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damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.
Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!
Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.
I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at leastI find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINE
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Additional Music - Musician : GuitarAdditional MusicAdditional Music
Harry Gregson-WilliamsHeitor PereiraToby ChuTom Holkenborg (Junkie XL)
ComposerAdditional MusicAdditional MusicAdditional Music
Domino (Complete Score)
Label: Unofficial Release
Length: 97'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2760 votes)
  1. Domino (0:35)
    Harry Gregson-Williams, Toby Chu
  2. Fender Compound (2:49)
    Harry Gregson-Williams, Junkie XL
  3. One Armed Man (1:31)
    Harry Gregson-Williams
  4. Edna Works Safe (1:37)
    Harry Gregson-Williams
  5. Frances Puts The Pressure On (1:57)
    Harry Gregson-Williams
  6. Dad's Funeral (0:47)
    Harry Gregson-Williams
  7. Runaway Models (0:26)
    Harry Gregson-Williams, Junkie XL
  8. Down To Fate (2:42)
    Harry Gregson-Williams
  9. Ed (0:56)
    Harry Gregson-Williams, Toby Chu
  10. Rip Off (0:53)
    Harry Gregson-Williams
  11. Want To Be A Bounty Hunter (0:42)
    Harry Gregson-Williams
  12. The Barrio (0:37)
    Heitor Pereira
  13. Maldonado's House (1:33)
    Harry Gregson-Williams
  14. First Raid (0:24)
    Harry Gregson-Williams
  15. My Coin Was Tossed (0:17)
    Harry Gregson-Williams
  16. Smoking Barrel (1:06)
    Harry Gregson-Williams, Hybrid
  17. Alf's Hired (0:34)
    Harry Gregson-Williams
  18. Pool Party Intro (0:14)
    Harry Gregson-Williams, Toby Chu
  19. Life Ordinary (0:27)
    Harry Gregson-Williams
  20. Frantic Fish (0:04)
    Toby Chu
  21. Dysfunctional Family (0:37)
    Harry Gregson-Williams
  22. Mark Heiss (0:27)
    Harry Gregson-Williams, Hybrid
  23. Elevator (0:22)
    Harry Gregson-Williams, Hybrid
  24. Pitch Meeting (3:14)
    Harry Gregson-Williams, Hybrid
  25. Jerry Springer #1 (0:12)
    Harry Gregson-Williams
  26. Jerry Springer #2 (0:11)
    Harry Gregson-Williams
  27. Chinegro (0:41)
    Harry Gregson-Williams, Junkie XL
  28. Flow Chart (0:58)
    Harry Gregson-Williams, Hybrid
  29. Bounty Squad Set (0:55)
    Harry Gregson-Williams
  30. Alf & The Winnebago (0:35)
    Harry Gregson-Williams, Meri Gavin
  31. Afghanistan (0:27)
    Harry Gregson-Williams
  32. BS Interview (1:15)
    Harry Gregson-Williams
  33. Meeka's Sickness (1:25)
    Harry Gregson-Williams, Heitor Pereira
  34. Pat (0:51)
    Harry Gregson-Williams
  35. LaTeesha (1:57)
    Harry Gregson-Williams
  36. Questioning (1:00)
    Harry Gregson-Williams, Toby Chu
  37. Taco Stand (0:28)
    Hybrid
  38. Drake Bishop (2:25)
    Harry Gregson-Williams
  39. Crime Boss (1:23)
    Harry Gregson-Williams, Hybrid
  40. Locus Fender (0:26)
    Harry Gregson-Williams
  41. First Ladies (1:10)
    Harry Gregson-Williams
  42. First Ladies Revealed (0:38)
    Harry Gregson-Williams
  43. Bounty Hunters Arrive (0:49)
    Harry Gregson-Williams
  44. We Should Sign Her (0:37)
    Harry Gregson-Williams
  45. Frances Escapes (0:59)
    Harry Gregson-Williams, Hybrid
  46. Frat Boys (0:43)
    Harry Gregson-Williams
  47. Domino Outside Gas Station (0:16)
    Harry Gregson-Williams
  48. Needles (2:17)
    Harry Gregson-Williams
  49. Motel Hell (0:48)
    Harry Gregson-Williams, Heitor Pereira
  50. Choco At Domino's Doo (1:43)
    Harry Gregson-Williams
  51. Choco & Ed Talk (2:52)
    Harry Gregson-Williams
  52. Dig Your Own Graves (1:35)
    Harry Gregson-Williams
  53. Fake First Ladies (0:14)
    Harry Gregson-Williams
  54. Car Argument (0:14)
    Harry Gregson-Williams
  55. Follow My Instructions (1:44)
    Harry Gregson-Williams
  56. In The Winnebago (0:53)
    Harry Gregson-Williams
  57. Remove The Right Arm (0:40)
    Harry Gregson-Williams
  58. Arm Off (0:39)
    Harry Gregson-Williams
  59. Back Where We Started (1:23)
    Harry Gregson-Williams
  60. Fridge Full Of Money (1:02)
    Harry Gregson-Williams
  61. Mescaline (1:07)
    Harry Gregson-Williams, Meri Gavin
  62. Accident - Alma Muda (2:38)
    Heitor Pereira, Harry Gregson-Williams, Meri Gavin
  63. After The Crash (2:02)
    Harry Gregson-Williams
  64. Kill Them (0:56)
    Harry Gregson-Williams
  65. Kids Aren't Dead (0:55)
    Harry Gregson-Williams
  66. Vegas (1:06)
    Harry Gregson-Williams
  67. Setting Up A Meeting (1:49)
    Harry Gregson-Williams
  68. LaTeesha's Story (2:29)
    Harry Gregson-Williams
  69. My Pussy You'll Dream Of (1:49)
    Harry Gregson-Williams, Toby Chu
  70. Taxi (1:48)
    Harry Gregson-Williams
  71. Top Of The World (2:00)
    Harry Gregson-Williams
  72. FBI Takes Off (0:28)
    Harry Gregson-Williams, Junkie XL
  73. Money For Afghanistan (3:07)
    Harry Gregson-Williams
  74. Domino's Decision (0:34)
    Harry Gregson-Williams
  75. Elevator Door Opens (0:41)
    Harry Gregson-Williams
  76. Live Or Die Elevator (1:43)
    Harry Gregson-Williams
  77. Aftermath (1:23)
    Harry Gregson-Williams
  78. Real (2:40)
    Macy Gray, Harry Gregson-Williams, Lisbeth Scott
  79. One Armed Man (Alternate) (2:13)
    Harry Gregson-Williams
  80. Needles (Alternate) (2:17)
    Harry Gregson-Williams
  81. Choco & Ed Talk (Alternate) (2:48)
    Harry Gregson-Williams
  82. Money For Afghanistan (Alternate) (0:32)
    Harry Gregson-Williams
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GermanRCPFan reply Replies: 0 || 2020-09-01 18:32:06
Hybrid, I compare this tracklist with leak that I have, and I identified all cues except for "60. Fridge Full Of Money (1:02)". And I don't understand it because that cue don't appears in movie. Cues before and after that one are joined in film in one. This cue is from deleted scene or this is error in tracklist?

Also I don't have last two alternates, what are they represent?

Hybrid Soldier reply Replies: 2 || 2015-10-31 18:35:04
This was absolutely... NOT easy to sort out, but I did !


Adam2015-10-31 21:17:13
Awsome!!!! Great score. Thanks Hybrid Soldier!!


Eric2017-10-06 15:51:19
I would like so much to buy this complete score. Do you have any idea where and how to find it? Thanks in advance!

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Domino (Complete Score) soundtrack - Harry Gregson-Williams 2005