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It's a good score, nice blend between orchestra and synths.<br><br>But, i think WW is more interesting scoreI'm listening right now, one of the best works by Tom, by far.<br><br>Beautiful choir, great action tracks (even there is a great renditions of the themes, Windflower with that version of Shrike's theme is gorgeous) and multiples themes.I'm guessing CONFESSIONS & REGRETS is Tom Sells out his Clone?I have done this for... so many things ! :PThanks so much!
01 - THE ISLAND AWAITS YOU => 1M1 MAIN TITLES + 1M2 NIGHTMARE #1<br>02 - WHERE DO THESE TUBES GO? => 1M2 MISSING A SHOE + 4M24 ROUTE 39<br>03 - SECTOR 6 => 4M19C CENSOR CHASE PT 3 + 4M19D THE OUTSIDE WORLD<br>04 - STARKWEATHER => NOT IN MIXES (Album idea or suite idea ?) + 6M33H MVC PT 6 THE BIG R<br>05 - AGNATE UKULELES => 2M10 AGNATE UKULELES + 2M10B UKULELES 2 - ELECTRIC B<br>06 - YOU HAVE A SPECIAL PURPOSE IN LIFE => 3M14A RELEASING THE MOTH + 3M14B LIMA'S DEMISE<br>07 - MASS VEHICULAR CARNAGE => 1MD HEALTH CLUB (ALBUM SONG VERSION)<br>08 - RENOVATIO => 5M32B TRACKING THE CLONES<br>09 - I'M NOT READY TO DIE => 3M15 STARKWEATHER'S DEMISE (EDITED)<br>10 - THIS TONGUE THING'S AMAZING => 7M43 THIS TONGUE THING'S AMAZING + 6M38 CONFESSIONS & REGRETS<br>11 - MASS WINNINGS => 7M44 MASS WINNINGS + 7M45 RETURN TO INSTITUTE + 7M45 RETURN TO INSTITURE PT 2<br>12 - THE CRAZIEST MESS I'VE EVER SEEN => 3M16-17 A PRODUCT ON THE LOOSE + 3M18A CENSOR CHASE PT 1<br>13 - SEND IN THE CLONES => 5M29 TRAIN STATION CHASE + 5M31-32 IN LA - CALVIN KLEIN<br>14 - MY NAME IS LINCOLN => 8M52 THE END OF MERRICK<br><br>;)Hybrid is it possible that you could do a crossreference of what cues here = the ones on album like you did for King Arthur and Transformers 4?And maybe there's too much synth work in both cause... Andrew K worked on both ?! lolMothersbaugh isn't the only person out there to use 80s synth, you know. You are after all, on the website named after perhaps the greatest pioneer of it in terms of film music. <br><br>Also, there is nothing about this film that screams "Thor Ragnarok" ripoff. If anything, the appropriate place to compare is Black Panther- however, as Aquaman and his mythology predates Black Panther by several years, that argument is rendered moot.<br><br> Sure, we have regal similarities (king, set in kingdom, evil half brother) but it literally ends there. The story is quite basic, but nowhere like Ragnarok in its entirety. Ragnarok was about two brothers putting aside their differences to stop their evil sister from unleashing Ragnarok itself, whilst Aquaman is about Arthur Curry being forced to reconnect with his Atlantean heritage, and it's explicitly a quest for him to clear Atlantis from a corrupt, purist ruler who wants to hurt the surface world because of how the humans have been mistreating the seas. Aquaman is very much its own thing, and it doesn't need any such comparisons. And I bet, it will stomp past Ragnarok at the box office overall. <br><br>the main theme is quite similar to Jackman's Kingsman ( the first three note)<br><br>andd..<br><br>I assume it is the studio's mandate for RGW to go (and adapt..or imitate?) Mothersbaugh's Ragnarok with its 80s synth. <br><br>----<br><br>Having seen the movie, i understand why RGW chose the 80s style, because basically, Aquaman is Thor Ragnarok underwater. <br>Dont get me wrong, the visual spectacle is amazing and colorful ( in a good way), some of the cinematography is downright breathtaking,but i really did have a hardtime enjoying this movie in its fullness beacuse the blatant Ragnarok ripping-off here and there.., and dont get me started on the story...<br>Really, the visual did the heavy lifting in this movie ( and it succeeded in overcoming the weak storyline)
Um, is there a freaking Pitbull remix of Africa on here? What the heck?The kind of spacey synth parts reminds me of Blade Runner 2049, and for some reason, Michael Giacchino's work on Star Trek. The more orchestrated triumphant version of the theme is a little like the melodies heard on the Destiny 2 soundtrack.It’s out. Go find it. So far so good!I listened to the track Arthur and it sounds really great. It's an unexpected mix of orchestra and synths (almost 80's style) with a really great theme I suppose is for Aquaman. <br><br>I hope the rest of the score is like this.Here<br><br>https:// itunes.apple.com/nz/album/aquaman-original-motion-picture-so undtrac k /1445500675<br><br>Includes some songs and the track of Joseph Bishara
So is this for Cue sheets or the actual complete score is out?Rupert Gregson-Williams stated on his twitter page that it will be released the 14thSupposedly there is some Joseph Bishara music for the “Trench Sequence”. For anyone who has seen the film was this something original or was it music tracked in from other Bishara scores?Any news on the release date? I've seen both the 14th and 21st. No word from Watertower makes me think the 21st might be the actual date.OK. Aquaman is a great film with some flaws. Momoa, Heard, Wilson, Kidman & Lundgren are very good. IMO the movie has a rocky start, but from a certain scene the movie takes flight and never comes down.<br><br>Gregson-Williams' score is awesome I think. It sounds like a mix between BvS, WW & BR2049 with some gituar, drums & piano here and there. Very curious what kind of release it will get.<br><br>For me Wonder Woman is still the best DCEU movie but Aquaman isn't far behind!!! Solid 8.8
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Hans ZimmerLorne BalfeJohannes Vogel
ComposerMusic ProducerConductor
Volvo V90 - Epilogue (Commercial)
Label: 14th Street Music LLC (Digital Download Only)
Length: 3'48
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3271 votes)
  1. Epilogue (3:48)
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Evenstar reply Replies: 4 || 2016-09-22 23:37:31
So why is Lorne the producer here? Wasn't it always the other way around or why would Hans need to be produced by Lorne? o.O

Edmund Meinerts2016-09-23 01:04:42
It's not the first time. Remember that Lorne got a prominent producer credit (well, alongside Hans) on the front covers of e.g. Sherlock Holmes...kind of an indirect way of acknowledging just how much he contributed to that score, I guess?

Evenstar2016-09-23 12:54:13
Yeah maybe... I think Lorne was the additional composer again and they produced it together in the end.

Mike2016-09-23 15:34:35
I do sort of wonder what Lorne does as a producer on a Hans score when he isn't also credited with any writing. Granted, there are only 2 cues. If Hans couldn't handle that I would be surprised. :P

Musikzone2016-09-23 19:01:17
Why? Maybe because he is actually really good !

NotSoAnonymous reply Replies: 1 || 2016-09-20 06:57:36
Interesting they released these both as singles. Regardless, I'm always happy to hear more Hans.

Mike2016-09-20 17:47:04
Same thought. Either way, glad to see it released.
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Volvo V90 - Epilogue (Commercial) soundtrack - Hans Zimmer 2016