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Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.
I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.
Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.
For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsame
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Additional Music - Additional Orchestrator
John PowellPaul MounseyJames McKee SmithDominic Lewis
ComposerAdditional MusicAdditional MusicAdditional Music
How To Train Your Dragon (Complete Score)
Label: Unofficial Release
Length: 79'33
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1987 votes)
  1. This Is Berk (6:08)
    John Powell
  2. Did Anybody See That? (1:24)
    John Powell, James McKee Smith
  3. War Room (0:42)
    John Powell
  4. Training - Out There (4:23)
    John Powell, James McKee Smith
  5. Hiccup Comes Home (0:23)
    John Powell
  6. Dragon Training (3:10)
    John Powell
  7. Wounded (1:26)
    John Powell
  8. The Dragon Book (2:24)
    John Powell
  9. Focus, Hiccup! (2:03)
    John Powell, Dominic Lewis
  10. Offering (0:53)
    John Powell, Paul Mounsey
  11. Forbidden Friendship (4:10)
    John Powell, Paul Mounsey
  12. The New Tail (2:48)
    John Powell
  13. Teamwork (0:47)
    John Powell
  14. Charming The Zippleback (0:26)
    John Powell
  15. See You Tomorrow (3:52)
    John Powell
  16. Test Drive (2:37)
    John Powell
  17. Not So Fireproof (1:13)
    John Powell, Dominic Lewis
  18. This Time For Sure (0:46)
    John Powell
  19. Astrid Finds Toothless (0:37)
    John Powell
  20. Astrid Goes For A Spin (0:46)
    John Powell
  21. Romantic Flight (1:54)
    John Powell
  22. Dragon's Den (2:29)
    John Powell, Paul Mounsey
  23. Let's Find Dad (1:11)
    John Powell, Michael John Mollo
  24. Kill Ring - Stop Fight (4:28)
    John Powell
  25. You're Not A Viking (1:34)
    John Powell
  26. Ready The Ships - Confront (5:19)
    John Powell
  27. Relax - Stroke Hell (2:09)
    John Powell
  28. This Isn't Over - Less Okay (6:19)
    John Powell
  29. That Thing Has Wings! (1:18)
    John Powell
  30. Counter Attack (1:52)
    John Powell
  31. Where's Hiccup? (2:52)
    John Powell
  32. Coming Back Around (2:50)
    John Powell
  33. End Credits (2:04)
    John Powell
  34. This Is Berk (Alternate) (1:05)
    John Powell
  35. Wounded (Alternate) (1:26)
    John Powell
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jjstarA113 reply Replies: 1 || 2020-10-02 21:06:47
Now available from Var&#232;se Sarabande!!!!!!

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Please enter number: 1468 


jjstarA1132020-10-02 21:07:58
Erm, Varese Sarabande. (I see there's an issue here with accents.)

Quantum reply Replies: 1 || 2019-12-08 07:56:44
Michael John Mollo - I've never seen that name before. Has he done any other RCP work?


Edmund Meinerts2019-12-08 20:31:34
He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...

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How To Train Your Dragon (Complete Score) soundtrack - John Powell 2010