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It's traditional.Does anyone know if the melody of God U Takem Laef Blong Mi is Hans Zimmerís original composition or a traditional melody? Thanks!Where can I find it?Great new podcast with Steve. Check it out, it's worth it - https://www.score-movie.com/single-post/2018/04/24/Episode-6 -Steve-Jablonsky-Behind-the-Score-Trent-Reznor-Atticus-Ross- Name-That-ScoreI'm guessing that the end credits will be where we hear what Williams wrote for the film, a concert arrangement of the new theme he contributed. So it'll start with the classic fanfare and then lead into that, and then if there's any time left to fill they'll put in some of Powell's material.
For the most part I agree with you, especially in regards to continuity. Him writing a third theme for Cap makes no sense whatsoever, considering that the credits of TWS had a more traditional take on his CA theme which is basically what he ended up writing for Civil War. Same with the lack of The Falcon theme, which was even used in Ant-Man. I have a feeling this has something to do with what the Russo Bros wanted however.<br><br>As for the overall score though, I actually think it works great in context. Considering the film is a thriller, the more nuanced approach Henry took here feels very appropriate. And even though itís a short motif, I genuinely like the theme for Black Panther.Listening to all these fan made covers!!! They all are more than awesome. Its feels good how Hans Zimmer is inspiring the world around to create such a great music. Lots of applause to all the fans who have submitted their covers over here. Good luck !!!<br>I have been revisiting a lot of scores of the MCU leading up to Infinity War, and what I don't really understand is why they didn't used almost any of the previously established themes in this one. He even created a new theme for Captain America, when he could have used his own theme from Winter Soldier. In fact, I think Winter Soldier's theme is the only one returning. Age of Ultron, although it was a really chaotic score, at least had some continuity and was a lot of fun, but this score feels flat for the most part of it.<br><br>And I really enjoyed TWS but for me this was a step down. But I must recognize that there are some great action cues, especially in the Airport Battle, but apart from that I didn't found anything that remarkable.This might sound like a rather... odd question, but I did ask it when it came to Rogue One. Is John Powell going to use a 'classic' arrangement of the End Credits Suite, or is he writing something entirely new? The end credits theme is pretty much a staple of all the films so far and it would be interesting to know what Powell has in mind for his score there.And the release date has finally come !<br><br>MAY 25th !<br><br>Will it be Powell's masterpiece ? I hope so ! But it's going difficult to sound better than HTTYD !
Yep, I noticed. And in mp3<br>I guess YT is still the better wayThere's a way to do it but I won't tell you for fear that I get HULK SMASHED by Hybrid. Besides, the file is in 112 kbps, it's barely worth the trouble (and I'm not even much of an audiophile).totally agreed...<br>maybe some way to hack intoI hope the Imperial March is in the score.Thank You NotaPix. That was really helpful. :)<br>
I've never found this one either. It's the biggest gap in my HGW collection probably. Wonder why it never got a proper score release, sure it's a bit mickey-mousey and insubstantial but they could have at least put 30 minutes or so on the regular album, not just one track...hello Piyush VC<br>sorry, I hope I have correctly understood your question, I do not know English (google translator).<br>I do not remember well how long my covers have been published here after my submission.<br>but if you would like to publish your own cover of the composer Hans Zimmer here, it is more correct that you address the questions of this type to 'antas' admin.<br>as I said, I hope my answer is relevant to your question.<br>bye :)Anywhere I can find a complete recording of this soundtrack? I've looked everywhere.Hey there.. Your music score is really good, I liked them all. I wanna know within how many days after your submission, were your tracks posted over here?Can anyone point me to where I can get a copy of this? I'd love to have this in my collection.
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2462 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Dťj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016