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Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.Maybe you have a download link?Download link?I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
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Hans ZimmerLisa GerrardLisa GerrardKlaus Badelt
ComposerComposerComposerCo-Composer
More Music From Gladiator
Label: Decca Records
Length: 55'28
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (10472 votes)
  1. Duduk Of The North (5:33)
    Hans Zimmer
  2. Now We Are Free (Juba's Mix) (4:47)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  3. The Protector Of Rome (1:25) *
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  4. Homecoming (3:36) *
    Hans Zimmer
  5. The General Who Became A Slave (3:03)
    Hans Zimmer
  6. The Slave Who Became A Gladiator (6:11) *
    Hans Zimmer
  7. Secrets (1:59)
    Klaus Badelt, Lisa Gerrard
  8. Rome Is The Light (2:43)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  9. All That Remains (0:54)
    Hans Zimmer
  10. Maximus (1:09)
    Hans Zimmer
  11. Marrakesh Marketplace (0:42)
    Jeff Rona
  12. The Gladiator Waltz (8:25) *
    Hans Zimmer
  13. Figurines (1:01)
    Lisa Gerrard
  14. The Mob (2:22)
    Hans Zimmer, Lisa Gerrard
  15. Busy Little Bee (3:47) *
    Klaus Badelt, Lisa Gerrard
  16. Death Smiles At Us All (2:29) *
    Hans Zimmer, Klaus Badelt
  17. Not Yet (1:32) *
    Klaus Badelt, Lisa Gerrard
  18. Now We Are Free (Maximus Mix) (3:49)
    Fred Jorio, Eric Calvi
*Contains dialogue from the film
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j-hunter reply Replies: 0 || 2006-03-25 00:00:00
here i'm not hearing music but i'm dreaming of magic sounds the HZ msuic

mft reply Replies: 0 || 2005-12-21 00:00:00
super music

dancy reply Replies: 0 || 2005-11-10 00:00:00
I like this music very much, please I want music of his Hans. Thanks

Annika reply Replies: 0 || 2005-08-31 00:00:00
What a great score! This Album is worth to be buyed!
Hans Zimmer rocks!

Ahmad reply Replies: 0 || 2005-07-14 00:00:00
oh my god
Duduk of the North
oh my god

Matias reply Replies: 0 || 2005-06-19 00:00:00
Hans you are the best , your fan Nļ1.
This sountrack Change my life.
Thanks Hans!!.

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More Music From Gladiator soundtrack - Hans Zimmer - Lisa Gerrard - Lisa Gerrard 2000