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Haha!  Wear the mask. how fitting.yap. and all of the alternates :PI want that "Final Confrontation" cue so much!Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.
I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.
Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.
So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!
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Matthew MargesonJason SoudahAl ClayJack Dolman
ComposerAdditional MusicMusic Scoring MixerMusic Editor
Eddie The Eagle
Label: Varese Sarabande
Length: 55'49
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8790 votes)
  1. Champion! (1:30)
    Matthew Margeson
  2. Eddie The Eagle (5:10)
    Matthew Margeson
  3. What Goes Up Must Come Down (2:17)
    Matthew Margeson
  4. I'm Going To The Olympics (1:35)
    Matthew Margeson, Jason Soudah
  5. Matti At Garmisch (1:07)
    Matthew Margeson
  6. Warren Sharp (1:51)
    Matthew Margeson, Jason Soudah
  7. Eddie Gets A Taste (1:14)
    Matthew Margeson
  8. Up Back Forward Down (2:50)
    Matthew Margeson, Jason Soudah
  9. Eddie Attempts The 70m (3:20)
    Matthew Margeson, Jason Soudah
  10. The Teaching Text (2:58)
    Matthew Margeson, Jason Soudah
  11. Fist Of Glory (1:49)
    Matthew Margeson, Jason Soudah
  12. Seniors Tournament (1:57)
    Matthew Margeson, Jason Soudah
  13. Oberstdorf (5:23)
    Matthew Margeson
  14. A Sporting Chance (1:11)
    Jason Soudah
  15. First Jump At Calgary (3:25)
    Matthew Margeson
  16. Press Montage (1:16)
    Matthew Margeson, Jason Soudah
  17. Eddie's Announcement (3:07)
    Matthew Margeson
  18. Peary's Return (2:50)
    Matthew Margeson
  19. Matti's Gold Jump (2:18)
    Matthew Margeson
  20. Eddie Jumps The 90m (3:37)
    Matthew Margeson
  21. Now The Real Work Begins (5:04)
    Matthew Margeson, Jason Soudah
Create Topic

Felix reply Replies: 0 || 2017-02-13 20:39:37
Here are the Sessions:

1M1 I Was No Exception //MM
1M2-5 Overture To A Dream //MM,JS
1M6S 88 Opening Ceremony //MM
1M7 Not Olympic Material //MM,JS
1M9 Bedroom Ski Jumping //MM
1M10A Hope Regained //MM,JS
1M10B Plasterer From Birth //MM
1M11 Matti At Garmisch //MM
1M12 Alone At Café //MM
2M14 Eddie Gets A Taste //MM
2M17 Peary's Entrance //MM (ASCAP: Peary Makes An Entrance)
2M18 Warren Sharp //MM
2M20 You Don't Stand A Chance //MM,JS
2M23 Up Back Forward Down //MM,JS
3M24A Eddie Attempts The 70 //MM,JS
3M24B The Teaching Text / Hospital Visit //MM,JS
3M24C Garage Transition //MM
3M26A Seniors Tournament Jump //MM,JS
3M26B Seniors Tourney Landing //MM
3M27 It Won't Open Itself //MM
3M28 See Yourself Out //MM,JS
4M31 Think I'm Crazy //MM
4M38/39 Oberstdorf //MM
5M40 Eddie And Peary Part Ways //MM
5M41 Off To Calgary //MM
A Sporting Chance //JS
5M44 First Jump At Calgary //MM
5M45 Record Set //MM
5M46 Made Fool Of //MM,JS
5M49 Press Montage //MM,JS
5M50 Unlikely Announcement //MM
5M51/52 Peary's Return //MM
6M53 Danger At The 90 //MM
6M54 Elevator Send-Off //MM,JS
6M54B Elevator Conversation //MM
6M55 Matti's Gold Jump //MM
6M56 Eddie Jumps The 90s //MM
6M58 Sharp Was Wrong //MM
6M59 End Credits //MM,JS

FunnyML reply Replies: 0 || 2016-09-03 17:35:35
Eddie The Eagle - Expanded Score Bootleg
01. Overture To A Dream (Matthew Margeson & Jason Soudah)
02. 88 Opening Ceremony (Matthew Margeson)
03. Not Olympic Material (Matthew Margeson & Jason Soudah)
04. Bedroom / Ski Jumping (Matthew Margeson)
05. Hope Regained (Matthew Margeson & Jason Soudah)
06. Plasterer From Birth (Matthew Margeson)
07. Matti At Garmisch (Matthew Margeson)
08. Alone At Café (Matthew Margeson)
09. Eddie Gets A Taste (Matthew Margeson)
10. Peary Makes An Entrance (Matthew Margeson)
11. You Don't Stand A Chance (Matthew Margeson & Jason Soudah)
12. Up Back Forward Down (Matthew Margeson & Jason Soudah)
13. Eddie Lands The 40 (Matthew Margeson)
14. Eddie Attempts The 70 (Matthew Margeson & Jason Soudah)
15. The Teaching Text / Hospital Visit (Matthew Margeson & Jason Soudah)
16. Seniors Tournament Jump (Matthew Margeson & Jason Soudah)
17. Senior Tourney Landing (Matthew Margeson)
18. It Won't Open Itself (Matthew Margeson)
19. See Youself Out (Matthew Margeson & Jason Soudah)
20. Think I'm Crazy (Matthew Margeson)
21. Oberstdorf (Matthew Margeson)
22. Eddie And Peary Part Ways (Matthew Margeson)
23. Off To Calgary (Matthew Margeson)
24. A Sporting Chance (Jason Soudah)
25. First Jumps At Calgary (Matthew Margeson)
26. Record Set (Matthew Margeson)
27. Made Fool Of (Matthew Margeson & Jason Soudah)
28. Hotel Lobby Source (Matthew Margeson & Todd Haberman)
29. Press Montage (Matthew Margeson & Jason Soudah)
30. Unlikely Announcement (Matthew Margeson)
31. Peary's Return (Matthew Margeson)
32. Danger At The 90 (Matthew Margeson)
33. Elevator Send Off (Matthew Margeson & Jason Soudah)
34. Elevator Conversation (Matthew Margeson)
35. Matti's Gold Jump (Matthew Margeson)
36. Eddie Jumps The 90 (Matthew Margeson)
37. Sharp Was Wrong (Matthew Margeson)

Joshua reply Replies: 2 || 2016-08-24 00:26:59
Just realized that "Eddie jumps the 90m" cue has a different mix on the album than in the movie. In the film there's this great choir section near the end (which works great with everyone standing there with their mouths open). Must've been a last minute addition, a shame really.


FunnyML2016-08-31 08:22:51
No, Varése trimmed down the reuse fees again by leaving the choir part out like they did on Giacchino's Star Trek.


Joshua2016-08-31 18:57:39
Well that fuckin sucks lol

Hybrid Soldier reply Replies: 1 || 2016-06-23 21:21:52
Some details about the credits... :)


Edmund Meinerts2016-06-24 12:49:02
Thanks! That's quite a bit of Jason Soudah.

Joshua reply Replies: 9 || 2016-02-26 04:22:55
This score is absolutely amazing! Fantastic 80's flair to it, cant wait for the release.


Hybrid Soldier2016-03-02 12:31:29
Yes I agree totally ! I added an extract ! :)


Ds2016-03-02 15:21:54
I agree so much. Very enjoyable score, put a big smile on my face!

And reminded me A LOT of some earlier HZ scores (like Days of Thunder).


JackieStewart2016-03-02 15:58:52
This is amazing!


Hale2016-03-02 17:06:50
Great score.Like Ds said it, a true Days of Thunder 'flavour.
Very nice to return into this kind of music.


LP2016-03-02 17:26:23
OMG, this is just a huge throwback to my childhood. LOVE IT LOVE IT!!!!


rockhound2016-03-02 17:41:50
i love the extract. wonderful theme and really nice old school flair. im really looking forward to the whole album.


Mike2016-03-04 19:18:25
Yeah...this definitely doesn't sound like a 2016 score (which, honestly, is a refreshing change)!


rockhound2016-03-08 20:09:34
when the second part in the suite starts, the synths sound so much like Days Of Thunder, also the drums. i love it.


joshua2016-05-03 13:09:55
no i think its rubbish.

Edmund Meinerts reply Replies: 1 || 2016-03-02 17:46:39
Based on this extract I can safely say this makes a far better Deadpool score than the actual Deadpool score.

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Ds2016-03-02 19:26:52
Hahaha so true. But anyway seeing how under-mixed the score was in the movie, I'm glad they didn't waste a great score for it!

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Eddie The Eagle soundtrack - Matthew Margeson 2016