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Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?
The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.
The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.
Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54

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Henry JackmanHalli CautheryAlex BelcherMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Captain America - Civil War
Label: Hollywood Records
Length: 69'09 rating:        Not yet rated
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  1. Siberian Overture (2:56)
    Henry Jackman
  2. Lagos (2:10)
    Henry Jackman, Halli Cauthery, Alex Belcher, Jack Dolman
  3. Consequences (2:22)
    Henry Jackman
  4. Ancestral Call (2:37)
    Henry Jackman
  5. Zemo (3:09)
    Henry Jackman, Halli Cauthery
  6. The Tunnel (3:51)
    Henry Jackman
  7. Celestial Bodies (1:44)
    Henry Jackman, Halli Cauthery
  8. Boot Up (5:16)
    Henry Jackman
  9. A New Recruit (1:47)
    Henry Jackman
  10. Stepping Up (1:59)
    Henry Jackman, Halli Cauthery
  11. Standoff (4:01)
    Henry Jackman, Halli Cauthery
  12. Civil War (4:26)
    Henry Jackman
  13. Larger Than Life (3:40)
    Henry Jackman, Halli Cauthery
  14. Catastrophe (2:36)
    Henry Jackman
  15. Revealed (5:38)
    Henry Jackman
  16. Making Amends (1:34)
    Henry Jackman
  17. Fracture (4:00)
    Henry Jackman, Halli Cauthery
  18. Clash (3:54)
    Henry Jackman
  19. Closure (5:32)
    Henry Jackman, Halli Cauthery
  20. Cap's Promise (3:46)
    Henry Jackman
  21. Adagio (2:18)
    Henry Jackman
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Cameron reply Replies: 2 || 2016-04-30 03:58:48
I like that Jackman took a more orchestral approach, but it sounds like he completely ditched the Taking A Stand theme, which sucks. I would have loved to hear an orchestral version of that theme.

Hybrid Soldier2016-04-30 09:10:11
This ! But here again, most of the great orchestral work on the first was Dom...

Cameron2016-04-30 18:11:59
Hmm. I really can't say I've heard the theme in this score. Either I haven't listened enough, or I'm going deaf. I'll listen again.

jewen reply Replies: 5 || 2016-04-30 12:25:25
Ok, it is true. This OST sounds better than The Winter Soldier score, more coherent with the tone of the rest of MCU's film.
The problem again, in spite of the fact that the music sounds nice is that it is generic music, without soul, without emotion.
Presencial music, simply of landfill and not to give personality to the film.
In this particular, DC/Warner demonstrates more respect for the way of doing cinema, respecting the function of the OST in the movie.
In only 2 movies already we have musical themes for Superman, Zod, Batman, Wonder Woman and Lex Luthor.
And not only they sound well but it has personality, represent excellently his respective character and in the movie they use as narrator and give power to the images.
It is a shame that after a notable OST like Age of Ultron again Marvel returns to this musical emptiness that he accustoms.
And I do not hate Marvel's OST.
I love Tyler Bates's Guardians, Silvestri's First Avenger and Avengers or the nices duo Elfman/Tyler in Ultron. All fenomenal scores whit great and memorable main themes and good musical script. Something that Civil War completely forgotten.

Edmund Meinerts2016-04-30 13:15:17
So I guess our choices these days are between decent themes poorly used (Marvel) or lame themes that slap you over the head until you're sick of them (DC). What a world...

jewen2016-04-30 13:50:27
And I don't think that Henry Jackman is the main problem, after X:Men First Class and Kingsman he demostrated that he know how to aproach a comic book film....
Maybe the problem is the directors or the production process. Maybe they dont gave Henry time or ideas to make something great.

Ds2016-04-30 16:54:09
Edmund, you're being a bit harsch here... Do you really find Cark Kent's theme to be "lame" or "slapping you over the head until you're sick of it"? And what about most of the segments of the new Batman theme (I mean everything exept the duuuum-dum-dum-dum-dum, which sounds admittedly a bit cheap)? And the cello riff for Wonder Woman? I could go on, but just those 3 simple examples had a bigger emotional impact on me than anything I heard in any Avengers movies (including this one).

Edmund Meinerts2016-04-30 17:06:55
I was thinking of both the old two-note Nolan Batman motif and the new pounding one when I said that, and also of the low two-note rising pairs you hear all over Man of Steel. I'd have a bit more tolerance for the Clark Kent theme if you didn't hear it in the exact same sparse piano rendition every single time it's played, as well. Sadly I feel like the elements of those themes that are referenced ad nauseam in the DC scores are the least interesting ones, while the more melodic longer-lined stuff that I personally find more interesting and more moving ("Like a Dog Chasing Cars", "If You Love These People", "What Are You...", "Beautiful Lie") usually only gets one or two renditions per score and is not developed nearly as much.

But yeah, I was probably being too harsh. :p

Ds2016-04-30 18:01:03
I cannot really disagree on this, the very best cues are indeed sparsely used (but when they are used, man, they sound absolutely phenomenal).

My gripe with the MCU is that they don't even have such phenomenal moments, it's just by-the-meter entertainement with a random score, sometimes pretty fun (Ant-Man, Iron Man 3), sometimes really forgettable (the rest). The only time they almost reached greatness was with Doyle's Thor... and we never heard about that one again :-p

MrGrapefruit reply Replies: 6 || 2016-04-29 06:14:31
I love the las few minutes of the sample. Anyone know how long till the actual release of the track?

Russel2016-04-29 06:32:24
The full OST is out already if you know where to look.

Tom2016-04-29 12:36:32
Where do I look?

ZekeWars0102016-04-29 17:15:41
@Russel I doubt it.

Russel2016-04-29 20:27:16
@ZekeWars010 Lol, yet you're listening to it now. Okay..

ZekeWars0102016-04-29 22:57:16
@Russel I was just wondering where you heard the whole score.

Russel2016-04-30 05:46:24
I didn't say I heard the full score. I heard the OST. There's a difference.

The Pale King reply Replies: 16 || 2016-04-29 19:40:05
I really do hate to be /that/ guy, but it sucks that this one isn't really doing it for me.

I mean, it'll probably work better in the film itself, but it just seems like Jackman took the complaints with TWS's soundtrack to heart /too/ much, and ended up swinging things too far in the opposite direction.

Sure, it's definitely more orchestrated and "cinematic," if you will, but it doesn't really have any of the power found in tracks like "The Winter Soldier," "The Causeway," "Into the Fray," etc. The lack of themes is also a /major/ letdown.

Who knows, maybe this one'll just take time to grow on me ...

Talon2016-04-29 19:42:53
+1 totally agree, I'm also disappointed. Expecting another "TWS" and has nothing to do.

Edmardo Meinerts2016-04-29 19:46:49
See, most of us are feeling the exact opposite! He took all the terrible ideas from Winter Soldier and replaced them with a robust orchestral action score. It's excellent!

The Pale King2016-04-29 19:55:24
You see, weirdly enough, it doesn't feel all that robust or powerful to me.

Maybe this can just be equated to personal tastes or whatever, but this has so far invoked a very similar feeling I had to most of Silvestri's work on TA, and at least that had a /really/ strong main theme to keep me interested.

At the end of the day, I guess this just feels lacking in a distinct sense of identity from Jackman; say what you will about TWS, but the ideas there at least felt more unique. Sure, I could've done without the veritable /over/abundance of electronic stuff at times, but his main theme(s) all worked really well for me, and played out really interesting both on / offscreen.

Honestly, I was hoping, if he decided to go more "full orchestra," we'd get something more along the lines of Kingsman or First Class, and this doesn't even feel like that.

I mean, it's certainly not /painful/ to listen to, but the listening experience just feels a little halfhearted, shallow, and kind of a letdown to me.

But again, maybe seeing it play out in the film itself will change my mind.

ZekeWars0102016-04-29 19:58:32
Lack of themes? But there are themes for Zemo, Iron Man, Black Panther, Spider-Man, and the Civil War. Maybe you need more time.

The Pale King2016-04-29 20:01:52
Hopefully ...

I've picked up on Zemo's, Panther's, the Civil War's, and /possibly/ Spider-Man's so far, and I can't really say much other than they're perfectly serviceable.

Zemo's is nice enough, the Civil War's is pretty good, and for Panther and Spider-Man, they don't really feel like /themes/ so much as /recurring motifs/, which, again, I can live with.

If anything, the most memorable parts of this one have been the fully orchestrated segments from "The Winter Soldier." I just wish / hope the badass electronic bits came back as well.

ZekeWars0102016-04-29 20:23:04
@ThePaleKing So the track "New Recruit" isn't solely for Spider-Man?

The Pale King2016-04-29 20:32:17
It just doesn't sound like a /theme/, per say; it very well could be /for/ Spider-Man, or at least for a Spider-Man scene, but it's not a /theme/ like, say, "Is She with You?" was a theme for Wonder Woman, or "Red Capes" was a theme for Lex.

Okay, probably bad examples, but hope that makes sense ...

Medigo2016-04-29 20:47:17
I keep saying
the electronic parts were the good part of TWS, not terrible ideas at all
the album was just a horrible representation of the score
I understand going orchestral for this tho

ZekeWars0102016-04-29 22:59:44
@ThePaleKing I can't say that my expectations are little lower now. But, your reaction is probably mine for The Hobbit: The Desolation of Smaug. I said "This has no themes and mainly background noise. This is not as good as the original." But then I saw the movie and it worked. I went back and heard it again and loved it the second time. Maybe you need to see the film and you'll probably have a different reaction. Where have you heard the score?

Mike2016-04-29 23:00:18
If the entire score sounds like the suite above, then I do have to give serious kudos to Jackman and co. for listening to criticisms. This score, from what I've heard, does at least have the TONE of the first Captain America and of the two Avengers movies, even if those themes aren't present, and that is a refreshing surprise.

Talon2016-04-29 23:33:15
@Mike, the problem is the "generic" sound into. Scores like this: hundreds. If you change the title "Civil War" to Dracula Untold or Mission Impossible Rogue Nation also it works.

TWS had violent sounds making prominent and noteworthy, not like this. The only track with TWS music is "Boot Up".

Hybrid Soldier2016-04-29 23:33:41
"Kudos", I won't say that.

So far I'm just disappointed by this score. It's like Pixels, it has the "big orchestral emptiness" I won't give a full opinion before I see the film tomorrow, but it's just so faaaaaar from Cap 2...

As I feared, without Dom & Matt, Jackman just seems lost...

Saurabh2016-04-30 00:36:20
Loved this much more than TWS, which was just flat out boring aside from the Winter Soldier theme (despite being distinctive, made for an unbearable listening experience). Some of the action material just feels like some filler material. The themes feel less like themes and more like extended motifs. But the good thing is that they seem to be clearly defined this time around and are more upfront in their presentation.

Overall, much better than TWS, but I think Jackman needs to step up his game if he is working on Infinity War.

Mike2016-04-30 02:40:22
Hybrid, it does seem like Dom Lewis did a reasonably sizable amount in TWS. Was this more exclusively Jackman?

Mike2016-04-30 02:55:28
Obviously, I see that Dom Lewis didn't work on this one, but there are still a couple "additionals"...

isildur2016-04-30 04:06:46
Just finished listening to it for the first time. I've never been a fan of TWS. Yeah, sure I listened to it once before the movie and enjoyed the music in the end titles in the cinemas but that's just about it. Never wanted to revisit it.

This score, though it's much more orchestral and traditional it just seemed incoherent to me. The themes are there but, they simply are not developed. It just felt like everything is stitched together randomly. May be it's because how the movie itself is. So many characters, so much stuff happening. It probably suits well enough with the movie. But, the music should take the movie to another level and not feel like "yeah it was okay". Henry is capable of much better stuff than this.

MrMarvel reply Replies: 0 || 2016-04-29 16:05:10
It's already on iTunes!

yoyotic reply Replies: 1 || 2016-04-28 02:45:32
Spider-Man theme?

ZekeWars0102016-04-28 15:48:27
Yep, I'm just as excited as you are!

Leo reply Replies: 2 || 2016-04-24 07:50:00
Was composer Scott Glasgow involved in the Civil War score? Anyone can comfirm this?

Hank Hill 2016-04-27 17:13:14
Yes, he did. I talked to him on Facebook about it.

Leo2016-04-28 08:13:35
What was his involvement on the score? O:

ZekeWars010 reply Replies: 0 || 2016-04-27 16:45:22
The suite sounds really good. I'm not getting a sense of recurring themes yet, but that's probably because these are tracks mixed together and I haven't seen the movie yet. But I love the call-backs to Jackman's Cap theme, the Winter Soldier Theme, and The Avengers! I hope this score sounds awesome!

Hybrid Soldier reply Replies: 4 || 2016-04-26 23:50:24
"Little" extract !

mpolonest1232016-04-27 00:14:48

Those last two minutes are incredible, and the rest sounds very strong. It looks like this will definitely be more traditional than TWS.

Still, here's holding hope of thematic continuity.

Spence922016-04-27 00:42:39
Oooo, that last minute almost sounds like a blend of the WS Cap theme, Elfman's new Avengers theme, and a bit of Silvestri's old cap theme. :D

Mike2016-04-27 01:31:42
Hmmm... Well, the tone is more Avengers / Captain-America-ish than Winter Soldier was... but then, this is only 13 minutes.

STILL, it kills me that he couldn't just modernize the Silvestri theme... It wouldn't be that hard, and yes, it *could* work...

Medigo2016-04-27 12:03:03
well I am glad to hear so many parts of the Winter soldier theme

Miralsice reply Replies: 0 || 2016-04-27 09:19:01
I hope Jackman will use at least his themes from Winter Soldier. But I also hope for themes of Iron Man and Avengers, because, for me, cinematic universe must have musical themes that appears throughout the movies.

D-Greg reply Replies: 0 || 2016-04-27 04:23:31
Thank you for the Suite! Awesomeness.

Russel reply Replies: 0 || 2016-04-27 03:42:30
Love Cap's Promise ;)

hazirahhhhhh reply Replies: 1 || 2016-04-24 18:23:28
where can i hear all this song?

ZekeWars0102016-04-25 18:04:40
In one week.

ZekeWars010 reply Replies: 2 || 2016-04-23 23:43:24
1.Siberian Overture:
Probably the scene with Cap and The Avengers fighting Crossbones

2.Lagos :
Black Panther's introduction?

The scene with General Ross

4.Ancestral Call:
Iron Man's Theme?

A suite for, well, Zemo

6.The Tunnel:
Black Panther vs. Cap & Bucky

7.Celestial Bodies:
I don't know.

8.Boot Up:
Assembling a team montage?

9.New Recruit:
Spider-Man, Spider-Man, This is a theme for Spider-Man! (I hope)

I don't know

The Airport Scene

12.Civil War:
The Main Theme

13.Larger Than Life:
Giant Man?

Rhodey falls?

Probably when Tony figures out how his parents died.

16.Making Amends:
Yeah right!

Something, or someone breaks

"Sorry Tony, he is my friend" "So was I"

Tony & Peter

20.Cap's Promise:
The End of an Era

21.Bonus: Adagio:
Somebody's theme. I have no idea who's, but this is somebody's theme.

Meta2016-04-24 03:26:03
pretty good extrapolation.

Im thinking celestial bodies might have something to do with Vision and Wanda...

KL2016-04-24 11:44:22
Siberian Overture is when Winter Soldier escapes from Hydra prison, seen in a leaked footage.

Paul19` reply Replies: 3 || 2016-04-23 02:52:16
YES the tracklist has been revealed, finally! Now I'm hoping for some track samples soon. :D

scarecrow92016-04-23 10:18:59
YES!! I am betting that New Recruit is either Spider-Man or Black Panther theme and that Standoff and Civil War is airport fight sequence, I can΄t wait to hear and see that!

Mr.Y2016-04-23 10:53:22
I just hope they release the soundtrack earl like they did with Avengers: Age Of Ultron on the Australian Itunes Store

Paul19`2016-04-23 18:19:01
Weird... after an extensive search through google, this is the only site which has the score's tracklist (so far), the tracklist has only been released here, but not on sites such as filmmusicreporter, amazon, and itunes. Nevertheless, I'm very excited, particularly the action tracks. Knowing that the action tracks last a max of 5 minutes, I am hoping we get intense adrenaline-rushing parts, even if the tracks (as a whole) are not as good as we might have expected them to be.

ZekeWars010 reply Replies: 27 || 2016-04-15 18:59:50
I watched a clip from the film and the Captain America theme from TWS is back! Jackman also stated in an interview that while not everyone gets a theme, there are new themes for Spider-Man, Black Panther, Iron Man, and the Civil War.

Paul192016-04-15 19:02:12
I've been refreshing google for ages. When are we going to expect to see the full tracklist for the film? Along with the track samples? :(

ZekeWars0102016-04-15 22:05:04
Sorry Paul 19, there is nothing official yet. But, you can hear some music in 2 clips, and if you go to the official Marvel YouTube channel and look for the Civil War Red Carpet Premiere, you could hear Jackman's music at the beginning.

Joshua2016-04-16 00:54:56
Another new Iron Man theme?! Fuck this is getting ridiculous lol

The Pale King2016-04-16 02:43:09
Yeah, pretty disappointed that Jackman seems hell-bent on neglecting any other previously established themes (and most likely even distinct styles) therein.

The score for Age of Ultron, for me, was more than a bit muddled in itself, but I had at least hoped that it would sort of solidify which themes would be used for which characters.

Bummer. At the very least, /this/ outing of theirs will hopefully solidify more than a few of the differing themes for Infinity War, assuming the Russos keep on Jackman for composer.

Mike2016-04-16 16:15:44
Honest question... WHY do composers, directors, or both NOT see the value in thematic consistency? Seriously, how do you make a franchise more memorable for the audience by scrapping all musical connections with what's come before? We don't need a fifth (!!!) Iron Man theme (Djawadi, Debney, Silvestri, Tyler, Jackman...), and besides, the Tyler Iron Man theme has at least shown up in 2 movies. Whether or not it's particularly liked, why can't it be settled on as "his" theme from now on?

And Age of Ultron even made a semi-concerted effort to make musical connections (we had the main Avengers theme, the Tyler Iron Man theme, the Captain America theme, the Silvestri Iron Man motif, and a hint of the Tyler Thor theme). I really considered that progress on Marvel's part. Even Ant Man referenced the Avengers theme and Jackman's Falcon motif. I just don't get all the "musical rebooting" when these movies all build on each other.

At least a score like TASM 2, which totally scrapped Horner's music, had at least a similar enough main theme for Spidey that it felt like an evolution of the same concept (solo trumpet theme with a similar structure).

meta2016-04-16 19:51:23
maybe its a way for the material not to get boring, with the composer free from locked in themes he would otherwise be obligated to use every single time.

Sure, it's lazy....Probably a matter of business if anything, since no composer has really stuck around, save Tyler - but even he got shrifted by Elfman's inclusion....

Hopefully Jackman will stick around for the rest of the films, but I doubt it.

Hybrid Soldier2016-04-16 19:58:14
There has never been any coherency in the Marvel universe, why would they start now ? lol

Mike2016-04-16 20:23:58
Okay, but like I said, Age of Ultron and Ant Man had some inter-film references, and the Captain America theme by Silvestri has found its way into the first Avengers, Thor 2, and The Winter Soldier, so it's been done. I think *not* allowing for musical consistency is less sensible this far in.

Paul192016-04-18 23:55:58
I don't know if it's real... but this was uploaded by a user who uploaded tons of soundtracks on his channel. Weird thing is, it isn't even Jackman's style, but anyway here it is:

Can someone confirm if it's legit?

Paul192016-04-19 00:08:39
In fact, it sounds more like trailer music to me... And it's weird, don't you guys think? We should be getting the tracklist for the soundtrack by now, since it was around this time, last last year that we got to see the full details for The Winter Soldiers soundtrack...

meta2016-04-19 03:22:34
its fake...fanmade stuff.

Do your homework on his page - he's got alot of similar posts for other movie OSTs that wound up false.

That being said....Oh well....:(

scarecrow92016-04-19 14:49:56
Yeah, I am expecting tracklist at least by this momonet. The score is getting release in 3 weeks and we know nothing. I know that samples will propably show 2-3 days before release but I hope at least for tracklist to show up any day or this week :-)

Spence922016-04-19 19:05:54
Perhaps we haven't received tracklists or anything to avoid potential spoilers. Don't forget even the simplest title like "hydra" ruined the big moment for a lot of fans in Winter Soldier.

ZekeWars0102016-04-20 00:40:48
I read a review non-spoiler review for the film and the critic says that Henry Jackman's music is "triumphant". That sounds great. He also talks about how "great" the music was in the scene Spider-Man first appears. Sounds awesome to me! Any thoughts?

Saurabh2016-04-20 03:22:12
Going by Jackman's word that the sound is more symphonic as compared to the electronic previous one, here's hoping that the score delivers. The orchestral parts were the best parts of TWS and if Jackman gives us more of 'Taking A Stand' than 'The Winter Soldier', I'll be more than happy.

Ds2016-04-20 09:41:59
ZekeWars010, never trust film critics when it comes to film music. Most of them are absolutely clueless.

KL2016-04-20 13:19:27
Saurabh, well, that's your opinion, because I prefer more industrial like "The Winter Soldier" than orchestral pieces.

The industrial-electronic parts from TWS show the fury and terror of an unstoppable character, his power unleashed, and I hope CW too.

Edmund Meinerts2016-04-20 16:52:39
KL, I'm glad you're not the person who calls the shots on these things! :p

ZekeWars0102016-04-20 17:21:07 Only watch until 1:51, that is official music!

Macejko2016-04-20 18:27:27
Wow, what a bore-fest.

ZekeWars0102016-04-20 22:23:47
Macejko You don't like the music?

Medigo2016-04-21 01:03:01
well it feels looped, too short to judge either way

and count me in as one of the few who preferred the electronic stuff in TWS

ZekeWars0102016-04-21 02:21:15
Medigo First things first. One, it is looped, should have said that. Second, I didn't mind the electronic elements when it came to The Winter Soldier's musical idenitity, but when it was in almost every track kinda bothered me. I guess I'm into the traditonal orcestral stuff. But I hope the eletronic stuff comes back to represent Bucky.

Paul192016-04-21 05:17:47
It's just a hunch, but I don't think Bucky's electronic theme won't make it to the cut. I think the only reason Henry Jackman made an electronic theme for him was because he was treated as this unknown "ghost" in the film, where he was meant to be mysterious and frightening.

ZekeWars0102016-04-21 16:57:52
Paul 19, do you think Bucky will get a new theme?

Paul192016-04-22 04:04:35
ZekeWars010 I have a feeling he would. Just a feeling though. I mean, from just the airport scene, we can tell he either gains his memories back or he at least he knows that he does have this sort of relationship with Cap, which fleshes out his human side even more.

ZekeWars0102016-04-22 18:45:13
Paul19, you sir have just come up with an amazing idea. Now I'm excited for Bucky's new theme, if he does get one.

FC2024 reply Replies: 0 || 2016-04-20 08:31:55
Cmon release the album already I'm dying here.

mpolonest123 reply Replies: 9 || 2016-03-20 16:42:12
Really excited for this, hopefully Jackman is able to utilize some of Tyler's and Silvestri's themes here. As for the sound, I think a blend of orchestral and electronic is fine, as long as it blends well.

Mike2016-03-20 20:55:27
Not saying this to be overly negative, but honestly, I wouldn't expect that. The Silvestri cue tracked into the last one felt pretty forced as it was.

mpolonest1232016-03-21 05:10:22
Very true, although this film is shaping up to be Avengers 2.0 basically. You have Silvestri's Avengers theme, Tyler's Iron Man theme, and Beck's Ant-man to work into the mix (if they decide to do it)

Even Beck was able to quote some of Jackman's stuff in his score, why not return the favor?

Hybrid Soldier2016-03-21 08:49:05
I'm sure Ant Man's theme will show up. I hope Tyler's IM theme doesn't... Rather use Ramin's ! ;) lol

Edmund Meinerts2016-03-21 13:21:37
I'd rather use Debney's over either Tyler or Djawadi. :P

Saurabh2016-03-21 21:44:26
Debney's theme was awesome, but the march reminds me a lot of Goldsmith's Total Recall and gets in the way of any semblance of watching Iron Man.

Edmund Meinerts2016-03-21 22:40:29
Yeah, it does remind me of that, but that 80s-90s Goldsmith-Poledouris brand of orchestral muscularity is a sound that I think could have worked really well for Iron Man. It's a shame that stylistic avenue wasn't explored further, even in Debney's own score (which barely even uses that theme and is otherwise more of a orchestral-rock-hybrid Brian Tyler-type affair).

Spence922016-04-01 23:28:14
Since the Tyler theme is the only one that's appeared in more than one movie, I hope that one continues. It'd be great to hear the Silvestri Cap them at the end of the movie to top of the musical era (maybe blended with Jackman's modern theme.)

I do hope they use the Avengers theme somewhere (maybe at the beginning while they're still a team. It was so chilling when it showed up in Ant-Man.
Ramin's IM theme is now associated with War Machine (a nice little reference in the IM3 score, if you catch it.)

Tyler and Elfman introduced SO many themes in Age of ultron that I hope continue throughout the MCU. That's the franchise's biggest issue. I love this series, but they bounce around themes way too often. They need to learn from Star Wars and Lord of the Rings and keep the themes running for the rest of the films; keep them present. Then people might actually acknowledge how great the themes are.

(but Hybriad's right. If any of them pop back in, it'll be Ant-Man's theme. Beck used Falcon's theme in Ant-Man, so I'm sure Jackman would want to return the favour.)

Mike2016-04-02 18:01:28
Spence, where is the Ramin reference in IM3? I never noticed it.

Spence922016-04-03 01:13:34
I don't recall where it is in the soundtrack (or if it's even present in the soundtrack), but it is played in a few moments of the film when War Machine is doing stuff on his own. (Though keep in mind, it's a variation on the Ramin theme. It keeps the similar vibe and rhythm, changes the progression slightly to make it a bit more interesting.)

Felix reply Replies: 7 || 2016-03-26 00:28:45
On iMDB Henry is going to score the 2nd Jack Reacher it right HybridSoldier??

...2016-03-26 01:31:32
WHAT??? No!

JNH was and hopefully still was/is scoring that!

Felix2016-03-26 21:18:00
That's why I asked it :D

...2016-04-01 02:48:48
Hybrid, do you know anything about this? Film music reporter wrote about Henry scoring it 3 days ago.

Anonymous2016-04-01 05:55:54

Joe Kraemer did Jack Reacher. Not JNH.

...2016-04-01 10:46:17
Yes I know but Edward Zwickau, the director of the sequel, has worked with JNH since 2006. IMDb said that JNH was scoring it until recently. I really hope this is a mistake.

Anonymous2016-04-01 18:14:23
Wait what? I thought Christopher McQuarrie was returning to direct and Joe Kraemer returning to score?!

...2016-04-01 21:59:59
No Maguire is doing Mission Impossible 6 which Kramer will be scoring.

Saurabh reply Replies: 7 || 2016-03-20 05:27:37
Hope this doesn't lean heavily on the electronics like the previous one and utilizes some form of Taking A Stand, my favorite from the Winter Soldier.

Also, Hybrid have you heard anything about Uncharted 4: A Thief's End?

...2016-03-20 14:09:21
Yes I agree. Even though I liked the first score a lot, and thought it worked really well in the movie, this movie is different and needs a more orchestral score.

I wonder how this will compare to BVS lol

Macejko2016-03-20 14:47:01
What makes you think this movie requires a more orchestral score? Not that I would mind that (quite the contrary), but this looks exactly like that kind of film that will heavily rely on electronics.

Edmund Meinerts2016-03-20 14:49:05
Well, it would be kind of out of character for the MCU at this stage. Even Winter Soldier had an orchestral base for the most part (not that you'd know from listening to the album).

Macejko2016-03-20 15:57:22
Wait, when did the MCU acquire any sort of character regarding music? They even managed to get rid of Brian Tyler, and he has been their loyal bottom bitch for years.

Meta2016-03-20 16:16:02
As long as Jackman doesnt go all Junkie XL for this movie, keeps his themes simple, reusable and expandable I'm fine

...2016-03-20 16:18:02
I think the story is less of a modern political thriller and more of an avengers 2,5 movie. Electronic avengers doesn't work so that's why I'd say this needs a more orchestral score.

Edmund Meinerts2016-03-21 14:14:01
You say that, Macejko, but it seems to me that the MCU does have a more-or-less unified style which pretty much follows along the lines of Brian Tyler's hybrid orchestral-with-some-modern-influences-and-electronics philosophy. Think about it - Tyler's scores fit that, obviously; Debney's Iron Man 2 does as well; Doyle's Thor score follows that mold; Bates' Guardians of the Galaxy; Armstrong's Hulk (which is full of Bourne influence)...even Silvestri's Avengers score has more of an RC sound than you'd expect from him, with some electronics and a motif that sounds a bit like The Thin Red Line. The only outright aberrations are Silvestri's Cap score which is more purely orchestral (and even that has some occasional electronics), and Djawadi's Iron Man and Jackman's Cap score, which are the opposite. Even then, the more orchestral portions of Winter Soldier (like "Project Insight" and the unreleased Dom Lewis credits cue) follow Tyler's basic structure of a simple heroic low-brass theme over percussion and snare drums.

They haven't got a single composer's consistent voice, but the MCU scores have, more or less, stayed in the same stylistic territory pretty much from the beginning. Going either full Junkie XL or full John Williams at this point would feel weird.

... reply Replies: 0 || 2016-03-19 13:55:03
This is gonna be sweet!

Scarecrow9 reply Replies: 0 || 2016-03-13 19:59:53
Can΄t wait for this one! :-)Hybrid dou you know anything about it?

Hybrid Soldier reply Replies: 0 || 2016-03-13 18:01:37
Soon !

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Captain America - Civil War soundtrack - Henry Jackman 2016