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There are definitely similarities. Easy to spot. "Two Moons" (from 0:57), "We Were Gods Once" (from 0:26).Is it me or the track "Two Moons" borrows some elements from "We Were Gods Onece" Dark of the Moon?Does anyone notice the Barbossa/Beckett theme from On Stranger Tides at 1:52 in "Shansa"?Musical Gold ! Perfect term for this . Still no suite examples ?That cue is Mazzaro !
Oh, theme is Brandenburg Concerto no. 3, no Branderbourg Concerto no. 3.This theme is probably Branderbourg Concerto no. 3.Steve provides what the director wants. Simple as that. It's not a surprise that the most beloved Jablonsky scores are for Michael Bay films. Because Bay wants it epic, Bay wants it orchestral, Bay wants it dramatic and emotional. He pushes all buttons and Steve delivers. On the other hand, Peter Berg - the Deepwater director who did a few other movies with Jablonsky - usually goes for sound design scores. In short, he's not as epic and melodic as Bay is. So if you want to blame someone for the fact that you didn't like the Deepwater score, blame Peter Berg.Probably Branderbourg Concerto no. 3Gold is a great term . Amazing music
I totally agree because I though Lego was brilliant but this shows his other side. Dare I say - better than Lego Batman !!!!!Is there any chance to Brazilian fans to see Zimmer's concert in Brazil ???? :)Lorne strikes gold once again!  I can't stop falling in love with Balfe's musical talent and technique.Really enjoying this soundtrack and glad they released so much music . Very emotional and the more I listen , the more I get into itSounds like 13 Hours was in temp!!!!
Just saw the Movie few Hours ago and this is a really Great step back to the First one ! Like the fact that it's like in First one optimus vs megatron and Not some galvatron and his City-eatin ship stuff. When Classic themes Kicks in it feels like 2007 in the Cinema and it is much Fun! A Great direction and I Hope that we get Even more Original stuff in the next one ! <br>Go and See tranformers 5 especially of You saw the First one as a Child or if You just like it and enjoy the Music and Fun of it and don't throw it in the trash like many critics Are doin it ! <br>Yes I totaly Agree with You ! It just don't make Sense Even if musicians would get payed again they would Not lose  Money. As I Said there Are many Bad Scores out there that got played by musicians and orchestra and the fact that there Are still on iTunes and so on Shows that Even These Not so good Scores Are paying out so as You Said it is just unlogical !Love it too. Great track, very sweet, very tender. I really love the part from 2:49 utill the end.Yup, you're right about the Autobots theme. I liked the fact that they paid an homage to the first score. Could be wrong, but I don't think we got that in the last two movies. It's like they wanted to distance themselves from the first two scores. Which, to be honest, was something I didn't like. So I'm definitely glad that there are few bits from the first score in "The Last Knight". It was great to hear it all while watching the movie itself.No, what @MrZimmerFan meant is Hans took the idea of Jablosky and not that he developed it. Ramin was also inspired on this piece for another one of Game of Thrones.
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Harry Gregson-WilliamsStephanie EconomouMartin Tillman
ComposerAdditional MusicMusician
Live By Night
Label: WaterTower Music
Length: 49'17 (Score: 45'46)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2000 votes)
  1. Joe Coughlin (2:59)
  2. Albert's Girl (2:44)
  3. The Getaway (3:04)
  4. Aftermath (2:54)
  5. Ybor City (1:00)
  6. Three Years, Four Months (2:56)
  7. The Distillery (2:27)
  8. Graciela (0:57)
  9. Live Like Kings (1:16)
  10. Loretta Figgis (3:42)
  11. Uncovering The Klan (3:03)
  12. Beatings, Bombings, And Murders (1:00)
  13. One Day (1:07)
  14. End Of Prohibition (2:02)
  15. One Final Stand (2:23)
  16. How Cheap Is Your Virtue? (3:27)
  17. Dion Takes Over (2:12)
  18. I'm Free, Joseph (2:27)
  19. This Is Heaven (3:55)
  20. Moonshine - Foy Vance feat. Kacey Musgraves (3:31)
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Jack Afrogarrix reply Replies: 1 || 2016-12-24 15:15:04
Interesting But Action Score For Harry Gregson-Williams With An New Additional Music By Stephanie Economou in Another Ben Affleck Movie 2016


Edmund Meinerts2016-12-25 12:42:18
ARE U HUMAN?

Edmund Meinerts reply Replies: 9 || 2016-12-17 12:50:38
While I'm always happy to see HGW get new assignments, I'm also always a bit disappointed when it turns out to be a thriller (which is the case nine times out of ten with him, these days).

I want to hear him in Narnia/Kingdom of Heaven mode again. The only music like that he's written lately are his three cues from Exodus, which are really great, but it's not enough... :(


Saurabh2016-12-18 02:18:43
I guess it's the kind of approach Affleck prefers from HGW. It's the same basic style heard in Gone Baby Gone and The Town where you have an ambient soundscape aided by some slow strings and a guiter.

HGW is extremely adept in writing some aggressive orchestral cues as in KoH, Narnia and Prince of Persia. Hitite Battle was my favorite track from Exodus. Too bad he doesn't do many such projects.

And given the outstanding work he has done with Ridley Scott, its a shame he won't be doing Alien: Covenant.


Edmund Meinerts2016-12-18 11:39:11
Yeah, Affleck seems to have assumed the "director who gets HGW to provide boring thriller scores" mantle from Tony Scott. I'm not really sure what it is with Scott...earlier in his career he would get scores with big themes, Days of Thunder, Crimson Tide, even Enemy of the State to an extent. But from Spy Game onwards pretty much all the scores to his movies fell into the same boring thriller-score pattern. Wonder what happened to turn him off to bold thematic film scoring? (Then again, I wonder that about most of Hollywood these days...)

"Hittite Battle" and "Tsunami" were both great. A little teasing glimpse of the HGW of old.


Hybrid Soldier2016-12-18 11:52:00
I "mostly" agree with Tony Scott's score BUT Déj&#224; Vu is fantastic in every way, and it has lots of themes... lol


rockhound2016-12-18 14:41:09
Days Of Thunder, Crimson Tide and Enemy Of the State are simpson/bruckheimer productions. Thats why these scores have big heroic themes and an epic feel. but if u listen to The Fan, thats already harry gregson-williams style, although its a zimmer score. i really liked the team tony scott/harry gregson-williams. its a special thriller music style with a very specific sounds. afflecks Gone Baby Gone was also very lovely with a beautiful theme and a couple of nice motifs here and there during the suspense stuff. the new movie has a different setting than the other affleck movies, so maybe harry is using less electronics and more orchestra.


Hari Haran2016-12-18 19:27:03
Edmund, hush.

The amount of people wanting Trent Reznor to score his upcoming Batman film frightens me.

I'd rather have HGW in thriller/superhero mode for Affleck any day, in comparison.


rockhound2016-12-18 20:08:21
sound clips on amazon.de. the music sounds great and nothing like The Town or the tony scott movies.


Brent2016-12-18 20:08:25
^ Harry better score that Batman film.


Ds2016-12-18 23:49:44
I hope HGW scores Affleck's Batman movie, seems like an obvious choice actually. Affleck keeps his relationship with HGW, and Batman remains in RCP territory. Nice deal :-p


JamesT2016-12-19 04:29:11
Love the sound clips and excited for the release on Friday!

Tracks like Ybor City remind me of early sounds of Smilla and Deja Vu; Three Years, Four Months has a Passionada and GBG flair to it; Loretta Figgis is beautiful!

Hybrid: any idea who is doing the vocal work? Lisbeth Scott??

I'm also really looking forward to The Zookeeper's Wife!

Jshao reply Replies: 1 || 2016-12-18 22:36:12
wait, HGW is not doing Alien:Covenant? I thought he confirmed before that he is doing this!


MB2016-12-18 23:00:51
Welcome to a real world, son! ))))

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Live By Night soundtrack - Harry Gregson-Williams 2016