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Can these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.
@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?How do I listen to this ?
Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.Man, i wan that score
"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.Anybody who heard from Steve Mazzaro's website to listen by The Rhythm Section with soundtrack, it's ain't not bad at all.I’m aware about no good about goodbye and yes it’s in various cues. can you tell me where another way to die appears? also check out “talomne” it has you know my name on stringsSeriously, the complete score needs to come out. We NEED those Mazzaro suites on our devices!Just came back from Mazzaro’s website. Why didn’t they include the extended versions of some of the tracks? Not to mention an entirely unreleased track.<br><br>This is the closest we’ll get to having an “original” album by Zimmer and his team. Darn...
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Additional MusicAdditional Music - Orchestrator
John PowellJames McKee SmithJohn Ashton ThomasPaul Mounsey
ComposerAdditional MusicAdditional MusicAdditional Music
Dr. Seuss' Horton Hears A Who! (Complete Score)
Label: Unofficial Release
Length: 90'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1434 votes)
  1. Fate Falls (2:27)
    John Powell
  2. Horton Swims (7:48)
    John Powell
  3. Whoville Breakfast (3:10)
    John Powell
  4. Hall Of Mayors (1:41)
    John Powell
  5. Club Nool (1:44)
    John Powell
  6. Strange Town Council (1:22)
    John Powell
  7. Hello (4:22)
    John Powell, John Ashton Thomas
  8. Dr. Larue (2:47)
    John Powell
  9. Hero Big Band (1:35)
    John Powell, James McKee Smith, John Ashton Thomas
  10. Hero Anime (0:55)
    John Powell
  11. Killjoy (2:03)
    John Powell
  12. Bridge Work (2:31)
    John Powell
  13. Blue Danube (1:07)
    John Powell (Johann Strauss II)
  14. Horton Dances (0:29)
    John Powell
  15. Handle With Care (1:23)
    John Powell
  16. You Know That Feeling (1:27)
    John Powell
  17. Bedtime (3:15)
    John Powell
  18. Vlad's Lair (3:28)
    John Powell, John Ashton Thomas
  19. Snow Day (1:33)
    John Powell
  20. Warnings (3:22)
    John Powell, John Ashton Thomas
  21. Vlad Attack (2:12)
    John Powell
  22. Power Grab (3:07)
    John Powell
  23. Mountain Chase (5:50)
    John Powell
  24. Our Friend Horton (1:30)
    John Powell, James McKee Smith
  25. Memory Game (1:04)
    John Powell
  26. Sermon (3:00)
    John Powell
  27. Angry Mob (2:59)
    John Powell, John Ashton Thomas
  28. We Are Here (5:43)
    John Powell
  29. End (Part 1) (2:28)
    John Powell
  30. End (Part 2) (1:23)
    John Powell
  31. Can't Fight This (2:47)
    John Powell
  32. End Titles (8:42)
    John Powell
  33. Club Nool (Alternate) (1:43)
    John Powell
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musictheorist reply Replies: 0 || 2018-01-01 17:58:44
The film has several orchestrators. And this happens to be one of John Powell’s best score in the childrens animation genre.

This was nominated for an Annie Award for Music in an Animated Feature Production.

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Dr. Seuss' Horton Hears A Who! (Complete Score) soundtrack - John Powell 2008