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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)
Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.
Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?
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Harry Gregson-WilliamsStephen BartonJames McKee SmithHeitor Pereira
ComposerAdditional MusicAdditional MusicAdditional Music
Shrek 2 (Complete Score)
Label: Unofficial Release
Length: 53'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3345 votes)
  1. DWA Logo (0:25)
    Harry Gregson-Williams
  2. Prince Charming (2:05)
    Harry Gregson-Williams
  3. Where Were We? (0:09)
    Harry Gregson-Williams
  4. Messengers Fanfare (0:09)
    Harry Gregson-Williams
  5. Five-O Fanfare (0:07)
    Harry Gregson-Williams (Morton Stevens)
  6. Leaving Home (0:20)
    Harry Gregson-Williams
  7. Are We There Yet? (0:29)
    Harry Gregson-Williams
  8. Arrival Fanfare (0:13)
    Harry Gregson-Williams
  9. Far Far Away (0:34)
    Harry Gregson-Williams
  10. Far Far Away Fanfare (0:16)
    Harry Gregson-Williams, Stephen Barton
  11. Happy To See Us (1:00)
    Harry Gregson-Williams, Stephen Barton
  12. Quartet A (0:37)
    Harry Gregson-Williams
  13. Quartet B (0:52)
    Harry Gregson-Williams
  14. Quartet C (0:16)
    Harry Gregson-Williams
  15. Dinner Waltz (1:06)
    Harry Gregson-Williams, Stephen Barton
  16. After Dinner (0:36)
    Harry Gregson-Williams
  17. Fairy Godmother Song (1:43)
    Jennifer Saunders, Harry Gregson-Williams, Andrew Adamson, Stephen Barton, Walt Dohrn, Dave Smith, Aron Warner
  18. Changes For You (0:30)
    Harry Gregson-Williams
  19. Need To Talk (0:41)
    Harry Gregson-Williams, James McKee Smith
  20. Harold Meets Charming (0:48)
    Harry Gregson-Williams
  21. Stop The Car (0:17)
    Harry Gregson-Williams
  22. Poison Apple (0:42)
    Harry Gregson-Williams
  23. He's An Ogre (0:06)
    Harry Gregson-Williams
  24. Who Dares Enter (0:46)
    Harry Gregson-Williams
  25. Dear Diary (0:51)
    Harry Gregson-Williams
  26. By The Ol' Oak (1:27)
    Harry Gregson-Williams
  27. Puss Attack (0:46)
    Harry Gregson-Williams
  28. Puss Sting (0:12)
    Harry Gregson-Williams, Heitor Pereira
  29. Make Her Happy (0:23)
    Harry Gregson-Williams
  30. Donkey Cries (0:25)
    Harry Gregson-Williams
  31. FMG Card (0:34)
    Harry Gregson-Williams, James McKee Smith
  32. Obliged To Help (1:03)
    Harry Gregson-Williams
  33. To The Factory (1:49)
    Harry Gregson-Williams
  34. Inside The Factory (0:58)
    Harry Gregson-Williams, James McKee Smith
  35. No Ogres (0:49)
    Harry Gregson-Williams, James McKee Smith
  36. Potion Room (1:54)
    Harry Gregson-Williams
  37. Caught! (0:39)
    Harry Gregson-Williams
  38. Deep Fried (1:21)
    Harry Gregson-Williams, James McKee Smith
  39. Drinks The Potion (0:23)
    Harry Gregson-Williams
  40. Not Meant To Be (2:49)
    Harry Gregson-Williams
  41. New Shrek (0:19)
    Harry Gregson-Williams, Stephen Barton
  42. A Stallion Baby! (0:07)
    Harry Gregson-Williams, Stephen Barton
  43. New Clothes - Flying Talking Donkey (0:58)
    Harry Gregson-Williams (John Powell)
  44. Hello Handsome (0:18)
    Harry Gregson-Williams
  45. Prince Of Her Dreams (2:05)
    Harry Gregson-Williams
  46. Mommy (0:44)
    Harry Gregson-Williams
  47. Pre Red Carpet (0:18)
    Harry Gregson-Williams
  48. Red Carpet (1:10)
    Harry Gregson-Williams, James McKee Smith
  49. Knights (0:49)
    Harry Gregson-Williams
  50. Knights Rewind (0:06)
    Harry Gregson-Williams
  51. Magic Tea (1:51)
    Harry Gregson-Williams, Stephen Barton
  52. Mission Impossible (0:53)
    Stephen Barton (Lalo Schifrin)
  53. Thong (1:14)
    Harry Gregson-Williams
  54. Muffin Man (1:10)
    Harry Gregson-Williams, James McKee Smith
  55. Piano Interlude #1 (0:13)
    Harry Gregson-Williams
  56. Piano Interlude #2 (0:24)
    Harry Gregson-Williams
  57. Holding Out For A Hero (Gum Ball Button - Less Heat, More Foam - Fire In My Blood - Mongo Drowns - Puss Saves The Day) (4:15)
    Jennifer Saunders, Dean Pitchford, Jim Steinman, Harry Gregson-Williams
  58. Get The Wand (2:08)
    Harry Gregson-Williams, Stephen Barton
  59. Frog (1:29)
    Harry Gregson-Williams
  60. The End - Happily Ever After (1:55)
    Harry Gregson-Williams (John Powell)
  61. Dragon (0:38)
    Harry Gregson-Williams
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DTC reply Replies: 0 || 2018-02-26 19:37:14
2004 - Shrek 2 - DWA Logo
2004 - Shrek 2 - Where Were We?
2004 - Shrek 2 - Messengers Fanfare
2004 - Shrek 2 - Drinks The Potion

liamdude5 reply Replies: 1 || 2018-01-07 00:05:20
Does anybody know where I can get this?


Felix2018-01-07 10:40:42
Sadly....no

Hybrid Soldier reply Replies: 1 || 2016-07-09 13:17:41
Cuesheet !


Cameron2016-07-09 17:59:07
NICE. I really want to hear the full film version of "Holding Out For A Hero," with the piano intro. As I said before, this is my favorite Shrek movie and soundtrack/score.

Cameron reply Replies: 0 || 2016-05-23 00:53:53
This movie is my favorite of the four, including the soundtrack. Would love to hear this.

Russian Youtube Poop reply Replies: 1 || 2015-12-04 11:43:03
Will the Shrek the Third complete score or not?


Edmund Meinerts2015-12-04 12:52:52
Nobody knows, man. I wish people would get that into their heads. A score will leak when it leaks. It won't be announced, there isn't a release date, and asking doesn't achieve anything.

Just roll with the punches is my advice. :)

Felix reply Replies: 1 || 2015-11-04 07:32:30
Shrek 2 is here, too :)


Scorefan2015-11-07 02:59:02
I want it too

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Shrek 2 (Complete Score) soundtrack - Harry Gregson-Williams 2004