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No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...
Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great job
Bob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.
I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!
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Harry Gregson-WilliamsStephen BartonJames McKee SmithHeitor Pereira
ComposerAdditional MusicAdditional MusicAdditional Music
Shrek 2 (Complete Score)
Label: Unofficial Release
Length: 53'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3260 votes)
  1. DWA Logo (0:25)
    Harry Gregson-Williams
  2. Prince Charming (2:05)
    Harry Gregson-Williams
  3. Where Were We? (0:09)
    Harry Gregson-Williams
  4. Messengers Fanfare (0:09)
    Harry Gregson-Williams
  5. Five-O Fanfare (0:07)
    Harry Gregson-Williams (Morton Stevens)
  6. Leaving Home (0:20)
    Harry Gregson-Williams
  7. Are We There Yet? (0:29)
    Harry Gregson-Williams
  8. Arrival Fanfare (0:13)
    Harry Gregson-Williams
  9. Far Far Away (0:34)
    Harry Gregson-Williams
  10. Far Far Away Fanfare (0:16)
    Harry Gregson-Williams, Stephen Barton
  11. Happy To See Us (1:00)
    Harry Gregson-Williams, Stephen Barton
  12. Quartet A (0:37)
    Harry Gregson-Williams
  13. Quartet B (0:52)
    Harry Gregson-Williams
  14. Quartet C (0:16)
    Harry Gregson-Williams
  15. Dinner Waltz (1:06)
    Harry Gregson-Williams, Stephen Barton
  16. After Dinner (0:36)
    Harry Gregson-Williams
  17. Fairy Godmother Song (1:43)
    Jennifer Saunders, Harry Gregson-Williams, Andrew Adamson, Stephen Barton, Walt Dohrn, Dave Smith, Aron Warner
  18. Changes For You (0:30)
    Harry Gregson-Williams
  19. Need To Talk (0:41)
    Harry Gregson-Williams, James McKee Smith
  20. Harold Meets Charming (0:48)
    Harry Gregson-Williams
  21. Stop The Car (0:17)
    Harry Gregson-Williams
  22. Poison Apple (0:42)
    Harry Gregson-Williams
  23. He's An Ogre (0:06)
    Harry Gregson-Williams
  24. Who Dares Enter (0:46)
    Harry Gregson-Williams
  25. Dear Diary (0:51)
    Harry Gregson-Williams
  26. By The Ol' Oak (1:27)
    Harry Gregson-Williams
  27. Puss Attack (0:46)
    Harry Gregson-Williams
  28. Puss Sting (0:12)
    Harry Gregson-Williams, Heitor Pereira
  29. Make Her Happy (0:23)
    Harry Gregson-Williams
  30. Donkey Cries (0:25)
    Harry Gregson-Williams
  31. FMG Card (0:34)
    Harry Gregson-Williams, James McKee Smith
  32. Obliged To Help (1:03)
    Harry Gregson-Williams
  33. To The Factory (1:49)
    Harry Gregson-Williams
  34. Inside The Factory (0:58)
    Harry Gregson-Williams, James McKee Smith
  35. No Ogres (0:49)
    Harry Gregson-Williams, James McKee Smith
  36. Potion Room (1:54)
    Harry Gregson-Williams
  37. Caught! (0:39)
    Harry Gregson-Williams
  38. Deep Fried (1:21)
    Harry Gregson-Williams, James McKee Smith
  39. Drinks The Potion (0:23)
    Harry Gregson-Williams
  40. Not Meant To Be (2:49)
    Harry Gregson-Williams
  41. New Shrek (0:19)
    Harry Gregson-Williams, Stephen Barton
  42. A Stallion Baby! (0:07)
    Harry Gregson-Williams, Stephen Barton
  43. New Clothes - Flying Talking Donkey (0:58)
    Harry Gregson-Williams (John Powell)
  44. Hello Handsome (0:18)
    Harry Gregson-Williams
  45. Prince Of Her Dreams (2:05)
    Harry Gregson-Williams
  46. Mommy (0:44)
    Harry Gregson-Williams
  47. Pre Red Carpet (0:18)
    Harry Gregson-Williams
  48. Red Carpet (1:10)
    Harry Gregson-Williams, James McKee Smith
  49. Knights (0:49)
    Harry Gregson-Williams
  50. Knights Rewind (0:06)
    Harry Gregson-Williams
  51. Magic Tea (1:51)
    Harry Gregson-Williams, Stephen Barton
  52. Mission Impossible (0:53)
    Stephen Barton (Lalo Schifrin)
  53. Thong (1:14)
    Harry Gregson-Williams
  54. Muffin Man (1:10)
    Harry Gregson-Williams, James McKee Smith
  55. Piano Interlude #1 (0:13)
    Harry Gregson-Williams
  56. Piano Interlude #2 (0:24)
    Harry Gregson-Williams
  57. Holding Out For A Hero (Gum Ball Button - Less Heat, More Foam - Fire In My Blood - Mongo Drowns - Puss Saves The Day) (4:15)
    Jennifer Saunders, Dean Pitchford, Jim Steinman, Harry Gregson-Williams
  58. Get The Wand (2:08)
    Harry Gregson-Williams, Stephen Barton
  59. Frog (1:29)
    Harry Gregson-Williams
  60. The End - Happily Ever After (1:55)
    Harry Gregson-Williams (John Powell)
  61. Dragon (0:38)
    Harry Gregson-Williams
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DTC reply Replies: 0 || 2018-02-26 19:37:14
2004 - Shrek 2 - DWA Logo
2004 - Shrek 2 - Where Were We?
2004 - Shrek 2 - Messengers Fanfare
2004 - Shrek 2 - Drinks The Potion

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Please enter number: 1409 

liamdude5 reply Replies: 1 || 2018-01-07 00:05:20
Does anybody know where I can get this?


Felix2018-01-07 10:40:42
Sadly....no

Hybrid Soldier reply Replies: 1 || 2016-07-09 13:17:41
Cuesheet !


Cameron2016-07-09 17:59:07
NICE. I really want to hear the full film version of "Holding Out For A Hero," with the piano intro. As I said before, this is my favorite Shrek movie and soundtrack/score.

Cameron reply Replies: 0 || 2016-05-23 00:53:53
This movie is my favorite of the four, including the soundtrack. Would love to hear this.

Russian Youtube Poop reply Replies: 1 || 2015-12-04 11:43:03
Will the Shrek the Third complete score or not?


Edmund Meinerts2015-12-04 12:52:52
Nobody knows, man. I wish people would get that into their heads. A score will leak when it leaks. It won't be announced, there isn't a release date, and asking doesn't achieve anything.

Just roll with the punches is my advice. :)

Felix reply Replies: 1 || 2015-11-04 07:32:30
Shrek 2 is here, too :)


Scorefan2015-11-07 02:59:02
I want it too

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Shrek 2 (Complete Score) soundtrack - Harry Gregson-Williams 2004