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It's really cool. Very beautiful scoresScore out today. Already available on Amazon. Hopefully soon on iTunes, can't find it. <br><br>Tracklist: - 99 min. <br><br>1. Main Title Theme – Westworld (1:41)<br>2. Journey Into Night (5:29)<br>3. Runaway (2:48)<br>4. Myself (4:02)<br>5. The Entertainer (1:06)<br>6. Is This Now? (4:23)<br>7. Seven Nation Army (2:12)<br>8. The Raj (2:47)<br>9. Les Écorchés (4:12)<br>10. Heart-Shaped Box&#8239; (Orchestral) (3:24)<br>11. Akane no Mai (3:33)<br>12. Paint It, Black (5:42)<br>13. C.R.E.A.M. (1:46)<br>14. Virt&#249; e Fortuna (2:18)<br>15. A New Voice (3:30)<br>16. Kiksuya (3:23)<br>17. I Remember You (5:22)<br>18. Heart-Shaped Box (Piano) (1:57)<br>19. Take My Heart When You Go (4:10)<br>20. Virus (2:52)<br>21. My Favorite (3:35)<br>22. Vanishing Point (3:01)<br>23. My Speech (1:17)<br>24. A Passage to Another World (4:14)<br>25. I Promise (4:34)<br>26. Core Drive (3:53)<br>27. Westworld (5:21)<br>28. Codex (3:34)<br>29. We’ll Meet Again (3:10)Thank you. Do you know which segment of the track?Something tells me they're not going to.Wait, that describes many film score leitmotifs doesn't it? Is it just used to describe Zimmer-type of music simply because he uses them more often, or are his main themes almost always power anthems?
Maybe I am wrong about this, but a power anthem is a cue that revolves around a soaring, powerful melody that repeats itself throughout composition to represent a character, a team, or a specific sequence in the movie. Power anthems usually have minimal focus on developing complex B-sections, transition elements, and deep narratives.<br><br>I think the best example is Jablonsky's "Arrival to Earth" in Transformers. My personal favorite is "Show Me Your Firetruck" in Zimmer's Backdraft.Politics. Zimmer was supposed to be doing Last Samurai, So he recommended Badelt when Bruckheimer asked him to do it. But in the end he ended up writing the main theme and the bulk of the score and KB has not worked with HZ since.I like this one too. xDThis is somewhat random, but can someone define for me what exactly qualifies as a power theme/anthem in reference to film scores? That term is used all the time to define Hans' music and I have a vague idea of what it means, but I'd like to know exactly what it refers to.Hybrid, there’s a cool organ variation of Davy Jone’s theme in the film that comes right before Liar’s Dice, although I don’t see it listed here. Is it mixed in with another unreleased cue or is it not on the list at all?
YesHi , why in the end credits of the movie , hans was not mentioned as composer and we had only klaus badelt credit ?<br>It would have to be suites because the better parts of each are only like 20 seconds or 50 seconds long...if he can put it all into a suite that's fine.meh<br>I dont want a soundtrack of just suites<br>The Batman Suite (9:50) - is this part of Men Are Good on the OST album?
I expect the following tracks:<br><br>A Delos suite<br>A new MIB suite incorporating all of the music from Episode 9<br>A Dolores Suite that showcases all of the uses of her theme (battlewise, anyway)<br>A Ackecheta Suite<br>The Samurai World suite<br>The obvious cover songs already released<br>Anything from Season 1 that was left out. <br>- Somehow I dont think this soundtack will be 2 volumes, like the last one...but this will do <br>  <br>I’m using the ASCAP titles in conjunction with the film. Certain cues on the OST are stitched together with several shorter cues (Lipstick and Terrible Darkness for example) and are out of order. I think Hybrid posted the film order.Are you using the OST to break this down or all cuesThis was such a nightmare to try and break down. Much like IT, there are dozens of short cues that bleed into each other. Not 100% Complete (missing 5 or 6 cues) but for the most part in correct order...<br><br>Logos - Buildings<br>Dead Morris<br>Elevator - Boardroom<br>Pembroke’s Letter<br>Someone More Senior<br>Train<br>Laptop Battery<br>Mother’s Music Box<br>Drive To Castle - Arrival <br>Vent Pulse<br>Water Glass<br>Drive<br>Mother Flashback Pulse<br>Mother Crematorium<br>Deer Crash<br>Exploring The Spa<br>Steam Room<br>Hannah Hums<br>Waiting<br>Nosebleed Bend<br>Volmers Diagnosis<br>Urine Sample<br>Isolation Tank<br>Bridge Flashback<br>There’s Something In The Water<br>Caretaker Gurney<br>Terrible Darkness<br>Church Remains<br>Hannah Pond<br>Ballerina Sting<br>Bike To Town<br>Crayon Picture<br>Tampon<br>Cow Fetus<br>Bar Fight<br>Lipstick<br>Hannah Bedroom Nightmare<br>Tooth Pull<br>Lower Corridors<br>Embryonic Chamber<br>Constabulary<br>Toilet Eels<br>Lockhart’s Letter<br>Underground<br>Volmer’s Lab<br>Grotto Fight<br>Zombies<br>OS Orchestra<br>Blue Dress - Volmer’s Vitamins<br>Monk Chant<br>Ballroom<br>The Rite<br>Pulse<br>Photo Sting<br>Unmasked<br>Fire Waltz<br>Actually I’m Feeling Much Better<br>Main On Ends<br>End Roller Pts. 1 & 2I'm really curious about this one.<br><br>But for August, i expected most The Meg
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2541 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Déj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016