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and Zimmer was also involved in this movie as if it was in the previous ones?<br>======================<br><br>Hmm, I don't think Hans was involved here. He helped on TF4 and did some work on TF2 (to what extent I don't know) but that's pretty much it. Then again, Hans seems to be always around when it's a Michael Bay production.... :)and Zimmer was also involved in this movie as if it was in the previous ones?Really waiting for this soundtrack and hope Wallfisch will bring new vision into Hellboy universe.@Hybrid thanks a lot for your answers and your detective work!<br>Funny to see that Lorne does that much uncredited help (I know it’s only the tip of the iceberg, and that he isn’t the only one, as Bayhem said the rcp composers must help each other every time...)Please Hybrid. Make a forum with register members.
It and A Cure For Wellness by Benjamin Wallfisch.<br>.....................<br><br>Well, I'll be goddamned! I totally forgot about 'A Cure For Wellness'. I absolutely loved the movie and yes, the score is truly great and memorable, especially the main theme. Wallfisch knocked it out of the park with that one.<br><br>It seems that every time Gore Verbinski makes a horror movie we're treated with a great score. First it was 'The Ring' - which IMO is one of the best horror scores ever - and more recently 'A Cure For Wellness'. Both very immersive, creepy and atmospheric scores. Exactly the type of horror scores that I love.I think it's safe to say that the power anthems and the tracks that were very much an homage to the 90's MV/RC sound were done by Jablonsky. Balfe was never a "power anthem" type of composer. He's more like John Powell, while Steve is more like Hans. Steve has embraced the MV/RC sound, while Lorne is more "reserved".<br><br>That's why I'm extremely curious to hear Lorne's music for SIX UNDERGROUND. The 13 Hours score is great but it was very, for lack of a better word, contained. Which is understandable, considering the subject matter. But Six Underground is a huge balls-to-the-wall action adventure that takes place all over the world and Lorne really has a shot to go as wild and big as he can. I'm sure Bay would love that :)We'll see...When is the new website gonna be up? and will there be a forum with registered members?I remember seeing discussion several times on this forum about how Lorne would often reply to people on his social media accounts when they asked him for his credits in the scores he did additional music for. So does anyone have any credits that he or other composers have shared about this film?
This feature will be gone from the future website, AT LAST...I just saw the show last night in London and loved the visual integration  of the movies into the show .<br><br>Overall I reckon I preferred his show last time in London as he did not do interstellar which was really disappointing for me :( I also wish he did more tracks from the dark knight series as they were my faves at his last show.<br><br>In all the soundtracks the voters give very low note. You are a gang of unhappy people.Probably.Are there any other tracks in the album which were composed by Balfe? Just wondering...
I assumed you meant the forums themselves. I knew composer websites were a way to find their credits, I just didn't think to do it for this score yet for some reason.See the guys uotop listed next to jablonsky? click their names and go to their websites. You have to do the work. But there they are. Right on this site.^ Have to agree with you there. It’s not a terrible film by any means, but given the concept it is surprisingly bland. There were so many opportunities to do something cool with the dream concept, but it felt to me like they played it “safe”. And yes, the characters are extremely forgettable. I will give credit to Jackie Earl Haley, he does a pretty good job with the material he is given.<br><br>And I just remembered 2 excellent horror scores from the past few years: <br>It and A Cure For Wellness by Benjamin Wallfisch."Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site." <br><br>I've looked through this thread several times and I never saw that information, but I appreciate you filling me in! And yeah, Hybrid, it is kind of difficult for me to distinguish between Lorne and Steve's TF styles. They both kind of blend in since the style was established with their heavy collaboration in the first 2 films.<br>The music is good, definitely better than Amityville (which I never found scary or interesting). The overuse of the cello and ambient/atonal cues gets annoying at times, but unlike a lot of modern horror there is real substance here. A decent amount of themes (but not too many), some decent suspenseful ostinato bits, good use of children's choir, and good thematic development. I don't have any interest in Steve's ambient horror scores because I really dislike that type of music.<br><br>As for the remake it's really mixed for me. There are genuinely creepy visuals and ideas, but with often poor execution. My go-to example is there's a great dream sequence with "not-Johnny Depp" in the library with dream-like visuals such as Freddy turning around inhumanly quickly. But that final visual is accompanied by a jump-scare for no reason and completely kills the impact of it. If his turning was completely silent, it would have been much more terrifying. <br><br>Jackie Earle Haley did a really good job as Freddy, (especially in the alternate ending), and Rooney Mara executed the material she was given very well. But unfortunately the characters are bland, all fitting into the emo/hipster teenager stereotype and little else. It also doesn't help that much of the deleted and alternate scenes ended up being much more interesting than the final ones we were stuck with, (Hospital Opening, Dean's original death scenes, and Alternate Ending).
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Hans ZimmerKlaus BadeltLisa GerrardNick Glennie-Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Mission - Impossible 2
Label: Hollywood Records
Length: 45'50 (Score: 42'17)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8341 votes)
  1. Hijack (4:09)
  2. Iko Iko - Zap Mama (3:23)
  3. Seville (4:32)
  4. Nyah (Film Version) (2:20)
  5. Mission: Impossible Theme (0:39)
  6. The Heist (2:22)
  7. Ambrose (2:37)
  8. Bio-Techno (1:42)
  9. Injection (4:49)
  10. Bare Island (5:30)
  11. Chimera (1:42)
  12. The Bait (1:00)
  13. Mano A Mano (4:22)
  14. Mission: Accomplished (1:44)
  15. Nyah And Ethan (5:05)
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Ahmad reply Replies: 1 || 2018-08-03 14:52:50
Why is this album not available to purchase anywhere? Not even on iTunes.


Mephariel2018-08-04 06:03:54
I have the same question. I don't get why every MI album is on sale except this one.

Saurabh reply Replies: 0 || 2018-06-28 06:22:53
Any news on this Hybrid? While the movie marketing is in full swing, news on the score front is pretty much non existent. Here's hoping Balfe's brought his A-game to this (like Ironclad) because the movie looks other worldly in terms of propulsive action set pieces.

MrZimmerFan reply Replies: 2 || 2018-05-23 17:58:54
La La-Land is going to release the score


...2018-05-23 18:39:26
Your source?


MrZimmerFan2018-05-23 19:08:21
Poster in Spain

Michael Fields reply Replies: 15 || 2018-04-19 09:51:46
Hey, everybody!
Did you hear the news?
Check this out:
https://m.facebook.com/story.php?story_fbid=962210980613161& id=138474459653488


Timothy2018-04-19 10:54:42
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(


Andreas2018-04-19 12:46:39
Ha ha! Yes again and again ! This is excellent news


...2018-04-19 12:51:20
Damn I was hoping Zimmer, Giacchino or Kraemer would do this.


Edmund Meinerts2018-04-19 12:59:38
I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.

I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.


George2018-04-19 13:46:44
I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.


HunterTech2018-04-19 17:33:07
I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.

And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.


Ds2018-04-20 10:23:23
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...
That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.


...2018-04-20 11:21:34
I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.


Edmund Meinerts2018-04-20 12:41:49
Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.


Ds2018-04-20 14:10:45
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...


Edmund Meinerts2018-04-20 15:06:29
I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p


JBSO992018-04-20 21:10:44
I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.

Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.

So I don't think Giacchino is out of the use of themes.


Ds2018-04-21 01:12:05
Well maybe you guys are right, to be honest i never cared much about this composer. All i know is that i almost never noticed any kind of theme when watching movies scored by him, while usually I'm the kind of audience who pays attention to the music. It can be that his way of writing or orchestrating or mixing doesnt match with my own taste, that's a possibility. Anyway I still maintain that none of his scores or themes has become a "classic", despite the ridiculous amount of major blockbusters he had the chance to score so far...


JBSO992018-04-21 11:36:36
Well, I guess that is a matter of tastes and opinion, because for me scores like The Incredibles or Up, for saying some examples, are classics inside the animation field.

But is fine. We have our own preferences and that's okay.


Edmund Meinerts2018-04-22 17:34:19
Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :p

Scorefan reply Replies: 1 || 2018-04-20 01:05:47
@Hybrid, can you confirm Lorne is scoring MI6?


Timothy2018-04-20 01:34:26
why hybrid when lorne himself confirmed it? <.<

Jean-Luc reply Replies: 17 || 2018-04-10 00:25:51
Who are the best soundtrack record labels.

1. Fox Music
2. Intrada Records
3. La-La Land Records
4. Madison Gate Records
5. Milan Records
6. Sony Masterworks
7. Varese Sarabande
8. Back Lot Music
9. Sony Classical
10. Hollywood Records & Marvel Music
11. WaterTower Music


Anonymous2018-04-10 01:06:26
You forgot:

Mondo
Waxwork Records
Lakeshore Records
Italians Do It Better


Scorefan2018-04-10 04:16:45
Varese, Milan and Sony were the best in the 90's.
Now, Intrada y La La Land Records are the best

By the way, Film Score Montly deserves a special mention


Jean-Luc 2018-04-10 05:50:19
Opps, I forgot about those record labels.


Jean-Luc 2018-04-10 05:55:42
@ScoreFan I'm agree with you about Verese, Milan and Sony were the best in the 90's plus with action movies. I'm really liking when Intrada and La La Land Records released expanded or complete score. Yup, I'm agree with you about Film Score Monthly.


Edmund Meinerts2018-04-10 09:15:12
Don't forget about MovieScore Media. They do a great job releasing more obscure scores that would otherwise not be available.


Scorefan2018-04-10 20:56:45
@Edmund, agree with you. Not only MovieScore Media, also Quartet Records.


...2018-04-12 10:34:11
According to someone on filmtracks Lorne is scoring MI6


Olive2018-04-12 13:20:25
Jon Broxton of the Movie Music UK.


Brian2018-04-12 18:16:04
And cue Edmund making comments !!!!


Edmund Meinerts2018-04-12 19:03:51
Why should I?


Backbiter2018-04-12 19:34:48
Edmund is not a Balfe's hater lol


Brian2018-04-13 00:05:53
“The man is increasingly becoming a punchline.” Yup Edmund has no issues !!!!


superultramegaa2018-04-13 01:11:48
Hey Edmund! It's another spam clone of a Balfe fanboy here to study you and pinpoint your weaknesses so they can all team up together to destroy your mind with their extreme stupidity!

(I'm not even joking, these guys only focus on Edmund. It's really disturbing!)


Edmund Meinerts2018-04-13 10:22:07
Wow, they're even going over to Filmtracks now and mining my comments from there. That's really pathetic.

Besides, that comment was purely in reference to the fact that whenever a composer gets replaced these days, it's almost always by Balfe. No quality judgment whatsoever.


MichaelF2018-04-13 23:27:31
Edmund can’t seem to stop talking about Balfe !!!! Dude move on


Edmund Meinerts2018-04-14 00:33:22
What the actual fuck? How is it possible for anyone to be this fucking dense? It was Brian who pulled me into this conversation in the first place! Jesus, it must take the majority of your brainpower just to remember to breathe. Cunt.


superultramegaa2018-04-14 05:41:49
Brian and MichaelF can't stop talking about Edmund !!! Dudes move on

(Maybe if I speak in their language they'll shut up.)

George reply Replies: 9 || 2018-04-05 23:35:25
Think there’s any outside chance Hans is doing this one? Hybrid mentioned on the Film Score Monthly forum that he knows it’s not Brian Tyler, and he’s been mum on anything on this site. Hans also mentioned in the latest video on the news page here that he was working on something he couldn’t discuss yet, if I remember correctly... but that could technically be anything..

With X Men being pushed back and lion king not coming out til next year, Hans seemingly has nothing scheduled for 2018... and Kraemer was never even asked back, he was notified that he would not be asked to return to the franchise, which could possibly indicate that the studio got someone bigger that they couldn’t say no to. I’m not claiming to know anything at all... in fact I’m probably completely wrong haha.. but it sure would be awesome to get another Hans score for this franchise.


Bondo2018-04-06 05:46:55
Yeah, I think there's a good chance HZ will score this one. In fact, I think it'd be cool if he reunited with that female singer he worked with on last year's Gladiator! Either way, John Woo is attached to direct, so it should be pretty badass.


;)


Randy Watson2018-04-08 11:13:21
Well, John Powell scored Woo's last film and his star his rising so maybe he'll get the job.

I just hope they won't do something foolish and let some flavor of the month, like Limb Bizkit perhaps, ruin the theme.


Bondo2018-04-08 21:15:38
Randy, I honestly don't see them going in that direction. I'm not even sure a rock vibe would work for this film! Woo will probably want to stick with something similar to Elfman's work on the last film, something more traditional.


...2018-04-08 21:37:29
Maguire who directed the 5th movie is directing MI6, not woo


Bondo2018-04-08 21:53:12
Not to be confused with Christopher McQuarrie, who definitely did not direct MI5.


...2018-04-08 23:10:57
Sorry, I Misspelled Christopher McQuarrie. He did definitively direct MI5 and he's doing MI6.


Olive2018-04-09 01:52:42
It is likely that they have no composer and only work with tracks already recorded such as in the Tarantino films.

There must be a composer and this guy is someone "minor" in the business.If it was Zimmer or Kraemer, they would have already released the information.


George2018-04-09 01:59:31
I doubt it, Olive. La La Land posted on a Film Score Monthly forum that “they know something we don’t know...” and I’m assuming that it’s a major hire... and for whatever reason they’re keeping it a secret. I’m not gonna lie I have begun to think it really might be Hans.


mpolonest123 2018-04-09 02:33:08
I would be fascinated with Zimmer returning ONLY if he sticks to the more traditional, orchestral approach that Kraemer did for the last one. Or any composer for that matter. Personally I would like to hear something along the lines of Kingsman, bold and adventerous.

It’s funny that, outside of portions of Megamind, we’ve never really had Zimmer in that classic “James Bond” esque style of scoring mode, unless there is something I’m forgetting.

Michael Poleschuck reply Replies: 3 || 2017-02-14 08:50:29
Oh, no! Why is a credit for Gavin Greenaway is deleted? He's arranged and conducted the choir on this!


Edmund Meinerts2017-02-14 12:36:12
Again, he is credited. You just have to click "see details" to see everything.


Michael Poleschuck2017-02-14 12:49:47
I mean, not in the booklet credits. It's all clean for me. I mean, in discography and filmography of mr. Greenaway.


Michael Poleschuck2017-02-14 13:32:35
I haven't even seen the photo of Mr. Greenaway on page of the album. While the photos of Zimmer, Badelt, Glennie-Smith, Tillman and many-many others - there are all here.

Joshua reply Replies: 0 || 2016-06-02 01:18:53
Crazy how much Injection sounds like the intro to Dave Matthews "two step". Never noticed that before.

Anonymous reply Replies: 0 || 2014-11-22 18:39:37
Is this an album worth getting or is it a poor representation of the score?

Saruhan reply Replies: 1 || 2014-04-06 17:22:35
please answer ?


Anonymous2014-04-06 17:24:46
Buy the album ;)

Saruhan reply Replies: 0 || 2014-04-06 17:21:01
How can I download songs ???

Mike reply Replies: 2 || 2013-09-09 15:09:02
I might be criticized for this one, but am I the only one who thinks Injection would be a cooler track without Lisa Gerrard's vocals? She really worked with Gladiator, but here I thought not so much. Either way, it's a fantastic piece of music.

And by the way, great seeing "How To Train Your Dragon 2: Music by John Powell" under "Coming Soon". His first score was spectacular. :D


Anonymous2014-02-06 02:31:54
i agree about lisa and injection


Ball2Chin2014-02-06 03:31:13
Run Him Over from Pain & Gain is pretty much Injection without Lisa Gerrard's vocals. I personally like Injection the way it is though. It would be interesting to listen to it without the vocals though.

Eagle Eye reply Replies: 0 || 2013-09-09 15:54:25
Seeing as Zimmer rarely uses other peoples' themes in movies, I wonder how he felt using Lalo Schifrin's theme here...

Anonymous reply Replies: 1 || 2013-09-09 15:39:37
Did Heitor Pereira do anything on this score? Because one Youtube user uploaded a lot of these tracks and most if not all said "###" with the track titles.


Anonymous2013-09-09 15:41:35
Oh nevermind I guess...the details say he was part of the Mission Impossible Band.

David reply Replies: 0 || 2012-07-29 03:29:46
tomPoland: It's legit. I saw it uploaded on a website and it's the actual score.

tomPoland reply Replies: 4 || 2012-07-28 12:57:02
True?

MI2 1m1-2 Chimera / Hijack (6:02)
MI2 1m3 Ilo Iko (3:22)
MI2 1m4 Main Title (0:38)
MI2 1m5 Seville (2:19)
MI2 1m6 The Safe (2:54)
MI2 2m9 New Sunrise (0:41)
MI2 2m10 (2:00)
MI2 2m11 The Kiss (2:56)
MI2 2m13 Nekhorvich's (1:25)
MI2 2m14 Nahya's True (2:38)
MI2 2m16-17 Nahya Acce (3:04)
MI2 3m18 Ambrose Welco (4:30)
MI2 3m19 Chimera Myth (1:38)
MI2 3m20 (0:49)
MI2 3m21 Horse Race (7:48)
MI2 4m24A-B McCloy Get (5:50)
MI2 4m25A-B McCloy in (2:59)
MI2 4m26A Breaking In (3:17)
MI2 4m26B Killing Virus (3:43)
MI2 5m27 (2:20)
MI2 5m28 Shootout (4:52)
MI2 5m29-30 (6:52)
MI2 6m31 Hunting Hunt (2:37)
MI2 6m32 Shooting (3:18)
MI2 6m33-34 Escape (8:37)
MI2 6m35 Beach Fight (4:37)
MI2 7m36 Ambrose Dies (5:47)


Colezimmer2012-07-28 13:19:22
Yess


T-Mann0362012-07-28 16:02:11
All we need to know are the full name of the tracks for 2m13, 2m16-17, 3m18, 4m24A-B, 4m25A-B and the unknown names for 2m10, 3m20, 3m27, and 5m29-30.


Anonymous2012-07-28 19:22:04
NOT complete. At least four cues are missing.

Also most cue names were made-up by garage. The real cue names are different.

Way to go...


Anonymous2012-07-28 23:15:34
This is just an expanded score many film versions are missing here for example shootout is the same as the album version, the film version has a different tone in the voice of lisa gerard just check it

Philipp B reply Replies: 0 || 2011-04-24 08:57:32
can't express this music in words...

AMAZING

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

  Your name :   

Please enter number: 144 

HZ-fan @ Andrea reply Replies: 0 || 2011-03-13 00:00:00
gr8 idea...

will be a gr8 wedding...:)

Andrea from Washington State, USA reply Replies: 0 || 2010-02-25 00:00:00
I'm planning to use Hans Zimmer's amazing music at my wedding too...in the ceremony and at the reception.

Anonymous reply Replies: 0 || 2010-02-15 00:00:00
Every time I listen to this music tears fill my eyes!! Just imagine I'm gonna use this music at my wedding reception. PERFECT !! Georgia from Greece

general5678 reply Replies: 0 || 2009-07-18 00:00:00
ccccccccccccccoooooooooooooooollllllllllllllllllllllllllllll lllllllllllllllll

Jordan ( French) reply Replies: 0 || 2008-08-31 00:00:00
I agree with Adrian !

Adrian reply Replies: 0 || 2008-07-05 00:00:00
injections............probably the best sound of the world!

this sound is special!
greatings from spain

Alexis (french) ! reply Replies: 0 || 2007-01-13 00:00:00
his soundtrack is amazing !!! His B.O is more baeutiful than all soundtrack ! thanks you for that !

amr reply Replies: 0 || 2006-11-27 00:00:00
it is good

Ritvars reply Replies: 0 || 2006-08-23 00:00:00
Ilike :)

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
Very correct music for this film. It´s excelent with the images. A very good score Zimmer!!

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