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Olive - it totally is unwarranted. <br><br>Your points are very un-educated .<br><br>Ask yourself this .... why has Balfe worked on every Transformere film ?The Majority of Zimmerís films in the last 15 years and according to ASCAP been an equal composer .Captain Philips for Jackman.Ironman for Ramin .....<br><br><br>Okay, I'll wait for the more detailed credits in the release.Yeah, Mazzaro and AK would be more interesting choices, even Balfe.<br><br>Maybe Zimmer has more confidence in Wallfisch? He delivered Verbinsky's "Cure" gratuitously for him and then tied him up on two of his major projects last year.<br><br>When I refer to security, I talk about the "assurance of delivering a good job".Olive - wrong.Balfe has said it is used in the film on Twitter.Geostorm is fun, with a nostalgic nods to the old MV scores.<br><br>And much better than 12 Strong
I know this story... It would be good if JP were like HZ in his public promises. xD<br><br>Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?About the score: Dunkirk's unimaginative copy (regardless of who is the lead author of the Nolan movie score).<br><br>Lego, really, was one of the best scores for animation last year. Churchill is a good accompaniment to the film and Genius is a fun listening with many moments that catch the ear.<br><br>Unfortunately, 12 strong and Geostorm were disappointing, but it is normal for any composer's career to have ups and downs, especially when working with so many numbers in a single year.<br><br>I agree with Mike that there is a very clear difference from when Hans is on a project and when one of his assistants goes to work alone. Pirates, WW and even Tarzan are there as more recent examples, all excellent scores, but you know there's something missing there.<br><br>On the problem with "hate" for Balfe, it is not unwarranted. It is a reaction to the exaggerated attention he has received over the past year, which overlaps with that received by other composers who work with universes with fan platforms far superior to those in which Balfe works. Jablonsky has the billion dollar franchise of the Transformers, Djawadi GoT and Henry Jackman has worked with the Marvel movies. Even Powell's entrance to SW might have made some noise, but nothing. None of these projects received such warm reception from the members of this site as Balfe's latest projects (with the exception of HZ, of course). That bothers me a little.<br><br>Curious to know what he will do with "Pacific Rim".<br><br>A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon.
"Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.where got you did tracklist have been?
Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.
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Mark MancinaDave MetzgerDon HarperDaniel Pinder
ComposerAdditional MusicConductorMusic Editor
Moana
Label: Walt Disney Records
Length: 120'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3057 votes)
CD1
  1. Tulou Tagaloa - Olivia Foa'i (0:52)
  2. An Innocent Warrior - Vai Mahina, Sulata Foai-Amiatu, Matthew Ineleo (1:38)
  3. Where You Are - Christopher Jackson, Rachel House, Nicole Scherzinger, Auli'i Cravalho, Louise Bush (3:31)
  4. How Far I'll Go - Auli'i Cravalho (2:44)
  5. We Know The Way - Lin-Manuel Miranda, Opetaia Foa'i (2:22)
  6. How Far I'll Go (Reprise) - Auli'i Cravalho (1:28)
  7. You're Welcome - Dwayne Johnson (2:44)
  8. Shiny - Jemaine Clement (3:06)
  9. Logo Te Pate - Olivia Foa'i, Opetaia Foa'i, Talaga Steve Sale (2:11)
  10. I Am Moana (Song Of The Ancestors) - Rachel House, Auli'i Cravalho (2:43)
  11. Know Who You Are - Auli'i Cravalho, Vai Mahina, Olivia Foa'i, Opetaia Foa'i, Matthew Ineleo (1:13)
  12. We Know The Way (Finale) - Lin-Manuel Miranda, Opetaia Foa'i (1:10)
  13. How Far I'll Go (Alessia Cara Version) - Alessia Cara (2:56)
  14. You're Welcome (Jordan Fisher/Lin-Manuel Miranda Version) - Jordan Fisher, Lin-Manuel Miranda (2:18)
  15. Prologue (2:26)
  16. He Was You (0:51)
  17. Village Crazy Lady (0:46)
  18. Cavern (2:06)
  19. The Ocean Chose You (1:18)
  20. The Hook (1:10)
  21. Tala's Deathbed (2:01)
  22. Battle Of Wills (3:11)
  23. Kakamora (4:34)
  24. Wayfinding (1:53)
  25. Climbing (0:55)
  26. Tamatoa's Lair (2:46)
  27. Great Escape (1:00)
  28. If I Were The Ocean (3:02)
  29. Te Ka Attacks (1:42)
  30. Maui Leaves (2:06)
  31. Heartache (0:40)
  32. Tala Returns (1:02)
  33. Sails To Te Fiti (5:47)
  34. Shiny Heart (0:37)
  35. Te Fiti Restored (1:04)
  36. Hand Of A God (0:31)
  37. Voyager Tagaloa (0:58)
  38. Toe Feiloa'i (1:26)
  39. Navigating Home (0:48)
  40. The Return To Voyaging (1:02)
CD2
  1. Unstoppable (Outtake) - Lin-Manuel Miranda (4:00)
  2. More (Outtake) - Marcy Harriell (3:17)
  3. More (Reprise) (Outtake) - Marcy Harriell (2:39)
  4. Warrior Face (Outtake) - Lin-Manuel Miranda (2:17)
  5. Where You Are (Demo) - Lin-Manuel Miranda (3:02)
  6. You're Welcome (Demo) - Lin-Manuel Miranda (2:38)
  7. Shiny (Demo) - Lin-Manuel Miranda (3:05)
  8. Prologue (Score Demo) (2:27)
  9. Village Crazy Lady (Score Demo) (0:45)
  10. Cavern (Score Demo) (2:06)
  11. Kakamora (Score Demo) (3:59)
  12. It's Called Wayfinding (Score Demo) (0:54)
  13. Maui Leaves (Score Demo) (2:05)
  14. Sails To Te Fiti (Score Demo) (1:38)
  15. Maui Battles (Score Demo) (1:58)
  16. Sea Monsters (Score Demo) (0:46)
  17. Tala Returns (Score Demo) (1:16)
  18. How Far I'll Go (Instrumental Karaoke) (2:45)
  19. You're Welcome (Instrumental Karaoke) (2:44)
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Bob Smith reply Replies: 2 || 2016-12-12 08:44:47
Is this a complete score Hybrid?


Hybrid Soldier2016-12-12 16:40:12
Nope, far from it, lots of short cues missing here & there, not that much significant material though...


Bob Smith2016-12-13 07:33:47
Thanks a lot man. It's really cool to have someone who knows what goes on behind the scenes.

0-^-0 reply Replies: 4 || 2016-11-26 18:22:02
Would welcome any attempt at putting the tracks in chronological order for this one.


Carly2016-11-28 03:12:20
After seeing the movie, this is how I would order CD 1 chronologically:

Tulou Tagaloa
Prologue
An Innocent Warrior
Where You Are
How Far I'll Go
He Was You
Village Crazy Lady
Cavern
We Know the Way
The Ocean Chose You
The Hook
Tala's Deathbed
How Far I'll Go (Reprise)
You're Welcome
Battle of Wills [this one might go before "You're Welcome"]
Kakamora
Wayfinding
Climbing
Tamatoa's Lair
Shiny
Great Escape
Logo Te Pate
If I Were the Ocean
Te Ka Attacks
Maui Leaves
Heartache
Tala Returns
I Am Moana (Song of the Ancestors)
Sails to Te Fiti
Shiny Heart
Know Who You Are
Te Fiti Restored
Hand of a God
Voyager Tagaloa
Toe Feiloa'i
Navigating Home
The Return to Voyaging
We Know the Way (Reprise)

I'm not positive, though. Someone correct me if I'm wrong!


Carly2016-11-28 03:37:08
Actually, I think "He Was You" comes before "How Far I'll Go."


Hybrid Soldier2016-12-03 17:51:40
I confirm your correct order Carly, with a couple of corrections ! :)

Tulou Tagaloa
Prologue
An Innocent Warrior
Where You Are
He Was You
How Far I'll Go
Village Crazy Lady
Cavern
We Know the Way
The Ocean Chose You
The Hook
Tala's Deathbed (after 1:15 seems unused)
How Far I'll Go (Reprise)
You're Welcome
Battle of Wills
Kakamora
Wayfinding
Climbing
Tamatoa's Lair
Shiny
Great Escape
If I Were the Ocean (first 2:07)
Logo Te Pate
If I Were the Ocean (after 2:07)
Te Ka Attacks
Maui Leaves
Heartache
Tala Returns
I Am Moana (Song of the Ancestors)
Sails to Te Fiti
Shiny Heart
Know Who You Are
Te Fiti Restored
Hand of a God
Voyager Tagaloa
Toe Feiloa'i
Navigating Home
The Return to Voyaging
We Know the Way (Reprise)


0-^-02016-12-04 18:23:46
Thank You all for your contributions!

Edmund Meinerts reply Replies: 2 || 2016-11-21 11:57:38
I just had a listen to this (the score portion at least), and while it's nice and the Hawaiian elements (a beautiful flute and chanting choir) are worked in pretty well, I can't help but be a little disappointed. The many short tracks make it feel very fragmented and there's hardly any thematic material to hold it together. Definitely the best tracks are the long action cues "Kakamora" and "Sails to Te Fiti", but even they change rhythm every ten seconds and are a little frustrating. You can definitely tell that the score is composed to fit in between a lot of songs because it seems to lack a narrative of its own.

It's still worth listening to, but don't expect anything on the level of Planes.


rockhound2016-11-21 14:29:34
with the songs it is the same. mancina did co-write the music for a couple of them and produced almost all of them and you can hear that. all the songs have melodies, but none of them shines out as a theme song like for example in Tarzan or The Lion King. none of the songs has a very strong melody, but they capture the hawaiian feeling perfectly as the score does. if you listen to the album as a whole, the concept works.


Arose2016-11-29 07:12:15
Just FYI, not everything Polynesian is Hawaiian. There are like numerous other cultures (much older, approx 3000yrs old) than the Hawaiian culture (which is only about 900-1300yrs old). So the story and the music of Moana is actually based and from those older cultures (I.e Tulou Tagaloa is entirely Samoan).

JB reply Replies: 0 || 2016-11-17 18:51:44
The album structure is very similar to the Frozen soundtrack. Fisrts disc original songs followed by the original score. Second disc outtakes, demos and instrumentals from the original songs and the score.

Macejko reply Replies: 1 || 2016-10-19 10:18:01
Mark needs to properly return to the scoring game. Seriously, it's long overdue. I feel like I've been waiting for Moana for centuries and I'm really excited.

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Peter2016-11-04 21:36:36
totally agree, why he is scoring so rarely?

Mr Tweedy reply Replies: 0 || 2016-10-18 14:11:58
2CD !!! :D

Hybrid Soldier reply Replies: 1 || 2016-10-18 12:07:53
New Mancina to come !


isildur2016-10-18 12:49:08
Really excited about this. Mark writes some beautiful melodies. Just like Atli, he doesn't get as much as he deserves.

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