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I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is ďWe Strike FirstĒ.@Edmund<br>I canít agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. Iím not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which Iím not crazy about, tried something new. <br><br>Another BIG issue Iíve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
Just want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.whats the name of the song being played in this trailer?<br>is it available onlineThis is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.
Is there any form of chronological order to the original with the deluxe tracks?Looks like your wish was granted ;)<br>It's out for me and "Ask The Sea" is exactly the cue I wanted :D It's so good! I actually tweeted at him asking if he'd consider including it in the release - he didn't react to my tweet then and now I wonder if he read it or he planned to include it all along. <br><br>I've only seen the movie once and I haven't listened to the score much so I need to revisit it soon.Thanks, that's great!!<br><br>Hooe those sessions will be here soon. Still a lot of music music. Would have liked it better if those remixes, were actually score tracksMera Montage is the big rock vocal cue used during the Sicily Battle & the Wine scene.<br><br>Home Invasion the opening soldiers barging in to capture Atlanna, as well as a part of the Black Manta / Orm negotiation scene.<br><br>Saving Pops is... the saving pops scene...<br><br>Ahab Wave is the tsunami scene + and when Aquaman arrives to the sub to fight Manta's gang.<br><br>Ask the Sea is when Aquaman refuses to help Manta's dad.<br><br>Olbigation is the soft piece in the plane when Aquaman & Mera talk.<br><br>Dunes is the comedic Dunes slide scene...
I just want the Sicily Battle music!Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesnít have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didnít feel anything throughout. Also doing a shot-for-shot remake probably wasnít the best approach. <br><br>Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, itís a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.ďAsk The SeaĒ <br>Oh please be the cue I want...Deluxe edition releases tomorrow<br>http :// filmmusicreporter .com /2019/07/18/aquaman-deluxe-edition-soundtrack-to-be-released /Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.<br><br>My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.<br><br>As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.
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Lisa Gerrard
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Irvi
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Length: 52:58
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  1. J'Attends : Gortoz A Ran - Lisa Gerrard
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  3. Miroirs De Pluie : Melezourioù-glav
  4. Chanson Pour Rien : Evit Netra‚ Une
  5. Chemin D'Ecume : Hent-eon
  6. Derrière Chez Moi : A-dreŮv Va Zi
  7. Douze Rêves : Daouzek HuŮvre
  8. Chiens Rouges : Ar Chas Ruz‚ Les
  9. Jalousie : Ar Warizi‚ La
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  11. J'Attends : Gortoz A Ran (Elegia remix) - Lisa Gerrard
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Irvi soundtrack - Lisa Gerrard 2000