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Maybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.
The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the job
Powell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.Bring on the remixes!
LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film musicFantastic score by Balfe.Best action score writer to come from RCP since Powell for sure .
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Composer - Conductor
Harry Gregson-WilliamsToby ChuNick Glennie-SmithClay Duncan
ComposerAdditional MusicAdditional MusicAdditional Music
Deja Vu (Complete Score)
Label: Unofficial Release
Length: 114'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2783 votes)
  1. Opening Titles (3:09)
    Harry Gregson-Williams
  2. Aftermath (4:44)
    Harry Gregson-Williams
  3. Meeting Pryzwarra (0:49)
    Harry Gregson-Williams, Toby Chu
  4. ATF Office (0:47)
    Harry Gregson-Williams
  5. Press Conference (1:57)
    Harry Gregson-Williams
  6. Autopsy (3:09)
    Harry Gregson-Williams, Toby Chu
  7. Mr. Kuchever (5:10)
    Harry Gregson-Williams
  8. Larry's Car (2:00)
    Harry Gregson-Williams
  9. Questions (1:15)
    Harry Gregson-Williams
  10. Where Do We Look? (2:26)
    Harry Gregson-Williams, Toby Chu
  11. Surveillance Begins (1:01)
    Harry Gregson-Williams
  12. Who's Watching Her? (3:00)
    Harry Gregson-Williams
  13. He Was Here (0:49)
    Harry Gregson-Williams
  14. Oerstadt Calls (3:43)
    Harry Gregson-Williams, Hybrid
  15. Breaching The Field (1:26)
    Harry Gregson-Williams
  16. More Than Physics (0:49)
    Harry Gregson-Williams
  17. Sending The Note (1:44)
    Harry Gregson-Williams
  18. It Went Through (0:35)
    Harry Gregson-Williams
  19. Not Coming Back (3:29)
    Harry Gregson-Williams
  20. The Chase (6:46)
    Harry Gregson-Williams, Clay Duncan
  21. Hideout (2:44)
    Harry Gregson-Williams, Nick Glennie-Smith
  22. Doug Sees Body (1:21)
    Harry Gregson-Williams
  23. Finding Oerstadt (6:01)
    Harry Gregson-Williams
  24. You Can Save Her - Sending The Doug (6:05)
    Harry Gregson-Williams, Stephen Barton
  25. Revive Me (2:05)
    Harry Gregson-Williams, Toby Chu
  26. Stealing The Ambulance (3:20)
    Harry Gregson-Williams
  27. Hideout Explodes (1:13)
    Harry Gregson-Williams
  28. You're Safe (1:10)
    Harry Gregson-Williams
  29. Wrong Dress (3:16)
    Harry Gregson-Williams
  30. Cleaning Up (3:10)
    Harry Gregson-Williams
  31. Algiers Ferry (3:58)
    Harry Gregson-Williams, Nick Glennie-Smith
  32. There She Blows (1:40)
    Harry Gregson-Williams
  33. Cat & Mouse (1:27)
    Harry Gregson-Williams
  34. Oerstadt Goes Down (1:25)
    Harry Gregson-Williams
  35. Hit It (Part 1) (1:06)
    Harry Gregson-Williams
  36. Hit It (Part 2) (1:29)
    Harry Gregson-Williams, Nick Glennie-Smith
  37. Claire's Rescue (3:03)
    Harry Gregson-Williams
  38. Coming Back To You (3:22)
    Macy Gray, Harry Gregson-Williams
  39. Humve Chase Remix (4:06)
    Harry Gregson-Williams, Hybrid
  40. Stealing The Ambulance (Alternate) (3:13)
    Harry Gregson-Williams
  41. Claire's Rescue (Alternate) (3:02)
    Harry Gregson-Williams
  42. Coming Back To You (Version 2) (3:20)
    Macy Gray, Harry Gregson-Williams
  43. Humvee Chase Remix (Version 2) (4:07)
    Harry Gregson-Williams, Hybrid
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Bayhem reply Replies: 0 || 2018-08-06 11:11:04
Hmmm, looking at Nick Glennie-Smith's credits......seems to me that he doesn't really get the credit he deserves. He did additional work on so many movies. Actual scoring, not conducting. For example, I never knew he did additional work on this movie. I always thought of 'Deja Vu' as a pure HGW project. Apparently it's not....

madmartigan reply Replies: 0 || 2015-10-23 09:52:35
Thanks Hybrid for this track list !

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Deja Vu (Complete Score) soundtrack - Harry Gregson-Williams 2006