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Sehr geehrter Herr Zimmer, <br>Hallo Hans,<br>  <br>ich habe einige ihrer Konzerte gesehen, Prag jedoch, war wirklich, ich kann es nicht in Worte fassen, unglaublich. Top Musiker und eine super performance!<br>Ihre Musik ist eine Inspiration.<br>Hoffentlich hören wir noch viele Stücke von Ihnen...<br><br>Hochachtungsvoll und liebe Grüße<br>StefanYeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?
Haha, It's as the prophecy foretold.John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....
'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in these
Yeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...
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Benjamin WallfischHans ZimmerChris CrakerGavin Greenaway
ComposerAdditional MusicScore ProducerConductor
A Cure For Wellness
Label: Milan Records
Length: 50'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4652 votes)
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  1. Hannah And Volmer (4:35)
    Benjamin Wallfisch
  2. Nobody Ever Leaves (1:49)
    Benjamin Wallfisch
  3. Bicycle (2:00)
    Benjamin Wallfisch
  4. The Rite (3:42)
    Benjamin Wallfisch, Hans Zimmer
  5. Feuerwalzer (3:44)
    Benjamin Wallfisch
  6. Magnificent, Isn't It? (2:11)
    Benjamin Wallfisch
  7. Actually I'm Feeling Much Better (1:59)
    Benjamin Wallfisch
  8. Clearly He's Lost His Mind (2:49)
    Benjamin Wallfisch
  9. Our Thoughts Exactly (1:03)
    Benjamin Wallfisch
  10. Volmer Institut (3:02)
    Benjamin Wallfisch
  11. Terrible Darkness (3:18)
    Benjamin Wallfisch
  12. Lipstick (4:21)
    Benjamin Wallfisch
  13. Waiting (0:55)
    Benjamin Wallfisch
  14. Zutritt Verboten (3:38)
    Benjamin Wallfisch
  15. There's Nothing Wrong With You People (1:25)
    Benjamin Wallfisch
  16. Lockhart's Letter (2:12)
    Benjamin Wallfisch
  17. Volmer's Lab (3:32)
    Benjamin Wallfisch
  18. I Wanna Be Sedated - Mirel Wagner (3:38)
    The Ramones, Benjamin Wallfisch
Create Topic

... reply Replies: 2 || 2018-01-26 02:05:13
ASCAP:

A Terrible Darkness
Actually I’m Feeling Much Better
Ambition
Ballerina Sting
Ballroom
Bar Fight
Bike To Town
Blue Dress/Volmers Vitamins
Bridge Flashback
Caretaker Gurney
Church Remains
Constabulary
Cow Foetus
Crayon Picture
Dead Morris
Deer Crash
Drive
Drive To Castle/Arrival
Elevator - Boardroom
Embryonic Chamber
End Roller Pts. 1 & 2
Exploring The Spa
Fire Waltz
Grotto Fight
Hannah Bedroom Nightmare
Hannah Hums
Hannah Pond
Isolation Tank
Laptop Battery
Lipstick
Lockhart’s Letter
Logos - Buildings
Lower Corridors
Main On Ends
Monk Chant
Mother Crematorium
Mother Flashback Pulse
Mother’s Music Box
Nosebleed Bend
Not Much, But Enough
OS Orchestra
P&L Sounds
Pembroke’s Letter
Photo Sting
Pool & Stairs
Pulse
Someone More Senior
Steam Room
Tampon
The Rite
There’s Something In The Water
Toilet Eels
Tooth Pull
Train - Helicopter
Trolly To Infusion
Underground
Unmasked
Urine Sample
Vent Pulse
Volmers Diagnosis
Volmers Lab
Waiting
Water Glass
Where You Began
Zombies


JBSO992018-02-01 13:15:28
Has anyone managed to order this tracks in chronological order? I'm trying to do it myself but there are a lot of track that I can't place, so any help would be great. Thanks


mpolonest123 2018-03-26 00:20:14
I want to second this. Probably one of my favorite scores of the past 5 years

Jack Afrogarrix 2017 reply Replies: 1 || 2017-08-02 22:50:15
Hey Guys, Benjamin Wallfisch Has Released The Soundtrack Details Of Annabelle Creation In Film Music Reporter With The Track list And The Soundtrack Photos plus In Cd Version Will Be Released At Silva Screen Records & Digital Version At WaterTower Music.


Waymann2017-08-03 16:06:34
The score will be released digital tomorrow. The samples sound like a mix of orchestral sad/mysterious music en typical horror underscore.

Felix reply Replies: 8 || 2017-02-26 01:08:00
After I saw the movie I can explain a little bit:

Hannad & Volmer (Like the Opening Title)
Our Thoughts Exactly
Waiting
Volmer Institut
Nobody Ever Leaves
Terrible Darkness
Lockhart's Letter
Magnicifent, Isnt It?
Bicycle
Lipstick
Zutritt Verboten
Volmer's Lab
There is Nothing Wrong With You People
Clearly He's Lost His Mind
The Rite
Feuerwalzer
Actually I'm Feeling Much Better (End Credits)

So I think it would be the chronological order :)


Tim2017-02-26 05:41:10
No really original . Gore should have used Zanelli or Balfe


Felix2017-02-26 09:56:35
Why?! Wallfisch did a really good job


Hybrid Soldier2017-03-05 00:27:17
The final correct order is =>

Clearly He's Lost His Mind
Our Thoughts Exactly
Nobody Ever Leaves
Volmet Institut
Waiting
Terrible Darkness
Bicycle
Lipstick
Zutritt Verboten
Lockhart's Letter
There's Nothing Wrong With You People
The Rite
Feuerwaltzer
Magnificent, Isn't It?
Actually I'm Feeling Much Better
Hannah & Volmer

The only mix of "unchronological cues" is "Terrible Darkness", which has short parts from later in the film. "Hannah & Volmer" is the end credits piece.


Edmund Meinerts2017-03-05 01:29:32
Funny, the chronological order is almost the exact reverse of the album order! Now all the horror stuff comes first and the action and thematic cues are more towards the second half, whereas on the album it was more the other way around. I think I prefer it this way, that way the score builds up to the good stuff rather than shooting its wad before the album is halfway over (so to speak...). It's a good score with some great material, but a lot if it is VERY hard listening, especially "Lipstick".

Also, Hybrid, where does "Volmer's Lab" go?


Hybrid Soldier2017-03-05 10:03:29
Ha ! Forgot it !

It's between Lockhart's Letter & There's Nothing Wrong with You People.


Also, fun fact, in the End Credits of the movie there's a credit :

"Ribbons"
Composed by Hans Zimmer
Arranged by Benjamin Wallfisch
Performed by the Chamber Orchestra of London, Conducted by Gavin Greenaway

Some early ideas Hans wrote did end up in the score. Ribbons is basically the beginning of the waltz in "The Rite", at 2:08.


isildur2017-03-06 06:22:43
Interesting. So, it's just the beginning of the Waltz? How long is this "Ribbons" cue? Do you think we'll get to listen to it anytime soon?


FunnyML2017-06-04 11:26:35
My analysis goes like this:
56 cues in total, only released cues are mentioned here

02 Clearly He's Lost His Mind 3 1:55-End
04 Clearly He's Lost His Mind 1 0:00-1:10
06 Our Thoughts Exactly
10 Nobody Ever Leaves
14 Volmer Institut 2 1:18-End
18 Waiting
27 Terrible Darkness 1 0:00-1:46
28 Volmer Institut 1 0:00-1:18
30 Bicycle
32 Lipstick 1 0:00-2:08
33 Lipstick 2 2:08-End
37 Zutritt Verboten
42 Lockhart's Letter
44 Volmer's Lab
45 Terrible Darkness 2 1:46-End
46 Clearly He's Lost His Mind 2 1:10-1:55
48 There Is Nothing Wrong With You People
50 The Rite
53 Feuerwalzer
54 Magnificent, Isn't It
55 Actually I'm Feeling Much Better
56 Hannah And Volmer


JBSO992017-06-04 16:37:00
@FunnyML That new tracklist made me revisit the score and I realized (again) it's so amazing. I haven't watched the movie but I want to listen to the complete score to hear more of these beautiful melodies

Hideo reply Replies: 1 || 2017-05-28 18:03:39
What's the name of that celestial music when Volmer gives Hannah a new dress and says to her "You're a woman now" ?


FunnyML2017-06-04 11:29:36
One of many unreleased cues, so we don't know (yet).

mpolonest123 reply Replies: 0 || 2017-04-08 20:31:33
A little late to the game but I just wanted to praise this score a bit. When I first heard Hans wasn't going to be working on this project my heart immediately sank. Anytime Zimmer works with Verbinski, the end result is always spectacular (even Rango is very enjoyable, despite being a huge mess). I'm so glad I took the time to listen to this one though, Wallfisch delivered in HUGE spades!

Both themes introduced are marvelous, and it definitely speaks to Wallfisch's talent that he is able to utilize each idea without getting repetitive. One of the biggest bonuses is the variety of instrumentation and styles, ranging from the more traditional horror tropes to incorporating some beautiful vocals and even a waltz. If I had any complaints in regards to the album, its that it is far too short. By the time it ended I was hungry for more.

Hearing that he is going to score IT and Annabelle 2, I'm both intensely interested and a little nervous that he might get pigeonholed in horror. If you haven't heard his music for the Peter Pan stageplay (on Apple Music) definitely check it out, the man can write fantasy pretty damn good!

trent easton navarro reply Replies: 0 || 2017-03-18 16:24:42
I read on Facebook that Wallfisch will score the new It film. Hope it turns out to be true, he'd be a great choice

Leo reply Replies: 0 || 2017-03-08 06:21:30
Correct me if I'm wrong but I can feel Hans' fingerprints all over the "Feuerwalzer" cue. ;)

Michael Poleschuck reply Replies: 0 || 2017-02-19 12:59:13
https://www.youtube.com/watch?v=4xEA6kwonEo

Here's a little behind-the-scenes!

James Strauss reply Replies: 0 || 2017-02-19 04:39:56
Its the Full Score Avaliable?

Hybrid Soldier reply Replies: 8 || 2017-02-07 00:26:47
Suite added ! A good one ! :)


Ds2017-02-07 16:16:21
Oh yeah that suite is just amazing. Really impatient to hear the full thing, and above all to watch the movie!


Felix2017-02-07 21:43:13
Wow, great Suite, can't wait to listen to the complete album :)


Felix2017-02-07 23:04:20
It's on Spotify!! So a good album!!


JBSO992017-02-11 14:35:30
Wow, just when the girl's voice started to sing I got chills. It sounds awesome and creepy. I cannot wait to watch the movie and hear these in context.


Kalvin Koskela2017-02-11 18:23:30
You do not lie; this music is absolutely beautiful!


isildur2017-02-14 10:42:35
Listened to the score. Splendid work by Ben. Liked how it is beautiful yet creepy. Now, I don't mind much that Hans missed out on this :)


Michael Poleschuck2017-02-14 10:47:58
It's a life! Relax and enjoy the music of amazing Benjamin Wallfisch!


James Strauss2017-02-19 01:28:50
Its the Full Score Avaliable?

Jack Afrogarrix 2017 reply Replies: 0 || 2017-02-07 22:59:07
Benjamin Wallfisch Has Made Another Best Orchestral Score Better Than Lights Out Score. I Didn't Know That Soloist Voice Was From The Trailer
And Then I Hear It In This Soundtrack

I Can Wait To Hear The Score And See The Movie

ei18 reply Replies: 2 || 2017-02-07 04:21:33
7:15 and onward reminds me of something, but I can't pinpoint it. Does anyone else hear a similarity to another score? It feels like Pirates and maybe something else?


Patrick2017-02-07 06:58:42
The Brass at 7:19 is very similar to Broken Arrow, but I guess you are talking about the staccato parts?


Edmund Meinerts2017-02-07 15:47:08
The rhythm and low brass both remind me a little bit of Dark Knight Rises (some parts of Bane's music).

Daniel reply Replies: 1 || 2017-02-05 21:39:50
So. What do you say?


Anonymous2017-02-05 22:54:08
I saw what are you on about

Jack Afrogarrix 2017 reply Replies: 0 || 2017-01-27 00:37:07
This Score Is Now Release Eariler in ITunes But i Found The Soundtrack Details Of A Cure For Wellness

1.Hannah And Volmer
2.Nobody Ever Leaves
3.Bicycle
4.The Rite
5.Feuerwalzer
6.Magnificent,Isn't It
7.Actually I'm Feeling Much Better
8.Clearly He's Lost His Mind
9.Our Thought Exactly
10.Volmer Institu
11.Terrible Darkness
12.Lipstick
13.Waiting
14.Zuttrit Verbotten
15.There's Nothing Wrong With You People
16.Lockhart's Letter
17.Volmer's Lab
18.I Wanna Be Sedated(Feat.Mirel Wagner)

Jack Afrogarrix reply Replies: 1 || 2016-12-20 17:02:30
I See The 2nd Trailer A Cure For Wellness And The Music Will Be Composed By Benjamin Wallfisch
Also I Think Is An Psychological Thriller Movie


Jack Afrogarrix 2016-12-20 17:03:37
And This Movie & The Soundtrack Is Going Freak Out

Everan reply Replies: 0 || 2016-12-15 00:12:21
Hoping this creeps me out completely

Jack Afrogarrix reply Replies: 3 || 2016-12-10 13:33:47
An new movie for 2017 by benjamin wallfisch. I hope it will be same or different like the music of lights out.

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Macejko2016-12-10 16:09:19
Shut the hell up already, Astérix.


trent easton navarro2016-12-11 15:46:06
So you hope it's the same... Yet, you also hope it's different?
So which is it, mate?


Edmund Meinerts2016-12-11 21:56:52
He's just trolling us now. :p

isildur reply Replies: 1 || 2016-12-10 16:50:55
Hey Hybrid, is Hans overseeing this or completely Ben's project?. Am I mistaken or wasn't this the horror film Hans was supposed to do?


Hybrid Soldier2016-12-10 16:52:45
Hans was going to score it but the score production happened exactly at the moment of the tour so Hans let Ben do it.

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A Cure For Wellness soundtrack - Benjamin Wallfisch 2017