NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
and Zimmer was also involved in this movie as if it was in the previous ones?<br>======================<br><br>Hmm, I don't think Hans was involved here. He helped on TF4 and did some work on TF2 (to what extent I don't know) but that's pretty much it. Then again, Hans seems to be always around when it's a Michael Bay production.... :)and Zimmer was also involved in this movie as if it was in the previous ones?Really waiting for this soundtrack and hope Wallfisch will bring new vision into Hellboy universe.@Hybrid thanks a lot for your answers and your detective work!<br>Funny to see that Lorne does that much uncredited help (I know it’s only the tip of the iceberg, and that he isn’t the only one, as Bayhem said the rcp composers must help each other every time...)Please Hybrid. Make a forum with register members.
It and A Cure For Wellness by Benjamin Wallfisch.<br>.....................<br><br>Well, I'll be goddamned! I totally forgot about 'A Cure For Wellness'. I absolutely loved the movie and yes, the score is truly great and memorable, especially the main theme. Wallfisch knocked it out of the park with that one.<br><br>It seems that every time Gore Verbinski makes a horror movie we're treated with a great score. First it was 'The Ring' - which IMO is one of the best horror scores ever - and more recently 'A Cure For Wellness'. Both very immersive, creepy and atmospheric scores. Exactly the type of horror scores that I love.I think it's safe to say that the power anthems and the tracks that were very much an homage to the 90's MV/RC sound were done by Jablonsky. Balfe was never a "power anthem" type of composer. He's more like John Powell, while Steve is more like Hans. Steve has embraced the MV/RC sound, while Lorne is more "reserved".<br><br>That's why I'm extremely curious to hear Lorne's music for SIX UNDERGROUND. The 13 Hours score is great but it was very, for lack of a better word, contained. Which is understandable, considering the subject matter. But Six Underground is a huge balls-to-the-wall action adventure that takes place all over the world and Lorne really has a shot to go as wild and big as he can. I'm sure Bay would love that :)We'll see...When is the new website gonna be up? and will there be a forum with registered members?I remember seeing discussion several times on this forum about how Lorne would often reply to people on his social media accounts when they asked him for his credits in the scores he did additional music for. So does anyone have any credits that he or other composers have shared about this film?
This feature will be gone from the future website, AT LAST...I just saw the show last night in London and loved the visual integration  of the movies into the show .<br><br>Overall I reckon I preferred his show last time in London as he did not do interstellar which was really disappointing for me :( I also wish he did more tracks from the dark knight series as they were my faves at his last show.<br><br>In all the soundtracks the voters give very low note. You are a gang of unhappy people.Probably.Are there any other tracks in the album which were composed by Balfe? Just wondering...
I assumed you meant the forums themselves. I knew composer websites were a way to find their credits, I just didn't think to do it for this score yet for some reason.See the guys uotop listed next to jablonsky? click their names and go to their websites. You have to do the work. But there they are. Right on this site.^ Have to agree with you there. It’s not a terrible film by any means, but given the concept it is surprisingly bland. There were so many opportunities to do something cool with the dream concept, but it felt to me like they played it “safe”. And yes, the characters are extremely forgettable. I will give credit to Jackie Earl Haley, he does a pretty good job with the material he is given.<br><br>And I just remembered 2 excellent horror scores from the past few years: <br>It and A Cure For Wellness by Benjamin Wallfisch."Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site." <br><br>I've looked through this thread several times and I never saw that information, but I appreciate you filling me in! And yeah, Hybrid, it is kind of difficult for me to distinguish between Lorne and Steve's TF styles. They both kind of blend in since the style was established with their heavy collaboration in the first 2 films.<br>The music is good, definitely better than Amityville (which I never found scary or interesting). The overuse of the cello and ambient/atonal cues gets annoying at times, but unlike a lot of modern horror there is real substance here. A decent amount of themes (but not too many), some decent suspenseful ostinato bits, good use of children's choir, and good thematic development. I don't have any interest in Steve's ambient horror scores because I really dislike that type of music.<br><br>As for the remake it's really mixed for me. There are genuinely creepy visuals and ideas, but with often poor execution. My go-to example is there's a great dream sequence with "not-Johnny Depp" in the library with dream-like visuals such as Freddy turning around inhumanly quickly. But that final visual is accompanied by a jump-scare for no reason and completely kills the impact of it. If his turning was completely silent, it would have been much more terrifying. <br><br>Jackie Earle Haley did a really good job as Freddy, (especially in the alternate ending), and Rooney Mara executed the material she was given very well. But unfortunately the characters are bland, all fitting into the emo/hipster teenager stereotype and little else. It also doesn't help that much of the deleted and alternate scenes ended up being much more interesting than the final ones we were stuck with, (Hospital Opening, Dean's original death scenes, and Alternate Ending).
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Dominic LewisHenry JackmanAntonio AndradeMatthew K. Justmann
ComposerAdditional MusicAdditional ArrangementsMusic Production Coordinator
The Man In The High Castle (TV Series - Season 1)
Label: Varese Sarabande / Amazon Content Services (Digital Download Only)
Length: 37'38 / 33'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7209 votes)
VARESE SARABANDE
  1. Edelweiss (Vocals by Jeanette Olsson) (1:24)
  2. Alternate Outcome (3:21)
  3. Chapter 12 Verse 5 (3:44)
  4. Neuland (1:33)
  5. The Crown Prince's Speech (3:07)
  6. Attentater (2:32)
  7. The Grasshopper Lies Heavy (3:35)
  8. A Grave Situation (4:47)
  9. Unofficial Treaties (1:47)
  10. Too Good For This World (1:42)
  11. Fate Is Fluid (4:21)
  12. Vorsatz (4:12)
  13. The Necklace (1:22)
AMAZON EXCLUSIVE DIGITAL CONTENT
  1. Edelweiss (Vocals by Jeanette Olsson) (1:13)
  2. The Crown Prince's Speech (9:46)
  3. Too Good For This World (3:47)
  4. Fate Is Fluid (8:33)
  5. A Grave Situation (10:21)
Create Topic

Tim reply Replies: 2 || 2017-02-01 10:20:53
Hello Hybrid. I was wondering if you could provide some track equivalents for the Varese Sarabande release and the Amazon Exclusive Digital Content relase. Thank you.


Hybrid Soldier2017-02-01 22:48:29
Basically the same titles. They were edited shorter the Varese release.


Tim2017-02-03 02:08:04
Man that sucks. I guess you have to purchase both releases to get a more informed opinion on the soundtrack.

Felix reply Replies: 2 || 2016-12-11 23:38:55
Hybrid, can you tell us who did what on this 4 cues & is Henry a real co-composer in this project or compose he only additional stuff??


Hybrid Soldier2016-12-16 17:53:34
Those tracks are Dom.

Henry did co-write some stuff for the Pilot but then the series was Dom.


Felix2016-12-16 20:05:52
Ok, great thanks

Edmund Meinerts reply Replies: 2 || 2015-12-04 11:18:32
Look at those track lengths. Did the Hans Zimmer of the mid-90s come back in time and produce this album?


JG2015-12-04 20:51:08
Hahaha!


LP2015-12-10 20:20:32
I remember that Jeff Rona did the production work on Crimson Tide. Blame him. Not sure about K2.

 HANS-ZIMMER.com© 2001-2018 OST 
The Man In The High Castle (TV Series - Season 1) soundtrack - Dominic Lewis 2015