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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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John PowellJames McKee SmithJohn Ashton ThomasBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Ice Age - The Meltdown (Complete Score)
Label: Unofficial Release
Length: 79'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1331 votes)
  1. The Waterpark - Titles (2:25)
    John Powell
  2. Sid's Respect - Storytime (0:57)
    John Powell
  3. The End Of The World (4:22)
    John Powell, John Ashton Thomas
  4. The Eviscerator (5:26)
    John Powell
  5. Call Of The Mammoth (1:53)
    John Powell, James McKee Smith
  6. Sad Manny & The Possums (1:45)
    John Powell, James McKee Smith
  7. Manny & Ellie Meet (3:44)
    John Powell
  8. Traveling With Possums (2:00)
    John Powell, James McKee Smith
  9. Attack From Below The Ice (4:01)
    John Powell, John Ashton Thomas
  10. Extreme Possums (1:50)
    John Powell
  11. Who Will Join Me? (4:29)
    John Powell
  12. Big Butt (1:33)
    John Powell
  13. Mini Voyeurs (0:35)
    John Powell
  14. Manny Makes A Pass (1:44)
    John Powell
  15. Foggy Balance (3:53)
    John Powell, James McKee Smith
  16. Goodnight Sweet Possums (0:49)
    John Powell
  17. Kidnapped - Sid's Sing-A-Long (3:05)
    John Powell
  18. We Overslept (1:35)
    John Powell
  19. Food Glorious Food (1:35)
    Lionel Bart, John Powell
  20. The Boat & Geysers (2:48)
    John Powell
  21. The Dam Breaks (1:16)
    John Powell
  22. Manny To The Rescue (3:41)
    John Powell
  23. Rescues All Round (4:07)
    John Powell, John Ashton Thomas
  24. With The Herd (7:20)
    John Powell
  25. Adagio Of Spartacus (1:32)
    Aram Katchaturian, John Powell
  26. Mini-Sloths Sing-A-Long (2:29)
    John Powell
  27. The Meltdown - Ending (4:25)
    John Powell
  28. End Credits (1:36)
    John Powell
  29. Who Will Join Me? (Alternate) (0:44)
    John Powell
  30. Mini-Sloths Sing-A-Long (Alternate) (1:42)
    John Powell
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Tommy reply Replies: 1 || 2017-09-06 21:43:56
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Ice Age - The Meltdown (Complete Score) soundtrack - John Powell 2006