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I'm highly disappointed by the score... Lorne went the very easy way and recycled the MW2 score as well as the Mancina theme in almost every track. Like seriously... the only thing u here is MW2, Main Theme and lot of rustle-synth score. 1/10! No effort went in this score and I dont say that often.As for Ad Astra, unfortunately i can't hear anything from Ad Astra aswell :/ It's just MW2 mixed with Mancinas themes for me. And the cues from MW2, they aren't just drums, all the guitars, melodies, vibes, even the choir or the voices are included. The above mentioned cues from MW2 are not complete, there are plenty of them, but these will give you the idea of what we've mentioned. Again, i'm not mad, i'm happy that a wider audience can hear these cues, but then again, on MW2 they sounded better and fresher than on the BB3 score (i mean the quality of the recordings - you can hear the cues and instruments more directly. On the BB3 score it sounds like being in a bathroom hearing to the MW2 score). And as i said earlier, i would like to understand or know what Lorne thought about using all these cues. Time pressure? Unused opportunity for a wider audience? And then again that synth-sound even using a real orchestra :/@ Mr Tweedy:<br><br>MW2 has hundred of cues, which has all the special atmosphere and sound-effects, but try listen to these cues to understand what i and others mean:<br><br>- Guerilla Tactics <br>- Guerilla<br>- Contingency<br>- Breach<br>- Retreat and Reveille<br><br>Funny thing, play the cue "Guerilla Tactics" from MW2 and let Shazam try to find out what track that is. It shows me as "Lorne Balfe - We're Dangerous People" from BB3 :DI really like this score!<br>Sure he used Mancina's Theme, that's allright cool, I don't hear anything similar to Ad Astra....don't know why somebody compare this score with Ad Astra....<br>That MW2 sounds are very great, he don't copy himself, he just used the Drums, what's definitely be OK!!<br><br>I don't know why people always want to compare scores....Everybody use his own Temp Music sometimes, that's normal!Please could you give me the exact name of the track from MW2 that is used in BB3? Iíd like to compare both!
I love Lorneīs music and all, but I am genuinely wondering, why they decided to re-use MW2 so much in the scoreas for the drums, yes, i would understand. but the orchestra? you're recording the strings from a real orchestra, so why the downgrade in sound-quality?Because that parts are sampled drums and there are no real?i don't know what to think about the use of mw2. i mean, i love his work for mw2, it's TOO good to be just a score for a game, a wider audience should hear this, so i'm kind of happy to hear some parts of it here. BUT somehow, it's kind of a lazy move just to copy that 1:1. some cues are untouched and some cues are layered with some themes of mancina. i would be interested to know what was he thinking while doing this? <br><br>i followed his video uploads on his social media channels, where he showed some snippets of the orchestra and i truly loved that. but while hearing at the score, i'm dissappointed to hear the quality as it sounds like synth. i mean that typically Balfe synth sound quality. if he uses truly orchestra, than it's a shame and pitty that it sounds like synths in the end. he needs a better recording or mixing or whatever to get rid of that synth-quality-design and having the true-orchestra feelingMancina's theme + Ad Astra + MW:2= Bad boys for Life.
Please enlighten me on how Bad Boys 3 sounds the same as Lego Batman or Genius: Picassowhy his music always sound the same...if he doesn't have time why he keep scoring more and more films per year? is it all about money?Modern Warfare 2 is a lot in the album!<br><br>- It's Good Shit Lieatenant<br>- We're Dangerous People<br>- What Else You Got (Bad Boys Remix)<br>- God's Gun (Bad Boys Remix)<br>- We Ride Together, We Die Together (Bad Boys Remix)We're Dangerous PeopleCall of the Wild coming by Hollywood Records, that means, digital.
Bloodshoot coming from Sony ClassicalCan confirm is in the albumavailable in nz itunes store. on the cover its correct now....motion picture score.What was Hansí role in the treatment of Mantovaniís ďCharmaineĒ. It sounds like the original, but cleaner, clearer, & without the limitations of 50/60ís recording technology. Iíve been fascinated by this piece for 25+ years, as it seems almost a precursor to Jarre & even Zimmerís electronic music, while being entirely orchestral. Links to info appreciated.@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)
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Music Scoring Mixer
Nick Glennie-SmithMalcolm Luker
ComposerMusic Scoring Mixer
Highlander - Endgame
Label: GNP Crescendo
Length: 62'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4594 votes)
  1. Bonny Portmore - Jennifer McNeil (3:46)
    Stephen Graziano
  2. Opening Titles (10:18)
    Stephen Graziano
  3. Motorcycle Gang Fight (4:46)
    Stephen Graziano
  4. Driving To Loft / Getting Duncan / Ride To The Grave (2:36)
    Stephen Graziano, Todd Wollons
  5. Say Goodbye To Kate / Last Supper Slash (3:33)
    Stephen Graziano
  6. Heather Cuts Her Hair (1:08)
    Nick Glennie-Smith, Stephen Graziano
  7. There Can Only Be One! (Killing Kell) (6:53)
    Stephen Graziano
  8. Prelude / The Song Of The Pooka - Jennifer McNeil (3:32)
    Stephen Graziano, Rob Cairns
  9. The Legend Of The Immortals (10:34)
    Nick Glennie-Smith
  10. Connor And Duncan Fight Together (0:45)
    Nick Glennie-Smith
  11. Duncan Visits The Loft (0:54)
    Nick Glennie-Smith
  12. The Hidden Room (1:16)
    Nick Glennie-Smith
  13. Attack At The Loft (6:08)
    Nick Glennie-Smith
  14. Killing An Old Friend (2:17)
    Nick Glennie-Smith
  15. In Memory Of Connor (3:58)
    Chris Neel
Create Topic

Ravi Krishna reply Replies: 0 || 2009-07-27 00:00:00
I wish Nick got more big projects. He's an incredibly talented and underused composer!

Avalhon reply Replies: 0 || 2009-05-30 00:00:00
Amazing music. I love it.

Hybrid Soldier reply Replies: 0 || 2007-05-07 00:00:00
If you want more informations :

1. Bonny Portmore (3:46)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

2. Opening Titles (10:18)
-Stephen Graziano

3. Motorcycle Gang Fight (4:46)
-Stephen Graziano

4. Driving to Loft/Getting Duncan/Ride to the Grave (2:36)
-Stephen Graziano

5. Say Goodbye to Kate/Last Supper Slash (3:33)
-Stephen Graziano

6. Heather Cuts Her Hair (1:08)
-Stephen Graziano, Nick Glennie-Smith

7. There Can Only Be One! (Killing Kell) (6:53)
-Stephen Graziano

8. Prelude/The Song of the Pooka (3:32)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

9. The Legend of the Immortals (10:34)
-Nick Glennie-Smith

10. Connor and Duncan Fight Together (0:45)
-Nick Glennie-Smith

11. Duncan Visits the Loft (0:54)
-Nick Glennie-Smith

12. The Hidden Room (1:16)
-Nick Glennie-Smith

13. Attack at the Loft (6:08)
-Nick Glennie-Smith

14. Killing an Old Friend (2:17)
-Nick Glennie-Smith

15. In Memory of Connor (3:58)
-Chris Neel

Shane Oddetta reply Replies: 0 || 2006-02-06 00:00:00
This is a beautiful score. Moody and atmospheric with twists and turns to complement the movie. Thank-you.

MichaŽl Desmadril reply Replies: 0 || 2005-12-14 00:00:00
Hello,

I must say... very nice... Only one word is enough. Perfect. Trully number one. Excellent combination with James Newton Howard.

Keep making music

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Highlander - Endgame soundtrack - Nick Glennie-Smith 2000