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Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>I would like to sell some music.  Here is my music.<br><br>soundcloud.com/knightrider54If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.
Ludwig GöranssonNolan's movie IT IS CONFIRMED ;)As much as I liked Julyan's work - especially his score for Insomnia, don't think it would work. I mention Lorne because he has worked with Nolan as part of Zimmer's team and his sound is very familiar to Zimmer's. <br><br>Of course, everything is kept under wraps. I personally think Zimmer doesn't want to confirm his involvement so that he doesn't get asked about it. I mean the film starts filming in three months and we only have a date. Hans usually starts very early on Nolan's films that's what surprises me the most, if he really is in the dark with this one.I really can't see Nolan going back to Julyan. The guy's a TV composer at heart. He's not suited for these big epics Nolan keeps making. The last "major" movie he scored was The Cabin the Woods in 2012.Trust me, I hope so !
Stay calm folks, the name of the film has not yet been disclosed. When it announced, you see there ''Music by HANS ZIMMER''To be honest, Dunkirk kind of sounded like Nolan asking Hans to take inspiration from David Julyan anyway. In some ways.If Hans wouldn't score a Nolan project, just expect David Julyan, they are close friends you know...I certainly expect that Hans will score the Nolan movie, but we'll see. It's certainly possible that, like other directors Hans has worked with off and on, Nolan won't choose Zimmer for every project moving forward, but will still collaborate with him again on the right project. We'll see, I guess.To me, Nolan and Zimmer have become inseparable so I'd be really surprised if he doesn't score the film. But if not Zimmer than who? Balfe? :D - Hope I didn't open the floodgates of hell... <br><br>Anyway, super excited and happy that Zimmer is scoring Dune. It was an obvious choice just glad it was confirmed - Would've also liked a collab with Wallfisch since BR2049 is one of my favorite scores.
I hope Nolan and Hans haven't had a falling out.... I may not like every single choice they've made, but I always enjoy their collaborations and look forward to them.Apparently Zimmer didn't have a good time on Dunkirk (according to Nolan himself) but I never got the feeling that they weren't happy in the end about the score.WHAAAAAATTTTTT? Nolan's movie is not confirmed??? But Nolan-Zimmer is the rule, no? But why wouldn't Hans score Nolan's movie? Did something happen between them?Wait wait wait Nolan's movie for Hans is not confirmed... Far from it...This is also releasing in 2020. How many movies are up for release now from 2019-2020, Lion King, Dark Phoenix, Wonder Woman 2, Top Gun - Maverick, SpongeBob, Nolan's movie, this, and that BBC show. We are gonna get so much stuff. I am very excited.
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2842 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Déj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016