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Maybe this is just the sceptic in me speaking, but the process is a bit different this time around to when he did the original. This time, he has an existing score to pull from. Those themes are set in stone. And this is, from what I understand, essentially a shot-for-shot remake, so all this really will be is an 'adaptation' rather than a completely fresh score. Beyonce is working with Tim Rice and Elton John for the songs as well, so the responsibilities seem to be as split as they were the first time round.<br><br>If nothing, I guess this will all result in an interesting look at how Zimmer would reinterpret an older score of his. Not many composers get that opportunity.Yeah, I think he has to do The Lion King first because they have to incorporate the songs with the score. There was even an article saying that Beyonce was working with Zimmer.DT-2017<br>It depends, because it's a musical, and some tracks have to be prepped prior to filming, so he might do a little bit of each throughout this year I'm guessingDark Phoenix is out later this year, The Lion King won't be out until next year. It's a pretty safe bet he'll score Dark Phoenix first.hank you
Are the war-cry vocals in Red Warrior part of the music or are they added in for the OST?@Hybrid Really? I guess itís not a total surprise considering how much of a mess the film turned out to be. Divergent was a similar situation where the score in-film was butchered...The funny thing with Dark Tower, is that the production was so lost they made him write the score 3 times... Who knows what were the other versions like...Itís interesting with Junkie. As a composer on a purely scene basis, heís not that good (this is coming from someone who loves his music). My primary issue with him is that he tends to score scenes with ambience, or stretched out sound design. That was a huge problem I had with Dark Tower.<br><br>But like I said elsewhere, heís still growing as a composer. Watch something like Black Mass where the music in film complements the scenes amazingly.Hans does not have the credit as a producer on this.<br><br>XL is limited, I agree, but I hope he does something fun (the film is not even taken seriously).
Funnily enough, I'm far more critical of Hans than Junkie, given how much the former relies on ghostwriters, but the fact of the matter is that Hans fundamentally understands how to write a film score, and Junkie, from what I've heard, simply doesn't. Mad Max, although a success, is more a function of the film suiting an extremely rhythmic, percussive sound, rather than Junkie being competent, IMHO. So - somewhat joking here, as I know it won't happen - I'd be down for Hans writing a suite for this and Junkie basically copy/pasting it into the film.Hybrid, do you have credits for this version by any chance?welp, looks like we're back to the whole "tom holkenborg aka junkie XL" thing againPoint Break is fantastic!!!!I like Dark Tower, not a terrific score, but i liked it.<br><br>But Point Break... oh, god
What about the Dark Phoenix score? Did he finish it already or doing it in between the Lion King?Wow, I never realized that the oscorp theme is basically Watergate from Frost/NixonI wish so much more! The movie promises to be as good as the last Jumanji! I'm not a big fan of Point Break or Dark Tower, but I think XL has a lot of stuff to explore this time, like in Mad Max.It does not have to be anything extraordinary, just something that gives life to the film.Yes he has, for a few months now actually...Hybrid, do you know if Hans has started on the new Lion King yet?
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Henry JackmanMatthew MargesonDominic LewisStephen Hilton
ComposerAdditional MusicAdditional MusicAdditional Music
Man On A Ledge (Complete Score)
Label: Unofficial Release
Length: 86'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1534 votes)
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  1. The Roosevelt Hotel (2:14)
    Henry Jackman
  2. Small Step For Man (1:48)
    Henry Jackman
  3. 25-Year Sentence (1:27)
    Henry Jackman
  4. The Funeral (2:47)
    Henry Jackman
  5. The Gataway (2:55)
    Henry Jackman
  6. Man On A Ledge (2:30)
    Henry Jackman
  7. Little Miss Grim Reaper (2:29)
    Henry Jackman, Dominic Lewis
  8. My Scene, My Room (1:56)
    Henry Jackman, Stephen Hilton
  9. Mike Digs Deeper (0:36)
    Henry Jackman
  10. Thanks For The Watch (0:28)
    Henry Jackman
  11. Not A Normal Suicide (1:03)
    Henry Jackman
  12. Enter Joey & Angie (1:01)
    Henry Jackman, Matthew Margeson
  13. Lydia's Lamentations (1:08)
    Henry Jackman
  14. Shaky Leg (0:47)
    Henry Jackman, Matthew Margeson
  15. A Very Ballsy Diversion (2:50)
    Henry Jackman, Matthew Margeson
  16. Get In The Hole (1:17)
    Henry Jackman, Matthew Margeson
  17. Have A Puff (2:02)
    Henry Jackman, Matthew Margeson
  18. Elevator Munching (2:16)
    Henry Jackman, Matthew Margeson
  19. Danger Allsorts (2:03)
    Henry Jackman, Matthew Margeson
  20. Camera Gibbon - Wire Tappin' (3:59)
    Henry Jackman, Matthew Margeson
  21. Make Files (0:51)
    Henry Jackman
  22. The Diamond Thief (1:57)
    Henry Jackman, Dominic Lewis
  23. Make It Rain (5:06)
    Henry Jackman, Matthew Margeson
  24. Tactical Threats (2:29)
    Henry Jackman, Matthew Margeson
  25. Mid-Film Transition (0:52)
    Henry Jackman
  26. Trust Me (1:00)
    Henry Jackman, Stephen Hilton
  27. Be Mad In The Vent (1:38)
    Henry Jackman, Matthew Margeson
  28. Ledge Burger (1:50)
    Henry Jackman
  29. Trust Your Instincts (4:28)
    Henry Jackman, Stephen Hilton
  30. A Girl's Best Friend (3:08)
    Henry Jackman, Matthew Margeson, Dominic Lewis
  31. Ain't In The Vault (1:46)
    Henry Jackman, Matthew Margeson
  32. Monarch Stowage (2:35)
    Henry Jackman, Matthew Margeson
  33. Tactical Ambush (3:25)
    Henry Jackman, Matthew Margeson
  34. Good Cop Bad Cop (4:44)
    Henry Jackman
  35. Standoff On The Roof (4:10)
    Henry Jackman
  36. Standdown On The Street (1:21)
    Henry Jackman
  37. Dog Day Afternoon (1:05)
    Henry Jackman
  38. A Family Heirloom (0:48)
    Henry Jackman
  39. Make It Rain (Alternate) (5:05)
    Henry Jackman, Matthew Margeson
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Bayhem reply Replies: 0 || 2017-10-11 14:47:18
In my opinion, one of Jackman's most underrated and intense scores. It's also one of those scores that fits the movie perfectly. Doesn't feel out of place, it's not over-the-top. Certain cues are definitely influenced by Harry Gregson-Williams. Anyway, I definitely recommend it.

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Man On A Ledge (Complete Score) soundtrack - Henry Jackman 2012