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Nope, all you need is to go here:<br>https:// www.ascap.com /repertory#aceStupid question, but do you have to pay to gain membership into ASCAP before seeing cue credits?Correct.Thanks! Just credits, though, I presume - no music files/sound?Dumb thing to rumour but okay...
So Pinar Toprak didn't work on the Wonder Woman cue after all? That rumor was all over the place...If the time ever comes ;(I should remove this page.<br><br>This infamy doesn't belong here. Love you Geoff but sorry... lol<br><br><br>I'll rather add the page for Zack Snyder's Justice League, when the time comes, hopefully...Composer credits for this:<br><br>Danny Elfman, T.J. Lindgren<br><br>BATMAN ON THE ROOF<br><br><br>Danny Elfman, Geoff Zanelli<br><br>THE AMAZON MOTHER BOX<br>ANTI-HERO'S THEME<br><br><br>Danny Elfman, Geoff Zanelli, T.J. Lindgren<br><br>THE TUNNEL FIGHT<br>THE FINAL BATTLE (John Williams)<br><br><br>Danny Elfman, Pinar Toprak<br><br>HIPPOLYTA'S ARROW<br>FRIENDS AND FOES (John Williams)<br><br><br>Danny Elfman (Hans Zimmer)<br><br>WONDER WOMAN RESCUEWhat about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!
Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
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Music Scoring Mixer
Nick Glennie-SmithMalcolm Luker
ComposerMusic Scoring Mixer
Highlander - Endgame
Label: GNP Crescendo
Length: 62'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4643 votes)
  1. Bonny Portmore - Jennifer McNeil (3:46)
    Stephen Graziano
  2. Opening Titles (10:18)
    Stephen Graziano
  3. Motorcycle Gang Fight (4:46)
    Stephen Graziano
  4. Driving To Loft / Getting Duncan / Ride To The Grave (2:36)
    Stephen Graziano, Todd Wollons
  5. Say Goodbye To Kate / Last Supper Slash (3:33)
    Stephen Graziano
  6. Heather Cuts Her Hair (1:08)
    Nick Glennie-Smith, Stephen Graziano
  7. There Can Only Be One! (Killing Kell) (6:53)
    Stephen Graziano
  8. Prelude / The Song Of The Pooka - Jennifer McNeil (3:32)
    Stephen Graziano, Rob Cairns
  9. The Legend Of The Immortals (10:34)
    Nick Glennie-Smith
  10. Connor And Duncan Fight Together (0:45)
    Nick Glennie-Smith
  11. Duncan Visits The Loft (0:54)
    Nick Glennie-Smith
  12. The Hidden Room (1:16)
    Nick Glennie-Smith
  13. Attack At The Loft (6:08)
    Nick Glennie-Smith
  14. Killing An Old Friend (2:17)
    Nick Glennie-Smith
  15. In Memory Of Connor (3:58)
    Chris Neel
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Ravi Krishna reply Replies: 0 || 2009-07-27 00:00:00
I wish Nick got more big projects. He's an incredibly talented and underused composer!

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Avalhon reply Replies: 0 || 2009-05-30 00:00:00
Amazing music. I love it.

Hybrid Soldier reply Replies: 0 || 2007-05-07 00:00:00
If you want more informations :

1. Bonny Portmore (3:46)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

2. Opening Titles (10:18)
-Stephen Graziano

3. Motorcycle Gang Fight (4:46)
-Stephen Graziano

4. Driving to Loft/Getting Duncan/Ride to the Grave (2:36)
-Stephen Graziano

5. Say Goodbye to Kate/Last Supper Slash (3:33)
-Stephen Graziano

6. Heather Cuts Her Hair (1:08)
-Stephen Graziano, Nick Glennie-Smith

7. There Can Only Be One! (Killing Kell) (6:53)
-Stephen Graziano

8. Prelude/The Song of the Pooka (3:32)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

9. The Legend of the Immortals (10:34)
-Nick Glennie-Smith

10. Connor and Duncan Fight Together (0:45)
-Nick Glennie-Smith

11. Duncan Visits the Loft (0:54)
-Nick Glennie-Smith

12. The Hidden Room (1:16)
-Nick Glennie-Smith

13. Attack at the Loft (6:08)
-Nick Glennie-Smith

14. Killing an Old Friend (2:17)
-Nick Glennie-Smith

15. In Memory of Connor (3:58)
-Chris Neel

Shane Oddetta reply Replies: 0 || 2006-02-06 00:00:00
This is a beautiful score. Moody and atmospheric with twists and turns to complement the movie. Thank-you.

Michaël Desmadril reply Replies: 0 || 2005-12-14 00:00:00
Hello,

I must say... very nice... Only one word is enough. Perfect. Trully number one. Excellent combination with James Newton Howard.

Keep making music

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Highlander - Endgame soundtrack - Nick Glennie-Smith 2000