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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Henry JackmanMatthew MargesonDominic LewisTom Holkenborg (Junkie XL)
ComposerAdditional MusicAdditional MusicAdditional Music
G.I. Joe - Retaliation (Complete Score)
Label: Unofficial Release
Length: 125'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2372 votes)
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  1. Logo Munching (2:04)
    Henry Jackman
  2. Joe Mish Mish (DMZ) (3:45)
    Henry Jackman, Matthew Margeson
  3. Misdirect (0:25)
    Henry Jackman, Matthew Margeson
  4. Bun Setup (1:43)
    Henry Jackman, Dominic Lewis
  5. Get Me The G.I. Joes (2:59)
    Henry Jackman, Junkie XL
  6. Jay-Z Prayer (0:59)
    Henry Jackman, Junkie XL
  7. Rappelling Joes (2:50)
    Henry Jackman, Matthew Margeson, Junkie XL
  8. Mission Accomplished (0:32)
    Henry Jackman
  9. Desert Top Bun With Monologue Burger (4:35)
    Henry Jackman, Matthew Margeson
  10. Front Bun Contest (1:56)
    Henry Jackman, Dominic Lewis
  11. Cobra Attacks (1:02)
    Henry Jackman, Matthew Margeson
  12. Joe Adagio (1:14)
    Henry Jackman
  13. Extreme Predge Predge (1:51)
    Henry Jackman
  14. Three Joes Left (3:01)
    Henry Jackman
  15. Prison Mentalist (3:06)
    Henry Jackman
  16. Posh Tanks (Acting As Relish) (1:16)
    Henry Jackman
  17. Fireflies With Further Desert Buns (1:26)
    Henry Jackman, Matthew Margeson
  18. Break Out (3:06)
    Henry Jackman, Matthew Margeson
  19. Bad Boys (3:23)
    Henry Jackman
  20. Tracking Storm Shadow (1:25)
    Henry Jackman, Matthew Margeson
  21. Commander Returns (2:12)
    Henry Jackman, Matthew Margeson
  22. Three Joes & Two Ninjas (1:56)
    Henry Jackman
  23. The Stoop Cue (1:55)
    Henry Jackman, Dominic Lewis
  24. Joes Regroup (2:13)
    Henry Jackman
  25. One President, Two Fingerprints (0:57)
    Henry Jackman, Dominic Lewis
  26. Colton Stand-Off (Part 1) (1:48)
    Henry Jackman
  27. Colton Stand-Off (Part 2) (0:27)
    Henry Jackman
  28. Colton On Board (1:01)
    Henry Jackman
  29. Drugging The Easily Corruptible (0:55)
    Henry Jackman, Andrew Kawczynski
  30. Alpine Ninja Quest (1:26)
    Henry Jackman
  31. Falling Ninjas (2:59)
    Henry Jackman, Dominic Lewis, Daniel Pinder
  32. Bad Dojo (1:33)
    Henry Jackman, Dominic Lewis
  33. Ninja Opera (4:44)
    Henry Jackman, Dominic Lewis
  34. The Presiden't Other Ball (3:59)
    Henry Jackman, Dominic Lewis, Andrew Kawczynski
  35. Firefly Fight (1:57)
    Henry Jackman, Matthew Margeson, Junkie XL
  36. Clan Tribunal (2:28)
    Henry Jackman, Dominic Lewis
  37. Daddy's Little Soldier (0:53)
    Henry Jackman, Alex Belcher
  38. Presidential Punch-Up (2:12)
    Henry Jackman, Matthew Margeson
  39. Damn Ninjas (0:48)
    Henry Jackman, Matthew Margeson
  40. Fort Sumter Summit (2:44)
    Henry Jackman
  41. Scare Tactics (3:10)
    Henry Jackman, Matthew Margeson
  42. No Nukes (4:10)
    Henry Jackman, Matthew Margeson
  43. I Want It All (1:08)
    Henry Jackman, Matthew Margeson
  44. Tank-Off (3:28)
    Henry Jackman, Matthew Margeson
  45. Zartan - Storm Cock-Off (4:27)
    Henry Jackman, Dominic Lewis
  46. Zeus-Off (2:45)
    Henry Jackman
  47. Firefly Gets It (0:41)
    Henry Jackman, Matthew Margeson
  48. Arlington Rock (2:50)
    Henry Jackman, Dominic Lewis, Daniel Pinder
  49. Firefly Suite (4:37)
    Henry Jackman
  50. Zartan Suite (7:25)
    Henry Jackman
  51. Joe Suite (Demo) (2:28)
    Henry Jackman
  52. Joe Mish Mish (DMZ) (Alternate) (3:42)
    Henry Jackman, Matthew Margeson
  53. Rappelling Joes (Alternate) (2:49)
    Henry Jackman, Matthew Margeson, Junkie XL
  54. Ninja Opera (Alternate Ending) (0:28)
    Henry Jackman, Dominic Lewis
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T-Mann036 reply Replies: 4 || 2016-09-25 08:22:05
This is truly one of the best soundtracks ever made by Henry Jackman and Junkie XL plus one of many others!


Edmund Meinerts2016-09-25 21:43:36
It is indeed the best score by Jackman and Junkie. Being that they haven't ever worked on a score together other than this, that's not a very high bar to clear and it doesn't take a very good score to clear it (which is a good thing, because this isn't a very good score).


Hybrid Soldier2016-09-25 21:51:44
Well first Junkie didn't do much of that score, second they did work on Abe Lincoln VH as well ! lol


Mike2016-09-25 21:59:34
Edmund, you make some really great comments sometimes. Haha.


T-Mann0362017-06-29 16:27:08
I personally agree with Mike. Ha ha...

Scorefan reply Replies: 0 || 2015-11-07 03:05:05
Great!!!

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G.I. Joe - Retaliation (Complete Score) soundtrack - Henry Jackman 2013