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The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally I’ve moved on from collecting cd’s (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
Was pleasantly surprised by this one when I first heard it. Outside of the ‘modern scoring’ portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the LeadHybrid do you know what cues Mancina worked on here? I read in the Twister booklet that the director heard a cue from this and wanted Hans for Twister but he told him that it was actually Mark.
100% for HybridSoldier!I am very glad we have 2 scores by Steve this year. Waiting for Spenser Confidential.Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that aren’t just animated. I really miss his music, he’s so ridiculously talented.
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Tom Holkenborg (Junkie XL)Aljoscha ChristenhußAntonio Di IorioJack Dolman
ComposerAdditional MusicAdditional MusicMusic Editor
Distance Between Dreams (Documentary)
Label: Lakeshore Records (Digital Download Only)
Length: 66'49
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4004 votes)
  1. Stranded (5:53)
    Tom Holkenborg
  2. The Shore (9:57)
    Tom Holkenborg, Aljoscha Christenhuß
  3. The Workx (6:26)
    Tom Holkenborg
  4. Always Ready (5:17)
    Tom Holkenborg, Antonio Di Iorio
  5. Dark Beaches (8:20)
    Tom Holkenborg
  6. Dark Blue Hours (7:45)
    Tom Holkenborg, Antonio Di Iorio
  7. Deep Cut (3:58)
    Tom Holkenborg, Aljoscha Christenhuß
  8. Distant Lights (4:31)
    Tom Holkenborg, Aljoscha Christenhuß
  9. Increasing Vibes (5:51)
    Tom Holkenborg, Antonio Di Iorio
  10. Jaws (3:58)
    Tom Holkenborg
  11. Wavey Waters (4:49)
    Tom Holkenborg
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mpolonest123 reply Replies: 0 || 2016-12-30 23:08:12
Just listened/watched Spectral on Netflix. Nothing really special from JXL, pretty much a hybrid of Point Break and Paranoia

Frank reply Replies: 0 || 2016-12-12 09:16:41
Hybrid, will his latest work Spectral got an album release?

Hybrid Soldier reply Replies: 2 || 2016-11-25 12:39:54
Extract !


MB2016-11-25 14:55:10
Cool:) reminds me sound from the game FEZ


MB2016-11-25 14:57:47
....and Junkie XL - Honey (from 2006 album Today)

mpolonest123 reply Replies: 0 || 2016-11-23 15:39:44
Looks interesting, hopefully this is less of the electronic/drumming Junkie and more of the thematic one.

Hybrid, any chance of Brimstone being released?

Felix reply Replies: 1 || 2016-11-23 13:28:59
It looks interesting :)


Max2016-11-23 13:33:23
For a moment,I thought it's for Point Break. Haha.

Can not wait for this one. :D

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Distance Between Dreams (Documentary) soundtrack - Tom Holkenborg (Junkie XL) 2016