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Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
@HunterTech<br><br>"I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world."<br><br>Exactly. Hans, for all the criticism he gets (much of it for good reason), has written some of the best film music of all time (seriously, having listened to huge amounts of Williams and Goldsmith, I still find Science & Religion my favorite cue ever). On the other hand, Lorne has written innumerable adequate-to-good scores, but none that I can recall are iconic. I'd say the closest he's come is in the form of his contributions to some of Zimmer's work (personally, I think his Kick It theme is the most interesting of those in Inception), but even then he hasn't done anything as memorable as Djawadi's theme from Batman Begins.Michael - reread the second half of my previous comment. And no, I don't think Genius or Churchill are no good; I wasn't impressed by the second, to be honest, but Genius is really cool - like an updated version of Frost/Nixon, one of my very favorite Zimmer/RCP scores.<br><br>Edmund - much appreciated.<br><br>Overall, I too am baffled by many of these comments; clearly there is a middle ground between "Lorne is shit." and "Lorne is absolutely amazing.", but this seems to be missed.<br><br>And by the way, I'm actually super happy for Lorne's success - I think he deserves it given the quality and quantity of his work, and he seems like a super nice guy to boot (how many composers regularly respond to people on Facebook?). However, this doesn't mean I can't simultaneously point out the fact that much of his work is very, very similar to work he's done previously. Indeed, I think this is more of an issue for Lorne than Hans, perhaps because he takes on sooooooo many projects.I agree. His Justice League theme is just a deconstruct of his Batman theme. Clever, yeah sure - he's done similar things with the Men In Black sequels and I'm sure there's others I can't think of right now - but I personally dont consider Elfman's involvement in this new DCEU to be very welcome. Zimmer paints a different canvas than Elfman, and I love both their works.It was a missed opportunity.<br>Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>
Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.
Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.
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Henry JackmanPhill BoucherAlex BelcherJason Soudah
ComposerAdditional MusicAdditional MusicAdditional Music
Uncharted 4 - A Thief's End (VG)
Label: La-La Land Records / Sony Interactive
Length: 70'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4907 votes)
  1. A Thief's End (1:54)
  2. A Normal Life (1:17)
  3. Lure Of Adventure (2:54)
  4. Cut To The Chase (3:09)
  5. Reunited (2:52)
  6. Once A Thief... (2:13)
  7. The Grave Of Henry Avery (3:13)
  8. Those Who Prove Worthy (2:56)
  9. The Twelve Towers (3:59)
  10. Hidden In Plain Sight (2:23)
  11. At Sea (3:38)
  12. Marooned (3:44)
  13. Meet Me In Paradise (2:05)
  14. The Thieves Of Libertalia (2:17)
  15. Sic Parvis Magna (2:51)
  16. The Brothers Drake (1:55)
  17. Race To Libertalia (3:12)
  18. For Better Or Worse (2:04)
  19. New Devon (4:03)
  20. Avery's Descent (2:27)
  21. No Escape (3:51)
  22. Brother's Keeper (3:59)
  23. One Last Time (4:11)
  24. Epilogue (3:17)
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Waymann reply Replies: 0 || 2017-08-17 11:18:55
Next tuesday they will release Henry Jackman's new soundtrack for Uncharted: The Lost Legacy

1. The Insurgency
2. Infiltration
3. Chloe Frazer
4. The Western Ghats
5. Shift Change
6. The Great Battle
7. Gatekeeper
8. Ambushed
9. The Tusk of Ganesh
10. Catacombs
11. This Tiger's Got Claws
12. Confrontation
13. The Shiva Caves
14. Revelations
15. A Familiar Foe
16. Chamber of the Kings
17. Partners
18. End of the Line
19. The Lost Legacy

Felix reply Replies: 0 || 2016-08-03 03:01:31
The Birth of A Nation:

soundcloud /felix-r-hrig/henry-jackman-the-birth-of-a-nation

@Hybrid: Will they be a soundtrack release for this?

jewen reply Replies: 0 || 2016-05-20 13:21:53
I am enjoying this last adventure on my PS4, and I'm only can say this is a fabulous work.

Best Henry Jackman score of the year, and sure one of his best.

The music kept the mistery feeling and sense of discover that Greg Edmonson brought to the series. Maybe less sound colourful or epic-adventure; this time is more personal touch to the script and the characters, mature music for a more mature adventure.

If you listen to the album probably can enjoy Jackman's work but the key is that music works fantastic in the in-game experience, and that's what really matter.

Prott reply Replies: 0 || 2016-05-18 23:11:52
Great score! It works very well with the game and it can stand firmly on its own during the solo listening. It supports both the soft side of the story as well as those big emotional "bravado" moments. It's definitely darker and more grown up than the previous scores, but there are quite a few moments when it nods towards Edmonson's cues (and not just by variating and reusing his main theme) - it developes the musical approach without disconnecting it from the previous scores in the franchize.

Probably the only downside (and I am not saying it's the downside of the score :) ) is the amount of unused material - for example, the end of The Twelve Towers, Brother's Keeper, etc. It seems as if someone (Naughty Dog?) did some last minute changes and in the end edited together the replacement cues from parts of other cues.

Anonymous reply Replies: 5 || 2016-05-09 09:42:06
The score is very good.Although it's a bit less indiana jones then the previous ones and more serious.

Also the main theme has now trademark Jackman style over it. Can't wait for it to be released.

Also funny you get to play with Nathans and Elena's daughter in the Epilogue. Now they can do Tomb Raider spinoffs with her.


Dudu2016-05-09 19:54:44
Can you please TALK ONLY ABOUT THE MUSIC and not tell who or what we are playin with in the epilogue? Thanks #nospoilersplease


Anonymous2016-05-09 20:54:21
The music was good. Some tracks sounded like the previous composers some had that typical jackman style.

There are a lot of different styles of music because there are many locales in the game.. The choose marriage, not treasure ending was very disney though


Anonymous2016-05-09 21:57:29
Wasn't Just Cause 3 getting a release either? The devs said that before the game released. That OST is amazing too.


FunnyML2016-05-11 17:11:43
Samples from the score (not the OST)
https://w w w .youtube. com/ playlist?list=PLLr7Q1-SdtL80OWZfgKohVGBaWVjq-8Jt


R. Ilsoe2016-05-18 14:29:30
Why on earth would you write spoilers here? I want to slap you with a piece of ice water soaked bread.

Leo reply Replies: 2 || 2016-05-08 14:45:15
Is this tracklist real?


https: //w w w .youtube. com/ watch?v=mrANMBC52fw


Lejti2016-05-08 16:53:58
this is already on Amazon


rockhound2016-05-10 18:27:01
available on spotify

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Uncharted 4 - A Thief's End (VG) soundtrack - Henry Jackman 2016