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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Matthew MargesonJason SoudahMel WessonGavin Greenaway
ComposerAdditional ArrangementsAmbient Music DesignChoir Conductor
Miss Peregrine's Home For Peculiar Children
Label: La-La Land Records
Length: 70'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2941 votes)
  1. Miss Peregrine's Home for Peculiar Children (2:46)
  2. Bedtime Stories (2:11)
  3. Arrival At The Island (2:26)
  4. A Place Like This (1:43)
  5. Squirrel Rescue (2:31)
  6. Enoch's Dolls (2:46)
  7. Projecting Dreams (1:44)
  8. The Augusta (5:24)
  9. I'll Be Here Forever (2:32)
  10. Barron's Experiment (5:35)
  11. Barron Revealed (2:45)
  12. Surprise Visitor (4:52)
  13. Hollow Attack (5:24)
  14. Raising The Augusta (2:08)
  15. Blackpool (2:36)
  16. Standoff At Blackpool Tower (3:14)
  17. Handy Candy (3:27)
  18. Ymbrynes, Ymbrynes, Here I Come (4:07)
  19. Peculiars Vs. Wights (3:28)
  20. Two Jakes (2:16)
  21. Go To Her (6:16)
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Felix reply Replies: 4 || 2017-08-15 21:20:03
01. Main Titles (02:55)
02. Grandfather's House (05:13)
03. Bedtime Story (02:17)
04. Polish Monsters (01:27)
05. Postcard (00:52)
06. Arrival At The Island (01:11)
07. House Reveal (01:30)
08. Exploring The Home (04:21)
09. Pub Escape (00:42)
10. Welcome To The Loop (00:43)
11. Home For Peculiar Children (01:40)
12. Squirrel Rescue (02:30)
13. Enoch At Window (01:18)
14. Enoch's Dolls (01:40)
15. Phone Ring (00:37)
16. Horace Projecting Dreams (01:41)
17. I'll Be Here Forever (01:38)
18. Dying Rose (01:49)
19. Sneaking Out (00:45)
20. Ventriloquist Victor (01:09)
21. Victor's Tear (00:37)
22. Emma Blows Jake (05:24)
23. Cliff Hollow (01:29)
24. The Experiment A (03:22)
25. The Experiment C (02:40)
26. On The Rocks (02:44)
27. Baron Reveal (02:47)
28. Surprise Visitor (05:03)
29. Hollow Attack (05:51)
30. Raising The Augusta (02:06)
31. Blackpool (02:35)
32. 3 Weeks In Florida (03:15)
33. Handy Candy (03:55)
34. Peculiar Vs Baddies I (04:07)
35. Peculiar Vs Baddies II (03:28)
36. Jake Vs Jake (04:39)
37. Goodbye (06:50)

Hey Hybrid, Is This Complete?


Hybrid Soldier2017-08-15 22:23:09
Why... why don't you check yourself with the film ? I assure you it's not that hard ! Might take some time but if you wanna find out... lol


Felix2017-08-15 22:51:59
Haha.... a yes or no was very hard for you?!... But thanks for the great information :)... lol


Hybrid Soldier2017-08-15 22:53:39
I honestly haven't checked and don't plan on doing it anytime soon ! lol


badbu2017-08-16 08:03:24
haha hybrid :D made my day :) lol

Edmund Meinerts reply Replies: 7 || 2016-10-22 20:25:16
So, Hybrid, will you be able to tell us more about this one? How exactly did Margeson and Higham divide up duties? It sounds pretty unified, stylistically, except for the one techno track...


Hybrid Soldier2016-10-22 22:09:32
Yeah they really worked together, doing cues together, arranging eacher, sometimes one more in charge of something etc. As for the "techno track", it's the work of Jason Soudah actually.


Edmund Meinerts2016-10-22 22:53:01
A true collaboration then! Cool. It's a decent score, but at a lot of points it felt like an Elfman score without his personality or any really memorable themes...


ei182016-10-22 23:58:18
Do you know why Elfman didn't score this?


Edmund Meinerts2016-10-23 00:28:58
I assume that there were scheduling conflicts with The Girl on the Train, but that can't be the whole story; surely you'd expect Elfman to prioritize the Tim Burton movie in that case...


ei182016-10-23 02:07:12
my thoughts exactly.


Meta2016-10-23 02:59:58
Probably has something to do with the fact that Burton is now divorced while Elfman is happily married. Different lifestyles now, so they probably aren't on the same page anymore.



Brent2016-10-23 06:08:30
Edmund, I thought there were scheduling conflicts with Alice 2 and Tim wanted him to do that one. Not entirely sure as these movies were pretty far apart, but there production could have ended around the same time.

Hybrid Soldier reply Replies: 5 || 2016-10-03 08:53:55
The 11th.


isildur2016-10-03 15:20:49
I heard from the people who saw the movie that the score is amazing. Did you listen to it, Hybrid?


Anonymous2016-10-03 16:02:44
Why no Elfman?!


Waymann2016-10-06 16:22:19
Score comes out tomorrow on Itunes at least. Just checked Itunes Sri Lanka. (I know this is not the place here but tomorrow you can pre-order Fantastic Beasts on Itunes and get the main titles already, also samples available, FYI)


Waymann2016-10-07 13:22:17
There's a track missing. Enoch's Dolls is the same track as Squirrel Rescue...


Hybrid Soldier2016-10-07 19:34:00
Yeah there was a fuck up, it was brought up to the Label & iTunes and is going to be worked out.

Joseph Solano reply Replies: 0 || 2016-10-04 03:21:10
Didn't see the movie because I didn't want to. One of the reasons was because Danny Elfman didn't do the score. However, I am looking foward to this score. But can anybody tell me why Danny Elfman didn't return? Are him and Timmy fighting again?

Waymann reply Replies: 0 || 2016-10-03 08:47:26
When does it come out ? Movie is already released...

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Miss Peregrine's Home For Peculiar Children soundtrack - Matthew Margeson 2016