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I can't say that I am happy.  I love Marr, but I don't want Marr in Lorne's position.  #BalfeforBondJohnny Marr has been confirmed to be performing on the score...<br><br>Is there going to be a separate discussion thread for this btw?Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.Meh, you're not alone. Not a big fan of Desplat, especially when it comes to his contributions to pre-established franchises.
Track 9. Stop The Crane and 11. Burn Or Jump<br><br>Excellent.One of the most elite scores produced.I might get hate for this and Desplat might be a cool guy, but I have no idea why he gets so many Oscar nominations... please don´t kill meMan, I am actually excited to hear Balfe's score for Bad Boys for Life - the clips he's posted on his Facebook page sound awesome and like they could truly honour Mancina. The Balfe components sound epic and the Mancina integrations dynamic. What's to fear, right?  <br><br><br>I do fear that someone makes Alan Myerson to distill these 100s of performers, choral and orchestral, to make the whole score sound like an 80s casio synth again - please don't!! Balfe's had huge success with Dark Materials and Gemini Man with a pure orchestral sound - don't fuck it up, PLEASE.meh to desplat. this score needs jackman...
The "Knight March" theme is really potent. Hans should release his suites for this! I know it'll never happen, but a CD of just his original demos for his various projects would be really fun to hear.I also want to remind people that Cate Shortland is directing this film. This is a director that said James Horner destroyed the movie Avatar with his manipulative  music.<br><br>I wouldn't be surprised if most of the music is more tame without melodies. But then again, Disney is really the composer here, not Desplat.Shince, outside of the admittedly great main theme I do find Silvestri's Avengers music to be fairly forgettable...the sort of standard watered down orchestral sound that Marvel loves, not badly composed or anything but not particularly distinctive and a bit disappointing coming from a composer who in the past was capable of stuff like Judge Dredd, The Mummy Returns or Van Helsing.We never usually have the credits of Lorne's projects.  Could Hybrid get the credits of Lorne's projects?Some additional credits from the cuesheet:<br><br>Lorne Balfe, Steffen Thum<br><br>COFFEE TIME<br>NIGHT VISITORS<br><br><br>Lorne Balfe, Steve Davis<br><br>FIRST CONFRONTATION<br>VAN ATTACK<br><br><br>Lorne Balfe, Sven Faulconer<br><br>MOTORCYCLE CHASE<br>URIE TALKS TO HENRY<br><br><br>Lorne Balfe, Max Aruj<br><br>BUDAPEST<br>TRAIN RIDE<br><br><br>Steffen Thum<br><br>MEET JACK
But the style in Bad Boys 2 is totally different to the style in part 1. so the explanation doesn't make much sense.I have met with Tony Scott, on the filming location of Spy Game I asked him, who will compose the music for the film, he answered Hans Zimmer. :) And it landed at HGW. And Tony had worked with HGW only since then. <br>Mancina dropped out because, he wanted to do something new for the movie and didn't want to repeat himself, and MB and JB didn't like the idea, and they wanted the same music style, so MC left the project.Last time Disney hired Desplat, he ended up... not doing the score at all...Oh, shit, i forgot Valerian, such an amazing epic/space score.<br><br>TerrificThe Deathly Hallows, Valerian and Godzilla by Desplat had quite memorable melodies IMO.
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3892 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Déj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016