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yap. and all of the alternates :PI want that "Final Confrontation" cue so much!Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>
Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?
i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>
Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?
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Dominic LewisHenry JackmanAntonio AndradeMatthew K. Justmann
ComposerAdditional MusicAdditional ArrangementsMusic Production Coordinator
The Man In The High Castle (TV Series - Season 1)
Label: Varese Sarabande / Amazon Content Services (Digital Download Only)
Length: 37'38 / 33'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7835 votes)
VARESE SARABANDE
  1. Edelweiss (Vocals by Jeanette Olsson) (1:24)
  2. Alternate Outcome (3:21)
  3. Chapter 12 Verse 5 (3:44)
  4. Neuland (1:33)
  5. The Crown Prince's Speech (3:07)
  6. Attentater (2:32)
  7. The Grasshopper Lies Heavy (3:35)
  8. A Grave Situation (4:47)
  9. Unofficial Treaties (1:47)
  10. Too Good For This World (1:42)
  11. Fate Is Fluid (4:21)
  12. Vorsatz (4:12)
  13. The Necklace (1:22)
AMAZON EXCLUSIVE DIGITAL CONTENT
  1. Edelweiss (Vocals by Jeanette Olsson) (1:13)
  2. The Crown Prince's Speech (9:46)
  3. Too Good For This World (3:47)
  4. Fate Is Fluid (8:33)
  5. A Grave Situation (10:21)
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Tim reply Replies: 2 || 2017-02-01 10:20:53
Hello Hybrid. I was wondering if you could provide some track equivalents for the Varese Sarabande release and the Amazon Exclusive Digital Content relase. Thank you.


Hybrid Soldier2017-02-01 22:48:29
Basically the same titles. They were edited shorter the Varese release.


Tim2017-02-03 02:08:04
Man that sucks. I guess you have to purchase both releases to get a more informed opinion on the soundtrack.

Felix reply Replies: 2 || 2016-12-11 23:38:55
Hybrid, can you tell us who did what on this 4 cues & is Henry a real co-composer in this project or compose he only additional stuff??


Hybrid Soldier2016-12-16 17:53:34
Those tracks are Dom.

Henry did co-write some stuff for the Pilot but then the series was Dom.


Felix2016-12-16 20:05:52
Ok, great thanks

Edmund Meinerts reply Replies: 2 || 2015-12-04 11:18:32
Look at those track lengths. Did the Hans Zimmer of the mid-90s come back in time and produce this album?


JG2015-12-04 20:51:08
Hahaha!


LP2015-12-10 20:20:32
I remember that Jeff Rona did the production work on Crimson Tide. Blame him. Not sure about K2.

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The Man In The High Castle (TV Series - Season 1) soundtrack - Dominic Lewis 2015