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Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.
I'm agree thatThey are independent events, but I think they are working in conjunction with each other. I based this on the description on the Vienna website. Their program is called The World of Hans Zimmer and some of the arrangements will be written by Zimmer himself. That leads me to believe this year's gala is a bit different and is just a stop for Zimmer's tour.Probably not. The two are indepedent events.@Edmund<br><br>actually i wasn't interested in the Dragon scores...or Pan, for that matter. Xmen 3 wasn't too bad, but he still had that tight RCP score techniques...Yeah, I think he must have changed his methods since Hancock/Green Zone...Because I'm not interested in hsi work after that. Must be those pesky drums he doesnt use anymore?Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :p
Pretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :pWait, Meta, you haven't liked Powell since Hancock? This despite putting out his career peak in the How to Train Your Dragon scores? I mean, if there's anything that proves he's got the chops for Star Wars style orchestral and thematic music, it's those two (and X-Men: The Last Stand, and Pan).Excellent score!  Reminds me of pieces of The Rock, BHD, Drop Zone, stuff from The Pacific.  Great job Andrew!  Nice themes!  Fun RCP stuff!Yes it was announced a while back, Harry returns !I can confirm that he is working on it.
I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was  dreadful...I cant disagree with you. <br><br><br>Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity (Complete Score)
Label: Unofficial Release
Length: 107'24
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1946 votes)
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  1. Bourne Identity Main Title (4:21)
    John Powell
  2. Bourne At Sea (1:31)
    John Powell
  3. Bourne On Land (1:42)
    John Powell
  4. Bourne Flattens Cops (0:29)
    John Powell, James McKee Smith
  5. Cafeteria (1:18)
    John Powell, James McKee Smith
  6. At The Bank - Leaving The Bank (3:52)
    John Powell
  7. Escape From Embassy - Parking Garage (4:54)
    John Powell
  8. Activation (2:12)
    John Powell
  9. Marie On Monitor (1:56)
    John Powell, James McKee Smith
  10. Marie Drives, Bourne Sleeps (1:01)
    John Powell
  11. John Michael Kane Is Dead (1:22)
    John Powell, Joel J. Richard
  12. Assassin Fight (4:24)
    John Powell, James McKee Smith
  13. Bourne Almost Leaves (1:01)
    John Powell
  14. Wombosi At Morgue (1:47)
    John Powell, James McKee Smith
  15. Love Scene (1:31)
    John Powell
  16. Hotel Regina (1:52)
    John Powell
  17. The Investigation (1:56)
    John Powell
  18. Wombosi Dead - Taxi (3:46)
    John Powell
  19. Pins (2:26)
    John Powell, James McKee Smith
  20. Conklin & Abbot Argue (0:55)
    John Powell, James McKee Smith
  21. Bourne Watches Kids Sleep (1:33)
    John Powell
  22. Get In The Basement (2:55)
    John Powell, Joel J. Richard
  23. Marie Leaves Farm (1:29)
    John Powell
  24. Bourne Phones (3:05)
    John Powell
  25. Pont Neuf (3:45)
    John Powell
  26. Bourne Remembers (2:07)
    John Powell
  27. Before Shootout (0:25)
    John Powell
  28. Conklin Killed (1:25)
    John Powell, James McKee Smith
  29. Shut It Down (1:14)
    John Powell
  30. Got Any ID? (1:27)
    John Powell
  31. The Bourne Identity Suite (5:59)
    John Powell
  32. Jason's Theme Suite (2:21)
    John Powell
  33. Mood Build Suite (3:37)
    John Powell
  34. Drum And Bass Remix Suite (2:16)
    John Powell
  35. Bourne Identity Main Title (Alternate I) (4:22)
    John Powell
  36. Bourne Identity Main Title (Alternate II) (4:20)
    John Powell
  37. Bourne At Sea (Alternate) (1:21)
    John Powell
  38. Bourne On Land (Alternate I) (1:39)
    John Powell
  39. Bourne On Land (Alternate II) (1:43)
    John Powell
  40. At The Bank - Leaving The Bank (Alternate) (4:12)
    John Powell
  41. Escape From Embassy - Parking Garage (Alternate) (5:06)
    John Powell
  42. Marie Drives, Bourne Sleeps (Alternate) (2:10)
    John Powell
  43. John Michael Kane Is Dead (Alternate) (1:43)
    John Powell, Joel J. Richard
  44. Chase (Unused) (3:16)
    John Powell
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patlalrique reply Replies: 0 || 2018-04-11 03:34:51
Hello so if I'm right there is no listing for the song of the car chase in between Bourne almost leave and Wombosi at the morgue.

Fritz21 reply Replies: 1 || 2016-08-03 01:44:48
Excuse me, but does anybody saw the tracks 26, 28, 29 and 30? I can't find them at all, though I've seen the complete score already.


Edmund Meinerts2017-02-19 01:10:37
Yeah, it's weird. The copy I found was missing those four tracks as well. Strange...anybody spy those anywhere?

Mike reply Replies: 1 || 2016-07-31 04:31:46
Watched the movie again, and...

"Bourne Remembers," the cue where he's on Wambosi's boat, is really very beautiful in an understated way. Identity and Supremacy really had the most emotion in them, musically, in my opinion. Ultimatum and Jason Bourne rely so much on the percussion / Bourne ostinato material that the emotive aspect of the music gets buried in the process.


Meta2016-08-01 00:56:12
Bourne Remembers (2:07)

Does anybody have this cue?

Hybrid Soldier reply Replies: 3 || 2016-07-16 09:50:21
Since Bourne is returning, time to check a little who-did-what on the original ! :P


Edmund Meinerts2016-07-16 11:31:30
Nice, thanks. More James McKee Smith credits are always a good thing!


Mike2016-07-16 16:20:30
Haha, you must have read my mind. I was wondering just this morning what some of the more specific credits for this series might be since we don't really know atm. :P Then I came here and whaddaya know.


Poe2016-07-21 09:24:54
35 and 36 are missing track times?

Also, was Chase originally written for the scene that was replaced with Oakenfold's "Ready, Steady, Go?" Based on the title alone, it would seem to fit.

 HANS-ZIMMER.com 2001-2017 OST 
The Bourne Identity (Complete Score) soundtrack - John Powell 2002