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thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
Thanks guys, will check out these cues.Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.<br><br>Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.The action cue "Escape" is easily one of my favorite from Powell. And the final cue for the scene right before the ending is absolutely beautiful. Face/Off is actually my favorite Powell score I think.If we're talking about the complete score, then<br><br>The Merry-Go-Round of Life<br>Airport Chase<br>Escape<br>Mikey's Grave<br>Boat Chase<br>Homecoming<br><br>is a good sampler of the absolute highlights to get you started. "Homecoming" (called "Ready for the Big Ride, Bubba" on the album release even though a different cue has that name on the complete score) is actually a really beautiful cue, one of my favorites from Powell.
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Benjamin WallfischHans ZimmerChris CrakerGavin Greenaway
ComposerAdditional MusicScore ProducerConductor
A Cure For Wellness
Label: Milan Records
Length: 50'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4646 votes)
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  1. Hannah And Volmer (4:35)
    Benjamin Wallfisch
  2. Nobody Ever Leaves (1:49)
    Benjamin Wallfisch
  3. Bicycle (2:00)
    Benjamin Wallfisch
  4. The Rite (3:42)
    Benjamin Wallfisch, Hans Zimmer
  5. Feuerwalzer (3:44)
    Benjamin Wallfisch
  6. Magnificent, Isn't It? (2:11)
    Benjamin Wallfisch
  7. Actually I'm Feeling Much Better (1:59)
    Benjamin Wallfisch
  8. Clearly He's Lost His Mind (2:49)
    Benjamin Wallfisch
  9. Our Thoughts Exactly (1:03)
    Benjamin Wallfisch
  10. Volmer Institut (3:02)
    Benjamin Wallfisch
  11. Terrible Darkness (3:18)
    Benjamin Wallfisch
  12. Lipstick (4:21)
    Benjamin Wallfisch
  13. Waiting (0:55)
    Benjamin Wallfisch
  14. Zutritt Verboten (3:38)
    Benjamin Wallfisch
  15. There's Nothing Wrong With You People (1:25)
    Benjamin Wallfisch
  16. Lockhart's Letter (2:12)
    Benjamin Wallfisch
  17. Volmer's Lab (3:32)
    Benjamin Wallfisch
  18. I Wanna Be Sedated - Mirel Wagner (3:38)
    The Ramones, Benjamin Wallfisch
Create Topic

... reply Replies: 2 || 2018-01-26 02:05:13
ASCAP:

A Terrible Darkness
Actually Iím Feeling Much Better
Ambition
Ballerina Sting
Ballroom
Bar Fight
Bike To Town
Blue Dress/Volmers Vitamins
Bridge Flashback
Caretaker Gurney
Church Remains
Constabulary
Cow Foetus
Crayon Picture
Dead Morris
Deer Crash
Drive
Drive To Castle/Arrival
Elevator - Boardroom
Embryonic Chamber
End Roller Pts. 1 & 2
Exploring The Spa
Fire Waltz
Grotto Fight
Hannah Bedroom Nightmare
Hannah Hums
Hannah Pond
Isolation Tank
Laptop Battery
Lipstick
Lockhartís Letter
Logos - Buildings
Lower Corridors
Main On Ends
Monk Chant
Mother Crematorium
Mother Flashback Pulse
Motherís Music Box
Nosebleed Bend
Not Much, But Enough
OS Orchestra
P&L Sounds
Pembrokeís Letter
Photo Sting
Pool & Stairs
Pulse
Someone More Senior
Steam Room
Tampon
The Rite
Thereís Something In The Water
Toilet Eels
Tooth Pull
Train - Helicopter
Trolly To Infusion
Underground
Unmasked
Urine Sample
Vent Pulse
Volmers Diagnosis
Volmers Lab
Waiting
Water Glass
Where You Began
Zombies


JBSO992018-02-01 13:15:28
Has anyone managed to order this tracks in chronological order? I'm trying to do it myself but there are a lot of track that I can't place, so any help would be great. Thanks


mpolonest123 2018-03-26 00:20:14
I want to second this. Probably one of my favorite scores of the past 5 years

Jack Afrogarrix 2017 reply Replies: 1 || 2017-08-02 22:50:15
Hey Guys, Benjamin Wallfisch Has Released The Soundtrack Details Of Annabelle Creation In Film Music Reporter With The Track list And The Soundtrack Photos plus In Cd Version Will Be Released At Silva Screen Records & Digital Version At WaterTower Music.


Waymann2017-08-03 16:06:34
The score will be released digital tomorrow. The samples sound like a mix of orchestral sad/mysterious music en typical horror underscore.

Felix reply Replies: 8 || 2017-02-26 01:08:00
After I saw the movie I can explain a little bit:

Hannad & Volmer (Like the Opening Title)
Our Thoughts Exactly
Waiting
Volmer Institut
Nobody Ever Leaves
Terrible Darkness
Lockhart's Letter
Magnicifent, Isnt It?
Bicycle
Lipstick
Zutritt Verboten
Volmer's Lab
There is Nothing Wrong With You People
Clearly He's Lost His Mind
The Rite
Feuerwalzer
Actually I'm Feeling Much Better (End Credits)

So I think it would be the chronological order :)


Tim2017-02-26 05:41:10
No really original . Gore should have used Zanelli or Balfe


Felix2017-02-26 09:56:35
Why?! Wallfisch did a really good job


Hybrid Soldier2017-03-05 00:27:17
The final correct order is =>

Clearly He's Lost His Mind
Our Thoughts Exactly
Nobody Ever Leaves
Volmet Institut
Waiting
Terrible Darkness
Bicycle
Lipstick
Zutritt Verboten
Lockhart's Letter
There's Nothing Wrong With You People
The Rite
Feuerwaltzer
Magnificent, Isn't It?
Actually I'm Feeling Much Better
Hannah & Volmer

The only mix of "unchronological cues" is "Terrible Darkness", which has short parts from later in the film. "Hannah & Volmer" is the end credits piece.


Edmund Meinerts2017-03-05 01:29:32
Funny, the chronological order is almost the exact reverse of the album order! Now all the horror stuff comes first and the action and thematic cues are more towards the second half, whereas on the album it was more the other way around. I think I prefer it this way, that way the score builds up to the good stuff rather than shooting its wad before the album is halfway over (so to speak...). It's a good score with some great material, but a lot if it is VERY hard listening, especially "Lipstick".

Also, Hybrid, where does "Volmer's Lab" go?


Hybrid Soldier2017-03-05 10:03:29
Ha ! Forgot it !

It's between Lockhart's Letter & There's Nothing Wrong with You People.


Also, fun fact, in the End Credits of the movie there's a credit :

"Ribbons"
Composed by Hans Zimmer
Arranged by Benjamin Wallfisch
Performed by the Chamber Orchestra of London, Conducted by Gavin Greenaway

Some early ideas Hans wrote did end up in the score. Ribbons is basically the beginning of the waltz in "The Rite", at 2:08.


isildur2017-03-06 06:22:43
Interesting. So, it's just the beginning of the Waltz? How long is this "Ribbons" cue? Do you think we'll get to listen to it anytime soon?


FunnyML2017-06-04 11:26:35
My analysis goes like this:
56 cues in total, only released cues are mentioned here

02 Clearly He's Lost His Mind 3 1:55-End
04 Clearly He's Lost His Mind 1 0:00-1:10
06 Our Thoughts Exactly
10 Nobody Ever Leaves
14 Volmer Institut 2 1:18-End
18 Waiting
27 Terrible Darkness 1 0:00-1:46
28 Volmer Institut 1 0:00-1:18
30 Bicycle
32 Lipstick 1 0:00-2:08
33 Lipstick 2 2:08-End
37 Zutritt Verboten
42 Lockhart's Letter
44 Volmer's Lab
45 Terrible Darkness 2 1:46-End
46 Clearly He's Lost His Mind 2 1:10-1:55
48 There Is Nothing Wrong With You People
50 The Rite
53 Feuerwalzer
54 Magnificent, Isn't It
55 Actually I'm Feeling Much Better
56 Hannah And Volmer


JBSO992017-06-04 16:37:00
@FunnyML That new tracklist made me revisit the score and I realized (again) it's so amazing. I haven't watched the movie but I want to listen to the complete score to hear more of these beautiful melodies

Hideo reply Replies: 1 || 2017-05-28 18:03:39
What's the name of that celestial music when Volmer gives Hannah a new dress and says to her "You're a woman now" ?


FunnyML2017-06-04 11:29:36
One of many unreleased cues, so we don't know (yet).

mpolonest123 reply Replies: 0 || 2017-04-08 20:31:33
A little late to the game but I just wanted to praise this score a bit. When I first heard Hans wasn't going to be working on this project my heart immediately sank. Anytime Zimmer works with Verbinski, the end result is always spectacular (even Rango is very enjoyable, despite being a huge mess). I'm so glad I took the time to listen to this one though, Wallfisch delivered in HUGE spades!

Both themes introduced are marvelous, and it definitely speaks to Wallfisch's talent that he is able to utilize each idea without getting repetitive. One of the biggest bonuses is the variety of instrumentation and styles, ranging from the more traditional horror tropes to incorporating some beautiful vocals and even a waltz. If I had any complaints in regards to the album, its that it is far too short. By the time it ended I was hungry for more.

Hearing that he is going to score IT and Annabelle 2, I'm both intensely interested and a little nervous that he might get pigeonholed in horror. If you haven't heard his music for the Peter Pan stageplay (on Apple Music) definitely check it out, the man can write fantasy pretty damn good!

trent easton navarro reply Replies: 0 || 2017-03-18 16:24:42
I read on Facebook that Wallfisch will score the new It film. Hope it turns out to be true, he'd be a great choice

Leo reply Replies: 0 || 2017-03-08 06:21:30
Correct me if I'm wrong but I can feel Hans' fingerprints all over the "Feuerwalzer" cue. ;)

  Your name :   

Please enter number: 1550 

Michael Poleschuck reply Replies: 0 || 2017-02-19 12:59:13
https://www.youtube.com/watch?v=4xEA6kwonEo

Here's a little behind-the-scenes!

James Strauss reply Replies: 0 || 2017-02-19 04:39:56
Its the Full Score Avaliable?

Hybrid Soldier reply Replies: 8 || 2017-02-07 00:26:47
Suite added ! A good one ! :)


Ds2017-02-07 16:16:21
Oh yeah that suite is just amazing. Really impatient to hear the full thing, and above all to watch the movie!


Felix2017-02-07 21:43:13
Wow, great Suite, can't wait to listen to the complete album :)


Felix2017-02-07 23:04:20
It's on Spotify!! So a good album!!


JBSO992017-02-11 14:35:30
Wow, just when the girl's voice started to sing I got chills. It sounds awesome and creepy. I cannot wait to watch the movie and hear these in context.


Kalvin Koskela2017-02-11 18:23:30
You do not lie; this music is absolutely beautiful!


isildur2017-02-14 10:42:35
Listened to the score. Splendid work by Ben. Liked how it is beautiful yet creepy. Now, I don't mind much that Hans missed out on this :)


Michael Poleschuck2017-02-14 10:47:58
It's a life! Relax and enjoy the music of amazing Benjamin Wallfisch!


James Strauss2017-02-19 01:28:50
Its the Full Score Avaliable?

Jack Afrogarrix 2017 reply Replies: 0 || 2017-02-07 22:59:07
Benjamin Wallfisch Has Made Another Best Orchestral Score Better Than Lights Out Score. I Didn't Know That Soloist Voice Was From The Trailer
And Then I Hear It In This Soundtrack

I Can Wait To Hear The Score And See The Movie

ei18 reply Replies: 2 || 2017-02-07 04:21:33
7:15 and onward reminds me of something, but I can't pinpoint it. Does anyone else hear a similarity to another score? It feels like Pirates and maybe something else?


Patrick2017-02-07 06:58:42
The Brass at 7:19 is very similar to Broken Arrow, but I guess you are talking about the staccato parts?


Edmund Meinerts2017-02-07 15:47:08
The rhythm and low brass both remind me a little bit of Dark Knight Rises (some parts of Bane's music).

Daniel reply Replies: 1 || 2017-02-05 21:39:50
So. What do you say?


Anonymous2017-02-05 22:54:08
I saw what are you on about

Jack Afrogarrix 2017 reply Replies: 0 || 2017-01-27 00:37:07
This Score Is Now Release Eariler in ITunes But i Found The Soundtrack Details Of A Cure For Wellness

1.Hannah And Volmer
2.Nobody Ever Leaves
3.Bicycle
4.The Rite
5.Feuerwalzer
6.Magnificent,Isn't It
7.Actually I'm Feeling Much Better
8.Clearly He's Lost His Mind
9.Our Thought Exactly
10.Volmer Institu
11.Terrible Darkness
12.Lipstick
13.Waiting
14.Zuttrit Verbotten
15.There's Nothing Wrong With You People
16.Lockhart's Letter
17.Volmer's Lab
18.I Wanna Be Sedated(Feat.Mirel Wagner)

Jack Afrogarrix reply Replies: 1 || 2016-12-20 17:02:30
I See The 2nd Trailer A Cure For Wellness And The Music Will Be Composed By Benjamin Wallfisch
Also I Think Is An Psychological Thriller Movie


Jack Afrogarrix 2016-12-20 17:03:37
And This Movie & The Soundtrack Is Going Freak Out

Everan reply Replies: 0 || 2016-12-15 00:12:21
Hoping this creeps me out completely

Jack Afrogarrix reply Replies: 3 || 2016-12-10 13:33:47
An new movie for 2017 by benjamin wallfisch. I hope it will be same or different like the music of lights out.


Macejko2016-12-10 16:09:19
Shut the hell up already, Astťrix.


trent easton navarro2016-12-11 15:46:06
So you hope it's the same... Yet, you also hope it's different?
So which is it, mate?


Edmund Meinerts2016-12-11 21:56:52
He's just trolling us now. :p

isildur reply Replies: 1 || 2016-12-10 16:50:55
Hey Hybrid, is Hans overseeing this or completely Ben's project?. Am I mistaken or wasn't this the horror film Hans was supposed to do?


Hybrid Soldier2016-12-10 16:52:45
Hans was going to score it but the score production happened exactly at the moment of the tour so Hans let Ben do it.

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A Cure For Wellness soundtrack - Benjamin Wallfisch 2017