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Do any of you think that Junkie's Justice League score will ever get released or leaked? I was really excited to hear how Junkie planned on developing the themes used in the prior DCEU movies. Especially the Batman themes from BVS. It's a damn shame how WB handled that film."Why do Bay naysayers pretend that Bay only directs TF movies? It's very interesting...... Pretty much all complaints against Bay are connected to the TF movies.<br><br>Newsflash: Bay was a proven and very successful action filmmaker wayyyyyyyyyyyyy before TF1."<br><br>Newsflash: I avoided bringing up the TF films in this thread until AFTER you dragged them into it.  Only then did I treat them as fair game.  Considering they make up a third of his filmography, I don't see why I SHOULDN'T address them.  How convenient is it that bringing them up is only ever valid when YOU do it?<br><br>More to the point, I already said I thought his decline kicked in from Pearl Harbor onwards.  The TF films are just his rock bottom.<br><br>"So let me get this straight: trying to be as objective as possible, in a non-threating way, quoting people who actually know what they're talking about and certainly not treating my opinion as fact, makes me......psychotic."<br><br>Going after every person that doesn't like Bay and trying to obsessively "debunk" them is psychotic, yes.  And constantly referring to other people's opinions and whinging about the box office doesn't make you objective, especially with how self-contradictory the latter has been.<br><br>Pain & Gain and 13 Hours, his supposedly best films, also have his lowest box office turnouts.  13 Hours was a flat-out bomb.  By your own "objective" reasoning, this would make them his worst films.  But you don't acknowledge that, because you don't actually care about objectivity.<br><br>You care about faking it when it suits you, and chucking it when it doesn't.<br><br>"Next time, I'll just act like a complete jerk, insulting everyone and everything."<br><br>What do you mean "next time?"  Your first reply here was calling my opinion a joke.  You already have this method down.  You're just too dishonest to admit it.<br><br>Notice how I avoided accusing you of anything until AFTER you started outright lying about movies and flaunting it as objective fact.<br><br>You insulted ME first, pal.  I didn't insult you for anything other than lying to win an argument.  Not for your opinions, not for your celebrity crush, for being a disingenuous twat. <br><br>Your lack of self-awareness is astounding.<br><br>"Reviews, RT scores, and crappy film blog "think pieces" are also not proof of quality."<br><br>Then it's a good thing I never quoted a single one of those, let alone as objective proof, isn't it?<br><br>Man, appeal to authority, appeal to popularity, mistaking correlation for causation, slothful induction, strawmanning, I could make a bingo game outta this.<br><br>"So that flick, according to you, turned a profit.......but TLK - budget of also $200 million and with a worldwide gross of $605 million..........is a bomb?"<br><br>Not "according to me."  According to the studios that make the actual films.  And Forbes.  Remember Forbes?  You considered their word inarguable fact a couple posts ago.<br><br>https://www.forbes.com/sites/scottmendelson/2013/09/02/pacif ic-rim-and-more-domestic-flops-that-became-global-hits/#3f3e 914d7c18<br><br>Well whaddaya know?<br><br>Pacific Rim was a domestic bomb that turned things around with its international box office.<br><br>That thing you said TF5 was but actually wasn't.<br><br>The Last Knight lost about $100M according to Paramount themselves.  That doesn't sound like an international success to me.<br><br>Maybe it does to you, but I can't speak for that little fantasy world you seem to be living in right now.<br><br>Wow!  Just wow!ThxSeville, The Bait, Ambrose Welcomes Nyah, Chimera Myth, Beach Fight, Ambrose Dies.Can we stop? I agree with the other guy more in his points, but it's clear that this is gonna keep going nowhere if you're gonna be so overly defensive about something that you claim is merely subjective.
But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br>======================<br><br><br>Why do Bay naysayers pretend that Bay only directs TF movies? It's very interesting...... Pretty much all complaints against Bay are connected to the TF movies.<br><br>Newsflash: Bay was a proven and very successful action filmmaker wayyyyyyyyyyyyy before TF1. <br><br>So no, "challenging the viewer" is not about Transformers. You chose to focus on these movies. Not me. I was actually reffering to Bay movies like The Island and especially Pain and Gain. <br><br>But I guess you like to talk only about Transformers.....Good for you. But that's not how a discussion works. <br><br><br>===================<br>Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact. I've seen you do this every time someone talks shit about Bay around here. It's psychotic.<br>===================<br><br><br>So let me get this straight: trying to be as objective as possible, in a non-threating way, quoting people who actually know what they're talking about and certainly not treating my opinion as fact, makes me......psychotic? <br><br>Wow! Just wow!<br><br>Next time, I'll just act like a complete jerk, insulting everyone and everything. For you, that is apparently the normal behavior.<br><br><br>======<br>Bad movies make money. Everyone knows that, and everyone knows that's not proof of quality.<br>=======<br><br>Reviews, RT scores, and crappy film blog "think pieces" are also not proof of quality. Also, a "bad" movie to you is the greatest movie for the guy walking next to you on the street. As Kevin Smith said: "Every movie is someone's favorite movie". <br><br>Let's try to keep that in mind.<br><br><br>============<br>That's not just a domestic bomb, that's a bomb altogether.<br>============<br><br>Really?<br><br>Then what do you have to say about Pacific Rim 1. I present to you.......the pure numbers:<br><br>Budget: $200 million. And that doesn't include the marketing cost.<br>Worldwide gross: $411,002,906<br><br>So that flick, according to you, turned a profit.......but TLK - budget of also $200 million and with a worldwide gross of $605 million..........is a bomb?<br><br>Wow! Just.....wow!Yeah lol back then only Harold was confirmed.Can you tell me a names of cues, that was been on Klaus website?Formality indeed. Complicated ! lol<br><br>You can bet Blake Neely didn't need anyone to "write" those 10 seconds !! lolI always found these credits to be a bit confusing. Klaus Badelt is credited on almost every cue, even when his themes don't appear and another additional composer is credited as well. I thought maybe it was just a formality that Zimmer and Badelt were credited everywhere (I mean, how much could they be involved on a cue like "Welcome to the Caribbean"?), but then "No real ship" and "Sword Fight Pt. 2" have no Badelt for some reason. Does someone know a bit more about this?
well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nope
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
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Rupert Gregson-WilliamsTony ClarkeSteve MazzaroThomas Farnon
ComposerAdditional MusicAdditional MusicAdditional Music
Hacksaw Ridge
Label: Varese Sarabande
Length: 53'50
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5761 votes)
  1. Okinawa Battlefield (3:59)
  2. I Could Have Killed Him (2:20)
  3. A Calling (2:42)
  4. Pretty Corny (1:44)
  5. Climbing For A Kiss (3:47)
  6. Throw Hell At Him (1:58)
  7. Sleep (2:19)
  8. Dorothy Pleads (3:17)
  9. Hacksaw Ridge (4:20)
  10. Japanese Retake The Ridge (4:36)
  11. I Can't Hear You (2:54)
  12. One Man At A Time (2:30)
  13. Rescue Continues (3:46)
  14. A Miraculous Return (2:50)
  15. Praying (5:49)
  16. Historical Footage (4:59)
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Rudy reply Replies: 0 || 2017-08-31 20:47:29
Olá! Eu fiz um vídeo e coloquei um pedaço de uma trilha desse albúm. Ao publicar no Facebook, recebi um aviso de Copyright e meu vídeo no. E pode ser publicado. Como faço para poder ter o direito de postar no video no Facebook?

Paul reply Replies: 3 || 2017-02-13 13:12:41
Does anybody knows if there is a complete score, did it leak anywhere?????


Everan2017-04-16 02:08:44
I saw one around, you just have to look for it.


peter2017-04-16 16:34:37
Here you have playlist of Complete Score. You are all welcome :)

01. He Hates Himself (1:05)
02. To Basic Training (0:54)
03. Pretty Corny (1:47)
04. A Calling And A Lovely Girl (2:16)
05. I Could Have Killed Him (2:21)
06. Dorothy Waits/Desmond's Rage (1:12)
07. Throw Hell At Him (1:58)
08. Okinawa Battlefield/Childhood (3:46)
09. A Night Together (0:56)
10. I Sleep Pretty Hard (2:22)
11. Climbing For A Kiss (3:59)
12. Charges Withdrawn/Small Victory (1:17)
13. Court Martial (1:53)
14. I Killed Him In My Heart (1:04)
15. Dug In For The Night (0:26)
16. Okinawa Battlefield/Childhood v2 (4:07)
17. Kill Joy Is Here (1:30)
18. Playing Dead (Part 1) (2:36)
19. Hacksaw Ridge (4:21)
20. Dorothy Pleads (3:20)
21. Into The Rat Hole (2:41)
22. Smitty is Gone/I Can't Hear You (2:54)
23. Morning Patrol/Hollywood (1:13)
24. Sniper / Rescuing Howe (1:17)
25. A Miraculous Return (1:51)
26. One Man at a Time (3:42)
27. Rescue Continues/I Thought I was Blind (3:45)
28. Rescuing Howe (2:48)
29. End Title 2 (0:49)
30. Japanese Retake the Ridge (4:49)
31. End Title 1 (3:13)
32. End Title 3 (1:11)
33. End Title 4 (1:35)
34. End Title (2:25)
35. Historical Footage (4:47)
36. Praying/Let's Go To Work (5:49)

Playtime: 1:27:58


Felix2017-04-16 17:24:29
Here are the Sessions:

01 - 1M1 Okinawa Battlefield/Childhood
02 - 1M2 I Could Have Killed Him
03 - 1M4 He Hates Himself
04 - 1M6 A Calling & A Lovely Girl
05 - 1M7 Pretty Corny
06 - 2M9 Climbing for A Kiss
07 - 2M11 To Basic Training
08 - 3M12 Throw Hell At Him
09 - 3M14 I Sleep Pretty Hard
10 - 3M15 Dorothy Waits/Desmond's Rage
11 - 3M16 Dorothy Pleads
12 - 4M17 Court Martial
13 - 4M18 Charges Withdrawn/Small Victory
14 - 4M19 A Night Together
15 - 4M21 Kill Joy is Here
16 - 5M23 Hacksaw Ridge
17 - 6M25 Dug in for the Night
18 - 6M26 I Killed Him in My Heart
19 - 6M27 Japanese Retake the Ridge
20 - 6M28 Smitty is Gone/I Can't Hear You
21 - 6M29 One Man At A Time
22 - 6M30 Playing Dead
23 - 7M31 Into the Rat Hole
24 - 7M32 Rescue Continues/I Thought I Was Blind
25 - 7M33 Morning Patrol/Hollywood
26 - 7M34A Sniper
27 - 7M34B Rescuing Howe
28 - 7M35 A Miraculous Return
29 - 8M36 Praying/Let's Go to Work
30 - 8M38 Historical Footage
31 - 8M39 End Title #1
32 - 8M40 End Title #2
33 - 8M41 End Title #3
34 - 8M42 End Title #4
35 - 1M1alt Okinawa Battlefield/Childhood

kitaro1366 reply Replies: 0 || 2017-04-15 06:29:52
Mc

David reply Replies: 2 || 2017-02-09 20:25:16
When will the complete score be added with composer info? That would be nice :)


Hybrid Soldier2017-02-09 23:40:25
No cuesheet info, it's empty !


Dudu2017-02-10 07:54:33
Yeah, and I saw that no additional music composer is credited in the booklet either, only thanks...do you know why Hybrid? Maybe contract issues?

Jack Afrogarrix reply Replies: 0 || 2017-01-05 20:50:06
Rupert Gregson-Williams makes a Great score for this movie.

This Score Is Like other War Films Like 13 Hours Music By Lorne Balfe &
Lone Survivor By Explosions In The Sky & Steve Jablonsky

Scorefan reply Replies: 1 || 2016-10-05 00:42:46
Very good suite, very doog job from Rupert. The beginning of the suite sounds like Kingdom of heavne from his brtoher Harry.


psycosid072016-11-30 02:25:31
Yeah, you're right. Debney's complete score was rejected and replaced by Rupert Gregson-Williams for the final cut.

mpolonest123 reply Replies: 0 || 2016-11-12 22:02:11
Just saw the film, definitely one of my top Oscar contenders for this year. Great direction, acting, cinematography, etc.

As for the score, Rupert hit it out of the ballpark. The first half reminded me of a bluegrass "Winters Tale" while the second definitely had that modern action scoring we are all accustomed with. Only major complaint is some of the dissonant sections during the war scenes but, given the context, it's understandable.

(And 2:00 in Climbing for a Kiss, holy shit that's beautiful)

  Your name :   

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Jack Afrogarrix reply Replies: 1 || 2016-11-09 15:44:41
Rupert Gregson-Williams:Composer
Anthony Clarke:Additional Music
Evan Jolly:Additional Music
Steve Mazzaro:Additional Music
Cliff Masterson:Conductor
Mel Gibson:Director

Rupert Gregson-Williams Has Done An Great And Awsome Score Again Hacksaw Ridge I Can Wait To See This Movie


Edmund Meinerts2016-11-10 23:57:19
What's the point of the first part of your post? Most of that information is up there already. Also, Watch Your Capitals.

Ds reply Replies: 0 || 2016-11-09 22:22:56
That is a hell of a beautiful movie. Very powerful, very emotional, and intense as hell. Actors performances are unbelievably good as well. Needless to say, Rupert's score plays a big role in the movie, especially towards the end. A job nicely done by all involved, I sure hope to see this movie at least nominated for the Oscars.

Morgan Joylighter reply Replies: 3 || 2016-11-04 08:13:57
Best war movie...possibly best war movie score of all time...

I just saw this in the cinema last night and I was totally blown away by both movie and score. Rupert has really re-invented himself this year and it seems like Mel Gibson has too.


will2016-11-08 09:32:08
best war movie score of all time? while i really enjoy ruperts work, but wow that is a bit too much don't you think? :D


Brent2016-11-08 10:27:25
"Best war score of all time" may be a stretch, but I really do quite like this. I'm SO SO happy with what Rupert has produced this year. Portions of Tarzan are good, this score (and film) are amazing and The Crown is absolutely sublime. Can't wait for Wonder Woman!


Saurabh2016-11-08 17:38:56
I won't say Rupert has reinvented himself. His sound is more closely associated with the 90s RCP sound. While Tarzan seemed pedestrian for me, Hacksaw Ridge has a great blend of that power anthem sound and some good themes.

Edmund Meinerts reply Replies: 0 || 2016-11-07 19:23:30
Wow, the main theme as heard in the first two tracks is reeeeeeally similar to his brother's "Burning the Past" from Kingdom of Heaven. Did Mel phone up the wrong Gregson-Williams? :P

I mostly like the score, but it's interesting that you can basically divide it into three parts: first pretty but very low-key drama writing kind of a la Winter's Tale (it's been compared to Thomas Newman and James Horner but that's a big stretch IMO), then modern themeless drum-heavy RC action and suspense music of the kind I don't like so much ("Japanese Retake the Ridge" could easily be from a Junkie XL score, which is not a compliment), and finally some good old thematic power-anthem-type emotional action scoring of the kind I do like very much. The first part isn't especially memorable and I could do without the middle part entirely, but otherwise I really enjoy this. It has a narrative and is definitely a step up from Tarzan, although I still personally prefer RGW's lighter efforts like Bee Movie and Bedtime Stories.

Crisp Rat reply Replies: 0 || 2016-11-05 06:03:02
Rupert really blew me away with this one! I was not expecting this gem of a score at all, especially in light of some his recent scores. I've been thinking a lot about this score, and what makes it so memorable. What sets this apart from his other scores, or really any other film score out there? And I believe the answer is this: strong, memorable themes, displayed in a way that really allows the music to move you. Because if music fails to move you, then what is it's purpose in any kind of media? Memorable emotions create memorable scores. And that, I think, is why scores like Inferno or BvS fall flat compared to the old Zimmer. Screechy sound design will never create an emotional response.
Check out this video that I found to be interesting and insightful:

https://www.youtube.com/watch?v=7vfqkvwW2fs

Cyberpunk88 reply Replies: 0 || 2016-11-04 12:40:40
So apparently Rupert is also going to score Wonder Woman, while still using Zimmer's WW theme from BvS. Can't wait!

Frank reply Replies: 0 || 2016-11-04 10:01:35
This score is easily the best score of Rupert's whole career thus far and he finished it with less than a month. I hope he can maintain such level for Wonder Woman.

Everan reply Replies: 0 || 2016-10-27 22:24:56
https:// www.youtube.com/watch? v=XLogL29fQWU

A visual soundtrack with some new music samples!

Hybrid Soldier reply Replies: 8 || 2016-10-01 15:56:43
Added a suite, it sounds pretty damn good !


isildur2016-10-01 18:22:17
It really does. Film has really amazing reviews. So, along with the film it seems there is a chance for a nomination for the score too. Just like they nominated Henry's score for Capt. Philips (which by the way wasn't that good a score)


Dragonseeker2016-10-01 19:52:03
Captain Phillips nomination was a joke. But this sounds better in every way.


MrZimmerFan2016-10-01 21:33:38
There is no nomination for Jackman's Cap Phillips in the Oscars


MrZimmerFan2016-10-01 21:34:05
Well, in the Baftas ;)


Everan2016-10-02 07:04:32
I hope this gets nominated


Phil2016-10-02 08:34:39
sounds amazing


Paul2016-10-02 13:19:09
Wich tracks did you use??? It sounds epic and emotional... Can't wait


Mcbain2016-10-04 11:44:44
The part @3:08 is just grand. Thanks for the update, Hybrid ;-)

... reply Replies: 9 || 2016-09-23 23:01:56
Wasn't John Debney scoring this?


Hybrid Soldier2016-09-23 23:03:30
Yes and he was kicked out !


Ds2016-09-23 23:29:30
Do you have more info on that, Hybrid? Like, was it Mel? Or the studio?


Brent2016-09-24 01:18:08
Part of me wishes it was still Debney as his previous effort with Mel resulted in one of the best scores I've heard, but I'm excited to hear what Rupert does here.


mpolonest1232016-09-24 01:25:12
Outside of Winter's Tale (which is severely underrated imo) nothing RGW has scored has stood out to me. I would've loved to see someone like Lorne Balfe take this type of project on.

Still, fingers crossed for Rupert to deliver something good. :-)


Edmund Meinerts2016-09-24 13:33:58
mpolonest123, you should check out Bedtime Stories and Bee Movie (the latter admittedly with a bit of behind-the-curtain help from Hans himself). Both are really fun scores, albeit a lot lighter than what this movie calls for. RGW is quite talented, actually, a lot better than what the fairly bland Tarzan would have you believe.


mpolonest1232016-09-24 14:59:47
I'll definitely take a listen to both of those. I had heard Bee Movie a few years back but it never stuck with me. Maybe it's time to revisit it :-)


Paul2016-09-24 18:51:59
Wow... Varese Sarabande still suck at artworks. Especially fonts... Ugh...

I'm fine with Rupert scoring this one, but I have the same question as Ds - why Debney was 'kicked out'?


Meta2016-09-25 03:39:17
Maybe the whole "Mel is an Anti-Semite" flared up...Who knows. I thought those two were tight after Passion of the Christ.


Hybrid Soldier2016-09-25 11:15:59
I have no idea why Debney was debarked...

Maybe he even left himself, who knows ! Actually I don't care lol...

Dimitris Krommidas reply Replies: 0 || 2016-09-23 21:48:01
Great!

Ds reply Replies: 1 || 2016-09-23 20:45:24
I really can't wait for that one!!! :-)


Macejko2016-09-23 20:50:48
Tarzan was pretty boring, not expecting much.

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