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Is this legit?First 2 minutes look like to be demo of "Home"Zimmer, Badelt and Djawadih t t p s://www.youtube.com/watch?v=aAleXrIgBr8&feature=youtu.be hello I found this a while ago it is a rejected theme from the film lone ranger, score compos by hans zimmer. Probably hans didnt like this theme and decided not to use it, or maybe it was directors decision not to use. Anyway, enjoy it! I like very much the score how it is now but this ideas is interesting!<br>Just listen to "The Oil" for an example
The orchestral intro to "it's on again" (also outro of "You're that spider guy", just not with the percussion from TASM2) was re-used all over the Dunkirk score as well. The bass line for it is pretty obviously or very similarly re-purposed in a few places.Bill Conti gets an Oscar...so...i think Hans get a nominationThe reason I believe it partially depends on the piece's composition date is because of copyright laws. Arrival had to pay rights to use Richter's piece, just like if it had used a pop song, and I believe this played a big factor in its disqualification. Elgar's piece is public domain now, so it would be like if a score had included a Mozart sonata (extreme comparison).LOL @Macejko. I think Edmund is completely exhausted now. It'll take two to three days regain all the fluids he lost.@ James D<br><br>I don't disagree that Star Wars is the tip-of-the-iceberg when it comes to film music projects. However, you have to remember Powell has been in the game far longer than Giacchino has. I don't believe it has to do with how long you've been in the business, but if you're "sound" can carry the movie.
Powell's reception as composer of the new SW has been excellently welcomed! Wonderful!<br><br>------------------------------------------------------[<br><br>@Andrew<br><br>Let's face it: SW is still a very distant star for Balfe. Not just for him, for many others. Even John Powell. Achieving that score is an event in his career.Vced - balfes score to Home for example clearly shows he can write music like that .It's RCP's style and it's pretty much different of William's LOL"Star wars finally turns to the Zimmerian's style then !"<br><br>John Powell isn't Hans Zimmer. <br><br>When has Zimmer (or Balfe for that matter) ever written a score that remotely sounds like Star Wars - who seriously thought that was going to happen LOL.<br><br>Much as I like Hans, this is a job for educated composers.<br><br>No way !<br><br>Hans was dining with Ron like 3 days before Ron was announced as director. But first, Powell was hired before Ron was in, and second I doubt Hans had 0,001 % interest in it, and probably rather pushed Ron towards JP !
This is great news! I really wanted Hans to do this but if not him then Powell is a great choice which I am sure Hans somehow was involved in. <br><br>I just hope this doesn't mean that Hans and Ron Howard won't work together in the future.Star wars finally turns to the Zimmerian's style then !Edmund, be sure to tell us you're OK after all those cumshots.What shame Balfe didn't get the opportunity especially after GeniusThe official Star Wars website just confirmed that John Powell will score the untitled Han Solo movie! Since the day Ron Howard took over, I've anticipated Hans Zimmer to do it but John Powell is definitely next to him on the list. What an exciting news!
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity (Complete Score)
Label: Unofficial Release
Length: 107'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1531 votes)
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  1. Bourne Identity Main Title (4:21)
    John Powell
  2. Bourne At Sea (1:31)
    John Powell
  3. Bourne On Land (1:42)
    John Powell
  4. Bourne Flattens Cops (0:29)
    John Powell, James McKee Smith
  5. Cafeteria (1:18)
    John Powell, James McKee Smith
  6. At The Bank - Leaving The Bank (3:52)
    John Powell
  7. Escape From Embassy - Parking Garage (4:54)
    John Powell
  8. Activation (2:12)
    John Powell
  9. Marie On Monitor (1:56)
    John Powell, James McKee Smith
  10. Marie Drives, Bourne Sleeps (1:01)
    John Powell
  11. John Michael Kane Is Dead (1:22)
    John Powell, Joel J. Richard
  12. Assassin Fight (4:24)
    John Powell, James McKee Smith
  13. Bourne Almost Leaves (1:01)
    John Powell
  14. Wombosi At Morgue (1:47)
    John Powell, James McKee Smith
  15. Love Scene (1:31)
    John Powell
  16. Hotel Regina (1:52)
    John Powell
  17. The Investigation (1:56)
    John Powell
  18. Wombosi Dead - Taxi (3:46)
    John Powell
  19. Pins (2:26)
    John Powell, James McKee Smith
  20. Conklin & Abbot Argue (0:55)
    John Powell, James McKee Smith
  21. Bourne Watches Kids Sleep (1:33)
    John Powell
  22. Get In The Basement (2:55)
    John Powell, Joel J. Richard
  23. Marie Leaves Farm (1:29)
    John Powell
  24. Bourne Phones (3:05)
    John Powell
  25. Pont Neuf (3:45)
    John Powell
  26. Bourne Remembers (2:07)
    John Powell
  27. Before Shootout (0:25)
    John Powell
  28. Conklin Killed (1:25)
    John Powell, James McKee Smith
  29. Shut It Down (1:14)
    John Powell
  30. Got Any ID? (1:27)
    John Powell
  31. The Bourne Identity Suite (5:59)
    John Powell
  32. Jason's Theme Suite (2:21)
    John Powell
  33. Mood Build Suite (3:37)
    John Powell
  34. Drum And Bass Remix Suite (2:16)
    John Powell
  35. Bourne Identity Main Title (Alternate I) (4:22)
    John Powell
  36. Bourne Identity Main Title (Alternate II) (4:20)
    John Powell
  37. Bourne At Sea (Alternate) (1:21)
    John Powell
  38. Bourne On Land (Alternate I) (1:39)
    John Powell
  39. Bourne On Land (Alternate II) (1:43)
    John Powell
  40. At The Bank - Leaving The Bank (Alternate) (4:12)
    John Powell
  41. Escape From Embassy - Parking Garage (Alternate) (5:06)
    John Powell
  42. Marie Drives, Bourne Sleeps (Alternate) (2:10)
    John Powell
  43. John Michael Kane Is Dead (Alternate) (1:43)
    John Powell, Joel J. Richard
  44. Chase (Unused) (3:16)
    John Powell
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Fritz21 reply Replies: 1 || 2016-08-03 01:44:48
Excuse me, but does anybody saw the tracks 26, 28, 29 and 30? I can't find them at all, though I've seen the complete score already.


Edmund Meinerts2017-02-19 01:10:37
Yeah, it's weird. The copy I found was missing those four tracks as well. Strange...anybody spy those anywhere?

Mike reply Replies: 1 || 2016-07-31 04:31:46
Watched the movie again, and...

"Bourne Remembers," the cue where he's on Wambosi's boat, is really very beautiful in an understated way. Identity and Supremacy really had the most emotion in them, musically, in my opinion. Ultimatum and Jason Bourne rely so much on the percussion / Bourne ostinato material that the emotive aspect of the music gets buried in the process.


Meta2016-08-01 00:56:12
Bourne Remembers (2:07)

Does anybody have this cue?

Hybrid Soldier reply Replies: 3 || 2016-07-16 09:50:21
Since Bourne is returning, time to check a little who-did-what on the original ! :P


Edmund Meinerts2016-07-16 11:31:30
Nice, thanks. More James McKee Smith credits are always a good thing!


Mike2016-07-16 16:20:30
Haha, you must have read my mind. I was wondering just this morning what some of the more specific credits for this series might be since we don't really know atm. :P Then I came here and whaddaya know.


Poe2016-07-21 09:24:54
35 and 36 are missing track times?

Also, was Chase originally written for the scene that was replaced with Oakenfold's "Ready, Steady, Go?" Based on the title alone, it would seem to fit.

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The Bourne Identity (Complete Score) soundtrack - John Powell 2002