NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
It is off topic, but I was really wondering. What do you think about composers doing fan mades on youtube? Do you have a favorite one?After revisiting this one, it's not as bad as I thought. Tessa is a beautiful theme (but is completely fucked over by aesthetics, with the exception of its first appearance). <br><br>Decision has an impressive amount of progression throughout the film with the finale Dinobot Charge remaining one of Jablonsky's best. The action in general is pretty fun but, similarly to TF3, it lacks the substance that TF1, TF2, and TF5's action tracks have.<br><br>Lockdown and Galvatron's themes were suitably menacing and were used effectively, and I have no idea why Jablonsky didn't carry over the Galvatron theme to TF5 as it suits the Frank Welker Megatron fairly well.<br><br>Hunted is a pretty decent action theme when the vocals are absent, and Autobots Reunite was good, but I'm not really sure what it's supposed to represent considering it only plays twice in the film. <br><br>The main problem is of course, the complete lack of thematic continuity. I don't care if this was supposed to be a soft reboot of sorts, you have to keep the themes your series is remembered for, especially if you have the same composer. Don't make an array of new ones to just be abandoned in the next film, and give the original themes one reprise each! Because of this score, it makes the Transformers series' music look like an unplanned mess that doesn't know where it's going. <br><br>Thankfully Steve attempted to rectify this in TF5 by having reprises from every corner of the series and using the original themes much more frequently, along with the Autobot themes' building progression. That score actually makes this one look better because the Autobots theme being rebuilt makes it feel like it was only absent from this score because TF4 was about them being hunted, and TF5 has them semi-repairing their relationship with humans. <br><br>But on its own, this score is definitely the weakest, and reeks of studio interference with the unoriginal sound and Imagine Dragons' involvement.what about dunkirk : ) what do you think of it?Have any cue sheets or slates surfaced for this score?...that response only made you look more suspicious, as it was so pre-programmed feeling.
So if I say I love the score and itís amazing then Iím a bot !!!!!!!!! What a rediculois theoryHi, I'm new to this site and a big fan of Zimmer. Blade Runner is definitely one of his best works (and don't forget Wallfisch). Anyways, I'm definitely anticipating Denis Villeneuve's upcoming Dune film and I wonder if he'll go to Zimmer to do the project. That would be awesome if that happened.This place is not exactly a democracy, if something is not of my liking I get rid of it. Plain & simple.^^<br><br>For the sake of fairness, I think the admins should delete both the guys spamming the thread with whining, as well as the Balfe-bots spamming the thread with positivity while simultaneously denouncing "haters." (This does not apply to most people in the thread, but you know who I mean.)I created a suite of what I believe are the best cues on the album, and attempted to make some interesting variations with the cues themselves in terms of transitions and such. Tracks included are Fallout, The Exchange, Escape Through Paris, Stairs and Rooftops, Free Fall, and Mission: Accomplished. Feel free to check it out, it helps make the whole score feel more melodic in my opinion!<br><br>https://www.youtube.com/channel/UCioYxbgNsqFhZ15onqcTlFA/vid eos
Balfe haters will hate this !!!<br><br>But itís amazing . <br><br>Itís emotional then EPIC!<br><br>It can only be purchased at the Kynren site in Bishop Auckland, UK, during the show season. Google Kynren and hope to see you there soon! :) Hope this helps. Kind RegardsAgree with this 100%People are on here shitting on Giacchino and Powell saying Rouge One has a better score or people saying Solo has a better score and Iím over here like yep still listening to the Star Wars Original Trilogy And Prequel Trilogy scores over here. But I think they both gave Williams Justice and did good.@HunterTech - because Cruise and the studio *really* wanted him back after Rogue Nation's success, despite the producers' initial plan for the franchise being to have each entry done by a different director. Hence, McQuarrie's condition that he'll be back as long as he does a completely different film.<br><br>And context is important because once you realise the *film itself* is heavily influenced by Nolan with a big dash of Fury Road-esque building action momentum, then the decision to have Balfe on board and the score to sound all Zimmer/RCP as opposed to more symphonic a-la Kraemer/Giacchino makes sense.
So.......why not get a new director then? I admire his efforts in trying to attempt something different for every sequel, but he's eventually gonna get tired if he keeps coming back. Plus, there's been evidence that surfaced to suggest that there was a very specific reason in Kraemer not returning, which don't necessarily contradict what McQ is saying here.<br><br>Despite all this, I'm very excited for Fallout as a whole. I've been able to enjoy films with disappointing scores before (*cough*BR2049*cough*).Mephariel, fair enough. I see your point as well.<br><br>mpolonest123, I see your point.<br><br>But looking back at the MI2 score now, compared to some recent MV/RC stuff......it's just heads and tails above them. Again, that's just my opinion. There is a clear theme here, there is an actual structure. Not just some noisy sound effects thrown in the blender.@HunterTech - McQ said at every opportunity that a condition of his coming back would be making MI Fallout as if a different director was doing it. Which is why he got a new DoP, new composer, new costume designer etcBecause that opinion is clearly wrong when Dunkirk came out in 2017.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Ramin DjawadiStephen ColemanWilliam Marriott
ComposerOrchestratorTechnical Score Advisor
Robinson Crusoe
Label: Universal Music (Digital Download Only)
Length: 49'04 (Score: 45'22)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5547 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Robinson Crusoe (3:21)
  2. Paradise Just Got Better (2:29)
  3. The Other World (1:13)
  4. Pirates (0:48)
  5. The Real Monsters (1:27)
  6. The Storm (4:45)
  7. Another Day In Paradise (2:01)
  8. Fresh Water (2:02)
  9. Land, Sweet Land (3:47)
  10. A Little Snack (0:55)
  11. Building A Shelter (3:17)
  12. Tree House (2:27)
  13. Sea Monsters (1:47)
  14. That's Help In Any Language (5:25)
  15. I Can't Leave Him (1:39)
  16. Wait For The Signal (2:50)
  17. That Must Have Hurt (0:47)
  18. Shadow Puppets (1:22)
  19. Going Home (3:00)
  20. The World Belongs To Us - Marina Kaye (3:42)
Create Topic

Anonymous reply Replies: 1 || 2016-09-11 06:05:04
Hybrid, what's the deal with this release? Why is it under this name rather than "The Wild Life"? And why such an early release?


Hybrid Soldier2016-09-11 10:18:24
The Ben Stassen films are Belgian co-produced by France, so the film get out first there, and so are the OSTs... I guess it takes time for them to get out abroad usually under a different name...

Evenstar reply Replies: 0 || 2016-03-12 05:16:20
Surprisingly good score! Ramin should do Animation-movies more often :)

Hybrid Soldier reply Replies: 0 || 2016-03-11 19:15:46
Out today !

  Your name :   

Please enter number: 1440 

 HANS-ZIMMER.com© 2001-2017 OST 
Robinson Crusoe soundtrack - Ramin Djawadi 2016