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I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
I am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/Mine arrived today and is definitely sped up.LOL klaus badelt hardly composed pirates 1
You know what? I love the booklet credits! Klaus Badelt is the same guy who scored Pirates of the Caribbean: The Curse of the Black Pearl.Thanks Hybrid soldier for the good news<br>I can't wait to see the documental film and hear the score of lorne balfe & hans zimmer.A score will be released.<br><br>You can always count on Lorne for that. It's in the works.What was the last Zimmer documentary score that they released outside of BBC? <br><br>I am still waiting for The Great Bear Rainforest.I hope they can the soundtrack release for "Rebuilding Paradise" composed by Hans zimmer & Lorne balfe, including an original song for the film. I hope there is a possibility that they will release the score.
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Steve JablonskyDavid FlemingGary DworetskyJay Flood
ComposerAdditional MusicAdditional MusicAdditional Music
Teenage Mutant Ninja Turtles - Out Of The Shadows
Label: Paramount Pictures (Digital Download Only)
Length: 68'51
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7399 votes)
  1. Squirrel Formation (3:02)
  2. Shredder (3:38)
  3. Tartaruga Brothers (3:00)
  4. Baxter Stockman (2:25)
  5. Shredder Escape (6:27)
  6. Krang (5:01)
  7. Turtle Power (2:30)
  8. Transformation (3:11)
  9. Foot Clan Chase (3:05)
  10. Casey Jones (2:28)
  11. Become Human (1:48)
  12. The Falcon (3:04)
  13. Jump! (5:16)
  14. Launch The Beam (1:10)
  15. Technodrome Assembles (1:53)
  16. Just One Sip (4:42)
  17. Toby Chest (2:26)
  18. Turtles Meet Krang (4:18)
  19. Fight On The Technodrome (2:13)
  20. Close The Portal (2:34)
  21. Brothers (2:51)
  22. Half Shell (1:49)
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superultramegaa reply Replies: 4 || 2018-04-14 22:39:34
Don't worry this one won't be an essay's length. After listening to this score again, it's probably Jablonsky's best since Steamboy. The main theme, while sounding a bit like Transformers (hell it's even in G minor like "Autobots"), is used much more effectively with clever writing where the theme clashes with the villain themes, some much appreciated key variations, and a feeling of fun and adventure that hasn't been present in a Jablonsky score since "Your Highness".

"Become Human" has a wonderful variation of the theme that conveys something similar to "Optimus", that there'll always be a tragic side to these characters. And like TF5, the use of electronics here give the score a sense of sound variety, despite the lack of woodwinds and other instruments.

"Turtle Power" is nothing more than fun. Just pure fun. It sounds like the lighthearted, yet bombastic music Nickelodeon would use for their cartoons, which is incredibly fitting for this movie. And like the main theme, the key variations really make it feel special and unique.

While I don't remember the Shredder theme too much, the Krang theme is extremely memorable. I like how the first half of the theme is a reference to Halloween, conveying the insanity of this deformed creature, and how it slowly develops seamlessly to Steve's own, original composition for the character. Plus the way the 2 villain themes come together in the finale, is incredibly satisfying.

Honestly, this might be Jablonsky's best score since Steamboy. It's wonderfully melodic, has echoes in tone to Danny Elfman and James Horner's work on the Spider-Man franchise, and it reminds me of his early work when he didn't have to worry about being compared to Zimmer. Hell, "Baxter Stockman" is basically a Desperate Housewives track.


superultramegaa2018-04-14 22:41:20
Also I just realized I said it's Jablonsky's best score since Steamboy twice. Good job on not editing that, me.


mpolonest123 2018-04-15 09:22:42
Couldn’t agree more.

For some reason I always forget this score, but whenever I revisit it I instantly fall in love. If anything, this score is definitely a throwback to the classic MV scores. The themes are simple but still memorable, and the variety of music keeps things interesting.

Would love to see more scores like this from Steve!


Edmund Meinerts2018-04-15 12:03:36
I need to listen to this one again. I love the themes, but the many action cues seemed to sort of blend into one another (unlike with Steamboy, where each one has its own distinct personality). I agree it's one of Jablonsky's best scores though. Hoping that this year's Skyscraper is similarly fun.


superultramegaa2018-04-15 13:45:32
Yeah, I listened to the end credits music of Game Over, Man, and I gotta tell you guys, it's nothing special. Though to be fair I'm really not sure if I've ever heard I really great score for a Hangover-type of movie like that. So I don't think there was much Steve could do with that one. Maybe Skyscraper will give him more opportunities to show his skill.

Steve H. reply Replies: 2 || 2016-11-10 00:29:08
anyone got a Chronological list for this?


Everan2016-11-11 02:45:50
Remove Turtle Power and place it in the end (it's a theme suite) and it's ordered


Jim Hults2016-11-14 19:25:42
Squirrel formation, is in the main title and the turtles grab the pizza to the basketball game, Shredder is were Shredder with the cop and put him in the van, Baxter stockman is a scene were April is had a blonde wigs.

Jim Hults reply Replies: 0 || 2016-11-14 19:21:28
OK, Squirrel Formation, Baxter Stock man, Tartaruga Brothers, Shredder, Shredder Escape, Krang, Transformation, Foot Clan Chase, Casey Jones,

Joshua reply Replies: 3 || 2016-09-20 19:35:59
@Hybrid I just saw that they are making a new short film in the BMW series. You happen to know if Jablonsky is returning since he did Hostage. Or if (fingers crossed) Mazzaro or Kawczynski may do it since Neil Blomkamp is directing, that'd be pretty sweet.


Music4Love2016-09-21 00:49:07
I see Lorne Balfe is working with Blomkamp .


Joshua2016-09-21 03:04:59
Yeah?! Another solid choice. As long as its an RC guy. The best scores in the series where Jab's and HGW's


Joshua 2016-09-22 07:48:33
Lorne confirmed on Twitter he's not doing it.

MrZimmerFan reply Replies: 0 || 2016-09-01 21:52:38
New Jab!

http: //filmmusicreporter.com/ 2016/08/18/deepwater-horizon-soundtrack-announced/

Jabba reply Replies: 6 || 2016-06-07 09:32:39
Steve's new theme is fantastic. I don't know what people are talking about Tyler's theme for the first movie. Isn't it just another slight variation of his Iron Man or Thor 2 themes?


Vivien2016-06-07 12:36:55
Agreed. TMNT 1 = Iron man 3 = Thor 2


MrZimmerFan2016-06-07 12:53:52
But still one of his best works


Listen carefully2016-07-15 13:53:36
Please.. All those themes are different. People feel similarity because Tyler uses horns a lot. Think of theme of superman(old version) and that of star wars. Even their codes and melodys are different, many people think that they are "slight variation".. When you finish studying codes, you will notice those musics are all different.......
I wonder why don't you say TMNT2 theme is longer part of transformers theme..
Think before you type.


Edmund Meinerts2016-07-15 21:16:43
Nah, it's way more than "he uses horns a lot". The harmonies Tyler uses are far more simplistic and rooted in pop music (especially the iv-VI-I-V from Thor 2, dear God is that ever an overused progression) than the far more complex late-romantic idiom that Williams uses, so when Tyler uses similar ones from score to score it really stands out. The orchestrations in Williams' big themes from the late-70s-early-80s might be similar but the progressions (and rhythmic construction) in Star Wars, Superman and Indiana Jones are totally different. Not to mention the fact that Tyler's melodic lines are way shorter than Williams'.

That Jablonsky's TMNT2 theme sounds a bit like Transformers is, however, also true. But I'm willing to give it a pass because I like hearing that melodic side of Jablonsky's writing make a return.


Yoon(Listen carefully)2016-07-16 08:09:18
Edmund Meinerts, I wasn't talking about the styles of Tyler's music or Williams'. I tried to point out that people make rush response to musics. Normal people could say composer's musics are same when they contact musics which contains similar use of instruments. Even if those themes are different. Such as Williams' musics. I was surprised that many people who listened to theme of star wars(opening part) and that of superman barely distinguished the difference because the arrangement of orchestra. That is the reason why I mentioned William's theme. And I wanted to say that this phenomenon is happening to you.


Yoon2016-07-16 16:27:07
I never heard IV VI I V progression. Isn't it I VI III VII??

Jack Afrogarrix reply Replies: 0 || 2016-06-28 17:00:55
Steve Jablonsky:Composer
Gary Dworetsty:Additional Music
David Fleming:Additional Music
Jay Flood:Additional Music
Corey Jackson:Additional Music
James Sale:Conductor

This Soundtrack It's So Cool And Better With Orchestra + Electronic

Jim reply Replies: 1 || 2016-06-27 08:59:02
Steve did a good job for 2 Teenage Mutant Ninja Turtles films, but he'll be back on the third Teenage Mutant Ninja Turtles, with Megan Fox, Will Arnest, and the Turtles cast members.


Edmund Meinerts2016-06-27 10:02:09
Correction: 1 Teenage Mutant Ninja Turtle film.

Joshua reply Replies: 0 || 2016-06-11 23:43:08
Saw the film (which i thought was a lot of fun) but i didn't recall hearing "Half Shell" in the film anywhere. Was it there and i just missed it or did they not use it at all? The rest of the score i thought worked great with the film.

MB reply Replies: 13 || 2016-06-04 16:31:33
Track 10. Casey Jones - from 0:48 to 01:13 is 100% ripoff from Mad Max Fury Road Theme by Tom Holkenborg. Why?


Hybrid Soldier2016-06-04 17:54:29
Because temptrack !


MB2016-06-04 18:52:54
So? What is temptrack?


0-^-02016-06-04 20:03:08
Temps aside, SJ's works always have a reference to, or ring of RCP's "latest and greatest" output.


Everan2016-06-04 20:56:28
Still sounds rad as hell


Dudu2016-06-04 22:04:28
Well...if temptrack it is, am I the only one to hear some kingsman in "turtles meet krang"?
PS:love the score!tartaruga brothers, brothers and half shell(obviously!) are the highlights for me. Nice return to form after a lackluster "witch hunter" score


Edmund Meinerts2016-06-05 10:06:17
That's okay, Junkie took that idea from Craig Armstrong's The Incredible Hulk in the first place anyway. :p


Felix2016-06-05 14:29:01
Track 3: Tartaruga Brothers reminds me of Terminated from Terminator: Genisys by Lorne Balfe....xD


Evenstar2016-06-05 16:50:11
@Felix: Thought that too :D


al budy2016-06-05 16:51:21
and Track 2 Shredder sounds like Shredder from Battleship :D


Russel2016-06-05 19:22:15
Haha yeah, because that's totally not Brad Fiedel's theme at all....


meta2016-06-06 01:10:05
Dammit people you're missing the point!

Thi sis the sound we WANT Jablonsky to come back to.

I dont know about the rest of you all, but I prefer my Steve Jablonsky with a side of Transformers.

The man simply kicks ass when it comes to guitar riff scores.


F@2016-06-06 01:10:15
Reminds me! reminds me! Make it better! Hate this reminds guys.


Edmund Meinerts2016-06-06 10:14:29
If something reminds us of something else then we damn well have the right to point it out.

Fan reply Replies: 0 || 2016-06-05 13:26:59
MB, what about "Brothers in Arms" by Steve Jablonsky? score for Transformers 4 "Punch-hold Slide Repeat" from. listen to a score of RC for the first time? besides, it was hans zimmer himself confessed that inspired the composer in rc with one another. when a making travel will next make it similar or better. Jablonsky also writes this year for four movies, the music and happy father what one sees on facebook. is just a lot of time pressure behind it but he always comes with what new and used elements from his earlier scores which is also in order. hans zimmer makes it too! especially if it is a specific piece of very good like a pity when you hear film four times in different. but okay.

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T-Mann036 reply Replies: 0 || 2016-06-04 19:33:33
The "Half Shell" track makes me want to yell... COWABUNGA!!!! 'Nuff said.

Joshua reply Replies: 0 || 2016-06-03 21:57:04
Oh man, I love this score! Its alot of fun and the main theme (i guess it could be called the brothers theme) is very strong. Tyler's score was also good but i definitely prefer Steve's work here.

jewen reply Replies: 0 || 2016-06-03 21:22:16
Half Shell....What Amazing cover from the original TV Series Intro song.

That's why I'm still thinking....Why this good composer didn't get this leitmotiv and made a really fun and cool soundtrack?

Because this OST is all but not fun or inspired or nothing fine.
Is really boring and "pilot-mode on", so generic and souless.

I remember the last soundtrack by Brian Tyler. Wasn't a master piece but had a very good main theme and was correct music along the movie. Perhaps when I'll be watching the this sequel I'll can apreciate more the music work with the rest of stuff, but for now, every time I listen the last track "Half Shell"....I'm still askingn, Why?

Drunkenmunkey reply Replies: 0 || 2016-06-03 20:32:49
As far as the score goes, this is definitely my Fav Jab score second only to TF1. The new theme is fantastic and recognizable, although I personally favor Tyler's.

MrZimmerFan reply Replies: 0 || 2016-06-03 16:05:52
It's good, not better than Brian's, but there is a cool stuff here, specially the main theme, maybe is the most fun Jablonsky work since TF3.

Jack Afrogarrix reply Replies: 1 || 2016-06-03 12:39:33
Love This Score From Steve Jablonsky cool With Orchestra +Electronic Music By The Movie. The New Teenage Mutant Ninja Turtles Theme Is Cool And Better Than Brian Tyler But The Two Score I Like It. You Must Hear in Apple The Score Of Steve Jablonsky Maybe Is The End Credits Music Is "Half Shell" From New Theme TMNT 2016 And Others New Theme Like Shredder,Krang & Casey Jones


Edmund Meinerts2016-06-03 15:46:01
I never understand why some people feel the need to capitalize every word when they post a comment. I see it on YouTube all the time as well. Baffling.

Jim reply Replies: 7 || 2016-05-31 13:04:52
I love this guy, forget Brian Tyler music, just this music.


MrZimmerFan2016-05-31 13:06:57
I really like the Brian's work in the first one, but, i believe, Jablonsky delivers in this... I hope that.


scarecrow92016-05-31 13:16:13
Brian Tyler did awesome theme and job in the first one, that is for sure but I am glad that Jablonsky scored this one a make it his own and we get completely different music and I can΄t wait to hear it whole, I hope Jablonsky will do one day some kind of Marvel movie because he is really talented.


Ds2016-05-31 14:17:49
scarecrow9, there's an awful contradiction at the end of your sentence... Talented people deserve so much better than scoring Marvel movies


Everan2016-05-31 15:25:09
I hope myself Steve manages to get Justice League since Zimmer's leaving. Maybe with Junkie to aid in keeping the style and thematic music on the film, and adapt Hans' themes for Flash, Aquaman and Cyborg.


Macejko2016-05-31 16:00:52
Flash, Aquaman and Cyborg had a theme? o.O


Edmund Meinerts2016-05-31 16:30:19
I think he means the themes that Hans (or whoever) would eventually write for those characters. I seem to recall one of the ideas for music in the DC universe was Hans writing all the main themes, and then various RC composers doing the individual scores using those themes. Honestly, I kind of like the sound of that. It would take advantage of the collaborative nature of RC in the best possible way.

To bring things back to Turtles, Tyler's score for the first is actually one of my favorites of his (it's not as generic as his Marvel music and has some unusually complex writing and cool Matrix-like brass moments), but I thought his main theme was pretty weak and sounded like every other heroic theme he's ever written. With Jablonsky I'm the other way around - I'm fairly confident in his ability to deliver strong themes (even his weakest scores usually have that). But he often stumbles when it comes to the actual underscore. I'm still looking forward to hearing this, though - it could be the best Jablonsky score in a long time.


Everan2016-05-31 17:27:18
Yeah, what Edmund said, like everything,

Vivien reply Replies: 0 || 2016-05-30 21:20:47
It sounds great ! I want to hear the whole thing now !

Russel reply Replies: 0 || 2016-05-30 04:02:48
Nothing I love more than listening to Amazon's MP3 samples lmao.

Fan reply Replies: 0 || 2016-05-29 15:30:47
A Little disappointed no cd release? -,-

tj reply Replies: 4 || 2016-05-29 00:26:17
it will be released on June 3rd, soundtrack samples already available on Amazon


Dudu2016-05-29 02:24:48
Based on what I hear from the samples, I like it. Different from the first one (and it seems he didn't use Brian Tyler's themes), Jablonsky's style. AND, I hear the 80's anime opening theme in half shell (maybe I'm crazy...), I can't wait!


Everan2016-05-29 03:52:00
Sounds adventurous alright, can't wait for turtle power, it's that new theme from the clips and it's so cool.


Hybrid Soldier2016-05-29 12:35:06
I confirm for the Animated theme... Some of is in Half Shell ! lol


Anonymous2016-05-29 13:39:00
The movie was temptracked with mad max cues it seems. there are some motifs from the main theme in some of the samples

scarecrow9 reply Replies: 0 || 2016-05-29 11:18:43
THAT SOUNDS AMAZING!! lets bring Steve for Avengers Infinity War!

Leo reply Replies: 0 || 2016-05-29 09:57:09
One of the themes reminds me of Guile's Theme of the Street Fighter II game.

MrZimmerfan reply Replies: 6 || 2016-05-22 13:28:49
Yes!


Joshua2016-05-22 18:53:13
Ah hell yeah! Bring it on! I was starting to get worried we weren't gonna get another Steve release.


Everan2016-05-22 20:16:33
Still hoping for a Keanu release


Hybrid Soldier2016-05-23 22:41:53
Keanu won't get released.

As for TMNT, I wonder why Steve's OST are always made so at the last minute... was the case with Transformers 1, 3, 4... Seems to be his speciality...


Ds2016-05-23 22:45:25
Actually it only seems to happen with movies produced by Michael Bay. The Last Witch Hunter was ready well on time, if I recall well :-p

When TF3 came out, Steve said in interviews that the CD had been ready for a long time, but just waited too long for Bay's approval, because Bay was busy with something else...


Everan2016-05-24 15:28:01
I really wanted Keanu :(
Oh well, at least this one's getting out. Hope Steve's back for TF Last Knight, and not Balfe.


Evenstar2016-05-25 04:10:34
Well then... Michael Bay sucks. Another Jablonsky score we need to hope for a promo ...

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Teenage Mutant Ninja Turtles - Out Of The Shadows soundtrack - Steve Jablonsky 2016