NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.Tracklist:<br><br>01. Imagine Dragons Ė Zero (3:32)<br>02. Sarah Silverman, Gal Gadot, Cast Ė Ralph Breaks the Internet Ė A Place Called Slaughter Race (3:28)<br>03. Julia Michaels Ė In This Place (3:21)<br>04. Karol Sevilla Ė El lugar (3:21)<br>05. Best Friends (2:53)<br>06. Circuit Breaker (2:22)<br>07. Pulling the Plug (1:14)<br>08. On the Rooftop (1:04)<br>09. The Big Idea (1:16)<br>10. The Internet (2:47)<br>11. KnowsMore & Spamley (1:18)<br>12. Site Seeing (1:30)<br>13. Checkout Fiasco (1:33)<br>14. Get Rich Quick (1:43)<br>15. Shank (3:03)<br>16. Hanginí Out (1:03)<br>17. BuzzzTube (1:42)<br>18. Overnight Sensation (2:52)<br>19. Separate Ways (1:04)<br>20. Vanellopeís March (0:46)<br>21. Desperate Measures (1:20)<br>22. Donít Read the Comments (1:49)<br>23. Growing Pains (1:35)<br>24. Double Dan (3:36)<br>25. Scanning for Insecurities (1:54)<br>26. Breaking Up (2:46)<br>27. Replicate-It-Ralph (1:21)<br>28. Operation Pied Piper (2:38)<br>29. Kling Kong (3:39)<br>30. The Meaning of Friendship (2:16)<br>31. A Big Strong Man in Need of Rescuing (1:55)<br>32. Letting Go (1:49)<br>33. Comfort Zone (1:33)<br>34. Worlds Apart (1:22)<br>35. Alan Menken, Phil Johnston, Tom MacDougall Ė A Place Called Slaughter Race (Instrumental) (3:28)<br>36. Alan Menken, Phil Johnston, Tom MacDougall Ė In This Place (Instrumental) (3:20)And top gun:maverick....big 4Yeah seriously, he hasnít done much in a year plus. Heís definitely taken some time off for touring and other things, which may be a great thing for his inspiration... who knows, but Iím guessing the time off has let his brain take a break and maybe he has a ton of new ideas for the big 3 (WW:84, Dark Phoenix, Lion King) coming up in the next year and a half. <br><br>Or maybe Iím just hopeful/wishful thinking lol.Plus, Blue Planet II came out last year. That score is as far from Widows as possible.
I'm not sure, but I think this site is not the right place to ask for copyright, since it is "almost official". But, here you can find the label of every officially released album you want, so you can ask the company labeled.That collaboration was barely a year ago. This is literally Zimmer's first significant score since then. You can't deduce a pattern from two data points.IMDb says that Lorne is one of the 3 composers of Battlefield V. I am confused.... :DWell, if you check what Hans Zimmer did recently there wasn't much material for him to write a good theme too. A lot of it was types of movies that were synth type music. I think The Dark Phoenix and Wonder Woman (apart from his amazing theme for her already) will have some good typical Hans Zimmer feel to it which I am excited for.For the first time of my life but with sound experience, I assist on that one too.  A very good job from all that team.<br>I only was surprised to not see Hans Zimmer itself and quickly understood that it was "the world of..." and not HZ live ! No regret for my first even if I'm a bit frustrated and regret my mistake ;o)<br>Do you have a tip for me to do it again and avoid that mistake again? When you purchase a ticket, it's hard, you have sometimes to go deeper to see that, finally, he's not gonna be there!<br>Have a great day U all.<br>
I wishCool Hybrid! Been at the concert in Oberhausen last Saturday. A lot better then expected to be honest. Pedro's Oogway's Ascend was very good, Pedro outdid himself there (at the 2nd Zimmer concerts I thought he wasnt that great compared to Richard).<br><br>Yeah! The hell are the other comments about though? The Last Stand is miles ahead of X2. You weren't even saying TLS was the best X-men score, you were just saying it's Powell's best score. Man people are dumbHi, I want to add some seconds of 8 track for the background of my small documentary about races, my first one, is it possibile to ask for copyright? Should I write to some email addresses?<br>I'm kind of the same way, even on a personal level. The synth and power anthems, even from the Media Ventures era, is just kind of getting old to me. The incessant momentum, the lack of thematic progression, it all wears on you eventually.
I think you really nailed how I feel about this score. I donít personally mind the tense electronic elements (this is music that I can enjoy on its own level) but I do feel let down by the lack of a theme or any solid motif to anchor the music. Especially in the emotional cues.<br><br>The one thing that I keep coming back to is how this sounds so much like something Johann Johansson would have written. I actually really like his music style, but it is pretty jarring to see Zimmer do minimalism on this level. No objections here, but I canít wait to get some exciting Zimmer music again.Not for nothing but it's kinda odd how Zimmer has been declining ever since, IMO, his collaboration with Wallfisch on Blade Runner 2049.... <br><br>Honestly, I've been straying towards John Carpenter's Halloween 2018 and horror synth ever since....is Zimmer retiring or something? Because I'm finding myself not into him so much, anymore.I honestly wasn't expecting much from this film on a musical level, but some tracks that are available are OK to listen to. McQueen has never been a proponent of larger-scale thematic music in his scores, he seems to be a mood-inspired person, and Zimmer can do that very, very well. <br><br>Coming back to the music, Zimmer seems to have embraced his textural roots. 2018 has been all about texture really in the action films, i.e. Black Panther's percussion layers, Mission Impossible: Fallout, Widows. Thematically, there seems to be a solemn progression for Marcus that reappears in "My Son", that relies on familiar elements (i.e. drone strings layered on top of each other, lower bass accompaniment), and some of the action textures in "We Have A Job To Do" and "Perimeter Check" is a nice callback to the Media Ventures style of things. <br><br>I'm admittedly disappointed with the fact that there is nothing beyond residually, well-anchored momentum and tension to the score,and the album length is shocking. But it is what it is. I love the underlying, throbbing synth bass ripples, I've always had a soft spot for them. <br><br>Honestly, it's a one time listen for me. I'm more excited about his dual superhero bonanza return next year- Wonder Woman 1984 and X-Men Dark Phoenix. I'm definitely not expecting him to use John Ottman's brilliant theme for the latter, although I will definitely be impressed if by slight chance, he does. The "Money" is quite soothing in a melancholy way. "The Calm Before The Storm" uses some worthwhile sombre piano treading that I'm always a stickler for.Come to Bratislava, Slovakia too.I wonder with all of the Easter eggs if Jackman will incorporate some character themes like possibly the Imperial March for Storm Troopers Or Disney themed for the Disney characters
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Harry Gregson-WilliamsHalli CautheryDavid BuckleyLadd McIntosh
ComposerAdditional MusicAdditional MusicOrchestrator
Arthur Christmas (Complete Score)
Label: Unofficial Release
Length: 62'42
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1734 votes)
  1. Trelew (2:32)
  2. Aarhus Arrival (1:08)
  3. The Delivery - Mission Control (4:54)
  4. Arthur Tumbles Again (1:43)
  5. Mari's Letter (0:31)
  6. A Waker (2:52)
  7. Let's Bring Them Home (1:52)
  8. Santa Is Home (0:22)
  9. Re-elected - We Wish You (0:48)
  10. Taa Daa (0:16)
  11. Bryony Finds The Gift (0:14)
  12. Steve Walks Out (0:33)
  13. One Missed Child (1:18)
  14. Evie & The Reindeer (3:22)
  15. Dashing Out (3:46)
  16. To Toronto (1:59)
  17. Too Old For Trouble (0:14)
  18. Stealing The Medal Deer (0:11)
  19. Paris Zoo - The Atlantic Is Big (2:30)
  20. Serengeti Escape (2:25)
  21. That's Why You Came (0:15)
  22. Rough Landing (0:37)
  23. What Are Your Orders? (0:33)
  24. Wrong Trelew (1:54)
  25. Bad News (1:40)
  26. The Beach (0:11)
  27. Arthur's Sadness - Gwen Sleeping (2:22)
  28. The Greatest Man Ever (1:10)
  29. Afraid Of Everything (0:59)
  30. Worry Me (0:58)
  31. Catching The Sleigh (1:14)
  32. Back On Course (0:19)
  33. Turkey Sandwich (0:34)
  34. The S1 Takes Off (0:20)
  35. Space Travel (2:49)
  36. Goodbye Evie (2:49)
  37. Last Cycling Dash (1:09)
  38. Race To Gwen's House (1:40)
  39. Can't Be Too Late (0:31)
  40. Santa's On The Move (0:19)
  41. Dad? (1:02)
  42. Pat On The Back (2:50)
  43. Christmas Morning (0:43)
  44. Make Someone Happy (2:34)
Create Topic

 HANS-ZIMMER.com© 2001-2018 OST 
Arthur Christmas (Complete Score) soundtrack - Harry Gregson-Williams 2011