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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Hans ZimmerRupert Gregson-WilliamsLorne BalfeMax Aruj
Composer : Main ThemeComposerAdditional MusicAdditional Music
The Crown (TV Series - Season 1)
Label: Sony Classical
Length: 66'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5283 votes)
  1. The Crown Main Title (1:24)
    Hans Zimmer, Rupert Gregson-Williams, Lorne Balfe
  2. Duck Shoot (4:07)
    Rupert Gregson-Williams, Lorne Balfe
  3. Sagana (4:32)
    Rupert Gregson-Williams, Lorne Balfe
  4. Government (4:06)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  5. The Letter (7:56)
    Rupert Gregson-Williams, Lorne Balfe
  6. Limerick (2:49)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  7. Edward Returns (2:02)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  8. Is This Together (5:59)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  9. Margaret And Townsend (3:13)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  10. The Anointing (5:13)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  11. Someone Remarkable (4:15)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  12. Where Does That Leave Me? (1:39)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  13. Margaret Calls Elizabeth (4:01)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  14. Bit Of Fluff (2:30)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  15. Dressing Down (3:09)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  16. Mary Is Dead (1:45)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  17. Mary And Edward (3:32)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  18. Chasing Margaret (1:27)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
  19. Head Of The Family (2:41)
    Rupert Gregson-Williams, Lorne Balfe, Tony Clarke, Evan Jolly
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Brad reply Replies: 1 || 2017-08-23 01:30:17
Does anyone know where you could find the variations on Duck Shoot, specifically the one during the King's death in Episode 2?


Pablo2018-11-24 08:54:47
Looking for that one too, season 2 "future king" is very similar

Ahmad reply Replies: 2 || 2016-11-30 05:55:40
Does anyone else hear a hint of Arcade/Terraforming from Man Of Steel in Duck Shoot? The woodwind/flute starting 2:25 specifically. Really interesting.


Waymann2016-12-07 21:46:44
I heard that too!!


Mike Trindade2018-08-27 14:01:10
Inception theme too...

Joshua reply Replies: 9 || 2018-01-22 18:56:16
Rup's is scoring Aquaman!


George2018-01-22 19:56:14
Source???? If true I'm pumped. No more of that Elfman crap lol


Joshua2018-01-22 20:20:39
Can't divulge the source. But it's happening.


George2018-01-22 20:31:14
Lol okay I trust you, its awesome how RGW has broken from the comedic scores and is getting some really good opportunities to create some pretty incredible music


Joshua2018-01-22 21:57:00
I completely agree!


olive2018-01-23 02:09:08
I hope he does a better job than in WW. I like the main theme, but I'm not much of a fan of the RGW score. The most striking moments of it are those in which it mentions King Arthur or The Last Samurai.


Miralsice2018-01-27 11:51:50
It would be great. But I can't believe it without any proofs or sources.


Joshua2018-03-07 21:48:04
@Miralsice it's official now.

h t t p://filmmusicreporter.com/2018/03/07/rupert-gregson-williams -to-score-james-wans-aquaman/


Miralsice2018-03-08 00:51:55
That's good.


Iamtommie2018-08-06 11:51:12
Is there anybody who knows the chronological order of the 2 seasons scores? I've seen the show, but I can't figure it out.

Ian reply Replies: 3 || 2018-01-19 05:08:37
Jeez, I knew Lorne worked on this, and my assumption was that his contribution was fairly substantive, but I didn't realize he worked on every single cue (at least those on the OST). I'm not sure how I feel about that "Music by Rupert Gregson-Williams" credit now (I know it has everything to do with contracts, but I'm thinking about the principle / artistic integrity side).


Edmund Meinerts2018-01-19 10:21:06
I mean, Tony Clarke and Evan Jolly are on practically every single cue as well. My gut feeling is that these aren't fully accurate credits yet.


james (now james callahan)2018-01-20 02:01:35
This is one of those scores in which all composers receive credit for all cues even though they have not composed each note of music. This happens all the time in rcp (Kung Fu Panda, Batman v Superman, Megamind, BossBaby, Batman Begins, The Dark Knight).


james (now james callahan)2018-01-20 02:09:23
PS: the assumption that everything is Balfe is subjective. In the same way that you drew the conclusion that he is the composer of everything and the credit of RGW is doubtful, I could also say that Balfe did nothing and RGW did everything. Or that no one has done anything and almost everything
in the score is the result of the work of these additional composers.
The credits do not elucidate anything in this case.

Julian Briones III reply Replies: 0 || 2018-01-19 03:10:33
what song is season 1 episode 9 where churchill is being drawn by the artist ?

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Felix reply Replies: 1 || 2017-11-22 13:41:08
@Hybrid any news on Season 2 soundtrack release?


Waymann2017-11-26 22:56:26
Season 2 soundtrack to be released on December 8th also CD.

Felix reply Replies: 0 || 2017-07-13 19:45:38
The score is nominated for an Emmy :)

Anonymous reply Replies: 1 || 2016-12-06 03:56:17
How much did Balfe do here?


Andrewmusic 2016-12-07 16:40:54
Sounds very Balfe to me ! Duck shoot ! All sounds very 13 Hours . Excellent score either way !

Kalman reply Replies: 1 || 2016-12-01 18:17:36
Does anyone know why this score is not available on CD at most sites? Even at amazon they say it ships in 2-3 weeks. At most of international amazon sites it is out of stock. At e-bay I could only find one copy. Other online stores either don't list it or it is out of stock too. I find it a bit strange considering it was released about two weeks ago by Sony which is not a small label.


kwm2016-12-03 20:47:39
Same question!

thearmusicgroup reply Replies: 3 || 2016-10-10 23:35:26
I am way more looking forward to Hans' smaller works and releases (like The Crown and Planet Earth) than his upcoming big ones like Inferno. I feel like there are two sides of him now, and the shows and films that are smaller do not pressure him to emulate that stupid generic Hollywood action sound. Stuff like this still reminds me of his older work.


fixed2016-10-11 00:01:15
You're right. Also, Hans's old co-work like here (Balfe & Rupert G-W) still better than CHAPPiE's


AndrewM2016-10-13 06:43:12
Didn't know Balfe was also doing this ? Any sample of the score yet ?


gretel2016-11-11 22:45:53
hans zimmer "time" (inception) is nearly the same as "duck shoot".
think he ra-arrange the whole OST.

Waymann reply Replies: 6 || 2016-11-04 22:10:49
Does anyone know the name of the tracks that you hear in episode 2 when King George dies and the scenes following this event ? Can't seem to find it on the score... It's a different variation on The Duck Shoot and Main theme. Sounds even more beautiful than the version on the album.


Vivien2016-11-07 10:27:53
Well, the answer is in your question, it's a variation of "Duck shoot".


Waymann2016-11-07 12:36:32
Too bad... I watched the whole series now and there is I belief more music that is not included in the official release.


Hybrid Soldier2016-11-07 19:15:28
lol series like that have like 4 to 6 hours written for them... OSTs are usually 1 hours...


Felix2016-11-07 20:01:07
@Hybrid

Somebody persons don't know it...lol

Do you know what Lorne did ok this here, at first it stands additional composer & now co-composer?!


Waymann2016-11-08 09:05:06
I do know this, but it's kind of frustrating when you hear good music in the series and they are not included in the soundtrack. Instead some boring uninteresting tracks are included. Of course these soundtrack albums need to be a good listening experience for the big crowd...


gretel2016-11-11 22:43:23
hans zimmer "time" (inception) is nearly the same as "duck shoot".
think he ra-arrange the whole OST.

peter reply Replies: 1 || 2016-10-10 15:49:57
yea, Premier Boxing Champions, A.D. The Bible Continues and expanded album of Saints & Strangers would be awesome


gretel2016-11-11 22:42:42
hans zimmer "time" (inception) is nearly the same as "duck shoot".
think he ra-arrange the whole OST.

Joshua reply Replies: 12 || 2016-11-01 20:24:24
Rupert scoring Wonder Women!!!!!!


Jim2016-11-01 21:00:46
Yeah? Where's source?


Joshua2016-11-01 21:35:11
Out of respect to my source's job I cant say. But its legit.


Anonymous2016-11-02 01:29:04
At least it's not Wonder Woman. Wonder Women is probably one of those lame knock-off movies that opens at the same time as a major blockbuster. Probably about a group of women who gain superpowers after a toxic accident...


Joshua2016-11-02 02:56:34
Whoops. Typo, my bad.


Everan2016-11-02 03:16:56
Oh God, I hope this is true! He can use Zimmer's theme and with the small excerpts of Hacksaw Ridge, he'll rock!


Diana2016-11-02 03:51:18
Calling bullshit on Joshua. "Out of respect". Mhm. Ok.


Paul2016-11-02 09:51:04
So... if this is true then Rupert is finally becoming recognised and in demand? That's really nice.


Everan2016-11-02 17:34:35
There's a new trailer tomorrow so maybe we'll get confirmation ing the trailer's credits.


Hybrid Soldier2016-11-03 18:08:32
Confirmed, RGW scores WW.


Everan2016-11-03 18:30:55
OH GOD YES!


Joshua2016-11-03 20:24:27
I'm just glad to see Rupert finally getting such big projects. He has always deserved better than shitty Adam Sandler movies.

@Diana You were saying? ;)


mpolonest123 2016-11-03 20:29:45
Cool! Can't wait to see what it sounds like...
(although I was kinda hoping for Tina Guo to compose)

Hybrid Soldier reply Replies: 1 || 2016-10-25 20:19:57
Details !


Everan2016-10-25 20:54:18
The Letter better be great! Looking so forward to this and Hacksaw Ridge!

Ei18 reply Replies: 7 || 2016-10-13 16:00:38
This track sounds just like time/journey to the line. Did Hans actually work on this or is it just his name?


Mike2016-10-13 17:46:16
Same question...maybe they temped "Safe Now" and that's where the Hans part comes from... :P But he did very possibly do it anew, for all we know.


ei182016-10-13 22:15:07
Yea, my first thought was "Safe Now" when I listened to this.


Hybrid Soldier2016-10-13 22:16:01
Really guys ? To me it was more Tron Legacy... lol


MB2016-10-14 00:46:58
Yeah, for me it's like basic Tron:legacy theme. But with some interesting strings on background AND Thin red line/Time/safe now element.


Miguel2016-10-14 03:12:23
Where do you think Trin copied from ! The maestro obviously


ei182016-10-14 07:03:15
Did Hans work on the score? I remember when he was first announced, but I thought I saw recent promotional material with only Rupert's name on it.

Also it is for sure a mix of Safe Now and Tron. Melody is more Safe Now and the sound of it is more Tron. Not sure if that makes any sense.


Hybrid Soldier2016-10-14 10:30:53
Hans worked on it.

Mephariel reply Replies: 0 || 2016-10-14 08:13:53
I read that Zimmer only wrote the main theme.

peter reply Replies: 0 || 2016-10-10 15:49:58
yea, Premier Boxing Champions, A.D. The Bible Continues and expanded album of Saints & Strangers would be awesome

Hybrid Soldier reply Replies: 2 || 2016-10-10 00:39:10
Coming soon !


Dimitris Krommidas2016-10-10 01:28:03
Great! Thanks.


Mike2016-10-10 04:18:34
Great! Now if only Premier Boxing Champions would get some kind of release...love the theme for that one.

 HANS-ZIMMER.com© 2001-2018 OST 
The Crown (TV Series - Season 1) soundtrack - Rupert Gregson-Williams 2016