NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :PThanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the score
Tom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>
Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?
Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Harry Gregson-WilliamsStephen BartonToby ChuMeri Gavin
ComposerAdditional MusicAdditional MusicMusic Production Services
Sinbad - Legend Of The Seven Seas (Complete Score)
Label: Unofficial Release
Length: 79'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2455 votes)
  1. Let The Games Begin (3:03)
    Harry Gregson-Williams
  2. The Book (1:39)
    Harry Gregson-Williams
  3. The Sea Monster (3:30)
    Harry Gregson-Williams, Stephen Barton
  4. Sinbad Overboard (3:38)
    Harry Gregson-Williams
  5. Syracuse (1:18)
    Harry Gregson-Williams, Stephen Barton
  6. Intro To Marina (0:28)
    Harry Gregson-Williams
  7. Proteus Proposes (1:13)
    Harry Gregson-Williams
  8. Eris Steals The Book (1:55)
    Harry Gregson-Williams
  9. Sword & Trial (2:58)
    Harry Gregson-Williams, Stephen Barton
  10. Lanterns (0:50)
    Harry Gregson-Williams
  11. Set A Course For Fiji (0:19)
    Harry Gregson-Williams
  12. The Stowaway (2:50)
    Harry Gregson-Williams
  13. Setting Sail (0:48)
    Harry Gregson-Williams
  14. Dragon's Teeth (1:05)
    Harry Gregson-Williams, Stephen Barton
  15. Sirens (4:14)
    Harry Gregson-Williams, Lisbeth Scott
  16. Chipped Paint (2:53)
    Harry Gregson-Williams
  17. Prison (0:38)
    Harry Gregson-Williams
  18. Repair The Ship (2:27)
    Harry Gregson-Williams
  19. The Giant Fish (2:18)
    Harry Gregson-Williams, Toby Chu
  20. Different Paths (2:08)
    Harry Gregson-Williams, Stephen Barton
  21. The Roc (2:01)
    Harry Gregson-Williams, Toby Chu
  22. Heroics (2:14)
    Harry Gregson-Williams
  23. Rescue! (2:20)
    Harry Gregson-Williams
  24. Ice Melts (0:49)
    Harry Gregson-Williams
  25. Shore Or Sea (2:47)
    Harry Gregson-Williams
  26. Tartarus (10:12)
    Harry Gregson-Williams
  27. Marina's Love (1:21)
    Harry Gregson-Williams
  28. Proteus' Execution (0:50)
    Harry Gregson-Williams
  29. Sinbad Returns (1:48)
    Harry Gregson-Williams
  30. Eris Pays Up (6:08)
    Harry Gregson-Williams
  31. Into The Sunset (2:21)
    Harry Gregson-Williams, Stephen Barton
  32. End Titles (6:38)
    Harry Gregson-Williams
Create Topic

Scorefan reply Replies: 0 || 2015-11-07 02:55:12
Nice!!!

  Your name :   

Please enter number: 1415 

 HANS-ZIMMER.com© 2001-2018 OST 
Sinbad - Legend Of The Seven Seas (Complete Score) soundtrack - Harry Gregson-Williams 2003