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Are the above credits with only Hans complete or not? If they are, then it's interesting how much of this album is just Zimmer. Even if it is an exercise in musical intensity more than anything else. I have to yet to see the film, but the score isn't as bad as I was worried it would be. In fact, most of it's just fine, and I look forward to hearing it with the film. It certainly does raise the pulse when you listen to it. It's like dread in musical form.I know exactly what part you're talking about. Unfortunately that segment wasn't released in any part of the score. It's a matter of waiting for the film version when the complete score is released.Perhaps. I also noticed a more heroic variation. How to turn the theme into a march.Lol, why though? <br>But yeah I think it will get disqualified. Maybe it'll get a Golden Globe.Hans probably hopes so... Warner not so much... lol
Do you guys think Dunkirk will be disqualify from the Oscars because the score used Elgar's theme? Similar to how Johannson was disqualified for using Richter's piece.I wanted that track as well!!! recording sessions when :'(I think its probably a remix by Hi-Finesse or someone like that. Just guessing maybe based on some of Elfmans work based on XL&Zimmer's themesYep. I know, but we have to agree that Elfman would never do anything like that. I do not think even XL.<br>Listen again. They refer to the themes of Hans' Superman in the second half of the trailer.I'd also like that chilling piece from when the ship sinks<br><br>other than that, not that much I desire
You said it yourself "almost never". <br>Some MoS trailers featured Hans' score. ComicCon trailer for BvS featured music from Hans and Tom. <br>I actually didn't hear any reference to Hans' 3 main Supes motifs. Beside the hints of "Come Together", I find the music rather boring anf generic.no, you can buy on steamNo.<br>The trailer's music is almost never is composed by the composer of the score. It is made by a specialized company.So, is that Elfman's score in the trailer? It seems a bit early, but if that is, I just MIGHT be okay with him taking over from Junkie.Okay, point taken, but at least his previous scores for Nolan were obviously music and had an emotional presence. And the two note Batman theme was actually something Hans had to convince Nolan about. Nolan wanted this heroic theme that was left unused.
@Mike Hans himself said sometimes a movie does not need a melody theme. It depends on the movie and the characters in it.<br>the main character here is fear threat and so on... in that regards the score respects that.<br><br>@hybrid: in order to have the full soundtrack we will then have to wait for bluray and rip the music & effect out of it. ^^This was one of the most emotionally engaging movies I have ever seen.  I suspect it has to do with the fact that my father was a WW II vet who was on a ship going through the Straits of Gibraltar when they were bombarded by German airplanes.  The selection of Elgar's Nimrod was a stroke of genius.  It rises and falls like the ocean, like a wheezy organ.  I wept.  This movie is a tribute to the Everyman who did his or her part.  We need to be reminded.It's not iTunes ????? Hybrid any examples you can post ?I’m going to see the movie again on Tuesday, but after the first viewing I would say yes and no. The cues on the album are mostly in chronological order (towards the end at least) and I would say ‘Home’, ‘The Oil’, ‘Variation 15’ and ‘End Titles’ play basically unchanged in the movie. However, in my experience the ticking sound is much more present throughout the entire movie and speeds up and slows down during tense moments. On the top of my head, there is not a cue that played in the film that stood out for not being on the album, except for the one when Tommy and Gibson are racing the stretcher across the beach. It’s the staccato violin or cello cue. I don’t know what kind of cue was composed for the prologue since I haven’t seen it, but judging from the comments here that cue is missing as well.Totally agree on that note . Genius has been one of most unique scores in ages and the music is great
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Dominic LewisAntonio AndradeHenry JackmanMatthew K. Justmann
ComposerAdditional ArrangementsMusic ProducerMusic Production Services
Money Monster
Label: Madison Gate Records / Sony Classical
Length: 39'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4443 votes)
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  1. Opening Bell (2:40)
  2. Bear Market (1:30)
  3. Initial Claims (1:13)
  4. Triple Buy (4:46)
  5. Molly (3:42)
  6. Human Error (2:00)
  7. Hostile Takeover (5:13)
  8. Outside World (5:06)
  9. Rallying Market (2:24)
  10. High Frequency Fraud (3:11)
  11. Market Crash (2:12)
  12. Closing Bell (1:33)
  13. Global Players (3:39)
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Edmund Meinerts reply Replies: 5 || 2016-04-29 09:12:00
What's with the massive "score produced by" credit? I thought only Hans gets those? :P


Frank2016-04-29 11:44:24
Obviously not. Harry Gregson-Williams got this credit for multiple David Buckley's soundtrack


Morgan Joylighter2016-05-03 09:52:28
Never thought I'd see the day where Henry Jackman was a big enough name to use to sell albums. It seems only yesterday he was still the RC baby who secretly wrote one of the best cues of Zimmer's career (IMO) in "Up Is Down" from PotC:AWE. And now he's all grown up and scoring films that are outperforming Zimmer's at the box office. Can't say he doesn't deserve it, nobody but Powell has ever come through Zimmer's pipeline with a better sense for orchestra and blending traditional symphonic and electronic elements. He's a genius. Just wish he would get to write more full-bodied melodic themes. When he does it (Monsters vs Aliens and Winnie The Pooh spring to mind) the results are absolutely stunning.


ZekeWars0102016-05-03 20:11:12
@Morgan Joylighter. Amen brother!


Prott2016-05-07 00:33:20
Morgan: His score for Uncharted 4 could be interesting in that regard. All the previous games had mostly orchestral and indeed full-bodied melodic scores, so this should continue the tradition (although a bit darker I assume).


Mike2016-08-05 23:26:35
If a composer has scored some big movies - and Jackman has now - then if he worked on the score in any capacity, his name = PROFIT! :P

Hybrid Soldier reply Replies: 1 || 2016-05-06 22:58:26
Great electronic score ! :)


Felix2016-05-07 00:05:08
Yes, love that extract :)

ZekeWars010 reply Replies: 0 || 2016-04-29 17:59:32
Isn't it funny that Jackman's name is bigger than Lewis'. It's just like the score for Divergent; Zimmer's was bigger than Junkie's.

Felix reply Replies: 0 || 2016-04-29 14:28:55
Looking forward to this! :)

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Money Monster soundtrack - Dominic Lewis 2016