans going on a massive tour whilst giving zero fucks about the CD presentation of his scores, but I digress.<br><br>I wouldn't dare giving Powell advices about how to deal with a pain of the loved one's loss. But on the other hand, I strongly believe in artist's responsibility towards the fans. <br><br>For example, that's why I would kick everybody saying "GRRM is not your bitch" right in the goddamn nuts.Now I have ONE true reason to want this score to win !<br><br>PEACE ! lolI stand corrected. Though it's still possible that the score is a combination of live orchestra and samples, a lot of RCP music does that.
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Harry Gregson-WilliamsStephanie EconomouAlastair KingAndy Page
ComposerAdditional ArrangementsOrchestratorAdditional Music Programmer
The Martian
Label: Columbia (Digital Download Only)
Length: 51'50
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (4388 votes)
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  1. Mars (2:25)
    Harry Gregson-Williams
  2. Emergency Launch (3:10)
    Harry Gregson-Williams
  3. Making Water (2:38)
    Harry Gregson-Williams
  4. Spotting Movement (1:50)
    Harry Gregson-Williams
  5. Science The S*** Out Of This (2:17)
    Harry Gregson-Williams
  6. Messages From Hermes (3:31)
    Harry Gregson-Williams
  7. Sprouting Potatoes (1:39)
    Harry Gregson-Williams, Stephanie Economou
  8. Watney's Alive! (2:46)
    Harry Gregson-Williams
  9. Pathfinder (2:33)
    Harry Gregson-Williams
  10. Hexadecimals (2:34)
    Harry Gregson-Williams
  11. Crossing Mars (3:37)
    Harry Gregson-Williams
  12. Reap & Sow (2:21)
    Harry Gregson-Williams
  13. Crops Are Dead (3:26)
    Harry Gregson-Williams
  14. Work The Problem (1:58)
    Harry Gregson-Williams
  15. See You In A Few (5:12)
    Harry Gregson-Williams
  16. Build A Bomb (5:06)
    Harry Gregson-Williams
  17. Fly Like Iron Man (4:46)
    Harry Gregson-Williams
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Poe reply Replies: 1 || 2016-01-30 05:56:56
Anyone know how to arrange the chronological order for this download release please?


Anonymous2016-01-30 07:59:54
Someone has the fyc maybe they know

JamesT reply Replies: 0 || 2016-01-30 04:54:50
Harry posted four additional tracks (about 15 mins of score), previously unreleased, for us to enjoy on his Soundcloud page!

Fertilizer
Failed Launch
Project Elrond
Stomach Op

https://soundcloud.com/harry-gw

The Martian is such a superb score! Thanks HG-W!

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Miroslaw reply Replies: 0 || 2015-10-09 00:10:12
Science The S*** Out Of This is fucking kurwa awesome !!!!!!

Ds reply Replies: 6 || 2015-10-01 19:22:37
Delicious music, I'm lovin' it!


Medigo2015-10-02 19:53:03
looks like there is gonna be a lot missing

unless this is not a OSTheavy movie


Hybrid Soldier2015-10-02 20:12:20
No from what I heard it has a loooot of songs... Not that much score... A first in Ridley's career... lol


...2015-10-03 00:36:15
It's true. There is almost like 50% songs. It works though but I would have liked to hear more score of course!


Everan2015-10-04 17:42:47
There's a 2 CD set coming, but I think it will only add the songs used, which isn't so bad really. Maybe it could have some additional tracks, you never know.
It's up in Amazon as Deluxe Soundtrack, it's coming November 6


Ds2015-10-07 22:24:16
Well it's certainly not 50% of songs, far from it. There are a few songs here and there (and actually most of the time it's just an extract). The main core of the music is Harry's wonderful score. Needless to say, the tracklist is mostly out of order, and there's much more than 50min of score. Most of the unreleased cues are variations on the released tracks, but there are a few great unreleased cues as well.

Absolutely awesome movie, by the way. It seems like now we get an amazing space movie at the end of each year. And always with great music!!


JamesT2015-10-08 03:52:00
I'm LOVING this score -- one of HGW's best IMO. The movie was superb, too. Harry has mentioned in several interviews that the score was about 80 mins, which seems right to me given multiple listens and having seen the film. The book was extremely technical in places and I thought Ridley and the screenwriter did a great job translating those complex elements into simple science viewers could relate to. All of the essential pieces of the score are there, thankfully. I remember hearing about a five min track that was excellent that played when NASA and Watney were communicating that I wish had been included. I think the thematic material is excellent -- reminds me of some parts of Light It Up. I hear some Spy Game elements, too. Going to see it again this weekend!

Kullebra reply Replies: 5 || 2015-10-01 04:33:33
"Making Water"... the texture of this track is amazing!!


Anonymous2015-10-02 08:34:27
It is, though at times it feels like it is taking a page or two from Man of Steel.


Mike2015-10-02 18:24:17
+2. Good stuff. It also has a "Finding Nemo" sound to me, in a way.


isildur2015-10-03 02:09:57
"Sprouting Potatoes" too. Beautiful little track. Should have been longer though.


Brent2015-10-03 08:25:23
Mike, interesting you mention Nemo. I swear I was listening to Wall-E. Lol. Great score, though.


Mike2015-10-05 15:08:06
Wall-E óan even better comparison. ;)

Kullebra reply Replies: 1 || 2015-10-01 04:30:28
The music is very beautiful. It's Harry Gregson-William baby!!!


Anonymous2015-10-02 08:35:13
He sure is on top of his game. Give this man more work!

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The Martian soundtrack - Harry Gregson-Williams 2015