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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Henry JackmanMatthew MargesonRyeland AllisonMichael A. Levine
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Monsters VS Aliens (Complete Score)
Label: Unofficial Release
Length: 82'16
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1934 votes)
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  1. Meteor Unleashed (0:54)
    Henry Jackman
  2. Code Nimoy - House Of Horrors (1:32)
    Henry Jackman
  3. Perfect Day To Marry (0:20)
    Henry Jackman
  4. Thumbs (0:10)
    Henry Jackman
  5. The Gazebo - Meteor Lands (2:09)
    Henry Jackman
  6. I Think I Just Got Hit By A Meteor - FBI Debut (0:38)
    Henry Jackman
  7. Here Comes The Bride (0:26)
    Henry Jackman (Richard Wagner)
  8. Giant Transformation (2:17)
    Henry Jackman
  9. Elevator To Prison (0:34)
    Henry Jackman
  10. Meet The Monsters (2:55)
    Henry Jackman, Matthew Margeson
  11. Let Me Out! (0:46)
    Henry Jackman
  12. Tour Of Area 52 (3:55)
    Henry Jackman
  13. Extract The Quantonium (1:52)
    Henry Jackman
  14. Worst Date Ever (0:51)
    Henry Jackman
  15. Close Encounters Of The Axel F Kind (0:35)
    Henry Jackman (Harold Faltermeyer)
  16. Iron Beast Awakens - War Room (3:14)
    Henry Jackman, Matthew Margeson (John Williams)
  17. WR Monger's Plan (2:56)
    Henry Jackman
  18. A Failed Experiment (2:03)
    Henry Jackman, Matthew Margeson
  19. Here's The Deal - Sizing Up The Iron Beast (3:39)
    Henry Jackman
  20. San Francisco Chase (2:58)
    Henry Jackman
  21. Battle At Golden Gate Bridge (4:24)
    Henry Jackman, Matthew Margeson
  22. Retrieval Has Failed (1:07)
    Henry Jackman
  23. A Questionable Homecoming (2:08)
    Henry Jackman, Matthew Margeson
  24. Ginormica Claims Her Man (1:05)
    Henry Jackman
  25. Dumped By Derek (1:51)
    Henry Jackman
  26. Don't Short Change (6:24)
    Henry Jackman, Matthew Margeson
  27. Tractor Beam - Extraction (2:48)
    Henry Jackman, Matthew Margeson
  28. Cloning Gallaxhar - Come In Peace - Clone Sting (1:56)
    Henry Jackman
  29. Monsters Launch Forth - Ship Antics (5:33)
    Henry Jackman
  30. Gallaxhar Seals Ship (1:29)
    Henry Jackman
  31. Susan's Call To Arms (3:04)
    Henry Jackman
  32. I Wouldn't Be Too Sure - The Rise Of Ginormica (2:00)
    Henry Jackman
  33. Victory Homecoming (3:41)
    Henry Jackman, Matthew Margeson
  34. War Room Part Deux (0:47)
    Henry Jackman
  35. Monster Moves (3:36)
    Henry Jackman
  36. The Ginormica Suite (5:52)
    Henry Jackman
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Scorefan reply Replies: 1 || 2015-11-07 02:57:30
Great


Kronos2016-05-16 19:27:07
If only there was "Extract the Quantonium" for streaming...

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Monsters VS Aliens (Complete Score) soundtrack - Henry Jackman 2009