NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Matthew MargesonJason SoudahAl ClayJack Dolman
ComposerAdditional MusicMusic Scoring MixerMusic Editor
Eddie The Eagle
Label: Varese Sarabande
Length: 55'49
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8101 votes)
  1. Champion! (1:30)
    Matthew Margeson
  2. Eddie The Eagle (5:10)
    Matthew Margeson
  3. What Goes Up Must Come Down (2:17)
    Matthew Margeson
  4. I'm Going To The Olympics (1:35)
    Matthew Margeson, Jason Soudah
  5. Matti At Garmisch (1:07)
    Matthew Margeson
  6. Warren Sharp (1:51)
    Matthew Margeson, Jason Soudah
  7. Eddie Gets A Taste (1:14)
    Matthew Margeson
  8. Up Back Forward Down (2:50)
    Matthew Margeson, Jason Soudah
  9. Eddie Attempts The 70m (3:20)
    Matthew Margeson, Jason Soudah
  10. The Teaching Text (2:58)
    Matthew Margeson, Jason Soudah
  11. Fist Of Glory (1:49)
    Matthew Margeson, Jason Soudah
  12. Seniors Tournament (1:57)
    Matthew Margeson, Jason Soudah
  13. Oberstdorf (5:23)
    Matthew Margeson
  14. A Sporting Chance (1:11)
    Jason Soudah
  15. First Jump At Calgary (3:25)
    Matthew Margeson
  16. Press Montage (1:16)
    Matthew Margeson, Jason Soudah
  17. Eddie's Announcement (3:07)
    Matthew Margeson
  18. Peary's Return (2:50)
    Matthew Margeson
  19. Matti's Gold Jump (2:18)
    Matthew Margeson
  20. Eddie Jumps The 90m (3:37)
    Matthew Margeson
  21. Now The Real Work Begins (5:04)
    Matthew Margeson, Jason Soudah
Create Topic

Felix reply Replies: 0 || 2017-02-13 20:39:37
Here are the Sessions:

1M1 I Was No Exception //MM
1M2-5 Overture To A Dream //MM,JS
1M6S 88 Opening Ceremony //MM
1M7 Not Olympic Material //MM,JS
1M9 Bedroom Ski Jumping //MM
1M10A Hope Regained //MM,JS
1M10B Plasterer From Birth //MM
1M11 Matti At Garmisch //MM
1M12 Alone At Café //MM
2M14 Eddie Gets A Taste //MM
2M17 Peary's Entrance //MM (ASCAP: Peary Makes An Entrance)
2M18 Warren Sharp //MM
2M20 You Don't Stand A Chance //MM,JS
2M23 Up Back Forward Down //MM,JS
3M24A Eddie Attempts The 70 //MM,JS
3M24B The Teaching Text / Hospital Visit //MM,JS
3M24C Garage Transition //MM
3M26A Seniors Tournament Jump //MM,JS
3M26B Seniors Tourney Landing //MM
3M27 It Won't Open Itself //MM
3M28 See Yourself Out //MM,JS
4M31 Think I'm Crazy //MM
4M38/39 Oberstdorf //MM
5M40 Eddie And Peary Part Ways //MM
5M41 Off To Calgary //MM
A Sporting Chance //JS
5M44 First Jump At Calgary //MM
5M45 Record Set //MM
5M46 Made Fool Of //MM,JS
5M49 Press Montage //MM,JS
5M50 Unlikely Announcement //MM
5M51/52 Peary's Return //MM
6M53 Danger At The 90 //MM
6M54 Elevator Send-Off //MM,JS
6M54B Elevator Conversation //MM
6M55 Matti's Gold Jump //MM
6M56 Eddie Jumps The 90s //MM
6M58 Sharp Was Wrong //MM
6M59 End Credits //MM,JS

FunnyML reply Replies: 0 || 2016-09-03 17:35:35
Eddie The Eagle - Expanded Score Bootleg
01. Overture To A Dream (Matthew Margeson & Jason Soudah)
02. 88 Opening Ceremony (Matthew Margeson)
03. Not Olympic Material (Matthew Margeson & Jason Soudah)
04. Bedroom / Ski Jumping (Matthew Margeson)
05. Hope Regained (Matthew Margeson & Jason Soudah)
06. Plasterer From Birth (Matthew Margeson)
07. Matti At Garmisch (Matthew Margeson)
08. Alone At Café (Matthew Margeson)
09. Eddie Gets A Taste (Matthew Margeson)
10. Peary Makes An Entrance (Matthew Margeson)
11. You Don't Stand A Chance (Matthew Margeson & Jason Soudah)
12. Up Back Forward Down (Matthew Margeson & Jason Soudah)
13. Eddie Lands The 40 (Matthew Margeson)
14. Eddie Attempts The 70 (Matthew Margeson & Jason Soudah)
15. The Teaching Text / Hospital Visit (Matthew Margeson & Jason Soudah)
16. Seniors Tournament Jump (Matthew Margeson & Jason Soudah)
17. Senior Tourney Landing (Matthew Margeson)
18. It Won't Open Itself (Matthew Margeson)
19. See Youself Out (Matthew Margeson & Jason Soudah)
20. Think I'm Crazy (Matthew Margeson)
21. Oberstdorf (Matthew Margeson)
22. Eddie And Peary Part Ways (Matthew Margeson)
23. Off To Calgary (Matthew Margeson)
24. A Sporting Chance (Jason Soudah)
25. First Jumps At Calgary (Matthew Margeson)
26. Record Set (Matthew Margeson)
27. Made Fool Of (Matthew Margeson & Jason Soudah)
28. Hotel Lobby Source (Matthew Margeson & Todd Haberman)
29. Press Montage (Matthew Margeson & Jason Soudah)
30. Unlikely Announcement (Matthew Margeson)
31. Peary's Return (Matthew Margeson)
32. Danger At The 90 (Matthew Margeson)
33. Elevator Send Off (Matthew Margeson & Jason Soudah)
34. Elevator Conversation (Matthew Margeson)
35. Matti's Gold Jump (Matthew Margeson)
36. Eddie Jumps The 90 (Matthew Margeson)
37. Sharp Was Wrong (Matthew Margeson)

Joshua reply Replies: 2 || 2016-08-24 00:26:59
Just realized that "Eddie jumps the 90m" cue has a different mix on the album than in the movie. In the film there's this great choir section near the end (which works great with everyone standing there with their mouths open). Must've been a last minute addition, a shame really.


FunnyML2016-08-31 08:22:51
No, Varése trimmed down the reuse fees again by leaving the choir part out like they did on Giacchino's Star Trek.


Joshua2016-08-31 18:57:39
Well that fuckin sucks lol

Hybrid Soldier reply Replies: 1 || 2016-06-23 21:21:52
Some details about the credits... :)


Edmund Meinerts2016-06-24 12:49:02
Thanks! That's quite a bit of Jason Soudah.

Joshua reply Replies: 9 || 2016-02-26 04:22:55
This score is absolutely amazing! Fantastic 80's flair to it, cant wait for the release.


Hybrid Soldier2016-03-02 12:31:29
Yes I agree totally ! I added an extract ! :)


Ds2016-03-02 15:21:54
I agree so much. Very enjoyable score, put a big smile on my face!

And reminded me A LOT of some earlier HZ scores (like Days of Thunder).


JackieStewart2016-03-02 15:58:52
This is amazing!


Hale2016-03-02 17:06:50
Great score.Like Ds said it, a true Days of Thunder 'flavour.
Very nice to return into this kind of music.


LP2016-03-02 17:26:23
OMG, this is just a huge throwback to my childhood. LOVE IT LOVE IT!!!!


rockhound2016-03-02 17:41:50
i love the extract. wonderful theme and really nice old school flair. im really looking forward to the whole album.


Mike2016-03-04 19:18:25
Yeah...this definitely doesn't sound like a 2016 score (which, honestly, is a refreshing change)!


rockhound2016-03-08 20:09:34
when the second part in the suite starts, the synths sound so much like Days Of Thunder, also the drums. i love it.


joshua2016-05-03 13:09:55
no i think its rubbish.

Edmund Meinerts reply Replies: 1 || 2016-03-02 17:46:39
Based on this extract I can safely say this makes a far better Deadpool score than the actual Deadpool score.


Ds2016-03-02 19:26:52
Hahaha so true. But anyway seeing how under-mixed the score was in the movie, I'm glad they didn't waste a great score for it!

 HANS-ZIMMER.com© 2001-2018 OST 
Eddie The Eagle soundtrack - Matthew Margeson 2016