Original Score Produced by Henry Jackman Executive in Charge of Music for Sony Pictures: Lia Vollack Music Editors: Richard Ford, Jack Dolman & Daniel Waldman Soundtrack Album Produced by Dominic Lewis & Al Clay
Additional Arrangements: Antonio Andrade Synth Programming: Tom Skyrme Orchestrated & Conducted by Stephen Coleman Orchestra Contractor: Peter Rotter Music Preparation: Booker T. White Score Recorded at The Bridge, Burbank, California
Score Recording Engineers: Alan Meyerson & Chris Fogel Score Recordist: Milton Gutierrez Score Technical Engineer: Antonio Andrade Featured Cello: Dominic Lewis Concert Master: Tereza Stanislav Music Production Services: Matthew K. Justmann Album Mastered by Gavin Lurssen at Lurssen Mastering Sony Classical Licensing: Mark Cavell Sony Classical Product Development: Klara Korytowska
Dominic Lewis would like to thank: Jodie Foster, Grant Heslov, George Clooney, Lia Vollack, Matt Chessť, Henry Jackman, Jack Dolman, Daniel Waldman, Richard Ford, Al Clay, Alan Meyerson, Chris Fogel, Antonio Andrade, Tom Skyrme, Alvin Wee, Mathew K. Justmann, Steve Kofsky, Hans Zimmer, John Powell, Dee Clay, Dan Pinder, David Metzner, Felipe Pacheco, Matthew Margeson, Shalini Singh, Jillian Abood, Mandy Kofsky, Victor Chaga, Alex Belcher, Maverick Dugger, Alex Lam, Jake Kozarec, Rich Jacobellis, Rob Messinger, Chandler Poling, Ann Lewis, Anthony Lewis & Vicki Lewis
And a special thanks to: Erin & Wilder
Additional thanks: Bob Badami, Ramin Djawadi, James Dooley, Tom Holkenborg, Lorne Balfe, Jimmy Levine, Paul Mounsey, Cynthia Park, Jeff Biggers, Andrew Kawczynski, Stephanie McNally, Thea Howard, Vivan Aguiar-Buff, Luiz Augusto Buff, Selena Razack, Chris Strong, Catherine Wilson, Satoshi Noguchi, Christina Mansky, Will Marriott, Chuck Choi, John Finklea, Christopher Austin, Jerry Salazar, Jeffrey Gadd Chandler, Albert Nolasco, Brandon Campbell, Jon Chapman, Steve Mazzaro, Ana Lopez, Will Harpur, Josh Hayward, Robin Bailey, Olly Buxton, Mark Wood, Sean & Patricia Black, Rayna Ferner, Tim & Sandy McConnell-Wood, Cathy Thomson, Emlyn Singleton, Sadie Reid & Cliff Rosenthal
Release date : 05/13/2016
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What's with the massive "score produced by" credit? I thought only Hans gets those? :P
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.
@Morgan Joylighter. Amen brother!
Morgan: His score for Uncharted 4 could be interesting in that regard. All the previous games had mostly orchestral and indeed full-bodied melodic scores, so this should continue the tradition (although a bit darker I assume).
If a composer has scored some big movies - and Jackman has now - then if he worked on the score in any capacity, his name = PROFIT! :P