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Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)
Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>
I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?
These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?
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Hans ZimmerSteve MazzaroAndrew KawczynskiTom Holkenborg (Junkie XL)
ComposerAdditional MusicAdditional MusicAdditional Music
Batman V Superman - Dawn Of Justice
Label: WaterTower Music
Length: 90'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (30070 votes)
CD1
  1. Beautiful Lie (3:47)
    Hans Zimmer
  2. Their War Here (4:34)
    Hans Zimmer, Tom Holkenborg, Steve Mazzaro
  3. The Red Capes Are Coming (Lex Luthor Theme) (3:31)
    Hans Zimmer, Benjamin Wallfisch
  4. Day Of The Dead (4:01)
    Hans Zimmer, Steve Mazzaro
  5. Must There Be A Superman? (3:58)
    Hans Zimmer, Andrew Kawczynski
  6. New Rules (4:02)
    Hans Zimmer, Tom Holkenborg, Steve Mazzaro, Andrew Kawczynski
  7. Do You Bleed? (4:36)
    Hans Zimmer, Tom Holkenborg, Andrew Kawczynski
  8. Problems Up Here (4:25)
    Hans Zimmer, Benjamin Wallfisch
  9. Black And Blue (8:30)
    Hans Zimmer, Tom Holkenborg, Steve Mazzaro
  10. Tuesday (4:00)
    Hans Zimmer
  11. Is She With You? (Wonder Woman Theme) (5:46)
    Hans Zimmer, Steve Mazzaro
  12. This Is My World (6:23)
    Hans Zimmer, Steve Mazzaro
  13. Men Are Still Good (The Batman Suite) (14:03)
    Hans Zimmer, Tom Holkenborg, Andrew Kawczynski, Steve Mazzaro
CD2
  1. Blood Of My Blood (4:25)
    Hans Zimmer, Andrew Kawczynski
  2. Vigilante (3:53)
    Hans Zimmer, Tom Holkenborg, Andrew Kawczynski, Benjamin Wallfisch
  3. May I Help You, Mr. Wayne? (3:27)
    Hans Zimmer, Steve Mazzaro, Benjamin Wallfisch
  4. They Were Hunters (2:45)
    Hans Zimmer, Steve Mazzaro
  5. Fight Night (4:20)
    Hans Zimmer, Tom Holkenborg, Andrew Kawczynski
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Person reply Replies: 1 || 2016-01-16 01:34:38
And here comes the Lady Gaga watertower hype train again. Three months in advance...for a filmscore...with teasers and premium ultra deluxe editions, minuscule samples, hidden exclusive 128kpbs bonus tracks and probably missing the most important track or theme from the movie...

I mean I am probably gonna love the score but the way watertower promo team works seems more fit for Rihanna then it is for a film score.

Anyway I listen to it and the samples they day it is released.


Mortifer V.2016-01-16 02:01:17
It's two months.

Mike reply Replies: 1 || 2016-01-14 16:12:01
I would love it if this score turns out to be like a genuine battle between Zimmer and Junkie's music in each cue, kinda like how in Batman Begins you can hear JNH start a cue and HZ finish it. Having HZ's superman theme and Junkie's Batman theme play off each other throughout would be awesome.


mpolonest1232016-01-14 16:25:44
Oh god yes!

Considering that they are introducing Wonder Woman, Lex, Doomsday, etc. I'm hoping that they bring in several new themes.

And of course the suites.....

Frank reply Replies: 2 || 2016-01-14 11:24:12
Is the music in this clip the score? teamcoco.com/video/zack-snyder-superman-clip


Hybrid Soldier2016-01-14 12:25:32
Definitely !

I waaaant ! :(


Mike2016-01-14 15:48:48
Definitely JunkieXL, that.

mpolonest123 reply Replies: 6 || 2016-01-03 02:54:19
Any idea if the BvS Comic-Con trailer music was confirmed to be Hans or Junkie?


Ds2016-01-06 19:55:51
It really sounded a LOT like Junkie. Hope it makes it into the film because it's incredibly epic.


JR2016-01-07 11:20:37
I found it terrible... Hope the score will be better


mpolonest1232016-01-07 15:40:23
Normally I'm pretty dismissive about trailer music, this one definitely stood out to me though. It sounds good, a little bit synthetic but I'm sure it's a demo recording.


Memphis2016-01-10 22:41:28
It was both of them *I think* cannot say for sure as I wasn't there, lol. Have been following him on twitter and he said sometime last year "we mixed the trailer music ..." so I assume it was them together. Also read that they wrote new music together for the trailer.

I'm loving it and it sounds fantastic in the cinema trailers.


Mike2016-01-10 23:23:53
Memphis, that was Junkie referring to the first teaser ("Tell me...do you bleed?"). The teaser has long been confirmed to be HZ / JXL. ;)


Ds2016-01-11 17:42:47
I think the new TV spot has definitely some score in it. Sounds a lot like MoS sound palette.

Memphis reply Replies: 0 || 2016-01-11 10:51:33
Ooops I'm sorry. I thought the comic con trailer was the first.

Hybrid Soldier reply Replies: 6 || 2015-12-29 22:00:09
Since it'll be out in less than 3 months, time to launch hostilities... lol


Anonymous2015-12-29 22:56:02
recording sessions plz


Ds2015-12-30 16:09:18
I wonder how it's going to sound. Judging by the trailers, I think of something colder than Man Of Steel, with perhaps more electronics. More Junkie than HZ, actually. I guess we'll know soon enough, shouldn't be long until WaterTower launches the iTunes pre-order :-p

Btw, no Atli this time?


Anonymous2015-12-30 16:32:31
Nor his sister. The vocals are by Dom Lewis. Interesting. "Paranoia" Haha. lol


Edmund Meinerts2015-12-31 17:27:44
What you just described there sounds like a bit of my worst nightmare, Ds, so I hope you're wrong! :P

Have no expectations about this one either way. Doubt I'll enjoy it; perfectly ready to be proved otherwise, though...


Anonymous2016-01-10 21:39:20
anybody else expecting a two-disc release after MoS, TASM 2, and Interstellar?


Mike2016-01-10 21:53:15
I'd this point, yes, I'd be more surprised to see a single disc release than not...

Anonymous reply Replies: 0 || 2016-01-09 23:07:09
i wonder what type of drum circle musical invention they came up with this time xD

Mike reply Replies: 12 || 2016-01-08 16:18:12
Am I the only one who's noticed a conspicuous absence of interviews / comments from the composers of this project (specifically Zimmer)? Junkie XL has said a few things over the past year, but Zimmer's been nowhere to be found. He was confirmed for the project, then said about a year ago that ideally each new hero would get his / her own themes.

I already kind of figured Junkie would be taking the lead on this score, but do you think we can take Zimmer's lack of comments as his way of trying to pass the torch on for the DC universe? Or is it simply too early for interviews?


0-^-02016-01-08 16:48:36
I say that is actually for the better. Things should always be kept under wraps. Let the final work speak for itself. Why hype it up, or spoil surprises?


Mike2016-01-08 16:59:46
I agree...but I'm just thinking of it this way: if Zimmer's possibly not moved by this project (which his initial hesitance, and now his lack of comments, suggest), and Junkie XL winds up doing most of the legwork, I fear the score will kind of end up "cold" - harsh, aggressive, and manly, but devoid of much emotional core. Don't get me wrong, I like Junkie's stuff on MoS, but if his contributions had taken center stage, MoS would have been a lot less appealing. At least IMO.

I could be thinking way too hard here. We'll have to wait and see. ;)


Ds2016-01-08 17:49:24
Agree with Mike, the absence of hype, interviews, etc. is curious, but that's because the trailers were released much earlier than usual. In the next weeks we should see much more marketing, and we can expect a lot of interviews, score samples, itunes preorder, etc. They're just waiting a bit because firing all your weapons 3 months before the release would be stupid :-p


mpolonest1232016-01-08 18:46:49
It seems (in Zimmers' case at least) that his usual pre-hype for films has slowed considerably since Interstellar. In the amount of projects he's worked on since (Chappie, Le Petit Prince, Freeheld, etc.) there have been little to no interviews from him.

If JXL is in fact heading this though, I will be really interested to see what themes he conjures. As Divergent proved, he can write emotionally stirring music. Unfortunately the studios seem to insist on him writing the same drums/electronics in each of his scores. Maybe here he will have the opportunity to do something diverse.


Hybrid Soldier2016-01-08 20:20:49
The score was completed in August/September...

The film is out in 2 months & a half...


Don't worry, the "hype" is yet to come. And btw Hans really loved working on this one !


Pluto2016-01-08 21:18:04
Hey Hybrid, I know I'm jumping the gun a bit quickly here, so to speak, but what are the chances in your opinion, since you know Hans better than any of us, that he scores the "Justice League" film in November 2017? Zack Snyder is directing it and it seems Hans does like working with him, but then again, I've seen some interviews where Hans states he is not sure he wants to keep scoring superhero films, so do you know much in regard to that film and whether Hans will score it? I know Batman v Superman hasn't even come out yet, but I thought I'd ask this question. XD


Hybrid Soldier2016-01-08 22:52:14
lol you know that I actually tried to bring this up to him, out of curiosity... I got ignored, so no idea !! lol Too early maybe, but I can't imagine he, Junkie & Zack haven't talked about it...


Ds2016-01-08 23:07:25
Hahaha you guys are already speculating on Justice League, but before that we have Suicide Squad and Wonder Woman... for which no music-related announcement has been made. Are they trying to keep everything secret? Or not sure yet which path to follow? Or still trying to persuade Hans & Junkie to manage the whole thing?


Mike2016-01-09 22:22:20
"Don't worry, the 'hype' is yet to come. And btw Hans really loved working on this one !"

The second part of that is good to hear. I just know originally he didn't really want to work on this movie, and I was worried that his lack of any comments so far means he kept those feelings. ;) I wonder, will Superman get a new theme here, like Batman did with the "New Batman Theme / A Dark Knight"? I certainly do hope he decided to employ Superman's MoS theme more unabashedly than in MoS. If we can hear a reprise of "What Are You Going..." in a grandiose rescue or action scene, I'll be a happy guy. ;)

As for Justice League, I wouldn't be surprised if Hans ends up spearheading the project. It seems like they want to give the DC universe musical consistency - something Marvel hasn't been able to say for itself until very recently.



Hybrid Soldier2016-01-09 22:50:38
Even if Hans wouldn't compose "Justice League", Junkie would return for sure...

Let's not forget he worked on MOS and Bat V Sup, but also did 300 ROAE for Snyder (who... actually directed it)...


Mike2016-01-09 22:52:58
I wouldn't be surprised if Junkie were the main guy for Justice League, with Hans giving a roadmap of "this is how you should do this," possibly contributing a main theme and a cue or two, then letting Junkie and co. go to town. ;)


Mike2016-01-09 22:56:15
And for that matter, since Hans did say he wanted each character to have their own themes in B v S, that has to mean one thing: those themes will stay with the characters into Justice League. So presumably, the Hans / Junkie imprint will be there still by the time Justice League rolls around.

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Batman V Superman - Dawn Of Justice soundtrack - Hans Zimmer 2016