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Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to GoNot to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% Steve
I wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?This little gem of a score is one of my favourites of Lorne's smaller projects.<br>Got a great main theme and varying instrumentations of it throughout, plus he's using a real orchestra which is always good. (Check out The Heist, very upbeat jazzy piece)
Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Balfe - for anything than bad TV? How much did you smoke tonight? The Mission score must have been a studio decision but Balfe should not be allowed anywhere near a (any) franchise - the dude is a headcase and a total copycat. Tell me one piece that Balfe did that is original?Looking forward to what Ben's going to do with that movie.Hellboy coming by Sony Classical at 4/5/19Kung Fu Fighting (Celebration Time) on KFP3 also has a HZ credit despite again the booklet not crediting him for anything on it.
I noticed that on Kung Fu Fighting here, Try on KFP3, and Here Comes the Sun on Bee Movie complete that there are primary composer credits on them (HZ, JP here, HZ on Try, Rupert on Here Comes the Sun) but both the film and booklet info doesn't credit them. Did they do ghost arranging/producing on them?Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.
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Hans ZimmerHans ZimmerHans ZimmerAl Clay
ComposerComposerComposerMusic Scoring Mixer
Burning Secrets / The Fruit Machine / Diamond Skulls
Label: Milan Record
Length: 48'32
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4853 votes)
  1. Burning Secret (23:59)
  2. The Fruit Mashine (20:08)
  3. Diamond Skulls (4:22)
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Dimitris krommidas reply Replies: 0 || 2015-07-01 22:16:51
Just found it!!!

sb reply Replies: 0 || 2010-08-18 00:00:00
finally available on itunes!

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Burning Secrets / The Fruit Machine / Diamond Skulls soundtrack - Hans Zimmer - Hans Zimmer - Hans Zimmer 1989