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It's not in the OST release... :/Do anyone know what was that soundtrack that plays at opening scene? There where The Flying Dutchman rises from the sea, adn will and Henry have a little discourse. I think it`s some variation of "one day".I love this musicStill doesn't beat Lego Batman for best soundtrack this year. But a close secondI saw the movie tonight and I think that the music is great on the album, but in the movie it's fantastic. It gives something special and something extra to a lot of scenes. I think Zanelli did a great job on the score, with the use if new and old themes.
"This is the best score of the franchise since At World's End."<br><br>Watch out you don't trip over that low bar. ;)Maybe because it is IDENTICAL the another theme of the same series?I haven't seen the movie yet, but I will soon, but I've heard the soundtrack and I have only one thing to say. This is the best score of the franchise since At World's End. I had tears in my eyes every time an old theme played. I liked the score for On Stranger Tides, but I didn't like how it relied too much on older themes. I appreciate this score for not using the Ship battle theme and the rolling cage chase motif which I'm kinda tired of hearing them. I love the clever use of One Day as a theme for Henry Turner. Of course, everytime Jack's Themes (both the intro theme, the cello theme, and his DMC theme) and He's A Pirate show up, I can't help but smile and jump up and down. What about the new stuff? A lot of people have criticized Salazar's Theme for sounding like Blackbeard. It does don't get me wrong, but Zanelli isn't the first person to do this. The Winter Soldier is derived from Why So Serious. Optimus Prime's theme is IDENTICAL to the Knights March from King Arthur. Discombobulate from Sherlock Holmes, Absurdity from The Lone Ranger, and The Red Capes Are Coming from Batman v. Superman ALL SOUND THE SAME. They're awesome, but similar. Why is it so bad now? I like the rock elements in Salazar's theme and it makes it quite scary. Carina's Theme (The Brightest Star in the North) is also the main theme of the movie and it is perfect beyond belief. Her theme very much resembles past love themes, but it has a sense of herorism to it. I always gravitate to composer's themes for female characters (John Williams with my girls from Star Wars). The new adventure theme is epic! It does sound like He's A Pirate, but it is very catchy. I don't know what the score sounds like in the movie, but it sounds really good on the official soundtrack. To end this, all the action music is incredibly fun. Hans should be proud. Here are my top  5 favorite tracks:<br><br>1. Beyond My Beloved Horizon<br>2. The Brightest Star in the North<br>3. No Woman Has Ever Handled My Herschel<br>4. My Name is Barbossa<br>5. The Dying GullThe orchestrators are the same.<br><br>You really think the other composers aren't busy enough these days ? It was 10 YEARS ago ! lol*necessary (sorry about my english)
This composing lacks on every important aspect that make a film music score so nessesary to the movie itself. This music has no evolution, has no entity or identity.<br><br>You only know that you are listening the "WONDER WOMAN" ost when you listen the references to the now mythical (Zimmer) theme from Batman v Superman. And when this theme sounds in this composing it feels totaly out of place, really a shame.<br><br>Beyond, this music could easily work with another summer blockbuster like Transformers, Pirates of the Caribbean or a generic action flick.<br>For years Iíve been defending "DC" music works against the  Marvelís (MCU) soul-less soundtracks. And now after three awesome ost (DCEU) I have to eat my words.<br>Is not necessary to talk about how great are Man of Steel, Batman v Superman and Suicide Squad (ok, this last less, but with a epic main theme). You only need to listen Rupert Gregson-Williams Wonder Woman, and then play one of this three compositions.<br><br>But the most disappointing thing, is the great missed oportunity with the Wonder Woman Theme last year. That exotic tone, that woman strengh that you feel when you are listen this epic theme. Here all this feelings are lost. At the end, another Zimmer-Like Šlbum. <br>But like always in the "Zimmer-Like" longtime Šlbum library, not that height, not that quality, because if Wonder Womanís score remebers us something, is one and clear truth: Only Exists One Hans Zimmer.<br>What I don't understand is why couldn't they at least aim for the best soundscape this franchise have had by bringing the rest of the team from AWE of composers, arrangers and orchestrators back. If we look at AWE, apart from Zimmer, there was Zanelli, Jackman, Glennie-Smith, Balfe, ÷rvarsson, Gire and Sponsler on board. If they could choose one lead composer in Zimmer's absence, then whatever some dude wrote would at least sound interesting because of the colorful instrumentation and big, fresh orchestral sound AWE had. Or maybe, just rearrange old themes from the other movies in true AWE style would work just as well. There's plenty of material from POTC 1 that hasn't been used in the other films, and much of it would shine if orchestrated and performed in AWE's sonic fashion rather than the cheap sound the first film had.Fantastic album, particularly HGW's Metal Gear Solid and HZ's Call of Duty! Highly recommendedZanelli made a wonderful job with Zimmer's themes.<br>The new themes are great too, but he really did Zimmer's themes justice. I like the continuity.<br>Track 9.El Matador Del Mar, my favorite on the album.Maybe it's the end credits after the song
I also love the appearence of the theme in the end of Trafalgar Celebartion. Does anybody know what Action Reaction exactly is? It sounds a bit like a remix from the main theme but it could also be a part of the movie soundtrack. i don't know but it sounds cool.After listening to it the first time I thought this was a very good Zimmer score, but suddenly realized it was Rupert Gregson-Williams and that's a very good thing because he has been able to bring this Zimmer classic sound but with his own voice, as they said above here, with Last Samurai-like anthems and also remind me a bit of the second half of Hacksaw Ridge score, and that's great.<br>I specially liked No Man's Land, Wrath of Wonder Woman, Hell Hath No Fury and Lightning Strikes (well, in general, the second half is pretty awesome with many action heroic themes).<br>Cannot wait to hear it in the context of the movie.Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!This is "One day" theme of the third soundtrack xDListen to 12:38 above and then also Main Title or Top of the World from Last of the Mohicans. Trevor Jones should have a listen.
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Dominic LewisAntonio AndradeHenry JackmanMatthew K. Justmann
ComposerAdditional ArrangementsMusic ProducerMusic Production Services
Money Monster
Label: Madison Gate Records / Sony Classical
Length: 39'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4226 votes)
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  1. Opening Bell (2:40)
  2. Bear Market (1:30)
  3. Initial Claims (1:13)
  4. Triple Buy (4:46)
  5. Molly (3:42)
  6. Human Error (2:00)
  7. Hostile Takeover (5:13)
  8. Outside World (5:06)
  9. Rallying Market (2:24)
  10. High Frequency Fraud (3:11)
  11. Market Crash (2:12)
  12. Closing Bell (1:33)
  13. Global Players (3:39)
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Edmund Meinerts reply Replies: 5 || 2016-04-29 09:12:00
What's with the massive "score produced by" credit? I thought only Hans gets those? :P


Frank2016-04-29 11:44:24
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack


Morgan Joylighter2016-05-03 09:52:28
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.


ZekeWars0102016-05-03 20:11:12
@Morgan Joylighter. Amen brother!


Prott2016-05-07 00:33:20
Morgan: His score for Uncharted 4 could be interesting in that regard. All the previous games had mostly orchestral and indeed full-bodied melodic scores, so this should continue the tradition (although a bit darker I assume).


Mike2016-08-05 23:26:35
If a composer has scored some big movies - and Jackman has now - then if he worked on the score in any capacity, his name = PROFIT! :P

Hybrid Soldier reply Replies: 1 || 2016-05-06 22:58:26
Great electronic score ! :)


Felix2016-05-07 00:05:08
Yes, love that extract :)

ZekeWars010 reply Replies: 0 || 2016-04-29 17:59:32
Isn't it funny that Jackman's name is bigger than Lewis'. It's just like the score for Divergent; Zimmer's was bigger than Junkie's.

Felix reply Replies: 0 || 2016-04-29 14:28:55
Looking forward to this! :)

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Money Monster soundtrack - Dominic Lewis 2016