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Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.Thanks guys, will check out these cues.Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.<br><br>Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.
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Hans ZimmerLorne BalfeThomas FarnonOscar Senen
Composer : Main ThemeComposerAdditional MusicOrchestrator
Saints & Strangers (TV Series)
Label: Sony Classical
Length: 19'42
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7404 votes)
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  1. Saints & Strangers (2:50)
    Hans Zimmer, Lorne Balfe
  2. Pilgrim Legacy (2:07)
    Lorne Balfe
  3. The New World (4:38)
    Hans Zimmer, Lorne Balfe
  4. Land Ahoy (1:39)
    Lorne Balfe
  5. Squanto's Death (2:52)
    Lorne Balfe
  6. The Mayflower (2:52)
    Lorne Balfe
  7. Cape Cod (2:44)
    Hans Zimmer, Lorne Balfe
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dponko reply Replies: 0 || 2018-03-30 16:10:26
Is this Physical CD Exists?
Cause I Can't find it

Martin reply Replies: 0 || 2017-01-10 23:18:37
Does exists a CD-Album from this Score or is this Soundtrack Digital Download only?

Dragonseeker reply Replies: 0 || 2016-08-11 06:21:19
Hi Hybrid, not sure where to post this, but BBC recently released a preview to Planet Earth II, composed by Hans Zimmer, Jacob Shea, Jasha Klebe.

https://www.facebook.com/bbcearth/videos/1253466768020210/

Do you have more information about this? I heard that Zimmer created the main theme/title theme.

Dimitris Krommidas reply Replies: 2 || 2016-04-08 00:50:55
Any news about the longer release of the score?


Anonymous2016-04-08 09:55:45
No, and there won't be a longer release. Enjoy what you already have. :D


pajac2016-04-15 23:52:18
Thomas Farnon has one unreleased track on his website ;)

Hero reply Replies: 0 || 2016-02-02 13:03:44
any news about this?

Mike reply Replies: 0 || 2016-01-08 16:48:08
I'm pretty sure the theme here is exactly how HZ started his "Moody Bruce New Hero Suite..." :P

Hybrid Soldier reply Replies: 5 || 2015-11-21 10:17:01
A couple of extracts added !


Ds2015-11-21 10:45:29
Beautiful! ... But why is this release so short? Is there only 19min of music in this whole series? I d doubt that :-p


Hybrid Soldier2015-11-21 11:04:50
There's a CD planned in december... Madison Gate Records says this is an "EP"... So I guess the CD will be longer... Lorne will as usual put some more on his website as well...

Wait & see ! lol


Evenstar2015-11-21 18:12:08
good news Hybrid, thanks


Johannes2015-11-22 09:47:28
Hey Hybrid Soldier, sorry for asking, i saw there some questions about A.D. so i would like to know if there gonna be full release or more soundtrack on Lorneīs web site. Thank you!


Kalmi2015-12-26 09:17:43
Hello, does anyone know what happened to the Sony CD planned to be released on 4th December? I can't find it anywhere. It is still listed at most sites but it is "out of stock". However I haven't found any info on that it had actually been released.

Lejti reply Replies: 10 || 2015-11-13 23:36:26
Lorne Balfe did 13 Hours (Michael Bay movie) score, Hybrid any information about the reason why Balfe replaced Jablonsky? I know it never was official Jablonsky doing it, but I was thinking a Bay movie will have a Jablonsky score.

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Ds2015-11-14 00:43:36
... and Hans Zimmer is listed as executive music producer. Balfe + Zimmer + Bay, I think we'll get a very good score!!


Hybrid Soldier2015-11-14 01:07:00
Who knows what happened... Maybe Jablonsky dropped, maybe Jablonsky was never in, maybe he was fired... That's life lol...


Ds2015-11-14 01:19:17
After so many collaborations, I don't think Bay would have to fire Jablonsky. Surely they came to a point where they understand perfectly each other, Jabs should know how to please Bay. I'd bet on a scheduling issue.


Hybrid Soldier2015-11-14 01:21:57
Or maybe Steve had no interest in doing Lone Survivor again ? Especially after on that one only 20% of his whole score was used...


I don't know... But well in the end Lorne co-scored 2 films for Bay already, they know each other as well...


Anonymous2015-11-14 01:25:57
TF2 & TF3?


Hybrid Soldier2015-11-14 01:28:23
1 & 2... Especially 1...


Ds2015-11-14 01:33:21
Hmmm that's interesting. Btw, do you have an idea of the kind of role Hans played (plays?) in this project?


Hybrid Soldier2015-11-14 01:34:54
Probably like on Terminator... Some synth programming to help "define" the sound, giving constant feedback on the cues, going to all the meetings with production & stuff... That kind of things.


Joshua 2015-11-14 04:45:41
Man this is gonna be weird, Jablonsky, to some extent has worked on every Bay film since Armageddon, 18 years ago! That's a pretty long partnership, hope its just a scheduling thing.


-,-2015-11-14 15:04:01
Please no Lrne Balfe for 13 Hours. He is one of the worst composer from RC. I don`t think, michael bay fired jablonsky, he composed the score for tmnt2 and deep water horizont. i hope he came for transformers 5 back. urgh i dont like lorne balfe!

Hybrid Soldier reply Replies: 9 || 2015-11-08 18:27:00
New Hans & Lorne ! :)


Felix2015-11-08 21:04:26
Great!


Edmund Meinerts2015-11-08 22:46:19
So, new Lorne plus a theme Hans banged out on his keyboards one evening? ;)

(Just a bit of satire, guys...not meant harshly!)


Mike2015-11-12 20:18:24
Well, Edmund, you have a point... with the exception of Megamind and The Bible, most official Hans/Lorne scores have Hans doing the main theme, Lorne doing everything else. Nothing new there. ;)


...2015-11-12 20:52:12
Well at least Hans coves co-credit to Lorne. Brian Tyler is scoring loads of Shows and of course he just did the theme but he's the only one credited.


Hybrid Soldier2015-11-12 20:55:44
That's very true... I could name a few projects he did where someone else did more than half, and yet got a shitty credit... lol But I won't !!! lol


Edmund Meinerts2015-11-12 22:18:59
Why not, Hybrid? :b


Dudu2015-11-12 22:57:06
So...that's 15 projects for Lorne this year. When does that guy sleep lol??has to be the hardest worker in the industry. Can't wait til he gets his well deserved big break!


NM2015-11-13 02:15:31
Lorne is incredible.


Edmund Meinerts2015-11-13 14:12:35
His output is certainly admirable, but sometimes I can't help but wonder whether he puts quantity over quality. He's not a bad composer, far from it, and he's done some things I think are really quite solid - but the majority of his 12-15 scores a year fall into the "competent and forgettable" zone for me. Some of his additional work with Hans notwithstanding, he hasn't yet done anything I'd consider truly great. Composers like Jablonsky or HGW are more hit-and-miss, but their "hits" are much higher than Lorne's best work in my estimation and it makes me anticipate their work far more than Lorne's bi-weekly releases.

If Lorne had a year where he put out 1-2 scores at the level of Transformers or Steamboy or Sinbad or Kingdom of Heaven, that would impress me far more than yet another year of 15 two-to-three star scores.

Hagaha reply Replies: 0 || 2015-11-12 22:29:34
Do you know when will be released A.D. score please? Thank you!

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Saints & Strangers (TV Series) soundtrack - Lorne Balfe 2015