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MOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESMOVIE CREDITS<br>Music by STEVE JABLONSKY<br><br>Music Supervisors: PETER AFTERMAN, MARGARET YEN<br>Associate MusicSupervisor: ALISON LITTON<br>Music Coordinator: ORIANA PEDONE<br>Original Score Produced by STEVE JABLONSKY, DAVID METZNER and RON WEBB<br>Mixing Engineer: JEFF BIGGERS<br>Recording Engineer: ANDREW DUDMAN<br>Conductor: ALASTAIR KING<br>Orchestra Leader: EVERTON NELSON<br>Solo Cello: TIM GILL<br>Guitars: TOM STRAHLE, STEVE JABLONSKY, BRYCE JACOBS<br>Drums: JON JABLONSKY<br>Technical Score Engineer: LORI CASTRO<br>Additional Music and Arrangements by LUKE RICHARDS, CHRISTIAN WIBE, BRYCE JACOBS<br>Orchestrators: LARRY RENCH, JEREMY BORUM<br>Booth Reader: CLIFF MASTERSON<br>ibrarian:  JILL STREATER MUSIC<br>Copyist: BLACK RIBBON PRO<br>Orchestra Contractor: AMY STEWART for ISOBEL GRIFFITHS LTD.<br>Assistant Engineers: MATT JONES, GEORGE OULTON<br>Recorded at ABBEY ROAD STUDIOS<br>Mixed at ARATA MUSIC STUDIOS<br>Music Editor: RON WEBB<br>Score Music Editor: DAVID METZNER<br>Additional Score Music Editor: DARRELL HALL<br><br>"Walls"<br>Written by JAMIE N COMMONS, MIKE MAC and JORDAN BAUM<br>Produced by JAMIE N COMMONS and MIKE MAC<br>Performed by JAMIE N COMMONS<br>Courtesy of KIDinaKORNER / INTERSCOPE RECORDS<br>Under license from UNIVERSAL MUSIC ENTERPRISESI made a mistake.I made a mistake.
GAME CREDITS<br>Original Music Composed and Performed by TOM HOLKENBORG aka JUNKIE XL<br>"The Run" & "SPIN" composed by ATTICUS ROSS<br>Additional Music from 9th WONDER and KONRAD OLDMONEY<br>Addtional Music by AUDIO NETWORK<br><br>Executive Music Producer: STEVE SCHNUR<br>Senior Music Supervisor: CYRELEE PETTUS<br>Music Marketing: RAPAELLA LIMA<br>Sr. Manager Music Licensing: BEVERLY KOEFCKLRITZ<br>Music Director: RICARDO ALMEDIA<br>Music Editor: ARYIDS SAULITIS<br>MOVIE CREDITS<br>Music by HARRY GREGSON - WILLIAMS<br>Music Supervision by JABARI ALI<br><br>Music Editors: MARK JAN WLODARKIEWICZ, PAUL THOMASON<br>Conducted by HARRY GREGSON - WILLIAMS<br>Orchestrations by LADD McINTOSH<br>Score Recorded by DENNIS SANDS<br>Score Mixed by AL CLAY<br>Additional Music by STEPHANE ECONOMOU<br>Music Production Services: MONICA ZIERHUT<br>Orchestra Contractor: PETER ROTTER<br>Music Preparation: BOOKER WHITE<br>Score Recorded at STREISAND SCORING STAGE, CULVER CITY, CAMOVIE CREDITS<br>Music by HARRY GREGSON-WILLIAMS<br><br>Supervising Music Editors: ALLEGRA DE SOUZA, ADAM MILO SMALLEY<br>Music Editor: PETER OSO SNELL<br>Assistant Music Editor: PAUL THOMASON<br>Additional Music by STEPHANIE ECONOMOU<br>Orchestrations by ALASTAIR KING<br>Music Coordinator: CHRISTIAN BUCHMANN<br>Score Recorded by BERND MAZAGG<br>Score Pro-Tools Operator: MARTIN WEISMAYR<br>Score Mixed by AL CLAY<br>Technical Score Engineers: ALVIN WEE, SLAMM ANDREWS<br>Score Consultant: MONICA ZIERHUT<br>Music Preparation by BOOKER WHITE, VIENNA MUSIC ANGELS<br>Chinese Percussion Performed by FENG SINGAPORE<br>Chinese Percussion Leader: MIKE CHIANG<br>Chinese Percussion Recorded by GAO YANG<br>Songs by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Score by HARRY GREGSON-WILLIAMS<br><br>Songs Arranged & Orchestrated by MARTIN ERSKINE<br>Music Mixers: MICHAEL FARROW, FRANK WOLF, CARY BUTLER, BILL JACKSON, ROSS PALLONE<br>Supervising Music Editors: RICHARD WHITFIELD, SHERRY WHITFIELD, DOMINICK CERTO<br>Music Contractor: REGGIE WILSON<br>Supervising Music Copyist: BOOKER WHITE<br>Vocal Contractor: BOBBI PAGE<br>Score Orchestrations: BRUCE FOWLER, LADD McINTOSH<br>Score Conducted by NICK GLENNIE-SMITH<br>Score Music Programming: STEVE JABLONSKY<br><br>"The Wonderful Thing About Tiggers"<br>"Someone Like Me"<br>"Whoop-de-Dooper Bounce"<br>"Pooh's Lullabee"<br>"Round My Family Tree"<br>"How to Be a Tigger"<br>Words and Music by RICHARD M. SHERMAN & ROBERT B. SHERMAN<br><br>Performed by<br>JIM CUMMINGS as Tigger and Winnie the Pooh<br>KATH SOUCIE as Kanga<br>NIKITA HOPKINS as Roo<br>ANDRE STOJKA as Owl<br>PETER CULLEN as Eeyore<br>JOHN FIEDLER as Piglet<br><br>Chorus<br>RANDY CRENSHAW<br>MICHAEL GEIGER<br>GEOFF KOCH<br>RICK LOGAN<br>BOBBI PAGE<br>LAUREN WOOD<br><br>END TITLE SONG<br>"Your Heart Will Lead You Home"<br>Words and Music by<br>KENNY LOGGINS, RICHARD M. SHERMAN & ROBERT B. SHERMAN<br>Performed by KENNY LOGGINS<br>Produced by KENNY LOGGINS & PETER ASHER<br>Mixed by GEORGE MASSENBURG<br><br>Chorus<br>ROSEMARY BUTLER<br>GARY FALCONE<br>WENDY FRASER<br>JONNIE HALL<br>MOLLY HALL<br>DORIAN HOLLEY<br>CORD JACKMAN<br>LUANA JACKMAN<br>RAVEN KANE<br>BRIAN LASSITER<br>STEPHEN LIVELY<br>RICHARD LUCCHESE<br>ARNOLD McCULLER<br>BOBBI PAGE<br>BRANDON POLLARD<br>ANDREA ROBINSON<br>LAURIE SCHILLINGER<br>SOPHIA SCHWARTZ<br>STEPHANIE SPRUILL<br>TIFFANY TAKARA GREER<br>CARMEN TWILLIE<br>TERRY WOOD<br>AYANA WILLIAMSMOVIE CREDITS<br><br>Music by HANS ZIMMER<br><br>Music Editor: MELISSA MUIK<br>Assistant Music Editor: NEVIN SEUS<br>Additional Music and Rhythm Design: JUNKIE XL<br>Additional Music: ANDREW KAWCZYNSKI, STEVE MAZZARO, ATLI ORVARSSON<br>Score Wrangler: BOB BADAMI<br>Music Consultant: PETER ASHER<br>Music Production Services: STEVEN KOFSKY<br>Featured Soloists - Steel Sculptures: CHAS SMITH - Cello: MARTIN TILLMAN<br>Violin: ANN MARIE CALHOUN - Voice: HILDA ORVARSDOTTIR<br>Guitars: GEORGE DOERING - Bass: LEE SKLAR<br>Drum Orchestra: JOHN JR ROBINSON, JASON BONHAM, JOSH FREESE, PHARRELL WILLIAMS, DANNY CAREY,<br>SATNAM RAMGOTRA, TOSS PANOS, JIM KELTNER, CURT BISQUERA, TREVOR LAWRENCE JR., MATT CHAMBERLAIN,<br>RYELAND ALLISON, BERNIE DRESEL, VINNIE COLAIUTA, SHEILA E.<br>Pedal Steel Orchestra: CHAS SMITH, MARTY RIFKIN, SKIP EDWARDS, BOO BERNSTEIN, PETER FRIEBERGER,<br>RICK SCHMIDT, JD MANESS, JOHN McCLUNG<br>Supervising Orchestrators: BRUCE FOWLER, WALTER FOWLER<br>Orchestrations by SUZETTE MORIARTY, KEVIN KASKA, CARL RYDLUND<br>Technical Score Engineers: CHUCK CHOI, BRIAN WHERRY<br>Additional Arrangements by JASHA KLEBE<br>Synth Programming: HOWIE SCARR<br>Music Conducted by NICK GLENNIE-SMITH<br>Orchestra Leader: BELINA BROUGHTON<br>Score Mixed and Produced by STEPHEN LIPSON<br>Score Recorded and Mixed by ALAN MEYERSON<br>Additional Recording by TOMMY VICARI, DANIEL KRESCO<br>Assistant Engineers: CHRISTIAN WENGER, JOHN CHAPMAN, PETER NELSON<br>Score Coordinator: CZARINA RUSSELL<br>Digital Instrument Design: MARK WHERRY<br>Music Clearances: MARGARET YEN
MOVIE CREDITS<br><br>Music By<br>HANS ZIMMER<br><br>Music Editor<br>MELISSA MUIK<br><br>Assistant Music Editor<br>NEVIN SEUS<br><br>Additional Music And Rhythm Design<br>JUNKIE XL<br><br>Additional Music<br>ANDREW KAWCZYNSKI<br>STEVE MAZZARO<br>ATLI ORVARSSON<br><br>Score Wrangler<br>BOB BADAMI<br><br>Music Consultant<br>PETER ASHER<br><br>Music Production Services<br>STEVEN KOFSKY<br><br>Featured Soloists<br>Steel Sculptures - CHAS SMITH<br>MARTIN TILLMAN - Cello<br>ANN MARIE CALHOUN - Violin<br>HILDA ORVARSDOTTIR - Voice<br>GEORGE DOERING - Guitars<br>LEE SKLAR - Bass<br><br>Drum Orchestra<br>JR ROBINSON<br>JASON BONHAM<br>JOSH FREESE<br>PHARRELL WILLIAMS<br>DANNY CAREY<br>SATNAM RAMGOTRA<br>TOSS PANOS<br>JIM KELTNER<br>CURT BISQUERA<br>TREVOR LAWRENCE JR.<br>MATT CHAMBERLAIN<br>RYELAND ALLISON<br>SHEILA E<br>BERNIE DRESSEL<br>VINNIE COLAIUTA<br><br>Pedal Steel Orchestra<br><br>CHAS SMITH<br>MARTY RIFKIN<br>SKIP EDWARDS<br>BOO BERNSTEIN<br>PETER FRIEDBERGER<br>RICK SCHMIDT<br>JD MANESS<br>JOHN McCLUNG<br><br>Supervising Orchestrators<br>BRUCE FOWLER<br>WALTER FOWLER<br><br>Orchestrators<br>SUZETTE MORIARTY<br>KEVIN KASKA<br>CARL RYDLUND<br><br>Technical Score Engineers<br>CHUCK CHOI<br>BRIAN WHERRYY<br><br>Additional Arrangements By<br>JASHA KLEBE<br><br>Synth Programming<br>HOWIE SCARR<br><br>Music Conducted By<br>NICK GLENNIE - SMITH<br><br>Orchestra Leader<br>BELINDA BROUGHTON<br><br>Score Mixed And Produced By<br>STEPHEN LIPSON<br><br>Score Recorded And Mixed By<br>ALAN MEYERSON<br><br>Additional Recording By<br>TOMMY VICARI<br>DANIEL KRESCO<br><br>Assistant Engineers<br>CHRISTIAN WENGER<br>KOHN CHAPMAN<br>PETER NELSON<br><br>Score Coordinator<br>CZARINA RUSSELL<br><br>Digital Instrument Design<br>MARK WHERRY<br><br>Music Clearance<br>MARGARET YENMOVIE CREDITS<br><br>Music By<br />HARRY GREGSON - WILLIAMS<br><br>Music Supervision by<br />JABARI ALI<br><br>Music Editors<br />MARK JAN WLODARKIEWICZ<br />PAUL THOMASON<br><br>Conducted By<br />HARRY GREGSON - WILLIAMS<br><br>Orchestrations By<br />LADD MCINTOSH<br><br>Score Recorded By<br />DENNIS SANDS<br><br>Score Mixed By<br />AL CLAY<br><br>Additional Music By<br />STEPHANE ECONOMOU<br><br>Music Production Services<br />MONICA ZIERHUT<br><br>Orchestra Contractor<br />PETER ROTTER<br><br>Music Preparation<br />BOOKER WHITE<br><br>Score Recorded At<br />STREISAND SCORING STAGE, CULVER CITY, CA<br><br><br><br><br>Even then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)
mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.And as far Zimmer scores that I don’t like for the most part, there is a small handful (Madagascar, MI2, etc.)That’s completely fair, and I honestly couldn’t defend this score and be genuine about it. I think it does help that I love this movie (despite being hard to watch) and have come to associate the music with it so much. Still, I can’t lie that I find portions of it to be incredibly effective, even when the music does become solely ambient. In terms of listenability/originality the best cue is, ironically, the 24-second “Washington” cue.<br><br>I would kill to know what Zimmer personally thinks of this score. I’m sure he had a great working relationship with Steve, hence him working on “Windows”, but I’m sure the temptrack must have been murder on his creativity...This is my least favorite Zimmer score, actually. Or else the one that I feel has the least going for it; I guess it doesn't make me mad like On Stranger Tides, but at the same time it lacks anything even remotely compelling. "Boat Trip to New Orleans" is the only halfway interesting cue and even then I don't really like to listen to it much. The experimental parts aren't interesting experiments (ooh...clapping...wow), and the Journey to the Line stuff is just tired and bland (on top of being super derivative). I get that it works in the movie or whatever but if I had a gun to my head with orders to delete one Hans score from my library and never listen to it again, I'm pretty sure this would be the one I'd go for.
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Ramin DjawadiBrandon CampbellGavin GreenawayStephen Coleman
ComposerAdditional MusicConductorOrchestrator
The Great Wall
Label: Milan Records
Length: 62'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3843 votes)
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  1. Nameless Order (4:27)
  2. Prologue (1:49)
  3. What A Wall (3:46)
  4. The Great Wall (4:30)
  5. First Battle (7:39)
  6. Captive Heroes (1:38)
  7. A Clean Start (2:27)
  8. We Are Not The Same (3:17)
  9. Funeral Song (3:01)
  10. Foggy Loyalty (3:02)
  11. Fog And Fire (3:01)
  12. The Greed Of Man (1:57)
  13. Fools And Thieves (3:16)
  14. The Great Experiment (2:54)
  15. Bianling Boogie (3:43)
  16. Tower Tactics (4:20)
  17. Powder Rangers (3:27)
  18. Xin Ren (3:55)
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Joseph Solano reply Replies: 4 || 2017-03-23 01:55:37
Can anybody give me a list of the names of themes and motifs in the movie. I would appreciate it.

  Your name :   

Please enter number: 1549 


Macejko2017-03-23 08:27:55
Sure, pal.

Blue female troops theme (heard in "Nameless Order")
Great Wall theme ("What a Wall")
William's theme ("The Great Wall")
Tao Tei (monsters) theme (first heard in "First Battle")
Tovar's guitar motif (briefly heard in "First Battle")

These are the most prominent/identifiable ones.


Joseph Solano2017-03-25 18:06:14
Thanks. Would the Blue Female Troops theme be considered Lin Mai's theme as well? And does Damon's character have a theme?


Macejko2017-03-25 21:46:35
I would need to rewatch the movie to be absolutely sure she doesn't have a separate theme. And the name of Damon's character is William, his theme is listed above :)


Joseph Solano2017-03-28 02:08:15
I wanted to see the movie and never did. Now I know what to listen for when I see it. Thanks for the help!

Edmund Meinerts reply Replies: 1 || 2017-03-05 01:32:39
This score is a lot of fun, honestly. Ramin has written better individual pieces than anything here but I'd say this is his most consistently entertaining album, never really gets boring (although sometimes I feel like he does sort of run out of ideas for action music rhythms and falls back on the same type of percussion a lot). Especially the first five tracks are great stuff, just very fun and entertaining. Love the Chinese choir additions.

Macejko, Mr. Djawadi Fanboy, you've been uncharacteristically quiet about this one, what did you think?


Macejko2017-03-05 10:14:35
Well Edmund my man, I obviously loved this album as well and I think that if we take GoT 6 out of the equation, this is Ramin's best score of the last year.
The first half of the album is a pure bliss for me, and although the second half doesn't pack that powerful of a punch, it's still great. After seeing the movie itself I was pleasently surprised of how many elements of the film were actually given a theme (like Pedro Pascal's character for example), albeit a small one.
When compared to Warcraft (which I also adored), that movie had sort of a primal, brute-force thing going on (obviously related to the nature of the Orcs). On the other hand, TGW is much more sweeping and adventurous and albeit a also fantasy film from the same year, I'd say those two scores are not interchangable at all. It just goes to show that Ramin puts a lot of serious thought into a movie, even if it's not a cinematic masterpiece (which, let's be honest, neither of those films were).

Michael Poleschuck reply Replies: 0 || 2017-02-19 13:01:32
https://www.youtube.com/watch?v=_bmlThSrdiQ&index=3&list=PLf zW_wEeYxk49mJ4kq_YIeYYzybMGSHz0

And here's a little one behind-the-scenes!

Dimitris Krommidas reply Replies: 3 || 2016-12-18 00:09:37
Epic score.
A favorite together with Warcraft and Gears of War 4.


Adam Krysinski (Soundtracks.pl)2016-12-23 08:57:21
Expanded European CD Edition (with two more tracks & different cover) will be relased on January 13, 2017.


jjluffy2017-01-15 11:05:00
It would seem that it is the digital version that contains 20 tracks. There seems to be only one cd version with 18 tracks.


rockhound2017-01-16 13:44:33
i really like that end song. very nice melody. would be cool to have it on cd.

Adam Krysinski (Soundtracks.pl) reply Replies: 1 || 2016-12-23 08:57:43
Expanded European CD Edition (with two more tracks & different cover) will be relased on January 13, 2017.


Macejko2016-12-23 16:27:32
Thanks for the info, pal! I absolutely adore this score. Although it seems that there is only one track composed by Ramin, the other two appear to be songs by some chinese artists.

MB reply Replies: 5 || 2016-12-16 17:18:11
I've already listened to it. So what can I say? Nothing special. Yes, there are some interestings moments like flute and good choir. But... The main theme reminds me Backdraft and Beyond rangoon (this is not good), but in sum the score is 3 stars from 5. Badelt's Promise alot better.


Per2016-12-16 17:32:12
I hardly check out new scores anymore.. but Backdraft and Beyond Rangoon ? .. two of my favorite scores .. maybe I should try this then.

Btw. MB, do you mean the result is not good (even though Backdraft and Beyond Rangoon are), or that Beyond Rangoon (and/or Backdraft) is not good (the themes) ? Certainly Beyond Rangoon have one of the best theme(s) ever imho.


MB2016-12-16 17:42:37
Yes, I mean the result is not good (even though Backdraft and Beyond Rangoon are, which I love very much). Maybe the others don't hear the influence of Backdraft and Beyond rangoon, but I can hear it. The result is like I said, nothing special. But the other side this score hasn't the underscore crap, thats the good side. Strange thoughts))


Hybrid Soldier2016-12-16 17:46:11
It honestly sounds nothing like those scores... lol

It just sounds like Ramin, a more "actiony" Game of Thrones and less "darky" Warcraft, closer to Clash of The Titans...


MB2016-12-16 17:50:05
I mean that there are some elements in main theme which reminds these scores. That's it. I agree that its closer to clash of the titans, but more asian style.


Anonymous2016-12-17 12:57:38
I like it. Esp after the terrible Gears score this is a nice surprise.

Waymann reply Replies: 0 || 2016-12-16 10:14:53
Damn, track 4 The Great Wall is amazing!

MB reply Replies: 0 || 2016-12-15 22:05:04
This flute in Nameless order (1st half) reminds me Beyond Rangoon. This is cool)

Felix reply Replies: 0 || 2016-12-15 21:01:19
It's sounds really good :)

Waymann reply Replies: 1 || 2016-12-14 21:41:19
First tracks is here! It's amazing. https://soundcloud.com/milanrecords/ramin-djawadi-nameless-o rder-from-the-great-wall-ost


mpolonest1232016-12-14 22:15:12
Wow, honestly didn't expect this. The string writing and percussion are 100% Ramin but the instrumentation and vocals are incredible. Really looking forward to this now.

Hybrid Soldier reply Replies: 1 || 2016-12-04 10:15:01
Thanks Frank for finding this !


Waymann2016-12-05 13:27:04
Comes out december 16 I read...

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The Great Wall soundtrack - Ramin Djawadi 2016