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love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanksSon"Drums: JON JABLONSKY"<br><br><br>Steve's brother?MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISES
MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CA
MOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YENMOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>
Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.
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Ramin DjawadiBrandon CampbellGavin GreenawayStephen Coleman
ComposerAdditional MusicConductorOrchestrator
Warcraft
Label: Back Lot Music
Length: 60'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6664 votes)
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  1. Warcraft (1:58)
  2. The Horde (3:17)
  3. Medivh (2:43)
  4. Honor (4:45)
  5. Forrest Ambush (3:43)
  6. Lothar (3:35)
  7. Gul'dan (3:13)
  8. The Beginning (2:29)
  9. Strong Bones (1:34)
  10. Victory And Defeat (3:02)
  11. The Book (2:27)
  12. Two Worlds Colliding (3:22)
  13. The Incantation (3:43)
  14. Half Orc, Half Human (1:26)
  15. Whatever Happens (1:43)
  16. My Gift To You (2:31)
  17. Llane's Solution (7:25)
  18. Mak'gora (5:01)
  19. For Azeroth (2:49)
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scarecrow9 reply Replies: 9 || 2016-08-26 18:22:59
WHOA! Ramin composing Gears of War 4! Sign me UP!! can´t wait to hear it!!
http: //www.gameinformer.com/b/news/archive/2016/08/26/game-of-thr ones-composer-provides-score-for-gears-of-war-4.aspx?utm_con tent=buffer12d0e&utm_medium=social&utm_source=facebook.com&u tm_campaign=buffer


Anonymous2016-08-26 18:28:57
Booooo why not Jablonsky?


scarecrow92016-08-26 19:23:27
on Ramins facebook there is a BTS video and there are few snippets of music, I must say the Gears Theme is pretty cool


Everan2016-08-27 02:12:50
That still sounds amazing!! I'll Miss Steve but woah, Ramin will kick ass alright.


Bioscope2016-08-27 07:20:23
ok, this is interesting...Room for ethnic exploration and rock guitars.


Edmund Meinerts2016-08-27 14:23:11
As long as it's better than Judgment. It would be hard not to be, in fairness.


Hybrid Soldier2016-08-27 15:27:53
Absolutely true Ed ! lol

If it gets any close to GOW 2 I'll be happy.


NIXDA2016-08-27 22:47:01
Ramin Djawadi is overrated


Hybrid Soldier2016-08-27 23:11:07
He's started his solo career what, 11/12 years ago. If he was, he wouldn't still be around.

He's a talented guy, works his ass off and delivers what he's asked to do.


Brent2016-08-27 23:28:17
Hybrid, well put! :)

peter reply Replies: 1 || 2016-06-12 17:15:21
is there any chance for cmomplete recordings release?


peter2016-06-12 17:15:36
*complete

Macejko reply Replies: 1 || 2016-06-08 13:37:36
So, I have already listened to it - from start to finish - multiple times now and I simply love it more and more with each time I press "play"! My god, the CD is only hour long and not only there is 6 prominent themes, but also - I think - more than 4 smaller ones that are built upon them. I basically discover new things every time I listen to it. How in the world was Ramin able not only establish, but develop them in such a relatively short time frame is beyond me. This is an amazing score and not only did it deliver everything I love about Ramin's style (with some callbacks to his previous work, such as similar approach and use of instruments with The Horde and with the Dothraki), but it has also expanded upon it (those woodwinds and mainly brass - oh my god, I want to hear more of those horns and trombones in the future). I adore it!

Also, bragging time - the suite here was done by me. I wanna thank Hybrid Soldier for providing me with the opportunity, I had a great time editing it! :)


Brent2016-06-12 02:27:21
The film was absolutely atrocious, but this score, in my humble opinion, is one of Ramin's best works (Pacific Rim is the only one that I can think of that is better). I would hope for a sequel just to hear more development on this score. :)

thedicksqueezer reply Replies: 0 || 2016-06-11 16:45:11
great game and great film for blowjob and nutbust yes yes

peter reply Replies: 0 || 2016-06-11 13:06:09
I would like to know which tracks were composed by Brandon Campbell

jewen reply Replies: 0 || 2016-06-07 15:17:54
I like to share with you what I think (after watched the film) is the Chronological Order for the album tracks.
First of all, I must to point that the album realese have a various "Theme Tracks", for example:
Warcraft, The Horde, Medivh, Honor, Lothar or Gul'dan....
And many music that we can hear along the movie is missing in this realese.
I made this tracklist based on my perception of which of this "Themes" sounds first in the movie or at least a piece of them:

1. The Beginning
2. Honor
3. The Horde
4. Lothar
5. Medivh
6. Forest Ambush
7. Strong Bones
8. Victory and Defeat
9. My Gift to You
10. Gul'dan
11. Half Orc, Half Human
12. The Book
13. Whatever Happenes
14. The Incantation
15. Two Worlds Colliding
16. Llane's Solution
17. Mak'gora
18. For Azeroth
19. Warcraft

And if you like to know on what part of the movie I based my tracklist, be careful

*SPOILER ALERT*

1. This track, or part of this sounds on the ”Production Logos intro”
2. A little bit of “Honor” theme can listen in one of the first scenes, between Durotan and his pregnant wife Draka.
3. Next to the scene with Durotan and Draka we can listen this track along the Prologue scene when part of The Horde travels trough the portal to Azeroth.
4. We met Lothar, and some scenes traveling to Stormwind or flying to Karazhan.
5. We met Medivh in Kalazhan.
6. Forest Ambush (exactly this)
7. The conversation in the night between Garona, Lothar and Khadgar while they are traveling to Orc Camp. She explain a little bit her origins and talk about her Strong Bones.
8. Durotan and his Orcs met with Lothar and the King but is all a trap, and the loss for Lothar is really bad.
9. Medivh is sick and have a conversation with Garona, and gives her a magical gift.
10. Gul’dan manipulates Orgrim to betray Durotan.
11. Lothar still sad about his loss, and Garona try to encourage him.
12. Khadgar travels to Dalaran and discover the true behind Medivh sickness.
13. Draka says goodbye to his baby.
14. Khadgar free Lothar and join forces against Medivh in Karazhan.
15. While, Orcs and Humans fight in the Orc Camp and Gul’dan open the portal again.
16. King Llane and his troops rescue the human prisoners but the portal closes and the end is very tragic.
17. After the end of the battle Lothar comes to make his part, and the Mak’gora scene is for sure one of the best in the entire movie.
18. The Alliance of Azeroth is born and it’s ready for fight.
19. End Credits

francisco reply Replies: 1 || 2016-06-06 16:46:07
I guess this one should benefit from an expanded release. Most of this OST is basically theme suites, and I might be wrong, but I watched the movie yesterday and there's A LOT of unreleased music.


jewen2016-06-06 23:45:42
I Totally agree with you.

Yes! We need a expanded realese (for both, Film and Ost).

Bondo reply Replies: 3 || 2016-06-01 23:00:11
For those who have seen the film, is the OST presented in chronological order? And is "Warcraft" an end credits suite? It works well coming right after "For Azeroth"


Hybrid Soldier2016-06-01 23:09:17
I think there are a lot of theme suites in the there... Warcraft does come at the end, and I think "The Beginning" at the beginning from what I remember... The second half of the OST does look chronological to me...


Bondo2016-06-01 23:16:24
"The Beginning" comes at the beginning? Guess I should've guessed that... lol


Lejti2016-06-02 09:03:04
The "Warcraft" track is a little bit different from the end credit music, just like it was in Clash Of The Titans.

jewen reply Replies: 0 || 2016-05-28 18:48:05
For once my fears not become real with a movie score.

Not. Warcraft Score is not Pacific Rim additional music.

Not. Warcraft Score is not Game of Thrones bastard.

Yes. Warcraft Score is just Warcraft Score,
And what a original score that's Ramin Djawadi has wrote!

I love how the Main Theme is implemented in some parts of the tracks along the album.
The music for the Orcs (A.K.A. the Horde) is a brilliant mix of beautiful and darkness. And I consider that this music is the central part of the album.
That's good, ok, but this make that the music for the human heroes (Allianz of Azeroth) is really really scanty and not developed at all.

Not the case with Medivh theme, OMG what a magnificent theme!
Listen how is mixed with the Horde music is just great.

My biggest surprise is the few action-tracks that this soundtrack includes. Coming from a movie that talks about WAR is surprising the slow pacing in a lot of tracks and in general is my feeling with the Album experience.
Nothing bad I must say, only strange .

Now 8.5 out 10 is my score for this amazing work. Probably if this music work well in the film I will turn up to 9 or more, Who knows?

And yes, of course....listening this you can breathe Real Epic.

Macejko reply Replies: 12 || 2016-05-08 21:13:52
The main theme is here! And it is really really good :)
https:// soundcloud.com/ backlotmusic/warcraft-music-by-ramin-djawadi/s-RDb5D


pajta2016-05-08 21:50:28
omg nothing there... first the link doesn´t work and second, backlotmusic has no track on its soundcloud...


pajta2016-05-08 21:52:13
okay i found it, my faul


Everan2016-05-09 00:17:47
Very mighty, loving it


Zach2016-05-09 02:14:07
Good stuff so far. :) Very true to the style of the games. Especially like the turn it takes around 00:50


jewen2016-05-20 12:52:35
A little bit of "Pacific Rim" here and there, but I will keep my faith in the complete album experience, and that it will works in the film.

This piece "Warcraft", might be an Opening Credits? I bet for this...


GR72016-05-26 23:30:12
Totally Pacific Rim in the end of the cue. ! But it sounds quite well for Warcraft at the beginning (very martial feeling)


Anonymous2016-05-27 15:22:30
The samples are up on Amazon & iTunes!

AMAZING!!!!!!!!!!!!


Everan2016-05-27 15:34:46
Can't find any samples


Macejko2016-05-27 19:20:15
I so want to listen to the whole thing already, and I so goddamn deserve it too. I have been waiting for it since f-cking October 9, 2014 (yes, I know the exact day).


scarecrow92016-05-27 20:47:11
On soundcloud os the whole soundtrack must say it is pretty epic https://soundcloud.com/backlotmusic


Everan2016-05-27 20:58:49
Well, holy crap, need it, sounds amazing


OskarC2016-05-27 22:31:02
Lothar is the one that stands out for me. It's just so perfect.

Flurokazoo reply Replies: 0 || 2016-05-20 23:45:08
So a friend of mine made a very cool metal cover of the main theme, which I thought some of you might enjoy :)

https://www.youtube.com/watch?v=rspB0wnRrUw&

Edmardo Meinerts reply Replies: 11 || 2016-04-28 00:02:51
There's no way this score can be half as good as any of the World of Warcraft game scores.


Zimson 2016-04-28 07:40:16
I hope we'll get to hear the stormwind theme in its full form at one point during the movie.


Edmund Meinerts2016-04-28 10:41:24
I didn't say that, but it's true... :/


Zimson2016-04-28 13:15:52
Your evil twin brother?.. @Edmund


Zimson2016-04-28 13:17:54
That's why I advocate optional user accounts.


Dfault2016-04-28 14:54:42
Thats funny you say that Edmardo, as I Think the ingame music of WoW is one of the worst aspects of the game. Whereas a Lineage2 has really really good ingame music.

I guess tastes differ ^^


Evil Twin Brother of Edmund Meinerts2016-04-28 17:39:43
Well, Macejko would disagree with you Edmardo. And stop using my brother's last name.


Edmund Meinerts2016-04-28 19:16:52
World of Warcraft has some of the best game music, period. Mists of Pandaria is particularly great, but they're all solid scores!


Zimson2016-04-28 20:21:54
They get better with every expansion. I can't think of a game with more immersive music and that's saying something.
I agree that MoP is the best yet, Jade Forest and Valley of the Four Winds have absolutely beautiful music.


Edmund Meinerts2016-04-28 23:20:19
For me, the most immersive game score (not best, necessarily...but the one that never fails to IMMEDIATELY transport me into another world) is Skyrim by Jeremy Soule. Mists of Pandaria (on which Soule was one of the composers) gets serious points from me simply because parts of it sound a loooooot like Skyrim, including the "Valley of the Four Winds" track you mention!


Zimson2016-04-28 23:54:21
Agreed. "Serpent Riders" from the soundtrack album sounds like Soule all over the place btw. A lot of today's film scores can't live up to that if you ask me.
Guild Wars 2 remains his best solo effort imo. Haven't got around to playing skyrim much, though the main theme is goosebumps-worthy.


Zach2016-05-07 23:20:31
@Ed M
Perhaps, but I read somewhere that some of the themes from the game were used which got me extra excited to hear this!

OskarC reply Replies: 2 || 2016-04-27 20:04:17
Will it be relased before the movie? I like to know the score before watching a movie.


juja2016-04-27 20:41:23
nope, it commes day after premiere...


Zimson2016-04-27 22:39:44
Should be released sooner. The movie opens may 26th here.

Russel reply Replies: 0 || 2016-04-27 03:43:01
Excited for this one. Seems like the year of video game movies..

Boldizar reply Replies: 0 || 2016-04-26 22:39:57
They are really getting creative with these album covers huh?

pajta reply Replies: 0 || 2016-04-26 20:29:24
Hybrid, will you add some extracts here? And if yes, could you tell when? Just curious :) Thanks!

Macejko reply Replies: 3 || 2016-04-25 23:02:15
Winter is coming. And so is the score(s) of the year ;)


...2016-04-25 23:24:55
While this score will most certainly be interesting, it won't beat GOTs6!


Macejko2016-04-26 00:02:26
And what do you think I meant by that other score of the year? :)


...2016-04-26 11:39:58
Haha I didn't notice that comment xd.

The first episode of season 6 had some great music!

Ds reply Replies: 0 || 2016-04-25 22:53:37
Really curious how it's going to sound!

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