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I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).
a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for me
Aw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.
Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronicsSo I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter egg
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity (Complete Score)
Label: Unofficial Release
Length: 107'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2241 votes)
  1. Bourne Identity Main Title (4:21)
    John Powell
  2. Bourne At Sea (1:31)
    John Powell
  3. Bourne On Land (1:42)
    John Powell
  4. Bourne Flattens Cops (0:29)
    John Powell, James McKee Smith
  5. Cafeteria (1:18)
    John Powell, James McKee Smith
  6. At The Bank - Leaving The Bank (3:52)
    John Powell
  7. Escape From Embassy - Parking Garage (4:54)
    John Powell
  8. Activation (2:12)
    John Powell
  9. Marie On Monitor (1:56)
    John Powell, James McKee Smith
  10. Marie Drives, Bourne Sleeps (1:01)
    John Powell
  11. John Michael Kane Is Dead (1:22)
    John Powell, Joel J. Richard
  12. Assassin Fight (4:24)
    John Powell, James McKee Smith
  13. Bourne Almost Leaves (1:01)
    John Powell
  14. Wombosi At Morgue (1:47)
    John Powell, James McKee Smith
  15. Love Scene (1:31)
    John Powell
  16. Hotel Regina (1:52)
    John Powell
  17. The Investigation (1:56)
    John Powell
  18. Wombosi Dead - Taxi (3:46)
    John Powell
  19. Pins (2:26)
    John Powell, James McKee Smith
  20. Conklin & Abbot Argue (0:55)
    John Powell, James McKee Smith
  21. Bourne Watches Kids Sleep (1:33)
    John Powell
  22. Get In The Basement (2:55)
    John Powell, Joel J. Richard
  23. Marie Leaves Farm (1:29)
    John Powell
  24. Bourne Phones (3:05)
    John Powell
  25. Pont Neuf (3:45)
    John Powell
  26. Bourne Remembers (2:07)
    John Powell
  27. Before Shootout (0:25)
    John Powell
  28. Conklin Killed (1:25)
    John Powell, James McKee Smith
  29. Shut It Down (1:14)
    John Powell
  30. Got Any ID? (1:27)
    John Powell
  31. The Bourne Identity Suite (5:59)
    John Powell
  32. Jason's Theme Suite (2:21)
    John Powell
  33. Mood Build Suite (3:37)
    John Powell
  34. Drum And Bass Remix Suite (2:16)
    John Powell
  35. Bourne Identity Main Title (Alternate I) (4:22)
    John Powell
  36. Bourne Identity Main Title (Alternate II) (4:20)
    John Powell
  37. Bourne At Sea (Alternate) (1:21)
    John Powell
  38. Bourne On Land (Alternate I) (1:39)
    John Powell
  39. Bourne On Land (Alternate II) (1:43)
    John Powell
  40. At The Bank - Leaving The Bank (Alternate) (4:12)
    John Powell
  41. Escape From Embassy - Parking Garage (Alternate) (5:06)
    John Powell
  42. Marie Drives, Bourne Sleeps (Alternate) (2:10)
    John Powell
  43. John Michael Kane Is Dead (Alternate) (1:43)
    John Powell, Joel J. Richard
  44. Chase (Unused) (3:16)
    John Powell
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patlalrique reply Replies: 0 || 2018-04-11 03:34:51
Hello so if I'm right there is no listing for the song of the car chase in between Bourne almost leave and Wombosi at the morgue.

Fritz21 reply Replies: 1 || 2016-08-03 01:44:48
Excuse me, but does anybody saw the tracks 26, 28, 29 and 30? I can't find them at all, though I've seen the complete score already.


Edmund Meinerts2017-02-19 01:10:37
Yeah, it's weird. The copy I found was missing those four tracks as well. Strange...anybody spy those anywhere?

Mike reply Replies: 1 || 2016-07-31 04:31:46
Watched the movie again, and...

"Bourne Remembers," the cue where he's on Wambosi's boat, is really very beautiful in an understated way. Identity and Supremacy really had the most emotion in them, musically, in my opinion. Ultimatum and Jason Bourne rely so much on the percussion / Bourne ostinato material that the emotive aspect of the music gets buried in the process.


Meta2016-08-01 00:56:12
Bourne Remembers (2:07)

Does anybody have this cue?

Hybrid Soldier reply Replies: 3 || 2016-07-16 09:50:21
Since Bourne is returning, time to check a little who-did-what on the original ! :P


Edmund Meinerts2016-07-16 11:31:30
Nice, thanks. More James McKee Smith credits are always a good thing!


Mike2016-07-16 16:20:30
Haha, you must have read my mind. I was wondering just this morning what some of the more specific credits for this series might be since we don't really know atm. :P Then I came here and whaddaya know.


Poe2016-07-21 09:24:54
35 and 36 are missing track times?

Also, was Chase originally written for the scene that was replaced with Oakenfold's "Ready, Steady, Go?" Based on the title alone, it would seem to fit.

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The Bourne Identity (Complete Score) soundtrack - John Powell 2002