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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Dominic LewisAntonio AndradeHenry JackmanMatthew K. Justmann
ComposerAdditional ArrangementsMusic ProducerMusic Production Services
Money Monster
Label: Madison Gate Records / Sony Classical
Length: 39'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5411 votes)
  1. Opening Bell (2:40)
  2. Bear Market (1:30)
  3. Initial Claims (1:13)
  4. Triple Buy (4:46)
  5. Molly (3:42)
  6. Human Error (2:00)
  7. Hostile Takeover (5:13)
  8. Outside World (5:06)
  9. Rallying Market (2:24)
  10. High Frequency Fraud (3:11)
  11. Market Crash (2:12)
  12. Closing Bell (1:33)
  13. Global Players (3:39)
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Miralsice reply Replies: 0 || 2018-07-11 23:18:02
Dominic is scoring the "Goosebumps" sequel. Because it's a horror movie, maybe we can hear something like his additional music in This Is The End?

Edmund Meinerts reply Replies: 5 || 2016-04-29 09:12:00
What's with the massive "score produced by" credit? I thought only Hans gets those? :P


Frank2016-04-29 11:44:24
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack


Morgan Joylighter2016-05-03 09:52:28
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.


ZekeWars0102016-05-03 20:11:12
@Morgan Joylighter. Amen brother!


Prott2016-05-07 00:33:20
Morgan: His score for Uncharted 4 could be interesting in that regard. All the previous games had mostly orchestral and indeed full-bodied melodic scores, so this should continue the tradition (although a bit darker I assume).


Mike2016-08-05 23:26:35
If a composer has scored some big movies - and Jackman has now - then if he worked on the score in any capacity, his name = PROFIT! :P

Hybrid Soldier reply Replies: 1 || 2016-05-06 22:58:26
Great electronic score ! :)


Felix2016-05-07 00:05:08
Yes, love that extract :)

ZekeWars010 reply Replies: 0 || 2016-04-29 17:59:32
Isn't it funny that Jackman's name is bigger than Lewis'. It's just like the score for Divergent; Zimmer's was bigger than Junkie's.

Felix reply Replies: 0 || 2016-04-29 14:28:55
Looking forward to this! :)

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Money Monster soundtrack - Dominic Lewis 2016