NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Ramin DjawadiBrandon CampbellGavin GreenawayStephen Coleman
ComposerAdditional MusicConductorOrchestrator
The Great Wall
Label: Milan Records
Length: 62'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4060 votes)
  1. Nameless Order (4:27)
  2. Prologue (1:49)
  3. What A Wall (3:46)
  4. The Great Wall (4:30)
  5. First Battle (7:39)
  6. Captive Heroes (1:38)
  7. A Clean Start (2:27)
  8. We Are Not The Same (3:17)
  9. Funeral Song (3:01)
  10. Foggy Loyalty (3:02)
  11. Fog And Fire (3:01)
  12. The Greed Of Man (1:57)
  13. Fools And Thieves (3:16)
  14. The Great Experiment (2:54)
  15. Bianling Boogie (3:43)
  16. Tower Tactics (4:20)
  17. Powder Rangers (3:27)
  18. Xin Ren (3:55)
Create Topic

tito reply Replies: 0 || 2018-10-19 12:42:07
good music

Joseph Solano reply Replies: 4 || 2017-03-23 01:55:37
Can anybody give me a list of the names of themes and motifs in the movie. I would appreciate it.


Macejko2017-03-23 08:27:55
Sure, pal.

Blue female troops theme (heard in "Nameless Order")
Great Wall theme ("What a Wall")
William's theme ("The Great Wall")
Tao Tei (monsters) theme (first heard in "First Battle")
Tovar's guitar motif (briefly heard in "First Battle")

These are the most prominent/identifiable ones.


Joseph Solano2017-03-25 18:06:14
Thanks. Would the Blue Female Troops theme be considered Lin Mai's theme as well? And does Damon's character have a theme?


Macejko2017-03-25 21:46:35
I would need to rewatch the movie to be absolutely sure she doesn't have a separate theme. And the name of Damon's character is William, his theme is listed above :)


Joseph Solano2017-03-28 02:08:15
I wanted to see the movie and never did. Now I know what to listen for when I see it. Thanks for the help!

Edmund Meinerts reply Replies: 1 || 2017-03-05 01:32:39
This score is a lot of fun, honestly. Ramin has written better individual pieces than anything here but I'd say this is his most consistently entertaining album, never really gets boring (although sometimes I feel like he does sort of run out of ideas for action music rhythms and falls back on the same type of percussion a lot). Especially the first five tracks are great stuff, just very fun and entertaining. Love the Chinese choir additions.

Macejko, Mr. Djawadi Fanboy, you've been uncharacteristically quiet about this one, what did you think?


Macejko2017-03-05 10:14:35
Well Edmund my man, I obviously loved this album as well and I think that if we take GoT 6 out of the equation, this is Ramin's best score of the last year.
The first half of the album is a pure bliss for me, and although the second half doesn't pack that powerful of a punch, it's still great. After seeing the movie itself I was pleasently surprised of how many elements of the film were actually given a theme (like Pedro Pascal's character for example), albeit a small one.
When compared to Warcraft (which I also adored), that movie had sort of a primal, brute-force thing going on (obviously related to the nature of the Orcs). On the other hand, TGW is much more sweeping and adventurous and albeit a also fantasy film from the same year, I'd say those two scores are not interchangable at all. It just goes to show that Ramin puts a lot of serious thought into a movie, even if it's not a cinematic masterpiece (which, let's be honest, neither of those films were).

Michael Poleschuck reply Replies: 0 || 2017-02-19 13:01:32
https://www.youtube.com/watch?v=_bmlThSrdiQ&index=3&list=PLf zW_wEeYxk49mJ4kq_YIeYYzybMGSHz0

And here's a little one behind-the-scenes!

Dimitris Krommidas reply Replies: 3 || 2016-12-18 00:09:37
Epic score.
A favorite together with Warcraft and Gears of War 4.


Adam Krysinski (Soundtracks.pl)2016-12-23 08:57:21
Expanded European CD Edition (with two more tracks & different cover) will be relased on January 13, 2017.


jjluffy2017-01-15 11:05:00
It would seem that it is the digital version that contains 20 tracks. There seems to be only one cd version with 18 tracks.


rockhound2017-01-16 13:44:33
i really like that end song. very nice melody. would be cool to have it on cd.

Adam Krysinski (Soundtracks.pl) reply Replies: 1 || 2016-12-23 08:57:43
Expanded European CD Edition (with two more tracks & different cover) will be relased on January 13, 2017.


Macejko2016-12-23 16:27:32
Thanks for the info, pal! I absolutely adore this score. Although it seems that there is only one track composed by Ramin, the other two appear to be songs by some chinese artists.

MB reply Replies: 5 || 2016-12-16 17:18:11
I've already listened to it. So what can I say? Nothing special. Yes, there are some interestings moments like flute and good choir. But... The main theme reminds me Backdraft and Beyond rangoon (this is not good), but in sum the score is 3 stars from 5. Badelt's Promise alot better.


Per2016-12-16 17:32:12
I hardly check out new scores anymore.. but Backdraft and Beyond Rangoon ? .. two of my favorite scores .. maybe I should try this then.

Btw. MB, do you mean the result is not good (even though Backdraft and Beyond Rangoon are), or that Beyond Rangoon (and/or Backdraft) is not good (the themes) ? Certainly Beyond Rangoon have one of the best theme(s) ever imho.


MB2016-12-16 17:42:37
Yes, I mean the result is not good (even though Backdraft and Beyond Rangoon are, which I love very much). Maybe the others don't hear the influence of Backdraft and Beyond rangoon, but I can hear it. The result is like I said, nothing special. But the other side this score hasn't the underscore crap, thats the good side. Strange thoughts))


Hybrid Soldier2016-12-16 17:46:11
It honestly sounds nothing like those scores... lol

It just sounds like Ramin, a more "actiony" Game of Thrones and less "darky" Warcraft, closer to Clash of The Titans...


MB2016-12-16 17:50:05
I mean that there are some elements in main theme which reminds these scores. That's it. I agree that its closer to clash of the titans, but more asian style.


Anonymous2016-12-17 12:57:38
I like it. Esp after the terrible Gears score this is a nice surprise.

Waymann reply Replies: 0 || 2016-12-16 10:14:53
Damn, track 4 The Great Wall is amazing!

MB reply Replies: 0 || 2016-12-15 22:05:04
This flute in Nameless order (1st half) reminds me Beyond Rangoon. This is cool)

Felix reply Replies: 0 || 2016-12-15 21:01:19
It's sounds really good :)

Waymann reply Replies: 1 || 2016-12-14 21:41:19
First tracks is here! It's amazing. https://soundcloud.com/milanrecords/ramin-djawadi-nameless-o rder-from-the-great-wall-ost


mpolonest1232016-12-14 22:15:12
Wow, honestly didn't expect this. The string writing and percussion are 100% Ramin but the instrumentation and vocals are incredible. Really looking forward to this now.

Hybrid Soldier reply Replies: 1 || 2016-12-04 10:15:01
Thanks Frank for finding this !


Waymann2016-12-05 13:27:04
Comes out december 16 I read...

 HANS-ZIMMER.com© 2001-2018 OST 
The Great Wall soundtrack - Ramin Djawadi 2016